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SYLLABUS BA/B.Sc
SYLLABUS FOR B.A./B.Sc. (12+3 SYSTEM OF EDUCATION) (SEMESTER–II) Examinations: 2015-16 GURU NANAK DEV UNIVERSITY AMRITSAR Note: (i) Copy rights are reserved. Nobody is allowed to print it in any form. Defaulters will be prosecuted. (ii) Subject to change in the syllabi at any time. Please visit the University website time to time. 1 B.A./B.Sc. (Semester System) (12+3 System of Education) (Semester–II) INDEX OF SEMESTER–II Sr.No. Subject Page No. FACULTY OF ARTS & SOCIAL SCIENCES 1. Political Science 5-6 2. History 7-8 3. Defence and Strategic Studies 9-11 4. Journalism and Mass Communication (Vocational) 12-13 5. Mass Communication and Video Production (Vocational) 14-16 6. Public Administration 17 7. Sociology 18 8. Women Empowerment 19 9. Psychology 20-22 10. Geography 23-26 FACULTY OF ECONOMICS & BUSINESS 11. Economics 27 12. Industrial Economics 28 13. Quantitative Techniques 29 14. Agricultural Economics and Marketing 30 15. Rural Development 31 16. Office Management and Secretarial Practice (Vocational) 32-36 17. Travel and Tourism 37-38 18. Tourism and Hotel Management (Vocational) 39 19. Tourism and Travel Management (Vocational) 40-41 20. Tax Procedure and Practice (Vocational) 42-43 21. Advertising Sales Promotion and Sales Management (Vocational) 44-45 22. Commerce 46-47 2 B.A./B.Sc. (Semester System) (12+3 System of Education) (Semester–II) FACULTY OF SCIENCES 23. Mathematics 48-49 24. Statistics 50-53 25. Chemistry 54-58 26. Physics 59-63 27. B.Sc. Geography (Geophysics) 64-65 28. Home Science 66-67 29. -
Strategies and Approaches in Translating Cultural Punjabi Terms
Strategies and Approaches in Translating Cultural Punjabi Terms Kulwindr Kaur alp Gurdial Singh Faculty of languages and Linguistics University of Malaya Abstract This paper discusses approaches and strategies in translating various culrnral kinship terms, sweets, jewellery etc. from English to PW1jabi. This paper will show how these precise terms are able to convey the correct ambience and flavour for an accurate translation from English to Punjabi. This experience will help develop a useful methodology in translating cultural elements, and contributes towards the general theory of translation. It will suggest using the Skopos Theory by Vermeer, Oxford's (1990) Taxonomy of Language Learning Strategies, Sager's (1994) approaches to translating, Bell's (1991) translating strategies and Abdullah Hassan and Ainon Mohd.'s (2005) techniques for translating cultural items. Introduction According to the Cambridge Advanced Learner's Dictionary (2005:302), culture means "the way of life, especially the general customs and beliefs, of a particular group of people at a particular time." Cultural is defined as "relating to the habits, traditions and beliefs of a society Snell-Hornby, (1988:40) suggests, "firstly, the concept of culture as a totality of knowledge, proficiency and perception, secondly, its immediate connection with behaviour (or action) and events, and thirdly, its dependence on norms, whether those of social behaviour or those accepted in language usage." Snell-Hornby, (1988:42) suggests that if language is an integral part of culture, the translator needs to be proficient not only in the source and target languages that helshe is translatingin but also has to be at home in two cultures. -
Evolution and Assessment of South Asian Folk Music: a Study of Social and Religious Perspective
British Journal of Arts and Humanities, 2(3), 60-72, 2020 Publisher homepage: www.universepg.com, ISSN: 2663-7782 (Online) & 2663-7774 (Print) https://doi.org/10.34104/bjah.020060072 British Journal of Arts and Humanities Journal homepage: www.universepg.com/journal/bjah Evolution and Assessment of South Asian Folk Music: A Study of Social and Religious Perspective Ruksana Karim* Department of Music, Faculty of Arts, Jagannath University, Dhaka, Bangladesh. *Correspondence: [email protected] (Ruksana Karim, Lecturer, Department of Music, Jagannath University, Dhaka, Bangladesh) ABSTRACT This paper describes how South Asian folk music figured out from the ancient era and people discovered its individual form after ages. South Asia has too many colorful nations and they owned