Canongate Cursor Canons List JUL-DEC 2017 Getting It in the Head MIKE MCCORMACK
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Three Approaches to a Cultural Object: the Film Under the Skin
American Journal of Applied Psychology 2020; 9(6): 150-159 http://www.sciencepublishinggroup.com/j/ajap doi: 10.11648/j.ajap.20200906.12 ISSN: 2328-5664 (Print); ISSN: 2328-5672 (Online) Commentary Three Approaches to a Cultural Object: The Film Under the Skin Ana Belchior Melícias 1, Maria Aparecida Cabral 2, João Augusto Frayze-Pereira 3, * 1Portuguese Psychoanalytical Society, Lisbon, Portugal 2Brazilian Society of Psychoanalysis of São Paulo, São Paulo, Brazil 3Institute of Psychology and Master's and Doctoral Program in Aesthetics and Art History, University of São Paulo, São Paulo, Brazil Email address: *Corresponding author To cite this article: Ana Belchior Melícias, Maria Aparecida Cabral, João Augusto Frayze-Pereira. Three Approaches to a Cultural Object: The Film Under the Skin . American Journal of Applied Psychology . Vol. 9, No. 6, 2020, pp. 150-159. doi: 10.11648/j.ajap.20200906.12 Received : September 10, 2020; Accepted : October 15, 2020; Published : November 11, 2020 Abstract: This article presents three approaches to the film Under the Skin by Jonathan Glazer (2014) that correspond to three interpretative vertices. The film is an adaptation of Michel Faber´s science fiction novel set in Northern Scotland which follows an extraterrestrial that, manifested in a female human form, drives around the countryside picking up male travelers. She seduces and sends them to her home planet. Her experience on Earth is complex and causes tragical consequences. The impact of the film offered an opportunity for the authors to expand their perspectives on different directions. The first part of the article refers to psychoanalytic concepts that are applied to the film, mainly the psychoanalytical conceptualizations about the body and the starting point of mental functioning. -
Scotland's Creative Writing Centre 2016 Programme
SCOTLAND’S CREATIVE WRITING CENTRE 2016 PROGRAMME WWW.MONIACKMHOR.ORG.UK MONIACK MHOR Something is dealing from a deck of cards, face up, seven, a week of mornings, today’s revealing the hills at Moniack Mhor, shrugging off their mists. A sheepdog barks six fields away; I see the farm from here. Twelve-month cards, each one thumbed, flipped, weathered in its way – this the eighth, harvest-time, a full moon like a trump, a magic trick. It rose last night above this house, affirmative. I sensed your answer – hearts. Or a single hour is a smiling Jack, a diamond, or a spade learning a grave; charms or dark lessons. Something is shuffling; the soft breath of Moniack Mhor on the edge of utterance, I know it, the verbs of swifts riffling the air and the road turning itself into the loch, a huge ace into which everything folds. Here is the evening, displayed then dropped to drift to the blazon of barley, bracken, heather. Something is gifting this great gold gathering of cloud; a continual farewell. CAROL ANN DUFFY WELCOME Dear all, Welcome to Moniack Mhor Creative Writing Centre, based in the beautiful highlands of Scotland. Perched at 1000ft, just a stone’s throw from Loch Ness, the centre commands dramatic views of the mountain ranges of Ben Wyvis and Glen Strathfarrar. Our cosy converted croft is an inspiring atmosphere for doing what we love best, writing. 2015 was a thrilling and creative year in the life of the newly fledged, independent Moniack Mhor. We’ve been visited by many writers from all walks of life, each sharing a different story, breathing energy into the walls of the building. -
UWS Academic Portal It's a Grand Thing to Get Leave to Live
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Research Repository and Portal - University of the West of Scotland UWS Academic Portal It's a grand thing to get leave to live' Pirrie, Anne Published in: Scottish Educational Review Published: 08/02/2019 Document Version Publisher's PDF, also known as Version of record Link to publication on the UWS Academic Portal Citation for published version (APA): Pirrie, A. (2019). It's a grand thing to get leave to live': the educational legacy of Nan Shepherd. Scottish Educational Review, 50(2), 73-85. General rights Copyright and moral rights for the publications made accessible in the UWS Academic Portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 17 Sep 2019 Pirrie, Anne (2018) ‘It’s a Grand Thing to Get Leave to Live’: The Educational Legacy of Nan Shepherd. Scottish Educational Review, 50(2), 73-85 ‘It’s a Grand Thing to Get Leave to Live’: The Educational Legacy of Nan Shepherd Anne Pirrie University of the West of Scotland ABSTRACT This article offers some insights into the early life and educational experiences of the writer and educationalist Anna (Nan) Shepherd (1893-1981), with a view to exploring her legacy for contemporary educators and academics – and indeed for all those who have a stake in education. -
