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Bob Doyle 12Th February 1916
Bob Doyle: 12th February 1916 - 22nd January 2009: 'An Unus... http://www.indymedia.ie/article/90779 features events publish about us contact us traditional newswire Advanced Search enter search text here Bob Doyle: 12th February 1916 - 22nd January Publishing Guide 2009: 'An Unusual Communist' Recent articles by anarchaeologist Featured Stories international | miscellaneous | feature Friday January 23, 2009 23:37 Up to 600 take to the streets of Open Newswire by anarchaeologist Dublin to say farewell to Bob Doyle 11 comments Latest News The death has Opinion and Analysis Cheap winter goodies, mulled wine Press Releases occurred in London and seasonal scoff... 0 comments Event Calendar of Bob Doyle, the Other Press last surviving Irish Images of Spanish Civil War Latest Comments soldier of the XV volunteers now on line 4 comments International Photo Gallery Recent Articles about International Brigade of the Miscellaneous News Archives Spanish Hidden Articles Republican Army. The revolution delayed: 10 years of Hugo List Bob, whose health Chávezʼs rule Feb 21 09 by El Libertario, had been failing for Venezuela Videos some time had Autonomous Republic Declared in Dublin survived a recent Feb 20 09 by Citizen of the Autonomous double heart Republic of Creative Practitio attack, before Why BC performed best behind closed passing peacefully doors Feb 10 09 by Paul O' Sullivan about us | help us last night surrounded by his Upcoming Events family. He was a few weeks short of International | Miscellaneous his 93rd birthday. Apr 09 Bring back Bob's career as an APSO...for one night political activist has only! been recorded in his book Jun 14 The Brigadista, which Palestinian Summer recounted his early Celebration 2009 life in Dublin as a Republican volunteer and later New Events as a member of the Bob Doyle International Republican Congress, prior to his abortive first attempt to fight against Franco in July 1937, which saw him stow away on a 06 Mar International ship to Valencia. -
John Lehmann and the Acclimatisation of Modernism in Britain
JOHN LEHMANN AND THE ACCLIMATISATION OF MODERNISM A.T. Tolley It is easy to see the cultural history of modernism in terms of key volumes, such as Auden’s Poems of 1930, and to see their reception in the light of significant reviews by writers who themselves have come to have a regarded place in the history of twentieth-century literature. Yet this is deceptive and does not give an accurate impression of the reaction of most readers. W.B. Yeats, in a broadcast on “Modern Poetry” in 1936 could say of T.S. Eliot: “Tristam and Iseult were not a more suitable theme than Paddington Railway Station.”1 Yeats was then an old man; but most of Yeats’s listeners would have shared the hostility. Yet, in the coming years, acclimatisation had taken place. Eliot’s Little Gidding, published separately as a pamphlet in December 1942, sold 16,775 copies – a remarkable number for poetry, even in those wartime years when poetry had such impact. John Lehmann had a good deal to do with the acclimatisation of modernist idiom, most notably through his editing of New Writing, New Writing & Daylight and The Penguin New Writing, the last of which had had at its most popular a readership of about 100,000. The cultural impact of modernism came slowly in Britain, most notably through the work of Eliot and Virginia Woolf. The triumph of modernism came with its second generation, through the work of Auden, MacNeice and Dylan Thomas in poetry, and less markedly through the work of Isherwood and Henry Green in prose. -
El English Captain De Thomas Wintringham (1939)
