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Lisa Linke SAG-AFTRA TELEVISION BLESS THIS MESS RECURRING ABC / LAKE BELL GOLIATH RECURRING AMAZON / LAWRENCE TRILLING AJ AND THE QUEEN GUEST STAR NETFLIX / MICHAEL SPILLER TRUTH BE TOLD CO-STAR APPLE / SO YONG KIM GREY’S ANATOMY CO-STAR ABC / MICHAEL WATKINS FOR THE PEOPLE CO-STAR ABC / KEVIN DOWLING MARVEL’S RUNAWAYS GUEST STAR HULU / PATRICK NORRIS TEACHERS RECURRING TVLAND / PAYMAN BENZ BUNK’D GUEST STAR DISNEY CHANNEL / JON ROSENBAUM MODERN FAMILY CO-STAR ABC / JEFFREY WALKER THIS IS US CO-STAR NBC / KEN OLIN LOVE CO STAR NETFLIX / NISHA GANATRA THE DAILY SHOW CO STAR COMEDY CENTRAL / NEAL BRENNAN JUST DOUGIE CO STAR PILOT / DAN CHEN BLACK-ISH CO STAR ABC / MATT SOHN SHAMELESS CO STAR SHOWTIME / J. MICHAEL MURO FILM AMERICAN PIE PRESENTS: GIRLS RULE SUPPORTING UNIVERSAL 1440 / MIKE ELLIOTT THE HATER SUPPORTING PULSE FILMS / JOEY ALLY PINK SKIES AHEAD SUPPORTING STAMPEDE VENTURES / KELLY OXFORD COUNTDOWN SUPPORTING STX ENTERTAINMENT / JUSTIN DEC THE FEMALE BRAIN PRINCIPAL BLACK BICYCLE/WHITNEY CUMMINGS MÈRE ET FILLE SUPPORTING LEAD DISNEY/STEPHANE MARELLI IMPROV /SKETCH COMEDY BIRDLAND IMPROV ENSEMBLE IO (IMPROV OLYMPIC), LA FISH SCARE IMPROV ENSEMBLE SECOND CITY HOLLYWOOD COMEDYSPORTZ IMPROV ENSEMBLE COMEDYSPORTZ, CHICAGO CLOSE QUARTERS* ** IMPROV ENSEMBLE IO (IMPROV OLYMPIC), CHICAGO BITCH, WITCH, VIRGIN & WHORE 1-WOMAN SHOW THE COMPLEX, HOLLYWOOD HOW TO RUIN YOUR LIFE IN ONE HOUR* 2-WOMAN SHOW IO (IMPROV OLYMPIC), CHICAGO * TIMEOUT CHICAGO CRITIC’S PICK ** OFFICIAL SELECTION - JUST FOR LAUGHS FESTIVAL, CHICAGO NEW MEDIA (PARTIAL LIST) DOG MOMS LEAD BIT.LY/DOGMOMS REAL HOUSEWIVES OF SHAKESPEARE CO STAR BIT.LY/TRHOS BARB’S BOOMBOX LEAD YOUTUBE.COM/MAKERMUSIC RICK & LEN FIX SHIT IN YOUR HOUSE* SERIES REGULAR RICKANDLENFIX.COM DEAD BIRD WALKING SKETCH PLAYER SECOND CITY NETWORK * BEST WEB SERIES, CHICAGO COMEDY FILM FEST 2013 TRAINING/EDUCATION FACULTY MEMBER LESLY KAHN & COMPANY LOS ANGELES ONGOING SCENE STUDY LESLY KAHN & COMPANY LOS ANGELES COMEDY INTENSIVE & TECHNIQUE CLINIC LESLY KAHN & COMPANY LOS ANGELES ON-CAMERA COMMERCIAL ACTING JILL ALEXANDER LOS ANGELES ON CAMERA AUDITION WORKSHOP CHRISTINNA CHAUNCEY LOS ANGELES KILLIAN’S WORKSHOP KILLIAN MCHUGH LOS ANGELES IMPROVISATION CONSERVATORY ALUM THE SECOND CITY, CHICAGO IMPROVISATION - IO CHICAGO, IO WEST ALUMNA, MAINSTAGE PERFORMER IO (IMPROV OLYMPIC) SPECIAL SKILLS ABILITIES: IMPROV, SKETCH COMEDY, SKETCH WRITING, PHYSICAL COMEDY, KEYNOTE SPEAKING; ATHLETICS: EXCELLENT SWIMMER; LANGUAGES: SPANISH (FUNCTIONAL); EDUCATION: MBA & MASTERS IN HUMAN RESOURCES; OTHER: VALID US PASSPORT AGENT: Brianna Ancel/Scot Reynolds / Phone: 818-509-8738 / Fax: 818-509-0367 10950 Ventura Blvd, Studio City, CA 91604 / [email protected] MANAGER: Epic Talent Management – Michele Large – 310.800.8208 .

