RBWF Burns Chronicle 2017
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Contemporary Irish Detective Novel
The Contemporary Irish Detective Novel Edited by Elizabeth Mannion General Editor: Clive Bloom Crime Files Series Editor Clive Bloom Emeritus Professor of English and American Studies Middlesex University London Since its invention in the nineteenth century, detective fi ction has never been more popular. In novels, short stories, fi lms, radio, television and now in computer games, private detectives and psychopaths, poisoners and overworked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular consciousness. Crime Files is a ground-breaking series offering scholars, students and discerning readers a comprehensive set of guides to the world of crime and detective fi ction. Every aspect of crime writing, detective fi ction, gangster movie, true-crime exposé, police procedural and post-colonial investigation is explored through clear and informative texts offering comprehensive coverage and theoretical sophistication. More information about this series at http://www.springer.com/series/14927 Elizabeth Mannion Editor The Contemporary Irish Detective Novel Editor Elizabeth Mannion Philadelphia , Pennsylvania , USA Crime Files ISBN 978-1-137-53939-7 ISBN 978-1-137-53940-3 (eBook) DOI 10.1057/978-1-137-53940-3 Library of Congress Control Number: 2016933996 © The Editor(s) (if applicable) and The Author(s) 2016 The author(s) has/have asserted their right(s) to be identifi ed as the author(s) of this work in accordance with the Copyright, Designs and Patents Act 1988. This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifi cally the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfi lms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or here- after developed. -
Resilience and Urban Capabilities in Denise Mina's Garnethill Trilogy1
Resilience and Urban Capabilities in Denise Mina’s Garnethill Trilogy1 Carla Rodríguez González Universidad de Oviedo Abstract This paper examines Denise Mina’s Garnethill trilogy from the standpoint of spatial and capabilities studies. It analyses the representation of spaces of resilience, as well as their role in the gendered redistribution of urban and domestic power portrayed in the narratives. In order to do so, it contextualises these books within the framework of contemporary Scottish crime fiction and subsequently studies the contraposition and subversion of emotional spaces in Glasgow and London in the process of recovery from the trauma of the child sexual abuse their protagonist has undergone. Keywords: Denise Mina; Garnethill Trilogy; Scottish crime fiction; Tartan Noir; urban capabilities; resilience. 1. Introduction: Gendering Tartan Noir In his study of the Glasgow novel, Liam McIlvanney contends that “in a city of mythologised violence, crime fiction has been a vigorous strand” (2012: 230). Indeed, crime fiction has become a distinctive landmark in recent Glasgow writing and is part of a long-lasting Scottish tradition originating in Arthur Conan Doyle’s dark short stories, and continued by renowned authors such as William McIlvanney, Alexander McCall Smith and Christopher Brookmyre, as well as by the “totemic figure of Ian Rankin” (Pittin-Hedon 2015: 33). Gill Plain situates this writing in a hybrid tradition comprising American hard-boiled fiction,2 “an indigenous tradition of Scottish urban working-class fiction” and, very importantly, the recurrence of the trope of the doppelgänger, “of duality, deceit, repression and hypocrisy” (2007: 132), associated with the legacy of James Hogg’s Confessions of a Justified Sinner and Robert Louis Stevenson’s Strange Case of Dr Jekyll and Mr Hyde. -
SB-4403-September 20