different culture from the very beginning. Folk music is like a treasure of South Asian culture. According to history, South Asian people established themselves here as a nation (Arya) before five thousand years from today and started to live with native people. So a perfect mixture of two ancient nations and their culture produced a new South Asia. This paper explores the massive changes that happened to South Asian folk music which creates several ways to correspond to their root and how they are different from each other. After many natural disasters and political changes, South Asian people faced many socio-economic conditions but there was the only way to share their feelings. They articulated their sorrows, happiness, wishes, prayers, and love with music, celebrated social and religious festivals all the way through music. As a result, bunches of folk music are being created with different lyric and tune in every corner of South Asia. -
M.A. Dance Guru Nanak Dev University Amritsar
FACULTY OF VISUAL ARTS & PERFORMING ARTS SYLLABUS FOR M.A. DANCE (SEMESTER: I – IV) Session: 2014-15 GURU NANAK DEV UNIVERSITY AMRITSAR Note: (i) Copy rights are reserved. Nobody is allowed to print it in any form. Defaulters will be prosecuted. (ii) Subject to change in the syllabi at any time. Please visit the University website time to time. 1 M.A. DANCE (SEMESTER SYSTEM) SEMESTER – I: PAPER – I: HISTORICAL & THEORETICAL Time: 3 Hrs Max Marks: 100 ASPECTS OF INDIAN CLASSICAL DANCE (KATHAK) – I (THEORY) PAPER – II: PRACTICAL COMPOSITION & ESSAY–I Time: 3 Hrs Max Marks: 100 PAPER – III: PRACTICAL STAGE PERFORMANCE–I Time: 40 Minutes Max Marks: 100 PAPER – IV: PRACTICAL APPROACH OF KATHAK Time: 40 Minutes Max Marks:–100 TERMINOLOGY (VIVA–VOCE)–I 2 M.A. DANCE (SEMESTER – I) PAPER – I: HISTORICAL & THEORETICAL ASPECTS OF INDIAN CLASSICAL DANCE (KATHAK) (THEORY) – I Time: 3 Hrs Max Marks: 100 Note: 1. The Paper setter will set 8 questions. 2. The students will be required to attempt five questions. 3. While sending the syllabus to the paper setter in theory the syllabus prescribed for Practical paper should also be sent 4. All questions carry equal Marks. 1. Knowledge of basic technical terms:– Stuti Uthan, Thaat, Salami, Amad, Paran, Chakardar Paran, Farmaishi Paran, Pakshi Paran, Parmelu, Tehai. 2. Detailed study of Tandava and Lasya 3. Study of Abinaya Darpan Granth in the context of Dance. 4. Detailed study of Rasa and its relavance in dance. 5. Knowledge of Asanyukta and Sanyukta Hast Mudras with special reference to Abhinaye Darpan. 6. Contribution of Uday Shankar in the field of dance. -
Folk Dances of Haryana
IJMSS Vol.01 Issue-05, (September, 2013) ISSN: 2321–1784 RENAISSANCE CALL: FOLK DANCES OF HARYANA * Jatinder Sohi ** Preeti Sodhi ABSTRACT “Every Indian is a dancer” Uday Shankar (qtd. in Bala,Unpublished Thesis) Amongst the art, dance is the most primeval and classy and scarcely there is any civilization where the wakefulness of human movement as a vehicle of expression, ecstasy and grief is not evident. Perchance, before man begins to verbalize and to paint, he began to dance. Dancing, which is dependent on human habits and action is the most malleable and changeable. India has a very rich tradition of folk dances. Every region manifests different cultural feature. Haryana - the land of raaginis, saangs and swift folk dances, vividly depicts life in its variegated colour with joys and sorrow, ups and downs in melodious tunes and fascinating ways. But this folk art is dialing for renaissance umbrella as it has been replaced by dark and loud clouds named filmy and English songs and dances. The present paper has made an attempt to highlight folk dances of Haryana with its changes over the years. Further author(s) jotted down few efforts made by govt. and assemble youth’s insight regarding this folk dance of Haryana. Author(s) came up with handful of suggestions as to pick renaissance call dialed by this folk art. Key Words: Haryana’s Folk Dances, Changes, Role of govt. Youth perspective, Suggestions * HOD, Clothing & Textiles Deptt., Govt. Home Science College, Chandigarh ** Senior Instructor, Clothing & Textiles Deptt., Govt. Home Science College, Chandigarh L W a { { IJMSS Vol.01 Issue-05, (September, 2013) ISSN: 2321–1784 INTRODUCTION Work of art the symbols through which man communicates what lies beyond ordinary speech. -
