Download STAGES for Learning.Pdf
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Image – Action – Space
Image – Action – Space IMAGE – ACTION – SPACE SITUATING THE SCREEN IN VISUAL PRACTICE Luisa Feiersinger, Kathrin Friedrich, Moritz Queisner (Eds.) This publication was made possible by the Image Knowledge Gestaltung. An Interdisciplinary Laboratory Cluster of Excellence at the Humboldt-Universität zu Berlin (EXC 1027/1) with financial support from the German Research Foundation as part of the Excellence Initiative. The editors like to thank Sarah Scheidmantel, Paul Schulmeister, Lisa Weber as well as Jacob Watson, Roisin Cronin and Stefan Ernsting (Translabor GbR) for their help in editing and proofreading the texts. This work is licensed under a Creative Commons Attribution-NonCommercial-No-Derivatives 4.0 License. For details go to https://creativecommons.org/licenses/by-nc-nd/4.0/. Copyrights for figures have been acknowledged according to best knowledge and ability. In case of legal claims please contact the editors. ISBN 978-3-11-046366-8 e-ISBN (PDF) 978-3-11-046497-9 e-ISBN (EPUB) 978-3-11-046377-4 Library of Congress Control Number: 2018956404 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche National bibliothek lists this publication in the Deutsche Nationalbibliographie; detailed bibliographic data are available on the internet at http://dnb.dnb.de. © 2018 Luisa Feiersinger, Kathrin Friedrich, Moritz Queisner, published by Walter de Gruyter GmbH, Berlin/Boston The book is published with open access at www.degruyter.com, https://www.doabooks.org and https://www.oapen.org. Cover illustration: Malte Euler Typesetting and design: Andreas Eberlein, aromaBerlin Printing and binding: Beltz Bad Langensalza GmbH, Bad Langensalza Printed in Germany www.degruyter.com Inhalt 7 Editorial 115 Nina Franz and Moritz Queisner Image – Action – Space. -
To Be Unaware of One's Form Is to Live a Death. I Myself, After Existing Some
0 “...to be unaware of one’s form is to live a death. I myself, after existing some twenty years, did not become alive until I discovered my invisibility.” —Ralph Ellison, Invisible Man 1 Contents Cento Against Invisibility….….….….….….….….….….….….….….….….….….….….….…...…1 House Cats….….….….….………………...….….….….….….….….….….….….….….………….2 The Lottery….….….….….………………...….….….….….….….….….….….….….….….…...…4 Erasure Poem….….….….….………………...….….….….….….….….….….….….….….….……6 If you should ever find yourself sitting in the front of a class on racial diversity, ignorance eating its way through the roof of your mouth until it splatters acid across your tastebuds ….….….….…….8 Phan Thị Kim Phúc….….….….….………………...….….….….….….….….….….….….….…….9 curiousity….….….….….…………...…...….….….….….….….….….….….….….….….………..10 Avocado….….….….….…………..…...….….….….….….….….….….….….….….….…………11 Note’s on the Rapist’s Nose.….….………………...…….….….….….….….….….….….….…….12 Pork Chops….….………………...….….….….….….….…….….….….….….….…………...…...13 If Schrödinger Moves In.….….………………...….….….…….….….….….….….….….….…….14 Contrast.….….………………...….….….….….….….….…….….….….….….…………………..15 Vagina Dialogues.….….………………...….….….….….….…...….….….….….….….………….16 Ace for Short.….….………………...….….….….….….….….….…….….….….….……………..17 Prayer for a Dominatrix.….….………………...….….….….….….….….….……….….….….…..19 The Curse.….….………………...….….….….….….….….….….….….….….…...………………20 After the Murder.….….………………...….….….….….….….….….….….….….….…………….21 Separation.….….………………...….….….….….….….….….….….….….….….……..…………23 Retelling.….….………………...….….….….….….….….….….….….….….….……..…………..24 -
Artistic Adventures 09 World Travels 06 Literary Excursions 10 Virtual Field Trips Learn About Our Virtual Classes
