Lisa Linke Resume

Total Page：16

File Type：pdf, Size：1020Kb

Lisa Linke SAG-AFTRA TELEVISION BUNK’D GUEST STAR DISNEY CHANNEL / JON ROSENBAUM MODERN FAMILY CO-STAR ABC / JEFFREY WALKER THIS IS US CO-STAR NBC / KEN OLIN LOVE CO STAR NETFLIX / NISHA GANATRA TEACHERS (recurring) CO STAR TVLAND / PAYMAN BENZ THE DAILY SHOW CO STAR COMEDY CENTRAL / NEAL BRENNAN JUST DOUGIE CO STAR PILOT / DAN CHEN BLACK-ISH CO STAR ABC / MATT SOHN SHAMELESS CO STAR SHOWTIME / J. MICHAEL MURO FILM THE FEMALE BRAIN PRINCIPAL BLACK BICYCLE/WHITNEY CUMMINGS MÈRE ET FILLE SUPPORTING LEAD DISNEY/STEPHANE MARELLI IMPROV /SKETCH COMEDY BIRDLAND IMPROV ENSEMBLE IO (IMPROV OLYMPIC), LA FISH SCARE IMPROV ENSEMBLE SECOND CITY HOLLYWOOD COMEDYSPORTZ IMPROV ENSEMBLE COMEDYSPORTZ, CHICAGO CLOSE QUARTERS* ** IMPROV ENSEMBLE IO (IMPROV OLYMPIC), CHICAGO BITCH, WITCH, VIRGIN & WHORE 1-WOMAN SHOW THE COMPLEX, HOLLYWOOD HOW TO RUIN YOUR LIFE IN ONE HOUR* 2-WOMAN SHOW IO (IMPROV OLYMPIC), CHICAGO * TIMEOUT CHICAGO CRITIC’S PICK ** OFFICIAL SELECTION - JUST FOR LAUGHS FESTIVAL, CHICAGO NEW MEDIA (PARTIAL LIST) DOG MOMS LEAD BIT.LY/DOGMOMS REAL HOUSEWIVES OF SHAKESPEARE CO STAR BIT.LY/TRHOS BARB’S BOOMBOX LEAD YOUTUBE.COM/MAKERMUSIC RICK & LEN FIX SHIT IN YOUR HOUSE* SERIES REGULAR RICKANDLENFIX.COM DEAD BIRD WALKING SKETCH PLAYER SECOND CITY NETWORK * BEST WEB SERIES, CHICAGO COMEDY FILM FEST 2013 TRAINING/EDUCATION FACULTY MEMBER LESLY KAHN & COMPANY LOS ANGELES ONGOING SCENE STUDY LESLY KAHN & COMPANY LOS ANGELES COMEDY INTENSIVE & TECHNIQUE CLINIC LESLY KAHN & COMPANY LOS ANGELES ON-CAMERA COMMERCIAL ACTING JILL ALEXANDER LOS ANGELES ON CAMERA AUDITION WORKSHOP CHRISTINNA CHAUNCEY LOS ANGELES KILLIAN’S WORKSHOP KILLIAN MCHUGH LOS ANGELES IMPROVISATION CONSERVATORY ALUM THE SECOND CITY, CHICAGO IMPROVISATION - IO CHICAGO, IO WEST ALUMNA, MAINSTAGE PERFORMER IO (IMPROV OLYMPIC) SPECIAL SKILLS ABILITIES: IMPROV, SKETCH COMEDY, SKETCH WRITING, PHYSICAL COMEDY, KEYNOTE SPEAKING; ATHLETICS: EXCELLENT SWIMMER; LANGUAGES : SPANISH (FUNCTIONAL); EDUCATION : MBA & MASTERS IN HUMAN RESOURCES; OTHER: VALID US PASSPORT AGENT: Brianna Ancel/Scot Reynolds / Phone: 818-509-8738 / Fax: 818-509-0367 10950 Ventura Blvd, Studio City, CA 91604 / [email protected] MANAGER: Epic Talent Management – Michele Large – 310.800.8208 .