EL ENGLISH CAPTAIN DE THOMAS WINTRINGHAM (1939). MEMORIA Y OLVIDO DE UN BRIGADISTA BRITÁNICO English Captain by Thomas Wintringham (1939). Memory and oblivion of a British volunteer Luis ARIAS GONZÁLEZ Fecha de aceptación definitiva: 15-09-2009 RESUMEN: Thomas Wintringham llegó a ser jefe del Batallón Británico de las Brigadas Internacionales en la batalla del Jarama; sobre su experiencia en la Guerra Civil española, escribió un libro que es mucho más que unas memorias al uso al ofrecer aspectos originales de análisis e interpretación de la misma y un reflejo de su compleja personalidad. Tanto su agitada vida como su trayectoria política de izquier- das —que fue desde el comunismo más estricto al laborismo— quedarían marca- das para siempre por su intervención en España y este hecho y esta obra le convertirían en uno de los mayores expertos teóricos militares ingleses de todos los tiempos. Palabras clave: Thomas Wintringham, Brigadas Internacionales, Guerra Civil, memorias, expertos teóricos militares. ABSTRACT: Thomas Wintringham became the commanding officer of the Bri- tish Battalion in the International Brigades during the Battle of Jarama; he wrote a book about his experiences in the Spanish Civil War which is more than memories are usual because it offers original points of view about it and a real image of his complex personality. His very hectic life was affected by this experience such as his © Ediciones Universidad de Salamanca Stud. hist., H.ª cont., 26, 2008, pp. 273-303 LUIS ARIAS GONZÁLEZ 274 EL ENGLISH CAPTAIN DE THOMAS WINTRINGHAM (1939). MEMORIA Y OLVIDO DE UN BRIGADISTA BRITÁNICO left-wing political belief —from dogmatic communism to Labour Party—. -
There's a Valley in Spain Called Jarama
There's a valley in Spain called Jarama The development of the commemoration of the British volunteers of the International Brigades and its influences D.G. Tuik Studentno. 1165704 Oudendijk 7 2641 MK Pijnacker Tel.: 015-3698897 / 06-53888115 Email: [email protected] MA Thesis Specialization: Political Culture and National Identities Leiden University ECTS: 30 Supervisor: Dhr Dr. B.S. v.d. Steen 27-06-2016 Image frontpage: photograph taken by South African photographer Vera Elkan, showing four British volunteers of the International Brigades in front of their 'camp', possibly near Albacete. Imperial War Museums, London, Collection Spanish Civil War 1936-1939. 1 Contents Introduction : 3 Chapter One – The Spanish Civil War : 11 1.1. Historical background – The International Brigades : 12 1.2. Historical background – The British volunteers : 14 1.3. Remembering during the Spanish Civil War : 20 1.3.1. Personal accounts : 20 1.3.2. Monuments and memorial services : 25 1.4. Conclusion : 26 Chapter Two – The Second World War, Cold War and Détente : 28 2.1. Historical background – The Second World War : 29 2.2. Historical background – From Cold War to détente : 32 2.3. Remembering between 1939 and 1975 : 36 2.3.1. Personal accounts : 36 2.3.2. Monuments and memorial services : 40 2.4. Conclusion : 41 Chapter Three – Commemoration after Franco : 43 3.1. Historical background – Spain and its path to democracy : 45 3.1.1. The position of the International Brigades in Spain : 46 3.2. Historical background – Developments in Britain : 48 3.2.1. Decline of the Communist Party of Great Britain : 49 3.2.2. -
Revision Questions
80 REVISION QUESTIONS 1. Using Sections 1 to 3, show how Laurie Lee's horizons widened as he grew up. 2. Imagine Lee kept a diary as a child. Write the entry for a typical day in the summl!r holidays of 1924. 3. In what ways which affected his life was England in Lee's childhood different from now? 4. Justify, by examining many examples, Lee's statement that 'there was a frank, unfearful attitude towards death'. 5. Write character sketches of any two of 'the uncles'. 6. Describe half a dozen aspects of Mrs Lee's behaviour which might be called 'unusual'. 7. Imagine you are Mrs Lee. All the children are out or in bed. You sit musing about your your past, in front of the fire. Write your thoughts. 8. Which is your favourite episode in the book? Describe what happens, and say why you like it. 9. If you had lived in the Lee household, what would you have liked most about their life, and what least? 10. A -book's title is important. Write fully about the two titles of the book: Cider with Rosie and Edge of Day. 11. Lee has called Cider with Rosie 'a celebration'. Discuss the appropriateness of this description of the book. 81 FURTHER READING Other works by Laurie Lee The Sun My Monument (Hogarth Press, London, 1944) The Bloom of Candles (Lehmann, London, 1947) The Voyage of Magellan (Lehmann, London, 1948) My Many-Coated Man (Andre Deutsch, London, 1955) A Rose for Winter (Hogarth Press, London, 1961) The Firstborn (Hogarth Press, London, 1964) As I Walked Out One Midsummer Morning (Penguin Books, Harmondsworth, 1969) I Can't Stay Long (Penguin Books, Harmondsworth 1975) Useful Comparative work Collected Poems of Dylan Thomas (J. -