Welcome to your summer journeys with Wheelock Family Theatre! Each of the following activities is designed to take you on an ever-expanding adventure from within yourself (Inner Journeys) to around the world (World Travels). Along the way, you will experience your own imagination, as well as art, literature, theatre, and nature. Each activity is designed to be open-ended and invite your own creativity. Any project that involves writing can be done through drawing. Drawing projects can also become writing activities. Or you can design your own activity. We call this the “Wild Card'' option. Whenever you accomplish a task, place a sticker in your passport. Wild cards count too! Aim to get as many stickers as possible! Many activities include examples as a source of inspiration. Links to all examples as well as links to all virtual field trips are available on our website: wheelockfamilytheatre.org Contents 03 Inner Journeys 07 Theatre Magic 04 Imaginative Wanderings 08 Nature Treks 05 Artistic Adventures 09 World Travels 06 Literary Excursions 10 Virtual Field Trips Learn About Our Virtual Classes Want more WFT programming? Take a virtual summer class! This summer’s theme, “Adventure Awaits: Come Journey with Us” invites artists everywhere and from anywhere to embark on interactive, imaginative quests alongside travel companions who share your creative spirit. We have created an itinerary of new and diverse detours and destinations. Whether you choose an individual adventure or an extended excursion, this is not your typical zoom class. Spend some time on screen and find inspiration for a summer full of creativity, connection and self discovery off screen. -
Satan's Sibling - Poems
Poetry Series Satan's Sibling - poems - Publication Date: 2008 Publisher: Poemhunter.com - The World's Poetry Archive Satan's Sibling(15/03/1990) I am a poetry enthusiast with a variety of poetry styles. Some are love poems, some are hate poems. But I guess that love and hate are the basis of life, Aren't they? (My motto for life is 'There is no God, he is a figment of our imagination. There is no Karma, we punish ourselves. No destiny, we choose our own path. No freedom. We are bound by our own laws. For now.) www.PoemHunter.com - The World's Poetry Archive 1 1 Million Years Bc (Lyrics) They're calling me, the creatures of the nigh, Beautiful music, Animal instincts survived, the serpent tongue, so ancient before the dawn of time, Spread throughout the ages, On the blood of mankind. I've seen it all. From grace man falls, Babylon, curse of all creation, Winged serpent of the pit, Monstrosity. Ten thousand centuries ago, Cast down from heaven, To pillage below, The serpents eye, Still watching for it's easy prey, Feed upon the hopeless, the weak and afraid. I've seen it all. From grace men fall, Babylon, curse of all creation. Winged serpent of the pit, Monstrosity. 1 million yeasr bc x3 Satan's Sibling www.PoemHunter.com - The World's Poetry Archive 2 8 Line Poem (Lyrics) The tactful cactus by your window Surveys the prairie of your room The mobile spins to its collision Clara puts her head between her paws They've opened shops down West side Will all the cacti find a home But the key to the city Is in the sun that pins the branches to the sky Satan's Sibling www.PoemHunter.com - The World's Poetry Archive 3 A Desirable Complication I sit here in anguish, Silently suffering. -
Artist Title Count PURPLE DISCO MACHINE FEAT. MOSS KENA & THEFIREWORKS KNOCKS 92 LEONY FADED LOVE 83 ONEREPUBLIC RUN 82 ATB FT