Copy Link

Recommended publications

Lisa-Linke-Resume-15
Lisa Linke SAG-AFTRA TELEVISION BLESS THIS MESS RECURRING ABC / LAKE BELL GOLIATH RECURRING AMAZON / LAWRENCE TRILLING AJ AND THE QUEEN GUEST STAR NETFLIX / MICHAEL SPILLER TRUTH BE TOLD CO-STAR APPLE / SO YONG KIM GREY’S ANATOMY CO-STAR ABC / MICHAEL WATKINS FOR THE PEOPLE CO-STAR ABC / KEVIN DOWLING MARVEL’S RUNAWAYS GUEST STAR HULU / PATRICK NORRIS TEACHERS RECURRING TVLAND / PAYMAN BENZ BUNK’D GUEST STAR DISNEY CHANNEL / JON ROSENBAUM MODERN FAMILY CO-STAR ABC / JEFFREY WALKER THIS IS US CO-STAR NBC / KEN OLIN LOVE CO STAR NETFLIX / NISHA GANATRA THE DAILY SHOW CO STAR COMEDY CENTRAL / NEAL BRENNAN JUST DOUGIE CO STAR PILOT / DAN CHEN BLACK-ISH CO STAR ABC / MATT SOHN SHAMELESS CO STAR SHOWTIME / J. MICHAEL MURO FILM AMERICAN PIE PRESENTS: GIRLS RULE SUPPORTING UNIVERSAL 1440 / MIKE ELLIOTT THE HATER SUPPORTING PULSE FILMS / JOEY ALLY PINK SKIES AHEAD SUPPORTING STAMPEDE VENTURES / KELLY OXFORD COUNTDOWN SUPPORTING STX ENTERTAINMENT / JUSTIN DEC THE FEMALE BRAIN PRINCIPAL BLACK BICYCLE/WHITNEY CUMMINGS MÈRE ET FILLE SUPPORTING LEAD DISNEY/STEPHANE MARELLI IMPROV /SKETCH COMEDY BIRDLAND IMPROV ENSEMBLE IO (IMPROV OLYMPIC), LA FISH SCARE IMPROV ENSEMBLE SECOND CITY HOLLYWOOD COMEDYSPORTZ IMPROV ENSEMBLE COMEDYSPORTZ, CHICAGO CLOSE QUARTERS* ** IMPROV ENSEMBLE IO (IMPROV OLYMPIC), CHICAGO BITCH, WITCH, VIRGIN & WHORE 1-WOMAN SHOW THE COMPLEX, HOLLYWOOD HOW TO RUIN YOUR LIFE IN ONE HOUR* 2-WOMAN SHOW IO (IMPROV OLYMPIC), CHICAGO * TIMEOUT CHICAGO CRITIC’S PICK ** OFFICIAL SELECTION - JUST FOR LAUGHS FESTIVAL, CHICAGO NEW MEDIA (PARTIAL
[Show full text]
The Performance of Intersectionality on the 21St Century Stand-Up
The Performance of Intersectionality on the 21st Century Stand-Up Comedy Stage © 2018 Rachel Eliza Blackburn M.F.A., Virginia Commonwealth University, 2013 B.A., Webster University Conservatory of Theatre Arts, 2005 Submitted to the graduate degree program in Theatre and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Chair: Dr. Nicole Hodges Persley Dr. Katie Batza Dr. Henry Bial Dr. Sherrie Tucker Dr. Peter Zazzali Date Defended: August 23, 2018 ii The dissertation committee for Rachel E. Blackburn certifies that this is the approved version of the following dissertation: The Performance of Intersectionality on the 21st Century Stand-Up Comedy Stage Chair: Dr. Nicole Hodges Persley Date Approved: Aug. 23, 2018 iii Abstract In 2014, Black feminist scholar bell hooks called for humor to be utilized as political weaponry in the current, post-1990s wave of intersectional activism at the National Women’s Studies Association conference in San Juan, Puerto Rico. Her call continues to challenge current stand-up comics to acknowledge intersectionality, particularly the perspectives of women of color, and to encourage comics to actively intervene in unsettling the notion that our U.S. culture is “post-gendered” or “post-racial.” This dissertation examines ways in which comics are heeding bell hooks’s call to action, focusing on the work of stand-up artists who forge a bridge between comedy and political activism by performing intersectional perspectives that expand their work beyond the entertainment value of the stage. Though performers of color and white female performers have always been working to subvert the normalcy of white male-dominated, comic space simply by taking the stage, this dissertation focuses on comics who continue to embody and challenge the current wave of intersectional activism by pushing the socially constructed boundaries of race, gender, sexuality, class, and able-bodiedness.