Senedd Cymru / Welsh Parliament Pwyllgor Diwylliant, Y Gymraeg A
Senedd Cymru / Welsh Parliament Pwyllgor Diwylliant, y Gymraeg a Chyfathrebu / Culture, Welsh Language and Communications Committee Ymchwiliad i’r achosion o COVID-19 ac effaith y feirws ar ddiwylliant, y diwydiannau creadigol, treftadaeth, cyfathrebu a chwaraeon / Inquiry into the COVID-19 outbreak and its impact on culture, creative industries, heritage, communications and sport CWLC COV77 Ymateb gan Live Comedy Association / Response from Live Comedy Association To: Oliver Dowden MP Caroline Dinenage MP Eluned Morgan MS Dafydd Elis-Thomas MS Fiona Hyslop MSP Deirdre Hargey MLA Darren Henley, Arts Council England Nick Capaldi, Arts Council of Wales Gerwyn Evans, Creative Wales Iain Munro, Creative Scotland Roisín McDonough, Arts Council of Northern Ireland 17 July 2020 Dear all, Comedy has a long history of being overlooked as an artform, having never received any public funding from the Department for Digital, Culture, Music, and Sport. Live comedy isn’t viewed as being equal to other art forms by funding bodies across the UK — the same funding bodies responsible for distributing this week's £1.57 billion support package. This is despite comedy being a grassroots creative industry, which is accessible and inclusive to all, no matter your income, where you live, or your sense of humour. Ticket prices are cheaper than almost any other artform, and comedy takes place in every nation and region of the country, in dedicated spaces but also in pubs, music venues, and theatres in every town and city. We believe that comedy is art and should be treated as such. As fans, audience members, and those who work in live comedy, we therefore ask: 1. -
Laurie Lee Reduced
BERNARD QUARITCH LTD 36 Bedford Row, London, WC1R 4JH tel.: +44 (0)20 7297 4888 fax: +44 (0)20 7297 4866 email: [email protected] / [email protected] web: www.quaritch.com Bankers: Barclays Bank PLC, 1 Churchill Place, London E14 5HP Sort code: 20-65-90 Account number: 10511722 Swift code: BUKBGB22 Sterling account: IBAN: GB71 BUKB 2065 9010 5117 22 Euro account: IBAN: GB03 BUKB 2065 9045 4470 11 U.S. Dollar account: IBAN: GB19 BUKB 2065 9063 9924 44 VAT number: GB 322 4543 31 The Library of Laurie Lee Section A: books by Laurie Lee (1-166) Section B: works by other writers, including signed and inscribed copies (167-331) The Library of Laurie Lee Section A: Books by Laurie Lee The following books are file copies of Lee’s own works kept in his cottage at Stroud. Lee often revisited his earlier publications, and here we find numerous manuscript additions and corrections, mostly in pencil, as well as occasional pieces of correspondence tucked inside; some copies are marked up for readings, others were kept by him for personal reasons. The Sun my Monument (1944) BOMB DAMAGE 1) The Sun my Monument (London, Hogarth Press, 1944). Very good; front panel only of the dust-jacket, sunned, stained and torn (see below). Oliver-Jones A.1.a. First edition of Lee’s first book, a slim collection of poems. Pre-publication copy, with LL’s note: ‘The small cuts on the cover of this book were caused by glass splinters from flying-bomb blast. The book lay on my office desk in Russel Sq + was wrecked when the bomb fell in the centre of the square at dawn in June 1944’ (cf. -
Narrating the Horrors of Civil War: Laurie Lee's a Moment of War