Artist Title Count PURPLE DISCO MACHINE FEAT. MOSS KENA & THEFIREWORKS KNOCKS 92 LEONY FADED LOVE 83 ONEREPUBLIC RUN 82 ATB FT. TOPIC & A7S YOUR LOVE 81 JUSTIN BIEBER FT. DANIEL CAESAR PEACHES 81 COLDPLAY HIGHER POWER 80 IMAGINE DRAGONS FOLLOW YOU 80 OLIVIA RODRIGO GOOD 4 YOU 80 REGARD X TROYE SIVAN X TATE MCRAE YOU 79 ALVARO SOLER MAGIA 74 RITON X NIGHTCRAWLERS FRIDAY 74 LOST FREQUENCES RISE 70 JONAS BLUE FT. AVA SOMETHING STUPID 69 THE WEEKND SAVE YOUR TEARS 69 KUNGS NEVER GOING HOME 68 ED SHEERAN BAD HABITS 68 JUSTIN WELLINGTON FEAT. SMALL JAM IKO IKO 67 MAJESTIC X BONEY M. RASPUTIN 67 ROBIN SCHULZ FT. FELIX JAEHN & ALIDA ONE MORE TIME 66 RAG'N'BONE MAN ALL YOU EVER WANTED 64 DUA LIPA LOVE AGAIN 63 JOEL CORRY FT. RAYE & DAVID GUETTA BED 63 JASON DERULO & NUKA LOVE NOT WAR 62 MEDUZA FT. DERMOT KENNEDY PARADISE 59 AVA MAX MY HEAD & MY HEART 58 DUA LIPA WE'RE GOOD 57 MARTIN GARRIX FEAT. BONO & THE EDGE WE ARE THE PEOPLE 57 JOEL CORRY HEAD AND HEART 56 CALVIN HARRIS FT. TOM GRENNAN BY YOUR SIDE 56 DOJA CAT FEAT. SZA KISS ME MORE 56 PINK ALL I KNOW SO FAR 54 OFENBACH FT. LAGIQUE WASTED LOVE 53 PINK + WILLOW SAGE HART COVER ME IN SUNSHINE 53 MALARKEY SHACKLES (PRAISE YOU) 50 MASTER KG FT. NOMCEBO JERUSALEMA 49 SIA & DAVID GUETTA FLOATING THROUGH SPACE 48 SUPER-HI & NEEKA FOLLOWING THE SUN 48 ALVARO SOLER FT. CALI Y EL DANDEE MANANA 44 MARCO MENGONI MA STASERA 42 AVA MAX EVERYTIME I CRY 41 TATE MCRAE YOU BROKE ME FIRST [LUCA SCHREINER41 REMIX] MAROON 5 LOST 40 OFENBACH & QUARTERHEAD HEAD SHOULDERS KNEES & TOES 38 PS1 FT. -
Usa Dance Suncoast Chapter 6004
Volume 31, Issue 4 Aug/September 2021 Studios and Gulfport Casino are now holding dances except for Largo Community Ctr, Rhapsody Ballroom. Wed Tea Dance begins August 4th at Dancers Co-op 2-4pm Here we are in Hurricane Season again, hoping that no hurricane The St Petersburg Coliseum will re- will threaten any of our monthly open Wed, October 6th, and our USA Dances at Suncoast Suncoast Chapter will hold a late Ballroom. celebration of National Ballroom Dance Week on Wed, October 20th Our Suncoast Chapter is 30 with $5 admission for USA Dance years old this year! In spite of members with their card. losing ballroom dancers every year to death and disability, I Memorial Dance for Wayne Meier hope we can keep going. will be held at Suncoast Ballroom nd 2-4pm Wed, September 1st. At our November 22 Dance we will elect a Board of Directors for Now that vaccinated dancers are a two-year term. Telephone getting mild symptoms of COVID, Tree Chair Lorraine Ostrowski Marjorie Reynolds, Lois Rotella Bayou Dance Club will require a will run for office so she can Lois Rotella loved ballroom dancing reservation and take your temp at attend Board meetings and help at local studios, the VFW, Gulfport the door. make decisions for the good of Casino for several years, and was our members. good friends with Marge Meigs, Volunteers Mary and Ed Zuranski Marjorie Reynolds, Trish Johnston. who assist me with this Tempo Everyone is welcome to run for designed a new format so that office at this election, so let me She is pictured here with Marjorie Mary can make changes more know as soon as possible if you who told me that Lois had died in easily. -
American Square Dance Vol. 44, No. 4