thethethe ScottishScottishScottish Banner BannerBanner 44 Years Strong - 1976-2020 www.scottishbanner.com A’ Bhratach Albannach Volume 36 Number 11 The world’s largest international Scottish newspaper May 2013 VolumeVolumeVolume 44 36 Number36 Number Number 3 11 The 11 The world’sThe world’s world’s largest largest largest international international international Scottish Scottish Scottish newspaper newspaper newspaper September May May 2013 2013 2020 Remembering Valerie Cairney US Barcodes 7 25286 844598 0 1 Australia $4.50 N.Z. $4.95 7 25286 844598 0 9 7 25286 844598 0 3 7 25286 844598 1 1 7 25286 844598 1 2 THE SCOTTISH BANNER Volume 44 - Number 3 Scottishthe Banner The Banner Says… Volume 36 Number 11 The world’s largest international Scottish newspaper May 2013 Publisher Contact: Scottish Banner Pty Ltd. The Scottish Banner Remembering Valerie Cairney Editor PO Box 6202 to be one of her boys and it just This publication is not just our family Sean Cairney Marrickville South, NSW, 2204 happens to be I was the one to follow business, but it is her legacy to both EDITORIAL STAFF Tel:(02) 9559-6348 her in her footsteps and take a leap the international Scottish community Jim Stoddart [email protected] of faith and join the Banner many and to me. I know my mother will The National Piping Centre years ago and make a life out of being rest better knowing how many her David McVey part of the amazing international work touched and connected across Lady Fiona MacGregor Eric Bryan Scottish community. Sometimes to the world. -
Canongate Cursor Canons List JUL-DEC 2017 Getting It in the Head MIKE MCCORMACK
Canongate Cursor Canons List JUL-DEC 2017 Getting it in the Head MIKE MCCORMACK The celebrated debut short story collection from the author of Solar Bones, winner of the 2016 Goldsmiths Prize and BGE Irish Book of the Year Prepare to enter a world where the infatuation with death, ruin and destruction is total. Set in locations from New York to the west of Ireland, and to the nameless realms of the imagination, it is a world where beautiful but deranged children make lethal bombs, talented sculptors spend careers dismembering themselves in pursuit of their art, and wasters rise up with axes and turn into patricides.McCormack’s celebrated debut collection is richly imaginative, bitterly funny, powerful and original. ABOUT THE AUTHOR Mike McCormack is an award-winning novelist and short story writer from RELEASE DATE: 6 JULY 2017 Mayo. His previous work includes Notes from a Coma (2005), which was Canons Imprint shortlisted for BGE Irish Novel of the Year, and Forensic Songs (2012). In 1996 he was awarded the Rooney Prize for Irish Literature for Getting it in the PAPERBACK Head, and in 2007 he was awarded a Civitella Ranieri Fellowship. In 2016, 9781786891396 Solar Bones won the Goldsmiths Prize and the BGE Irish Book of the Year £9.99 award. Canongate Cursor Canons List Jul-Dec 2017 02 Notes from a Coma MIKE MCCORMACK The critically acclaimed novel from the author of Solar Bones, winner of the 2016 Goldsmiths Prize and BGE Irish Book of the Year After suffering a catastrophic breakdown, J.J. O’Malley volunteers for a government project exploring the possibility of using coma as a means to keep prisoners under control. -
Popular Fiction: Detective Novels and Thrillers from Holmes to Rebus
Popular Fiction: Detective Novels and Thrillers from Holmes to Rebus David Goldie Scottish writers have, at times, played a role in detective, adventure, and thriller writing that is out of proportion to the size of the nation. Though Scotland played no significant part in the twentieth- century’s so-called ‘Golden Age’ of crime fiction, which was dominated by English and American authors, its writers were influential in establishing the genre in the late nineteenth century and can, in the early twenty-first century, count among themselves some of its most popular global practitioners. This chapter may not be able to offer a satisfactory explanation of why this is the case – unfortunately literary criticism is rarely as tidy as fictional detective work – but it will offer an account of the somewhat punctuated evolution of crime and thriller fiction in the Scottish context in the period that runs from Conan Doyle to so-called Tartan Noir. Arthur Conan Doyle and Robert Louis Stevenson are Scottish writers who demand attention principally because of the impact their work had on a popular writing based on action and suspense, on psychological instability and the solving of puzzles. Conan Doyle’s place in the history of detective fiction needs little elaboration. Though he took up a genre that had been established in the 1830s and 40s by Vidocq’s Mémoires, the Newgate novels, and Edgar Allan Poe’s Dupin stories, and which had been experimented with variously by Charles Dickens, Wilkie Collins, Mary Elizabeth Braddon, and, most successfully, by Émile Gaboriau, Conan Doyle established in the popular mind the type of the detective story in its modern form. -