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The Performance of Intersectionality on the 21St Century Stand-Up
The Performance of Intersectionality on the 21st Century Stand-Up Comedy Stage © 2018 Rachel Eliza Blackburn M.F.A., Virginia Commonwealth University, 2013 B.A., Webster University Conservatory of Theatre Arts, 2005 Submitted to the graduate degree program in Theatre and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Chair: Dr. Nicole Hodges Persley Dr. Katie Batza Dr. Henry Bial Dr. Sherrie Tucker Dr. Peter Zazzali Date Defended: August 23, 2018 ii The dissertation committee for Rachel E. Blackburn certifies that this is the approved version of the following dissertation: The Performance of Intersectionality on the 21st Century Stand-Up Comedy Stage Chair: Dr. Nicole Hodges Persley Date Approved: Aug. 23, 2018 iii Abstract In 2014, Black feminist scholar bell hooks called for humor to be utilized as political weaponry in the current, post-1990s wave of intersectional activism at the National Women’s Studies Association conference in San Juan, Puerto Rico. Her call continues to challenge current stand-up comics to acknowledge intersectionality, particularly the perspectives of women of color, and to encourage comics to actively intervene in unsettling the notion that our U.S. culture is “post-gendered” or “post-racial.” This dissertation examines ways in which comics are heeding bell hooks’s call to action, focusing on the work of stand-up artists who forge a bridge between comedy and political activism by performing intersectional perspectives that expand their work beyond the entertainment value of the stage. Though performers of color and white female performers have always been working to subvert the normalcy of white male-dominated, comic space simply by taking the stage, this dissertation focuses on comics who continue to embody and challenge the current wave of intersectional activism by pushing the socially constructed boundaries of race, gender, sexuality, class, and able-bodiedness.
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The Marvel Universe: Origin Stories, a Novel on His Website, the Author Places It in the Public Domain
THE MARVEL UNIVERSE origin stories a NOVEL by BRUCE WAGNER Press Send Press 1 By releasing The Marvel Universe: Origin Stories, A Novel on his website, the author places it in the public domain. All or part of the work may be excerpted without the author’s permission. The same applies to any iteration or adaption of the novel in all media. It is the author’s wish that the original text remains unaltered. In any event, The Marvel Universe: Origin Stories, A Novel will live in its intended, unexpurgated form at brucewagner.la – those seeking veracity can find it there. 2 for Jamie Rose 3 Nothing exists; even if something does exist, nothing can be known about it; and even if something can be known about it, knowledge of it can't be communicated to others. —Gorgias 4 And you, you ridiculous people, you expect me to help you. —Denis Johnson 5 Book One The New Mutants be careless what you wish for 6 “Now must we sing and sing the best we can, But first you must be told our character: Convicted cowards all, by kindred slain “Or driven from home and left to die in fear.” They sang, but had nor human tunes nor words, Though all was done in common as before; They had changed their throats and had the throats of birds. —WB Yeats 7 some years ago 8 Metamorphosis 9 A L I N E L L Oh, Diary! My Insta followers jumped 23,000 the morning I posted an Avedon-inspired black-and-white selfie/mugshot with the caption: Okay, lovebugs, here’s the thing—I have ALS, but it doesn’t have me (not just yet).