AMERICAN SQUARE DANCE Annual $12 APRIL 1989 Single $1.25 HANHURST'S TAPE & RECORD SERVICE THE "ORIGINAL" z SUBSCRIPTION z dS3 cc L TAPE SERVICE a Have you heard all the 75-80 releases that Y 1VdVH3 TR 1: 1 have come out in the 1: OUN 1V last 3 months? C Since 1971 GO OH CHICA 1VA "I think you and your staff are doing a great I— job with the record service. You have pro- vided very responsive service when it comes )IOONIHO to record ordering. Having both the tape and record service you provide, is well worth the 33 expense." -- S.H., APO, New York Er cr —4 a. ❑ 1 1: "l am quite impressed with the quality of the reproduction of the monthly Hanhurst tape." B.B., Alberta, Canada cc 009 03 1 SE HOU 139 0 The Continuing Choice of 1,300 Callers! 0 CH CALL TOLL FREE NOW RAN t - FOR FREE SAMPLE TAPE VISA' UV9 - 1-800-445-7398 9 (In N.J. 201-445-7398) HANHURST'S TAPE & RECORD SERVICE STAR P.O. BOX 687 z RIDGEWOOD, N.J. 07451-0687 —1 BLUE EUREKA STING SNOW LOU MAC BIG MAC AMERICAN [--71 SaURRE ORNCE VOLUME 44, No. 4 THE INTERNATIONAL MAGAZINE APRIL 1989 WITH THE SWINGING LINES ASD FEATURES FOR ALL OUR READERS SPEAK 4 Co-Editorial 6 Grand Zip 5 bly-Line 41 Straight Talk 7 Meandering with Stan 43 Feedback 11 Get Out Of Step 13 April Fool Fun SQUARE DANCE SCENE 14 Dancing Daffy-nitions 20 Late Callerlab News 15 The Anaria Sheikdom 58 A/C Lines (Advanced & Challenge) 19 The Late Great Square Dance 70 Callerlab News 21 Name A Day—Or A Club 72 International News 23 Vacation '89 (Events) 93 S/D Mastercard 29 Encore 101 LSF Institute 31 Hem-Line 104 Run To Oklahoma 35 Dandy Idea 36 Product Line ROUNDS 37 Best Club Trick 33 Cue Tips 39 On Line 63 R/D Pulse Poll 45 Party Line 47 Dancing Tips 79 Facing the L.O.D. -
Plug in Lotusland
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Spring 5-13-2016 (un)plug in lotusland Laurin D. Jefferson University of New Orleans, New Orleans, [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Part of the Poetry Commons Recommended Citation Jefferson, Laurin D., "(un)plug in lotusland" (2016). University of New Orleans Theses and Dissertations. 2161. https://scholarworks.uno.edu/td/2161 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. (un)plug in lotusland A Thesis Submitted to the graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Fine Arts in Creative Writing Poetry by Laurin DeChae Jefferson B.S. Indiana University of Pennsylvania, 2013 May, 2016 Table of Contents Preface: The Pain of Space & Proofs for Science Fiction ............................................................... 1 PROLOGUE ......................................................................................................................................... 13 i/I, you/You ........................................................................................................................................... 20 hemispheres ........................................................................................................................................... -
Karaoke Book
10 YEARS 3 DOORS DOWN 3OH!3 Beautiful Be Like That Follow Me Down (Duet w. Neon Hitch) Wasteland Behind Those Eyes My First Kiss (Solo w. Ke$ha) 10,000 MANIACS Better Life StarStrukk (Solo & Duet w. Katy Perry) Because The Night Citizen Soldier 3RD STRIKE Candy Everybody Wants Dangerous Game No Light These Are Days Duck & Run Redemption Trouble Me Every Time You Go 3RD TYME OUT 100 PROOF AGED IN SOUL Going Down In Flames Raining In LA Somebody's Been Sleeping Here By Me 3T 10CC Here Without You Anything Donna It's Not My Time Tease Me Dreadlock Holiday Kryptonite Why (w. Michael Jackson) I'm Mandy Fly Me Landing In London (w. Bob Seger) 4 NON BLONDES I'm Not In Love Let Me Be Myself What's Up Rubber Bullets Let Me Go What's Up (Acoustative) Things We Do For Love Life Of My Own 4 PM Wall Street Shuffle Live For Today Sukiyaki 110 DEGREES IN THE SHADE Loser 4 RUNNER Is It Really Me Road I'm On Cain's Blood 112 Smack Ripples Come See Me So I Need You That Was Him Cupid Ticket To Heaven 42ND STREET Dance With Me Train 42nd Street 4HIM It's Over Now When I'm Gone Basics Of Life Only You (w. Puff Daddy, Ma$e, Notorious When You're Young B.I.G.) 3 OF HEARTS For Future Generations Peaches & Cream Arizona Rain Measure Of A Man U Already Know Love Is Enough Sacred Hideaway 12 GAUGE 30 SECONDS TO MARS Where There Is Faith Dunkie Butt Closer To The Edge Who You Are 12 STONES Kill 5 SECONDS OF SUMMER Crash Rescue Me Amnesia Far Away 311 Don't Stop Way I Feel All Mixed Up Easier 1910 FRUITGUM CO. -