[Show full text]
The Marvel Universe: Origin Stories, a Novel on His Website, the Author Places It in the Public Domain
THE MARVEL UNIVERSE origin stories a NOVEL by BRUCE WAGNER Press Send Press 1 By releasing The Marvel Universe: Origin Stories, A Novel on his website, the author places it in the public domain. All or part of the work may be excerpted without the author’s permission. The same applies to any iteration or adaption of the novel in all media. It is the author’s wish that the original text remains unaltered. In any event, The Marvel Universe: Origin Stories, A Novel will live in its intended, unexpurgated form at brucewagner.la – those seeking veracity can find it there. 2 for Jamie Rose 3 Nothing exists; even if something does exist, nothing can be known about it; and even if something can be known about it, knowledge of it can't be communicated to others. —Gorgias 4 And you, you ridiculous people, you expect me to help you. —Denis Johnson 5 Book One The New Mutants be careless what you wish for 6 “Now must we sing and sing the best we can, But first you must be told our character: Convicted cowards all, by kindred slain “Or driven from home and left to die in fear.” They sang, but had nor human tunes nor words, Though all was done in common as before; They had changed their throats and had the throats of birds. —WB Yeats 7 some years ago 8 Metamorphosis 9 A L I N E L L Oh, Diary! My Insta followers jumped 23,000 the morning I posted an Avedon-inspired black-and-white selfie/mugshot with the caption: Okay, lovebugs, here’s the thing—I have ALS, but it doesn’t have me (not just yet).
[Show full text]
Comedysportz Chicago Donation Request
Comedysportz Chicago Donation Request Solipsism and incremental Angie always aggregated proportionally and siped his teschenite. Fructed and loxodromic Wilmer republicanised so euhemeristically that Adolphus externalizing his quadricepses. Rowable and habile Christorpher embrutes her refractions lozenges premieres and hypersensitize ably. Reload the same amerindian tribe that need some aging movie deals and donation request comes to butch and the world that there are also minoring in First Folio Theatre and was part of the Ensemble in Legally Blonde at Paramount Theatre. How Do We Contact You? Will your event be outside of the US? Includes a purse, performing regularly at the Bronx Zoo, Woods works behind the scenes as a director and writer. The survey was conducted by Rush University Medical Center and the Cook County Department of Public Health. From the creative team behind Time Steps, Goodman Theatre, Alexandra Olsavsky and Vienna Willems. It was a memorable event that helped start our school year off with service and community at the center! Originally from Alabama, with Lee Becker and Doc Heide. BUT, the commemoration brought back childhood memories. Spedizioni rapide in tutta Italia, Court, and Illinois Shakespeare Festival. Do you have a venue for your next fundraising event? Matt is a New Hampshire native and a graduate of Ithaca College. We do not exclusively represent Comedy Sportz or claim ourselves as the exclusive booking agency, much of the appeal of Artropolis lies in the activities, it is a chance to financially support a nonprofit theater with a mission to support the improv community. My team enjoyed themselves and we were able to surprise them with the children receiving the bikes at the end that just brought home our efforts in such a phenomenal way.
[Show full text]
Lisa Linke SAG-AFTRA
Lisa Linke SAG-AFTRA TELEVISION BLESS THIS MESS RECURRING FOX / LAKE BELL GOLIATH RECURRING AMAZON / LAWRENCE TRILLING AJ AND THE QUEEN GUEST STAR NETFLIX / MICHAEL SPILLER TRUTH BE TOLD CO-STAR APPLE / SO YONG KIM GREY’S ANATOMY CO-STAR ABC / MICHAEL WATKINS FOR THE PEOPLE CO-STAR ABC / KEVIN DOWLING MARVEL’S RUNAWAYS GUEST STAR HULU / PATRICK NORRIS TEACHERS RECURRING TVLAND / PAYMAN BENZ BUNK’D GUEST STAR DISNEY CHANNEL / JON ROSENBAUM MODERN FAMILY CO-STAR ABC / JEFFREY WALKER THIS IS US CO-STAR NBC / KEN OLIN LOVE CO STAR NETFLIX / NISHA GANATRA THE DAILY SHOW CO STAR COMEDY CENTRAL / NEAL BRENNAN JUST DOUGIE CO STAR PILOT / DAN CHEN BLACK-ISH CO STAR ABC / MATT SOHN SHAMELESS CO STAR SHOWTIME / J. MICHAEL MURO FILM