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Lisa Linke Resume
Lisa Linke SAG-AFTRA TELEVISION BUNK’D GUEST STAR DISNEY CHANNEL / JON ROSENBAUM MODERN FAMILY CO-STAR ABC / JEFFREY WALKER THIS IS US CO-STAR NBC / KEN OLIN LOVE CO STAR NETFLIX / NISHA GANATRA TEACHERS (recurring) CO STAR TVLAND / PAYMAN BENZ THE DAILY SHOW CO STAR COMEDY CENTRAL / NEAL BRENNAN JUST DOUGIE CO STAR PILOT / DAN CHEN BLACK-ISH CO STAR ABC / MATT SOHN SHAMELESS CO STAR SHOWTIME / J. MICHAEL MURO FILM THE FEMALE BRAIN PRINCIPAL BLACK BICYCLE/WHITNEY CUMMINGS MÈRE ET FILLE SUPPORTING LEAD DISNEY/STEPHANE MARELLI IMPROV /SKETCH COMEDY BIRDLAND IMPROV ENSEMBLE IO (IMPROV OLYMPIC), LA FISH SCARE IMPROV ENSEMBLE SECOND CITY HOLLYWOOD COMEDYSPORTZ IMPROV ENSEMBLE COMEDYSPORTZ, CHICAGO CLOSE QUARTERS* ** IMPROV ENSEMBLE IO (IMPROV OLYMPIC), CHICAGO BITCH, WITCH, VIRGIN & WHORE 1-WOMAN SHOW THE COMPLEX, HOLLYWOOD HOW TO RUIN YOUR LIFE IN ONE HOUR* 2-WOMAN SHOW IO (IMPROV OLYMPIC), CHICAGO * TIMEOUT CHICAGO CRITIC’S PICK ** OFFICIAL SELECTION - JUST FOR LAUGHS FESTIVAL, CHICAGO NEW MEDIA (PARTIAL LIST) DOG MOMS LEAD BIT.LY/DOGMOMS REAL HOUSEWIVES OF SHAKESPEARE CO STAR BIT.LY/TRHOS BARB’S BOOMBOX LEAD YOUTUBE.COM/MAKERMUSIC RICK & LEN FIX SHIT IN YOUR HOUSE* SERIES REGULAR RICKANDLENFIX.COM DEAD BIRD WALKING SKETCH PLAYER SECOND CITY NETWORK * BEST WEB SERIES, CHICAGO COMEDY FILM FEST 2013 TRAINING/EDUCATION FACULTY MEMBER LESLY KAHN & COMPANY LOS ANGELES ONGOING SCENE STUDY LESLY KAHN & COMPANY LOS ANGELES COMEDY INTENSIVE & TECHNIQUE CLINIC LESLY KAHN & COMPANY LOS ANGELES ON-CAMERA COMMERCIAL ACTING JILL ALEXANDER LOS ANGELES ON
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Racial Satire and Chappelle's Show
Georgia State University ScholarWorks @ Georgia State University Communication Theses Department of Communication 4-21-2009 Racial Satire and Chappelle's Show Katharine P. Zakos Follow this and additional works at: https://scholarworks.gsu.edu/communication_theses Part of the Communication Commons Recommended Citation Zakos, Katharine P., "Racial Satire and Chappelle's Show." Thesis, Georgia State University, 2009. https://scholarworks.gsu.edu/communication_theses/50 This Thesis is brought to you for free and open access by the Department of Communication at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Communication Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. RACIAL SATIRE AND CHAPPELLE’S SHOW by KATHARINE P. ZAKOS Under the Direction of Mary Stuckey ABSTRACT This thesis examines Chappelle's Show’s use of racial satire to challenge dominant stereotypes and the effectiveness of that satire as a tool to achieve perspective by incongruity. I use a variation of D’Acci’s circuit of media study model to examine the institutional challenges and limitations on the show due to the context in which it was created, produced, and distributed; to interrogate the strategies employed by the show’s writers/creators to overcome these challenges through the performance of race; and to analyze the audience’s understanding of the use of racial satire through a reception study of the show’s audience. I argue that using satire often has the unintended consequence of crossing the line between “sending up” a behavior and supporting it, essentially becoming that which it is trying to discount, though this is not to say that its intrinsic value is therefore completely negated.
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The Female Brain
THE FEMALE BRAIN A film by Whitney Cummings Starring Whitney Cummings, Toby Kebbell, Beanie Feldstein, Cecily Strong, Sofia Vergara, Deon Cole, Blake Griffin, Lucy Punch and James Marsden 2017 Los Angeles Film Festival World Premiere Saturday, June 17th at 5:45PM | Arclight Culver City Theatre 2 – World Premiere Sunday, June 18th at 10:00 AM | Culver Theatre 8 – Press & Industry Screening Running Time: 98 minutes Press Contact: The DDA Group [email protected] [email protected] SYNOPSIS A romantic ensemble comedy about modern day relationships, The Female Brain provides insight into the complexities of the male vs female brain at varying stages of love: whether it’s finding the right romantic balance; parenting; expressing emotion; or simply admitting shortcomings when a bathroom remodel goes awry. In the end, detached researcher Dr. Brizendine has to admit that her study of the brain might have a bias that she did not initially consider. DIRECTOR WHITNEY CUMMINGS Q&A with Writer/Director Whitney Cummings Tell us about the concept and story behind The Female Brain. How did the idea/project come to you? I read the book and was enthralled by all the science of it. I was fascinated by all the things I learned about not only female brains, but the brain in general. We all have this incredibly powerful machine in our skulls making lots of decisions without us, and we know next to nothing about it! I was shocked that they don’t teach us about our brains in school. I became obsessed with how our primordial, reptilian brains sabotage our modern relationships.