The Oxford Companion to English Literature, 6Th Edition
M MABBE, James (1572-71642), educated at, and fellow MACAULAY,Dame (Emilie) Rose (1881-1958), novelist, of, Magdalen College, Oxford. He became a lay essayist, and travel writer, whose many works include prebendary of Wells. He is remembered for his trans Potterism (1920), They Were Defeated (1932), both lations of Fernando de Rojas's *Celestina and of The fiction, and Pleasures of Ruins (1953). Her best-known Spanish Ladye, one of *Cervantes's 'Exemplary novels, The World My Wilderness (1950) and The Novels'. Mabbe Hispanicized his name as 'Puede- Towers of Trebizond (1956), appeared after a decade Ser' (may-be). in which she wrote no fiction, and followed her return to the Anglican faith, from which she had been long Mabinogion, The, strictly, the first four Welsh tales estranged through her love for a married man who died contained in the collection of Lady Charlotte Guest, in 1942. Her religious revival was inspired partly by the made in 1838-49. The four are preserved in two Welsh Revd J. H. C. Johnson, and her correspondence with manuscripts: The White Book of Rhydderch (1300-25) him was published after her death in two volumes, and The Red Book of Hergest (1375-1425). 'Mab' is the 1961-2, as Letters to a Friend. word for 'youth', but, even by the time of the medieval title, it is likely that the word meant nothing much MACAU LAY, Thomas Babington (1800-59), politician more precise than 'story'. In the four stories it is likely and historian, son of the philanthropist and reformer that the original common element was the hero Zachary Macaulay. -
At the University of Edinburgh
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. What is Tartan Noir? Investigating Scotland’s Dark Contemporary Crime Fiction Len Wanner Doctor of Philosophy The University of Edinburgh 2014 I, Len Wanner, hereby declare that this thesis, submitted in candidature for the degree of Doctor of Philosophy at the University of Edinburgh, is of my own composition, excluding designated citations, and was not previously submitted for the award of any other degree or professional qualification at this or any other university. ______________________________________________ Len Wanner, BA, MA January the 31st, 2014 2 Abstract Contrary to popular belief, Tartan Noir is not a synonym for Scottish noir but a mystifying marketing label for a national literature: dark, contemporary Scottish crime fiction. As it comprises an immense diversity of writing done in such mainstream sub-genres as detective, police, and serial killer fiction, as well as actual noir, I will investigate both the contrasts and the crossovers between said sub-genres. -
January - June 2019 FICTION the Shadow King MAAZA MENGISTE
January - June 2019 FICTION The Shadow King MAAZA MENGISTE ABOUT THE AUTHOR RELEASE DATE: 5 DECEMBER 2019 Export/Airside - Export/Airside/Ireland PAPERBACK 9781838851392 £14.99 January - June 2019 Fiction 02 The Island Child MOLLY AITKEN A rich, haunting and deeply moving novel about the power and the danger in a mother’s love, from one of the most exciting new voices in Irish fiction Twenty years ago, Oona left the island of Inis for the very first time. A wind-blasted rock of fishing boats and turf fires, where the only book was the Bible and girls stayed in their homes until they became mothers themselves, the island was a gift for some, a prison for others. Oona was barely more than a girl, but promised herself she would leave the tall tales behind and