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Lightspeed Magazine, Issue 110 (July 2019)

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Lightspeed Magazine, Issue 110 (July 2019) TABLE OF CONTENTS Issue 110, July 2019 FROM THE EDITOR Editorial: July 2019 SCIENCE FICTION The Null Space Conundrum Violet Allen The Mysteries Karen Lord Miles and Miles and Miles Andrew Penn Romine The Moon Is Not a Battlefield Indrapramit Das FANTASY Song Beneath the City Micah Dean Hicks Sand Castles Adam-Troy Castro Mother Carey’s Table J. Anderson Coats Ahura Yazda, the Great Extraordinary Senaa Ahmad EXCERPTS Magic For Liars Sarah Gailey NONFICTION Book Reviews: July 2019 Chris Kluwe Media Review: July 2019 Carrie Vaughn Interview: Evan Winter Christian A. Coleman AUTHOR SPOTLIGHTS Violet Allen Adam-Troy Castro Andrew Penn Romine Senaa Ahmad MISCELLANY Coming Attractions Stay Connected Subscriptions and Ebooks Support Us on Patreon or Drip, or How to Become a Dragonrider or Space Wizard About the Lightspeed Team Also Edited by John Joseph Adams © 2019 Lightspeed Magazine Cover by Sam Schechter www.lightspeedmagazine.com Editorial: July 2019 John Joseph Adams | 384 words Welcome to Lightspeed’s 110th issue! This month’s cover features artwork from Sam Schechter, illustrating a brand-new science fiction story by Violet Allen (“The Null Space Conundrum”). This story is a wild adventure that’s just as colorful as its artwork! Also, if you’re the type of person who ever wondered what happened to the golf balls Alan Shepard smacked around on the moon, our new story from Andrew Penn Romine (“Miles and Miles and Miles”) might hold an answer. We also have SF reprints by Karen Lord (“The Mysteries”) and Indrapramit Das (“The Moon Is Not A Battlefield”). Our first original fantasy story this month, “Ahura Yazda, The Great Extraordinary” by Senaa Ahmad, gives us to some fantastical creatures . trying to make a quiet life in Canada’s farm country. We also have some salty new fiction from Adam-Troy Castro (“Sand Castles”), as well as fantasy reprints by J. Anderson Coats (“Mother Carey’s Table”) and Micah Dean Hicks (“Song Beneath the City”). All that, and of course we also have our usual assortment of author spotlights, along with our book and media review columns. For our ebook readers, we also have and an excerpt from Sarah Gailey’s new novel, Magic for Liars. Announcement Regarding Lightspeed’s Novella Reprint Program When we first started Lightspeed, we focused on short fiction of 5,000 words or less, but we knew there was a lot of great material being written that was outside our parameters. That’s one of the reasons why we started reprinting novellas in our ebook editions back in January 2012. But over the years, we’ve found ourselves sharing longer and longer original works in the short fiction section of the magazine—while our original guidelines encouraged stories under 5,000 and grudgingly allowed stories up to 7,500, we now look at stories up to 10,000 words long, and truth be told we fairly regularly make exceptions to that and publish stories that are even longer. With our short fiction department publishing all this amazing longer fiction (both originals and reprints), our novella reprint section has begun to feel a little redundant—so we’ve decided to eliminate it in favor of focusing even more tightly on the short fiction we all love so dearly. ABOUT THE AUTHOR John Joseph Adams is the editor of John Joseph Adams Books, a science fiction and fantasy imprint from Houghton Mifflin Harcourt. He is also the series editor of Best American Science Fiction and Fantasy, as well as the bestselling editor of more than thirty anthologies, including Wastelands and The Living Dead. Recent books include Cosmic Powers, What the #@&% Is That?, Operation Arcana, Press Start to Play, Loosed Upon the World, and The Apocalypse Triptych. Called “the reigning king of the anthology world” by Barnes & Noble, John is a two-time winner of the Hugo Award (for which he has been a finalist twelve times) and an eight-time World Fantasy Award finalist. John is also the editor and publisher of the digital magazines Lightspeed and Nightmare, and is a producer for WIRED’s The Geek’s Guide to the Galaxy podcast. He also served as a judge for the 2015 National Book Award. Find him online at johnjosephadams.com and @johnjosephadams. The Null Space Conundrum Violet Allen | 7881 words “What the fuck is wrong with you?” screams Aria. Her voice goes up raspily at the end of the exclamation, giving her the affect of a mewling cat, and she is embarrassed by the profound uncoolness of such a