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Deconstructing "Chappelle's Show": Race, Masculinity,And Comedy As Resistance Lyndsey Lynn Wetterberg Minnesota State University - Mankato
Minnesota State University, Mankato Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato Theses, Dissertations, and Other Capstone Projects 2012 Deconstructing "Chappelle's Show": Race, Masculinity,and Comedy As Resistance Lyndsey Lynn Wetterberg Minnesota State University - Mankato Follow this and additional works at: http://cornerstone.lib.mnsu.edu/etds Part of the African American Studies Commons, Ethnic Studies Commons, and the Women's Studies Commons Recommended Citation Wetterberg, Lyndsey Lynn, "Deconstructing "Chappelle's Show": Race, Masculinity,and Comedy As Resistance" (2012). Theses, Dissertations, and Other Capstone Projects. Paper 133. This Thesis is brought to you for free and open access by Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. It has been accepted for inclusion in Theses, Dissertations, and Other Capstone Projects by an authorized administrator of Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. i DECONSTRUCTING “CHAPPELLE’S SHOW”: RACE, MASCULINITY, AND COMEDY AS RESISTANCE by LYNDSEY L.WETTERBERG A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE MASTER OF ARTS IN GENDER AND WOMEN’S STUDIES MINNESOTA STATE UNIVERSITY MANKATO, MINNESOTA JULY 2012 ii Deconstructing Chappelle’s Show: Race, Masculinity, and Comedy as Resistance Lyndsey Wetterberg This thesis (or dissertation) has been examined and approved by the following members of the thesis (or dissertation) committee. Dr. Helen Crump, Advisor Committee Member, Dr. Shannon Miller Committee Member, Dr. Kristen Treinen iii Abstract “Chappelle’s Show” is a sketch comedy series that ran from 2003-2004 and that was created by and starred comedian Dave Chappelle.
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What Are You Laughing At? a Social Semiotic Analysis of Ironic Racial Stereotypes in Chappelle’S Show
MEDIA@LSE MSc Dissertation Series Compiled by Bart Cammaerts, Nick Anstead and Ruth Garland What are you laughing at? A social semiotic analysis of ironic racial stereotypes in Chappelle’s Show Cindy Ma, MSc in Media and Communications (Research) Other dissertations of the series are available online here: http://www.lse.ac.uk/media@lse/research/mediaWorkingPapers/ ElectronicMScDissertationSeries.aspx Dissertation submitted to the Department of Media and Communications, London School of Economics and Political Science, August 2014, in partial fulfilment of the requirements for the MSc in Media, Communication and Development. Supervised by Dr Myria Georgiou. The Author can be contacted at: [email protected] Published by Media@LSE, London School of Economics and Political Science ("LSE"), Houghton Street, London WC2A 2AE. The LSE is a School of the University of London. It is a Charity and is incorporated in England as a company limited by guarantee under the Companies Act (Reg number 70527). Copyright in editorial matter, LSE © 2015 Copyright, Cindy Ma © 2015. The authors have asserted their moral rights. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means without the prior permission in writing of the publisher nor be issued to the public or circulated in any form of binding or cover other than that in which it is published. In the interests of providing a free flow of debate, views expressed in this dissertation are not necessarily those of the compilers
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The Comedy and Social Commentary of Dave Chappelle
Trinity College Trinity College Digital Repository Senior Theses and Projects Student Scholarship Spring 2016 What are you Laughing At? The Comedy and Social Commentary of Dave Chappelle Andrew J. Fishman 5373761 Trinity College, Hartford, Connecticut, [email protected] Follow this and additional works at: https://digitalrepository.trincoll.edu/theses Part of the American Popular Culture Commons Recommended Citation Fishman, Andrew J. 5373761, "What are you Laughing At? The Comedy and Social Commentary of Dave Chappelle". Senior Theses, Trinity College, Hartford, CT 2016. Trinity College Digital Repository, https://digitalrepository.trincoll.edu/theses/574 What are you Laughing At? The Comedy and Social Commentary of Dave Chappelle By Andrew Fishman Advised By Professor Davarian Baldwin Table of Contents: Acknowledgements Pg. 1 Introduction Pg. 2 Chapter 1 Pg. 10 Chapter 2 Pg. 29 Chapter 3 Pg. 43 Epilogue Pg. 56 Appendix Pg. 60 Bibliography Pg. 61 Acknowledgements: At the start of my project, I was certain that I knew where I wanted to go. Was I ever wrong. This project has taken me in many different directions and has been a fun adventure from beginning to end. This project would not be possible without a culmination of people. The first person I want to thank is my advisor, Professor Davarian Baldwin for agreeing to guide me through this process. Despite my constant use of the passive voice and some very poorly constructed sentences, you never gave up on me. So for that and so much more, thank you. I want to thank my mom, dad, and brother, for always pushing me to be better than I thought I could be and never letting me get too down on myself.