حوليات آداب عني مشس اجمللد 46 ) عدد إبريل – يونيه 2012( http://www.aafu.journals.ekb.eg جامعة عني مشس )دورية علمية حملمة( كلية اﻵداب Narrating the horrors of civil war: Laurie Lee’s A Moment of War, Picasso’s Guernica and Samuel Barber’s Adagio for Strings Iman Farouk El Bakary Abstract: This paper examines Laurie Lee‟s A Moment of War (written in 1991 about the writer‟s experience in the Spanish Civil War), Guernica which embodies Picasso‟s shock at the fierce bombing of the defenseless citizens of Guernica, and Samuel Barber‟s Adagio for Strings (1936). Though the latter musical composition was written and performed on another funerary occasion one year before the beginning of the Spanish Civil War, it is, indeed, a true dirge for the tragic loss of lives ensuing from war; in Thomas Larson‟s words, “the saddest music ever written”. The three artistic oeuvres in question, though belonging to different media, could well be seen as profound “evidence of the wound”. They may have been produced during the third decade of the last century. However, their timeless, universal appeal lies in their surprising relevance to their expression, albeit through three different artistic vehicles, of insurmountable grief at the devastation and loss of innocent lives caused by wars in general, and civil wars in particular. In fact, it suffices to look around us at Iraq, Syria, Yemen, Lybia and, indeed innumerable parts of the world to realize the repetitive pattern of senseless victimization of innocent peoples to fulfill wicked political ambition; a pattern that has persisted since the beginning of history, through the Spanish Civil War (1936-1939), World Wars I and II, and up till the very present day. -
Books Recommended for Students Entering 9Th and 10Th Grades
Books Recommended for Students Entering 9th and 10th Grades FICTION, POETRY, PLAYS: G. K. Chesterton, The Man Who Was Thursday A short, brilliant fantasia, "not quite a political bad dream, nor a metaphysical thriller, nor a cosmic joke in the form of a spy novel, but...something of all three" (Kingsley Amis). Junot Díaz, The Brief Wondrous Life of Oscar Wao The character of Oscar, a “ghetto nerd” from Paterson, N.J is the focus of Díaz’s descriptive, lyrical writing. Díaz describes how the experiences of Oscar’s parents and grandparents in Santo Domingo impact Oscar’s destiny. Athol Fugard, Master Harold...and the Boys The scene: St. George's Park Tea Room, Port Elizabeth, South Africa. The time: around 1982. The characters: Sam and Willie, black South Africans who work in the tea room, and Hally ("Master Harold"), a white South African high-school student whose mother owns the cafe. The action: a painful attempt to define love, loyalty and identity. Valley Song, a play by South Africa's master playwright which looks hopefully and wistfully at the new, post-apartheid South Africa and is a wonderful complement to his earlier Master Harold. Jostein Gaarder, Sophie's World This is a mystery story that contains within it an introduction to the major periods, intellectual trends, and thinkers of the European tradition. The story, which begins when a fifteen-year-old girl receives an anonymous note that asks "Who are you?" and "Where does the world come from?" cleverly reflects and plays upon the questions raised in the philosophical sections of the book, and is especially recommended as a review or follow-up to the Greco-Roman beginnings studied in Ancient History. -
New Memorial at the Ebro Do a Fundraising Dance on the Evening of 16 July
INTERNATIONAL BRIGADE MEMORIAL TRUST Patrons Ken Livingstone www.international-brigades.org.uk Prof. Paul Preston Charity no.1094928 Issue ten / February 2005 INTERNATIONAL BRIGADE MEMORIAL TRUST 37 Reginald Road, London E7 9HS Successful Tel/fax: 020-8555 6674 Email: [email protected] President: Jack Jones AGM in Wales Secretary: Marlene Sidaway Treasurer: Peter Crome OurAnnual General Meeting in Cardiff on 16 Committee Members: Jack Edwards, October was preceded by a very moving cere- Sam Lesser, David Marshall, Richard Baxell, mony in Welsh and English at the Tish Collins, Pauline Fraser, Katie Green, International Brigade Memorial in Manus O’Riordan Alexandra Gardens, Cathays Park. Co-opted Members: Gerry Abrahams, Jim Jump, We were honoured that Welsh First David Leach, Dolores Long/Hilary Jones Minister, Rhodri Morgan AM, agreed to address