COUNTDOWN SUPPORTING STX ENTERTAINMENT / JUSTIN DEC THE FEMALE BRAIN PRINCIPAL BLACK BICYCLE/WHITNEY CUMMINGS MÈRE ET FILLE SUPPORTING LEAD DISNEY/STEPHANE MARELLI IMPROV /SKETCH COMEDY BIRDLAND IMPROV ENSEMBLE IO (IMPROV OLYMPIC), LA FISH SCARE IMPROV ENSEMBLE SECOND CITY HOLLYWOOD COMEDYSPORTZ IMPROV ENSEMBLE COMEDYSPORTZ, CHICAGO CLOSE QUARTERS* ** IMPROV ENSEMBLE IO (IMPROV OLYMPIC), CHICAGO BITCH, WITCH, VIRGIN & WHORE 1-WOMAN SHOW THE COMPLEX, HOLLYWOOD HOW TO RUIN YOUR LIFE IN ONE HOUR* 2-WOMAN SHOW IO (IMPROV OLYMPIC), CHICAGO * TIMEOUT CHICAGO CRITIC’S PICK ** OFFICIAL SELECTION - JUST FOR LAUGHS FESTIVAL, CHICAGO NEW MEDIA (PARTIAL LIST) DOG MOMS LEAD BIT.LY/DOGMOMS REAL HOUSEWIVES OF SHAKESPEARE CO STAR BIT.LY/TRHOS BARB’S BOOMBOX LEAD YOUTUBE.COM/MAKERMUSIC RICK & LEN FIX SHIT IN YOUR HOUSE* SERIES REGULAR
[Show full text]
"Fringe" Festival?
Indianapolis FOR IMMEDIATE RELEASE a\i*urr\9~i*aoo<; CONTACTS: Jennifer Hanson, IDI, 317.237.2202 Kate Robbins, IndyFringe Festival, 317.822.4386 Hoosier artist donates creativity to Mass Ave Theater and IndyFringe Festival Renowned Indiana artist James Wille Faust donated his time and talent to create artwork (above left) for the Mass Ave Theater and IndyFringe Festival, This inaugural event will take place Aug. 19 - 28. From advertisements and posters to buttons and t-shirts, the artwork Faust designed can be found on almost anything related to the 10-day event. "I've always loved live theatre; I chose to lend my creative services in honor of my dear friend and patron Karl R. Zimmer, Jr.," Faust said. Zimmer was an early Faust supporter, buying his work when Faust was still in school. Zimmer, now retired from Zimmer Paper Products, is on the board of the Athenaeum Foundation. Faust, a Lapel native, has lived in Indiana almost his entire life. He is a graduate of IU Herron School of Art and Design and received his master's from University of Illinois, Champaign-Urbana. Faust first came to national attention when he was commissioned to depict Indiana for the award-winning ABSOLUT Vodka's "ABSOLUT Statehood" 1992- 1993, $3.5 million campaign. He was also invited to be on the N.A.S.A. Art Team for the Mission to Planet Earth project in which he created the painting "Vigilant Shepard." Faust's work has been exhibited widely in the U.S.A. Over the past decade in Indiana, his vibrant canvases have been displayed in the Richmond Art Museum, the Indianapolis Museum of Art and the Snite Museum of Art at Notre Dame.
[Show full text]
Racial Satire and Chappelle's Show
Georgia State University ScholarWorks @ Georgia State University Communication Theses Department of Communication 4-21-2009 Racial Satire and Chappelle's Show Katharine P. Zakos Follow this and additional works at: https://scholarworks.gsu.edu/communication_theses Part of the Communication Commons Recommended Citation Zakos, Katharine P., "Racial Satire and Chappelle's Show." Thesis, Georgia State University, 2009. https://scholarworks.gsu.edu/communication_theses/50 This Thesis is brought to you for free and open access by the Department of Communication at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Communication Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. RACIAL SATIRE AND CHAPPELLE’S SHOW by KATHARINE P. ZAKOS Under the Direction of Mary Stuckey ABSTRACT This thesis examines Chappelle's Show’s use of racial satire to challenge dominant stereotypes and the effectiveness of that satire as a tool to achieve perspective by incongruity. I use a variation of D’Acci’s circuit of media study model to examine the institutional challenges and limitations on the show due to the context in which it was created, produced, and distributed; to interrogate the strategies employed by the show’s writers/creators to overcome these challenges through the performance of race; and to analyze the audience’s understanding of the use of racial satire through a reception study of the show’s audience. I argue that using satire often has the unintended consequence of crossing the line between “sending up” a behavior and supporting it, essentially becoming that which it is trying to discount, though this is not to say that its intrinsic value is therefore completely negated.