Nostalgias in Modern Tunisia Dissertation
Images of the Past: Nostalgias in Modern Tunisia Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By David M. Bond, M.A. Graduate Program in Near Eastern Languages and Cultures The Ohio State University 2017 Dissertation Committee: Sabra J. Webber, Advisor Johanna Sellman Philip Armstrong Copyrighted by David Bond 2017 Abstract The construction of stories about identity, origins, history and community is central in the process of national identity formation: to mould a national identity – a sense of unity with others belonging to the same nation – it is necessary to have an understanding of oneself as located in a temporally extended narrative which can be remembered and recalled. Amid the “memory boom” of recent decades, “memory” is used to cover a variety of social practices, sometimes at the expense of the nuance and texture of history and politics. The result can be an elision of the ways in which memories are constructed through acts of manipulation and the play of power. This dissertation examines practices and practitioners of nostalgia in a particular context, that of Tunisia and the Mediterranean region during the twentieth and early twenty-first centuries. Using a variety of historical and ethnographical sources I show how multifaceted nostalgia was a feature of the colonial situation in Tunisia notably in the period after the First World War. In the postcolonial period I explore continuities with the colonial period and the uses of nostalgia as a means of contestation when other possibilities are limited. -
Karaoke Mietsystem Songlist
Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind. -
Bringing Magic Into Interpretation
Education Bringing Magic Into Interpretation What is an Interpreter? William Penn Mott, Jr I am constantly being asked, "what is an inter Director, National preter?" To get a definition, I consulted the dic Park Service tionary which defines an interpreter as, "One that interprets." That's passing the buck. I then looked up the word interpret and found it defined as, "To explain or tell the meaning of; present in understandable terms." I can agree that an inter preter should be able to explain or tell the mean ing of the subject under discussion and do so in Interpretation understandable terms, but I expect a great deal more from our interpreters. First, they should be professionally trained, en thusiastic, creative, flexible, and be able to com municate to people at all age levels. Secondly, I believe that a good interpreter should become very knowledgeable about a particular sub ject around which he or she can create a unique program that is his or hers alone, and which reflects that person's personality. Thirdly, I want our interpreters to use whatever special talents they may possess in the field of music, drama, puppetry, magic, dance, etc., to en rich and create new and exciting interpretive programs. Interpretation has been, and must always be, the hallmark of the National Park Service. An interpreter can be an entertainer, but of greater importance is his or her ability to be an educator utilizing the captivating environment of a national park so as to stimulate interest in, and respect for, the wonders of nature and the interest ing and exciting heritage of this country.