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Use of F*CK in Selected Stand-Up Specials 123 Specials, 7830 Minutes, 5981 Times Synapsnap.Com
Use of F*CK in Selected Stand-Up Specials 123 Specials, 7830 Minutes, 5981 Times Richard Pryor: Live On The Sunset Strip (1982) 76 min 232 Eddie Murphy: Delirious (1983) 64 min 230 Eddie Murphy: Raw (1987) 80 min 222 Bill Burr: Emotionally Unavailable (2007) 68 min 187 Bill Burr: Walk Your Way Out (2017) 76 min 179 Craig Ferguson: I'm Here to Help (2013) 77 min 159 Bill Burr: You People Are All The Same (2012) 67 min 141 Chelsea Handler: Uganda Be Kidding Me: Live (2014) 69 min 136 Jim Jefferies: Bare (2014) 75 min 129 Bill Burr: I'm Sorry You Feel That Way (2014) 80 min 127 Richard Pryor: Live in Concert (1979) 76 min 123 Jim Jefferies: Freedumb (2016) 85 min 121 Jim Jefferies: Fully Functional (2013) 58 min 121 Marc Maron: Thinky Pain (2013) 89 min 121 Jo Koy: Live from Seattle (2017) 61 min 120 Louis CK: Hilarious (2010) 80 min 113 George Carlin: It's Bad For Ya (2008) 67 min 112 Eddie Izzard: Dress To Kill (1999) 108 min 109 Tom Segura: Completely Normal (2014) 72 min 100 Bill Hicks: Sane Man (1989) 76 min 99 Bill Burr: Let It Go (2010) 62 min 93 Louis CK: Chewed Up (2008) 59 min 92 The Age of Spin: Dave Chappelle Live at The Hollywood Palladium (2017) 62 min 91 Bill Burr: Why Do I Do This (2008) 51 min 89 Iliza Shlesinger: Confirmed Kills (2016) 75 min 89 Tom Segura: Mostly Stories (2016) 71 min 89 Kevin Hart: What Now? (2016) 71 min 88 Patton Oswalt: Werewolves and Lollipops (2007) 58 min 88 Deep in the Heart of Texas: Dave Chappelle Live at Austin City Limits (2017) 63 min 81 Michael Che Matters (2016) 58 min 81 Nick Offerman: American
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Below the Belt, a Sports Satire
BELOW THE BELT, A SPORTS SATIRE: BLENDING HUMOROUS TELEVISION GENRES TO CREATE A SUCCESSFUL HYBRID SPORTS SHOW A CREATIVE PROJECT SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE MASTER OF ARTS BY BRANDON JERRELL NEWMAN (DR. JEANETTE CASTILLO) BALL STATE UNIVERSITY MUNCIE, INDIANA DECEMBER 2014 1 Introduction Every morning in 2002, students and faculty members at Conway Middle School in Louisville, Kentucky, waited patiently for the morning announcements, broadcasted, live in every classroom. Principal Mercer, Guidance Counselor Mr. Kelsey, and a crew of students who have prepared all morning for this event occupy one of those classrooms, designated for production of the announcements. These students in the technology discipline of the middle school have positions ranging from cameraman, on-air talent, control room operator and even a sixth-grade only position of cue card writer/holder. These students work passionately to inform their peers about sports, weather, and current events within the school. The broadcast begins with a portly, yet passionate boy with fingers interlaced, sitting behind a desk. Once the live broadcast begins, the child asks all 950 individuals in the building to rise for the pledge of allegiance. Fast-forward twelve years to that same young man who is even portlier and more passionate about working in television. He is now in Muncie, Indiana working on the production of a television program dedicated to two of his main interests, humor and sports. This television program serves as a creative project for his Master’s program in Digital Storytelling at Ball State University.