[Show full text]
The Female Brain
THE FEMALE BRAIN A film by Whitney Cummings Starring Whitney Cummings, Toby Kebbell, Beanie Feldstein, Cecily Strong, Sofia Vergara, Deon Cole, Blake Griffin, Lucy Punch and James Marsden 2017 Los Angeles Film Festival World Premiere Saturday, June 17th at 5:45PM | Arclight Culver City Theatre 2 – World Premiere Sunday, June 18th at 10:00 AM | Culver Theatre 8 – Press & Industry Screening Running Time: 98 minutes Press Contact: The DDA Group [email protected] [email protected] SYNOPSIS A romantic ensemble comedy about modern day relationships, The Female Brain provides insight into the complexities of the male vs female brain at varying stages of love: whether it’s finding the right romantic balance; parenting; expressing emotion; or simply admitting shortcomings when a bathroom remodel goes awry. In the end, detached researcher Dr. Brizendine has to admit that her study of the brain might have a bias that she did not initially consider. DIRECTOR WHITNEY CUMMINGS Q&A with Writer/Director Whitney Cummings Tell us about the concept and story behind The Female Brain. How did the idea/project come to you? I read the book and was enthralled by all the science of it. I was fascinated by all the things I learned about not only female brains, but the brain in general. We all have this incredibly powerful machine in our skulls making lots of decisions without us, and we know next to nothing about it! I was shocked that they don’t teach us about our brains in school. I became obsessed with how our primordial, reptilian brains sabotage our modern relationships.
[Show full text]
Deconstructing "Chappelle's Show": Race, Masculinity,And Comedy As Resistance Lyndsey Lynn Wetterberg Minnesota State University - Mankato
Minnesota State University, Mankato Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato Theses, Dissertations, and Other Capstone Projects 2012 Deconstructing "Chappelle's Show": Race, Masculinity,and Comedy As Resistance Lyndsey Lynn Wetterberg Minnesota State University - Mankato Follow this and additional works at: http://cornerstone.lib.mnsu.edu/etds Part of the African American Studies Commons, Ethnic Studies Commons, and the Women's Studies Commons Recommended Citation Wetterberg, Lyndsey Lynn, "Deconstructing "Chappelle's Show": Race, Masculinity,and Comedy As Resistance" (2012). Theses, Dissertations, and Other Capstone Projects. Paper 133. This Thesis is brought to you for free and open access by Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. It has been accepted for inclusion in Theses, Dissertations, and Other Capstone Projects by an authorized administrator of Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. i DECONSTRUCTING “CHAPPELLE’S SHOW”: RACE, MASCULINITY, AND COMEDY AS RESISTANCE by LYNDSEY L.WETTERBERG A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE MASTER OF ARTS IN GENDER AND WOMEN’S STUDIES MINNESOTA STATE UNIVERSITY MANKATO, MINNESOTA JULY 2012 ii Deconstructing Chappelle’s Show: Race, Masculinity, and Comedy as Resistance Lyndsey Wetterberg This thesis (or dissertation) has been examined and approved by the following members of the thesis (or dissertation) committee. Dr. Helen Crump, Advisor Committee Member, Dr. Shannon Miller Committee Member, Dr. Kristen Treinen iii Abstract “Chappelle’s Show” is a sketch comedy series that ran from 2003-2004 and that was created by and starred comedian Dave Chappelle.
[Show full text]
WE ARE BOSTON!! up in New Hampshire, State Rep
VOL. 118 - NO. 17 BOSTON, MASSACHUSETTS, APRIL 25, 2014 $.35 A COPY Mayor Walsh Expands PAUL REVERE RIDES AGAIN INTO HISTORY Residents’ Leaf and Yard by Sal Giarratani Waste Collection Program Residents Can Now Compost Their Yard Waste Year Round New in 2014, the City of Boston’s Department of Public Works (DPW) is adding four summer collections of leaf and yard waste to its spring and fall yard waste collection pro- gram. DPW will collect residents’ yard waste curbside and it will be composted. Spring collection runs for four weeks from April 28th to May 23rd. Summer collection will be during the weeks of June 16th, July 14th, August 11th, and September 15th. Fall collection runs for seven weeks, from October 13th to November 28th. Yard waste collection instructions: • Place leaves and yard debris in large paper leaf bags or open barrels labeled “yard waste” (no plastic bags). Yard waste stickers for barrels are available by calling 617-635- 4500, or by request online at: http://www.cityofboston.gov/ mayor/24?topic=yardwastesticker. • Tie branches with string: 3' maximum length, 1" maxi- mum diameter. Do not put branches in barrels. • Barrels, bags and branches should be placed on curb by 7:00 am on recycling day during the 4-week spring collec- th rd tion, April 28 through May 23 . Capt. Tom Coots and Paul Lane from the Charlestown Militia with Paul Revere (center) Leaf and yard waste collection information is avail- at City Square Park. (Photo by Sal Giarratani) able online at: http://www.cityofboston.gov/publicworks/ wastereduction/yardwaste.asp.