tone. She slams her fists on the Versa’s console to compensate, to physically demonstrate the depth and seriousness of her anger, causing the subtelar ship to rock violently in the warpwake. Don’t judge her; Aria Astra is usually a very cool person. She likes good food and knows a bunch about film and uses lots of swears and has great fashions. Right now she is wearing a romper made of star- material and a matching neckerchief and a beret that doesn’t match but in a cool way. Also, she was in a band once. It was a pretty decent band, actually, like kind of a hipster funk-pop thing. They had, like, three really good songs, and they would’ve had more good songs, but they broke up because Aria accidentally died and then got resurrected by aliens and turned into a cosmic cyborg who has to save the universe all the time or whatever. Technically, Aria was kicked out of the band before dying and being resurrected by aliens and turned into a cosmic cyborg, but Aria preferred the former timetable, as she was fairly certain that she would’ve been kicked back in had circumstances allowed. They had just been pissy because she couldn’t quote-unquote “play more than four guitar chords” and would’ve changed their tune if given the time. So yeah, Aria is super cool, and it is unlike her to scream and shout, because that is very uncool. Sadly, we are often unlike ourselves, and we all must struggle against the uncool shadow within, the dork inside, the petty, pedantic vulgarian who lurks in all our hearts, singing old, cthonic songs of “Actually” and “I Told You So.” “Don’t do that! You’ll break the ship, clown!” says Kantikle. Kantikle is also being a dork, but Aria has no reason to believe he was ever even a little bit cool. He is a living song sung by every person in the universe at once in the future, sent back in time to convince Aeon Who Judges All Things to spare the universe from the Cataclysm of Judgment, but as cool as that sounds on paper, in practice he’s just a guy, and a pretty whatever guy at that. Aria is kind of into his look (sexy glowing rainbow man), but besides that, he’s really the worst. “We have a system. I pick a song, you pick a song. You can’t switch songs before my song is over, jackhole.” “That song was bad. You have bad taste.” “You have bad taste!” “Kantikle is music itself. I understand it in a way your meat body could never imagine.” Aria sighs and turns a knob on the console, restarting her song, a chill Italo disco number from a planet of frog people whose culture was based entirely on 1980s Earth. “I’ll kick you out of here, dude. I can get home and get ice cream or something. I don’t even care about this dumb mission.” “Of course you don’t recognize the sanctity of our mission,” says Kantikle. “You’re an evil meat clown from a barbarous past. I am not surprised in the least.” “Evil? Don’t be a baby. At worst, I’m neutral. A charming rogue.” “You wield the Sister Ray, an evil weapon designed to rearrange the fabric of the universe, to turn stars into ash, to bend matter to your will.” “Whatever. I’m not evil. Like, I have an evil clone of me, and she uses a weapon that makes people find peace and understanding or something when she stabs them. She’s still evil. Evil weapons, good weapons, it’s all what you do with them.” “You work for the Star Supremacy, who are remembered as imperialist barbarians, one of the most evil organizations of this era.” “We all work for evil organizations. Capitalism, right?” “What?” “That would play super well on my home planet. It’s a good joke.” “Is it, clown? You keep saying the things you say are funny, and I don’t believe it’s true. I have not laughed once. Ironic, isn’t it? The clown who does not make anyone laugh.” Aria is about to say something very smart and cool and cutting, but an alarm starts to blare, and various lights on the console begin to flash ominously. “Bogey!” says Aria. A streak of red light shoots past the Versa, and Aria engages the engines. “Is it the Aeon?” asks Kantikle. “Don’t think so,” says Aria. “It’s about the right size, but most of the readings are pretty normal. Probably just a pod or a starbeetle or something.” “No, it is the Aeon!” shouts Kantikle. “I can feel it! Destiny burns in my chest! After it! I’m engaging the hook!” Kantikle pushes some buttons on the console, and a field of crackling energy wraps itself around the ship. Aria sighs and chases after the light. The little ship bends and crumples into strange tessellations from the rapid increase in speed, and Aria feels the meat part of her stomach going funny.
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