never return. The Island Child tells two stories: of the girl who grew up watching births and betrayals, storms and secrets, and of the adult Oona, desperate to find a second chance, only to discover she can never completely escape. As the strands of Oona’s life come RELEASE DATE: 30 JANUARY 2020 together, in blood and marriage and motherhood, she must accept the price we pay when we love what is never truly ours … HARDBACK 9781786898333 Rich, haunting and rooted in Irish folklore, The Island Child is a £14.99 spellbinding debut novel about identity and motherhood, freedom and fate, and the healing power of stories. ABOUT THE AUTHOR Molly Aitken was born in Scotland in 1991 and brought up in Ireland. She studied Literature and Classics at Galway University and has an MA in Creative Writing from Bath Spa. -
William Mcilvanney
WILLIAM MCILVANNEY William McIlvanney, (Kilmarnock, Escocia, 1936) Graduado por la Universidad de Glasgow, trabajó como profesor de inglés entre 1960 y 1975. Como escritor es muy conocido por ser el padre del tartan noir, el subgénero policiaco ambientado en Escocia que tiene unos parámetros morales muy particulares. De él beben autores tan prestigiosos como Ian Rankin o Val McDermid. Su primer libro, Remedy is None (1966) ganó el Geoffrey Faber Memorial Prize. Con Docherty ganó el Whitbread Novel Award, y su novela Laidlaw fue merecedora del Crime Writers' Association Macallan Silver Dagger for Fiction. En castellano también se han publicado Extrañas lealtades, la segunda de las tres novelas protagonizadas por el inspector Laidlaw, y El grande, que contó con una la versión cinematográfica protagonizada por Liam Neeson. También ha logrado cierto reconocimiento como poeta. Weekend es su última novela. (LAIDLAW 01) LAIDLAW . En un parque del oeste de Glasgow aparece el cadáver de una chica, Jennifer Lawson, estrangulada y brutalmente violada. Y entra en acción el inspector Jack Laidlaw que se pone a buscar al culpable con la ayuda de su colega en el cuerpo de policía Harkness. Pero él no es el único que intenta darle caza, porque el padre de Jennifer, Bud Lawson, quiere encontrar al asesino de su hija antes de que lo detenga la policía, para tomarse la justicia por su mano. Y sabe cómo hacerlo, porque tiene contactos en el submundo criminal de Glasgow. De modo que Laidlaw, un detective atormentado y dado a reflexionar sobre la moralidad y el crimen, inicia una carrera contrarreloj para atrapar al criminal antes de que lo haga un padre lleno de ira. -
Introduction
Notes Introduction 1. The choice of literary fiction to the general exclusion of popular fiction is partly because the latter’s response to the Cold War has received some study, but also because study of the topic tends to overemphasise its source material. For example, see LynnDiane Beene paraphrased in Brian Diemert, ‘The Anti- American: Graham Greene and the Cold War in the 1950s’, in Andrew Hammond, ed., Cold War Literature: Writing the Global Conflict (London and New York: Routledge, 2006), p. 213; and David Seed, American Science Fiction and the Cold War: Literature and Film (Edinburgh: Edinburgh University Press, 1999), p. 192. 2. Caute, Politics and the Novel during the Cold War (New Brunswick and London: Transaction Publishers, 2010), p. 76. 3. Richard J. Aldrich, ‘Introduction: Intelligence, Strategy and the Cold War’, in Aldrich, ed., British Intelligence, Strategy and the Cold War, 1945–51 (London and New York: Routledge, 1992), p. 1. For useful summaries of the different schools of Cold War historiography, see S.J. Ball, The Cold War: An International History, 1947– 1991 (London and New York: Arnold, 1998), pp. 1–4; and Ann Lane, ‘Introduction: The Cold War as History’, in Klaus Larres and Lane, eds, The Cold War: The Essential Readings (Oxford and Malden: Blackwell, 2001), pp. 3–16. 4. Dwight D. Eisenhower quoted in John Lewis Gaddis, The Cold War, new edn (2005; London: Penguin, 2007), p. 123. In the mid-1940s, the US assertion that ‘in this global war there is literally no question, political or military, in which the United States is not interested’ was soon echoed by Vyacheslav Molotov’s claim that ‘[o]ne cannot decide now any serious problems of international relations without the USSR’ (quoted in Paul Kennedy, The Rise and Fall of the Great Powers: Economic Change and Military Conflict from 1500 to 2000, new edn (1987; New York: Vintage Books, 1989), p. -