Sant Baba Bhag Singh University 2020
SCHEME & SYLLABUS Bachelor of Arts (Choice Based Credit System) Department of Humanities University Institute of Science and Humanities Sant Baba Bhag Singh University 2020 ABOUT THE DEPARTMENT Sant Baba Bhag Singh University is an institution of excellence, recognized for the academic caliber and versatility of its educational programme worldwide. The Department of Humanities with its excellent faculty in Economics, Languages, History, Political Science and Music contributes to this excellence. Department of Humanities is created to pursue teaching and research in Punjabi Language and Literature, English Language and Literature , History and other subjects. SBBSUISH regards knowledge of Humanities and Arts as the core value. Inspired by the vision and values, this department offers a wide range of courses to the students of Humanities and Arts, runs the vibrant M.Phil & Ph.D.programs in Punjabi, English, History and Economics. Our purpose is to contribute for expanding the frontiers of knowledge in Humanities and Arts. SALIENT FEATURES OF THE DEPARTMENT Research oriented curriculum designed to enable students to acquire all the skills needed to collect and analyze the data. The Institute drawing upon its strength of highly qualified well trained faculty, stateof art, infrastructure and innovative teaching methodology. An Elective subjects develops student’s ability in understanding different forms of literary theory. Humanities teaches us the basic ethics of human values and psychology with references to all the aspects of the relevant area /subjects. With the latest research prevalent in the specific field,the institute is furnished with various specialized language labs and area for practicing of performing arts. BA(Bachelor of Arts) BA is a pathway for the stream of Arts, Commerce, Medical and Non-Medical students of 10+2 to gain the expertise for the professions like- Teaching, Counsellor and consultant, Journalism, Accounts. -
M.A. Dance Guru Nanak Dev University Amritsar
FACULTY OF VISUAL ARTS & PERFORMING ARTS SYLLABUS FOR M.A. DANCE (SEMESTER: I – IV) Session: 2019-20 GURU NANAK DEV UNIVERSITY AMRITSAR Note: (i) Copy rights are reserved. Nobody is allowed to print it in any form. Defaulters will be prosecuted. (ii) Subject to change in the syllabi at any time. Please visit the University website time to time. 1 M.A. DANCE (SEMESTER SYSTEM) SEMESTER – I: PAPER – I: HISTORICAL & THEORETICAL Time: 3 Hrs M.Marks: 100 ASPECTS OF INDIAN CLASSICAL DANCE (KATHAK) – I (THEORY) PAPER – II: PRACTICAL COMPOSITION & ESSAY–I Time: 3 Hrs M.Marks: 100 PAPER – III: PRACTICAL STAGE PERFORMANCE–I Time: 30 Minutes M.Marks: 100 PAPER – IV: PRACTICAL APPROACH OF KATHAK Time: 30 Minutes M.Marks:100 TERMINOLOGY (VIVA–VOCE)–I 2 M.A. DANCE (SEMESTER – I) PAPER – I: HISTORICAL & THEORETICAL ASPECTS OF INDIAN CLASSICAL DANCE (KATHAK) (THEORY) – I Time: 3 Hrs Max Marks: 100 Instructions for the Paper Setters:- Eight questions of equal marks (Specified in the syllabus) are to be set, two in each of the four Sections (A-D). Questions may be subdivided into parts (not exceeding four). Candidates are required to attempt five questions, selecting at least one question from each Section. The fifth question may be attempted from any Section. SECTION - A 1. Knowledge of basic technical terms:– Stuti Uthan, Thaat, Salami, Amad, Paran, Chakardar Paran, Farmaishi Paran, Pakshi Paran, Parmelu, Tehai. 2. Detailed study of Tandava and Lasya 3. Study of Abinaya Darpan Granth in the context of Dance. SECTION - B 4. Detailed study of Rasa and its relevance in dance. -
Self-Study Report 2015-16