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Lisa Linke SAG-AFTRA
Lisa Linke SAG-AFTRA TELEVISION BLESS THIS MESS RECURRING ABC / LAKE BELL GOLIATH RECURRING AMAZON / LAWRENCE TRILLING AJ AND THE QUEEN GUEST STAR NETFLIX / MICHAEL SPILLER TRUTH BE TOLD CO-STAR APPLE / SO YONG KIM GREY’S ANATOMY CO-STAR ABC / MICHAEL WATKINS FOR THE PEOPLE CO-STAR ABC / KEVIN DOWLING MARVEL’S RUNAWAYS GUEST STAR HULU / PATRICK NORRIS TEACHERS RECURRING TVLAND / PAYMAN BENZ BUNK’D GUEST STAR DISNEY CHANNEL / JON ROSENBAUM MODERN FAMILY CO-STAR ABC / JEFFREY WALKER THIS IS US CO-STAR NBC / KEN OLIN LOVE CO STAR NETFLIX / NISHA GANATRA THE DAILY SHOW CO STAR COMEDY CENTRAL / NEAL BRENNAN JUST DOUGIE CO STAR PILOT / DAN CHEN BLACK-ISH CO STAR ABC / MATT SOHN SHAMELESS CO STAR SHOWTIME / J. MICHAEL MURO FILM PINK SKIES AHEAD SUPPORTING STAMPEDE VENTURES / KELLY OXFORD COUNTDOWN SUPPORTING STX ENTERTAINMENT / JUSTIN DEC THE FEMALE BRAIN PRINCIPAL BLACK BICYCLE/WHITNEY CUMMINGS MÈRE ET FILLE SUPPORTING LEAD DISNEY/STEPHANE MARELLI IMPROV /SKETCH COMEDY BIRDLAND IMPROV ENSEMBLE IO (IMPROV OLYMPIC), LA FISH SCARE IMPROV ENSEMBLE SECOND CITY HOLLYWOOD COMEDYSPORTZ IMPROV ENSEMBLE COMEDYSPORTZ, CHICAGO CLOSE QUARTERS* ** IMPROV ENSEMBLE IO (IMPROV OLYMPIC), CHICAGO BITCH, WITCH, VIRGIN & WHORE 1-WOMAN SHOW THE COMPLEX, HOLLYWOOD HOW TO RUIN YOUR LIFE IN ONE HOUR* 2-WOMAN SHOW IO (IMPROV OLYMPIC), CHICAGO * TIMEOUT CHICAGO CRITIC’S PICK ** OFFICIAL SELECTION - JUST FOR LAUGHS FESTIVAL, CHICAGO NEW MEDIA (PARTIAL LIST) DOG MOMS LEAD BIT.LY/DOGMOMS REAL HOUSEWIVES OF SHAKESPEARE CO STAR BIT.LY/TRHOS BARB’S BOOMBOX LEAD YOUTUBE.COM/MAKERMUSIC
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Blackness and Whiteness in the Works of Jefferson Pinder, Dave Chappelle, and Aaron Mcgruder
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2012 Real Talk: Blackness and Whiteness in the Works of Jefferson Pinder, Dave Chappelle, and Aaron McGruder Jeffreen M. Hayes College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African American Studies Commons, American Studies Commons, Fine Arts Commons, and the Theatre and Performance Studies Commons Recommended Citation Hayes, Jeffreen M., "Real Talk: Blackness and Whiteness in the Works of Jefferson Pinder, Dave Chappelle, and Aaron McGruder" (2012). Dissertations, Theses, and Masters Projects. Paper 1539623598. https://dx.doi.org/doi:10.21220/s2-ch9x-mz41 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Real Talk: Blackness and Whiteness in the Works of Jefferson Pinder, Dave Chappelle, and Aaron McGruder Jeffreen M. Hayes Oviedo, Florida Master of Arts, Howard University, 2005 Bachelor of Arts, Florida International University, 2000 A Dissertation presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Doctor of Philosophy American Studies Program The College of William and Mary August 2012 APPROVAL PAGE This Dissertation is submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Committee Chair Professor Grey Gundaker, American Studies and Anthropology The College of William and Mary or Jennifer Germann, Art History Ithaca College ABSTRACT PAGE "Real Talk: Blackness and Whiteness in the Works of Jefferson Pinder, Dave Chappelle, and Aaron McGruder" will examine twenty-first century constructions of race by African Americans.
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