UNTITLED Catching NOVEL by Alan Parks (World English) Otherup with Rights: Him
Canongate is an independent publisher: since 1973 we’ve worked to unearth and amplify the most vital, exciting voices we can find, wherever they come from, and we’ve published all kinds of books – thoughtful, upsetting, gripping, beatific, vulgar, chaste, unrepentant, life-changing . Along the way there have been landmarks of fiction – including Alasdair Gray’s masterpiece Lanark, and Yann Martel’s Life of Pi, the best-ever-selling Booker winner – and non-fiction too. We’ve published an American president and a Guantanamo detainee; we’ve campaigned for causes we believe in and fought court cases to get our authors heard. And twice we’ve won Publisher of the Year. We’re still fiercely independent, and we’re as committed to unorthodox and innovative publishing as ever. Andrea Joyce, Rights Director: [email protected] Jessica Neale, Senior Rights Manager: [email protected] Caroline Clarke, Rights Manager: [email protected] Bethany Ferguson, Rights Assistant: [email protected] Canongate 14 High Street Edinburgh EH1 1TE UK Tel: +44 (0) 131 557 5111 For more information on thecanongate.co.uk Publishing Scotland Translation Fund, visit: http://bit.ly/translation-support For more information on the Publishing Scotland Fellowship, visit: https://bit.ly/2MNSNjb Author Photo Credits: Tola Rotimi Abraham: Carole Cassier; Peter Ackroyd: Charles Hopkinson; Patience Agbabi: Lyndon Douglas; Molly Aitken: Christy Ku; Tahmima Anam: Abeer Y Hoque; Priya Basil: Suhrkamp Verlag; Janie Brown: Genevieve Russell, Story Portrait Media; Melanie Challenger: Alice Little; Kerri ni Dochartaigh: Wendy Barrett; Will Eaves: John Cairns; Gavin Francis: Chris Austin; Salena Godden: Simon Booth; Emily Gravett: Mik Gravett; Steven Hall: Jerry Bauer; Claudia Hammond: Ian Skelton; Matt Haig: Kan Lailey; Richard Holloway: Colin Hattersley-Smith; M. -
No. 46, March 2016
No. 46, March 2016 Editors: Professor Dr. Horst Drescher † Lothar Görke Professor Dr. Klaus Peter Müller Ronald Walker Table of Contents Editorial 2 Comments on the Referendum, the General Election, Land Reform & Feudalist Structures - Jana Schmick, "What the Scots Wanted?" 4 - Katharina Leible, "General Election and Poll Manipulation" 8 - Andrea Schlotthauer, "High Time to Wipe Away Feudalist Structures – 10 Not Only in Scotland" Ilka Schwittlinsky, "The Scottish Universities' International Summer School – 11 Where Lovers of Literature Meet" Klaus Peter Müller, "Scottish Media: The Evolution of Public and Digital Power" 13 New Scottish Poetry: Douglas Dunn 39 (New) Media on Scotland 40 Education Scotland 58 Scottish Award Winners 61 New Publications April 2015 – February 2016 62 Book Reviews Klaus Peter Müller on Demanding Democracy: The Case for a Scottish Media 75 Klaus Peter Müller on the Common Weal Book of Ideas. 2016 – 21 83 Kate McClune on Regency in Sixteenth-Century Scotland 91 Ilka Schwittlinsky on Tartan Noir: The Definitive Guide to Scottish Crime Fiction 92 Conference Reports (ASLS, Stirling, July 2015, by Silke Stroh and Nadja Khelifa) 95 Conference Announcements 100 In Memory of Ian Bell 103 Scottish Studies Newsletter 46, March 2016 2 Editorial Dear Readers, Here is the special issue on 'Scottish Media' projected in our editorial last year. Media are so important, so hugely contested, such a relevant business market, and so significant for peo- ple's understanding of reality that this Newsletter is a bit more voluminous than usual. It also wants to challenge you in important ways: media reflect the world we live in, and this issue points out the dangers we are facing as well as the enormous relevance of your active partici- pation in making our world better, freer, more democratic.