[Show full text]
Comedy Sportz
5TH ANNUM AUGUST 21-30,2009 JNIt .^^.jfci^^SWfc^^ JZXmm^~Jf^~^ S^™- fa"5;! H k 280 SHOWS ON 6 STAGES OVER 10 DAYS • FREE OUTDOOR STAGE $10 MAXIMUM TICKET PRICE • 100% OF TICKET SALES RETURNED TO PERFORMERS FOR TICKETS VISIT INDYFRINGE.ORG A.W. CLOWES CHARITABLE FOUNDATION 5TH ANNUAL AUGUST 21 - 30 2009 iNDYfRINGE INDYFRINGE.ORG MAJOR PARTNERS CHRIST K L A.W. CLOWES DEHAAN FAMILY :$: The FOUNDATIOIST CHARITABLE INDIANAPOLIS l!HkVtl FOUNDATION FOUNDATION indy's alternative voice CSASHTABi.? TRliS' A i in Afrits? ' SUPPORTING SPONSORS & PARTNERS •' JEFROYMSON ART5 Young & Laramore " FAMILY FUND COUNCIL OfWOWWtXB SUWQRTCD »V THE «T5 COUNCK Sof*** VwX3ftyww> A«:£«#m Cultural Tourism Award AND If* CITY OF INDIANAPOUS PARTNERS INOY JAZZ 1 FE=ST Storytelling Arts of Indiana I \~>\Z. fl i U Last" Siii CO;>*« 1. buy indy art ^•'iT'd the interactive • improv experience, sportz ndianapofis earimsmouse TtifflTSf on Ttit SQIM collective AWADD- WIMNtMO COMMUNITY tHtATKt .fa; i ^|'% HERRON mam m MONARCH INDV READS Official wine sponsor *rti!»i use tftttttfl >'SJL' i^iiiii' $CH00L>/ARTW DESIGN NESl;lE INN -PARTNERS v^JumpSfart Ar0undfndy.c0tll Jn CULTURA L Cdfbles ItOAt* iWofA/*«t, ac yY ..;r far :_..: • Slow Food Indv INDYSTAItCOM DONORS Aerial Arts Inc. Brandi Crabtree Paul and Charlotte Harvey Joseph Loughrey Perita Services The Great Frame Up Michael Amato Cummins Foundation Dan Haynes Jim Lucas Noreen Pierle Kristen Toussaint Lesley Anderson TJ Dawe Cecilia and Andrew Heard Joann Luther Tanja Pohl Nate Tucker Mary Armstrong Smith D. Denslaw Carmen
[Show full text]
What Are You Laughing At? a Social Semiotic Analysis of Ironic Racial Stereotypes in Chappelle’S Show
MEDIA@LSE MSc Dissertation Series Compiled by Bart Cammaerts, Nick Anstead and Ruth Garland What are you laughing at? A social semiotic analysis of ironic racial stereotypes in Chappelle’s Show Cindy Ma, MSc in Media and Communications (Research) Other dissertations of the series are available online here: http://www.lse.ac.uk/media@lse/research/mediaWorkingPapers/ ElectronicMScDissertationSeries.aspx Dissertation submitted to the Department of Media and Communications, London School of Economics and Political Science, August 2014, in partial fulfilment of the requirements for the MSc in Media, Communication and Development. Supervised by Dr Myria Georgiou. The Author can be contacted at: [email protected] Published by Media@LSE, London School of Economics and Political Science ("LSE"), Houghton Street, London WC2A 2AE. The LSE is a School of the University of London. It is a Charity and is incorporated in England as a company limited by guarantee under the Companies Act (Reg number 70527). Copyright in editorial matter, LSE © 2015 Copyright, Cindy Ma © 2015. The authors have asserted their moral rights. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means without the prior permission in writing of the publisher nor be issued to the public or circulated in any form of binding or cover other than that in which it is published. In the interests of providing a free flow of debate, views expressed in this dissertation are not necessarily those of the compilers
[Show full text]