Self-Study Report 2015-16 SELF-STUDY REPORT (ACCREDITATION CYCLE –I) SUBMITTED TO: NATIONAL ASSESSMENT AND ACCREDITATION COUNCIL SWAMI GANGA GIRI JANTA GIRLS COLLEGE RAIKOT, DISTT. LUDHIANA- 141109 PHONE: 01624- 264018 (O), 265558 (R) PRINCIPAL: 9876480261 FAX: 01624- 264018 E-MAIL: [email protected] [email protected] WEBSITE: www.sggjgirlscollege.org 1 Swami Ganga Giri Janta Girls College, Raikot Self-Study Report 2015-16 Index SR. Contents Page No. NO. A PREFACE 4 B EXECUTIVE SUMMARY 5-7 C PROFILE OF THE COLLEGE 8-23 D CRITERION-WISE ANALYTICAL REPORT 1. Criterion I : Curricular Aspects 24-41 2. Criterion II : Teaching- Learning and Evaluation 42-68 3. Criterion III : Research, Consultancy and Extension 69-121 4. Criterion IV : Infrastructure and Learning Resources 122-153 5. Criterion V : Student Support and Progression 154-184 6. Criterion VI : Governance, Leadership and Management 185-222 7. Criterion VII : Innovation and Best practices 223-230 E Evaluative report of the departments 1. Post Graduation Department Of Punjabi 231-243 2. Post Graduation Department Of Political Science 244-259 3. Post Graduation Department Of Computer Science Andapplication 260-273 4. Post Graduation Department Of Commerce 274-294 5. Department Of Music Instrumental 295-308 6. Department Of Music Vocal 309-323 7. Department Of Economics 324-331 8. Department Of Hindi 332-341 9. Department Of History 342-348 10. Department Of Mathematics 349-355 11. Department Of English 356-362 12. Department Of Fashion Designing 363-369 13. Department Of Physical Education 370-384 14. Department Of Cosmetology 385-391 F Certificate of 12B Certificate of 2f Certificate of Compliance Declaration by the Head of the Institution 2 Swami Ganga Giri Janta Girls College, Raikot Self-Study Report 2015-16 A. -
AQAR :2009-2010 1 Introduction Punjabi University Named After The
AQAR :2009-2010 Introduction Punjabi University named after the native language was established on 30 April, 1962 and has emereged as one of the premier institutions of higher learning in north India. Although major emphasis of the University has remained on the development of Punjabi Language, Literature and Culture, it has evolved over the years into a multi-faceted, multi-faculty educational institution with over fifty five teaching and research departments. University has also established three- Engineering Colleges to impart professional and technical education to the students of the region. Besides, 11 Regional Centres/Neighbourhood Campuses have also been established in rural areas especially the educationally backward Malwa region to fullfil the educational needs of the students, more specifically the poor ones in this region. In addition, the university has got 186 colleges affiliated to it. University has always endeavored to achieve standards in academics, research and other curricular activities which are par excellence within country as also at the international level. Keeping this in mind, it has entered into a number of collaborations with universities of USA, Canada, Singapore, Sri Lanka and Iran. Excellent achievements of the university can be judged from the fact that a number of departments of the university are being provided grants by UGC and other such agencies. Three departments of the University have been bestowed with the status of Center for Advanced Studies by UGC. Six departments of the university have been covered under SAP scheme- Five under DRS and one under DSA. Further seven science departments have covered under the FIST scheme of DST. -
Dr. Gurnam Singh
Dr. Gurnam Singh Better known for promulgation and performance of Gurmat Sangeet, Dr. Gurnam Singh’s Punjabi Lok Sangeet Virasat (Heritage of Punajbi Folk Music), published by Punajbi University Patiala, is not just another book. It is a massive work done at a very crucial time with affection and involvement. Being very diminutive of music-writers, we don’t have many standard publications on Punjabi musicology. The practitioners have been doing their job for centuries on end but nobody thought of recording their activity in a proper perspective. The state level art bodies have neither resources nor vision to strike in this direction, while the national bodies are more bothered to locate the similarities in various traditions to prove the so-called unity in Indian diversity. The present volume is a refreshingly unique outcome of tough, unswerving and premeditated labour of 10 years, coupled with the sincerity and cooperation of so many scholars and artists. It’s based upon workshops, live formal and informal performances, and, interactions of cultural, literary and scholars of music with the artists of so many fading traditions. The publication in 2 volumes of a mammoth size