the meeting. He and Jack Jones were Jack Jones (left) and Rhodri Morgan by the nce again, the Newsletter heralds a busy year introduced by Hywel Francis MP, whose book memorial in Cardiff. ahead for the Trust. Dates for your diary: on “Miners Against Fascism” has recently been OSaturday 12 March, the Len Crome Memorial re-published. the nearby Temple of Peace, ourAGM venue, Lecture will be given by Professor Paul Preston at the A wreath was laid on behalf of the Trust by and was much admired. Imperial War Museum, London (see back page); and Alun Menai Williams, the last surviving Some 60 members attended the AGM itself there will be memorial unveilings at Ebbw Vale on 24 Brigader living in Wales, and the Cor Cochion and it was a lively meeting. -
A Walk Into War Detailed Notes Notes
A Walk Into War (Tenor and piano quintet) (Words: Laurie Lee) I. Introduction and Departure II. Southampton III. London IV. Vigo V. Dance VI. Sunstroke/ To the Sea VII. Execution VIII. Bombing IX. Conflict and Home A Walk Into War for tenor and piano quintet is based on two books by the English writer, Laurie Lee. The first, As I Walked Out One Midsummer Morning, is an account of Laurie Lee leaving his village in Gloucester, walking through Wiltshire and the South before working a year in London and travelling to Spain. Laurie Lee left Spain at the onset of the Spanish Civil War, but returned to fight some time later. The account of this is given in a later book, A Moment of War. This piece has three main sections. The first, an English phase, is concerned with Laurie Lee’s departure from his village, making his living by busking, and working in London. Laurie Lee was just 19 years old (‘still soft at the edges’) and these years were the 1930’s; hence at times there exists a layer of apprehension to the lighter quality. A Spanish section sets some of the dominant aspects of his long walk through Spain, a period of his book which captures so beautifully his own youth and naivety, and the ‘unspoilt’ feeling of Spain at this time. The third and final portion of this piece takes as its basis his return to Spain to fight in the Spanish Civil War. Subsequent analysis has brought some controversy to Laurie Lee’s account but his writing still remains one of the most evocative and important descriptions of this period of history, not least because he writes so easily about the contradictions of war - optimism and desolation, organization and confusion. -
'Where Are the War Poets?'
‘Where are the War Poets?’ As with all forms of contribution to Horizon , the poems that appeared, even in the years delineated by the war, are far too numerous to explore fully in any one project. Many types of verse appeared in its pages, from those that celebrated the changing of the seasons to those that lamented the passing of painters, writers of fiction, and, of course, other poets. Names familiar from the accepted canon are common, in particular W.H. Auden and Dylan Thomas, but contributions from lesser-known poets found a way in as well; some would become famous in their own right, while many others sank deep into obscurity. All of Horizon ’s poetry is worthy of analysis, both as individual works written in a period of crisis and as vital attributes of the periodical itself. This chapter, though, will limit itself to a selection of those poems that deal with wartime in a more direct fashion, offering insight into the poetic responses to war that Cyril Connolly chose to include. The war-related ideas these poems provide are numerous and varied, in line with Connolly’s pledge to look for quality of expression, rather than judgement based merely of what was expressed. Some are by established poets of the period, such as Cecil Day Lewis and Stephen Spender; others, such as those by Kathleen Raine and Alun Lewis, demonstrate the ability of talented newcomers who would later make names for themselves. At least one, by Geoffrey Matthews, shows that a poet’s ability can be formed, and informed, by special circumstances, in this case the war, even if that poet never publishes again once those circumstances end.