may go a long way in serving cause of music, dance, literature and theatre of Punjab. Till date we were at ease with the compilations of folk songs of various regions and categories, but ever since the melodies of such folk are becoming less integral part of our collective conscious, there was a worrying need of a systematic record of fading arts of traditional folk singing. And what a fabulous manner it has been achieved! Starting with role of Punjab played to enrich North Indian tradition of music with its inventive contributions in form of Gurmat Sangeet and Sufi Sangeet, Gurnam Singh deals extensively with folklore of Kavishri, Dhadhi-singing, Puadhi Akharha, Gugga Gayaki, Toomba-Tara, King and Toombi-singing in the first volume. -
Fairs ,Festival and Folk Dance of Punjab GK-19
CULTURE OF PUNJAB Punjab : The Fairs & Festivals Maghi meal Muktsar Kila riapur sports Kila riapur Ludhiana Roshni fair Jagraon Ludhiana Jarag mela Payal Ludhiana Chhapar mela Ludhiana Baba sodal mela Jalandhar Harballabh Jalandhar classical music feat Hola mahalla Anandpur sahib Rauza sharif Sirhind Shahidi Jor mela Sirhind Patiala Heritage festival Started in 2003, the festival takes place in Patiala in the Qila Mubarak Complex, which lasts for ten days. The festival includes the Crafts Mela, Indian classical music (vocal and instrumental) and dance concerts. Kapurthala Heritage Festival The Baba Jassa Singh Ahluwalia Heritage Festival is held by the Kapurthala Heritage Trust, in collaboration with the Indian National Trust for Arts and Cultural Heritage and supported by the Government of Punjab. The festival takes place at Jagatjit Palace and centres on classical music, dance and theatre. Amritsar Heritage Festival The festival showcases bhangra, giddha, gatka troupes, horses and elephants. The cultural programmes include shabad kirtan, theatre, music and dance. FOLK DANCES OF PUNJAB The style of Punjabi dances ranges from very high energy to slow and reserved and there are specific styles for men and women. Some of the dances are secular while others are presented in religious contexts. The dances are typically performed at times of celebration, such as Harvest (Baisakhi), Weddings, Melas, like Lohri, Maghi etc., at which everyone is encouraged to dance. Bhangra Originally, Punjabi’s performed Bhangra to celebrate the success of the harvest. Now people perform Bhangra in wedding parties, receptions, birthdays, competitions and other happy occasions. In the villages, people circle with large drums called dhols. -
Akash Radio Leeds Community Radio Licence Application Form
Akash Radio Leeds community radio licence application form 1. Station Name Guidance Notes What is the proposed station name? This is the name you expect to use to identify the station on air. Akash Radio Leeds 2. Community to be served Guidance Notes Define the community or communities you are It is a legislative requirement that a service is intended proposing to serve. Drawing from various sources of primarily to serve one or more communities (whether or data (e.g. from the Office of Population, Census and not it also serves other members of the public) and we Survey) and in relation to your proposed coverage need to understand who comprises that community or area, please determine the size of the population communities. The target community will also be concerned and the make-up of the population as a specified in the licence, if this application is successful. whole, along with any relevant socio-economic The legislation defines a ‘community’ as: people who live information that would support your application. or work or undergo education or training in a particular (Please tell us the sources of the information you area or locality, or people who have one or more provide.) interests or characteristics in common. Answer in fewer than 300 words: Akash Radio Leeds will cater for the Punjabi speaking communities, including different nationalities and people of all ages. The target group will be mainly Sikhs but would also include Hindus, Hindu Bengalis and a significant number of Punjabi speaking Muslim community who have settled here from the state of „Punjab‟ that incorporates in both countries, the West Punjab in Pakistan and East Punjab in India.