The Crimson Petal and the White Free
FREE THE CRIMSON PETAL AND THE WHITE PDF Michel Faber | 864 pages | 30 Jun 2015 | Canongate Books Ltd | 9781782114413 | English | Edinburgh, United Kingdom NPR Choice page The supporting cast includes Shirley HendersonRichard E. Grant and Gillian Anderson. Critical reviews of the miniseries were mixed but generally positive. Despite his dreams to become a renowned writer, he has no talent for it, and his father decides to cut his allowance until William starts working seriously in the company. William meets and becomes infatuated with a young and intelligent prostitute named Sugar Romola Garaiwho is writing a novel of her own, filled with hatred and revenge against all the men who abused her and her colleagues. William moves Sugar into a flat of her own on the condition that she sees him exclusively, while she helps him emotionally and financially by giving good advice on how to handle the company. Sugar becomes more and more attached to William and, as she comments to one of her old friends, "the world that comes with him". Eventually he moves her into the Rackham The Crimson Petal and the White under the pretence of working The Crimson Petal and the White a governess to his young daughter Sophie Isla Wattthe daughter Agnes has never acknowledged the existence of due to her madness. Agnes becomes increasingly unstable and desperate and, having caught glimpses of Sugar, believes her to be her own guardian angel who will bring her to the imaginary Convent of Health. With time Sugar grows close to Sophie, The Crimson Petal and the White the mother she never had, and Agnes, by reading her journals and helping her. -
A Companion to Literature, Film, and Adaptation Blackwell Companions to Literature and Culture
A Companion to Literature, Film, and Adaptation Blackwell Companions to Literature and Culture This series offers comprehensive, newly written surveys of key periods and movements and certain major authors, in English literary culture and history. Extensive volumes provide new perspectives and positions on contexts and on canonical and post-canonical texts, orientating the beginning student in new fields of study and providing the experienced undergraduate and new graduate with current and new directions, as pioneered and developed by leading scholars in the field. Published Recently 62. A Companion to T. S. Eliot Edited by David E. Chinitz 63. A Companion to Samuel Beckett Edited by S. E. Gontarski 64. A Companion to Twentieth-Century United States Fiction Edited by David Seed 65. A Companion to Tudor Literature Edited by Kent Cartwright 66. A Companion to Crime Fiction Edited by Charles Rzepka and Lee Horsley 67. A Companion to Medieval Poetry Edited by Corinne Saunders 68. A New Companion to English Renaissance Literature and Culture Edited by Michael Hattaway 69. A Companion to the American Short Story Edited by Alfred Bendixen and James Nagel 70. A Companion to American Literature and Culture Edited by Paul Lauter 71. A Companion to African American Literature Edited by Gene Jarrett 72. A Companion to Irish Literature Edited by Julia M. Wright 73. A Companion to Romantic Poetry Edited by Charles Mahoney 74. A Companion to the Literature and Culture of the American West Edited by Nicolas S. Witschi 75. A Companion to Sensation Fiction Edited by Pamela K. Gilbert 76. A Companion to Comparative Literature Edited by Ali Behdad and Dominic Thomas 77. -
Neil Gunn's Creation of a 'Meta-Novel' of the Highlands
DEPARTMENT OF SCOTTISH LITERATURE UNIVERSITY OF GLASGOW DOCTORAL THESIS CHRISTOPHER JOHN LAWSON STOKOE Closing the Circle: Neil Gunn's creation of a 'meta-novel' of the Highlands. Date of submission - 6th March 2007 4 C.J. L. Stokoe, March 2007 ý14)_)'e i. )Z '! '_ ý' i/ . f' 2 A riý'l '70 914 CILjc, ý 140 (o %ý ý dJ 4a ou - LýL 4s .r" " rj ý VLS 1rý_ri 2/\g: iii ý Lý ß-42. L.... " zýtj-ýl 3 °- t -. ý"r ýw % "ý1 . s .aý. _ 3 t, ýý t.,40-cjl , -TL ýV4 tA Lr &1 Lit . ~. Or 14 W ý-*ý ýa ý ý,r 44 ýwý 'ý _7M I ý" sjj. Az { º I O Ii -11 .. 14 LL I jJ_t4 r iiu /I' __ c) £L4 r CIA. Leh ý^(v ý- " `. i ýi: º, IL it L,. -a LJ . C)D-C-1 ,..ýý ..ý 4 ABSTRACT Whilst researchinghis bibliography of Neil M Gunn, the writer found photocopies of papers said to have been in Gunn's desk at the time of his death, amongst which were copies of both sides of a handwritten sheet' torn from a loose- leaf notebook. This document, produced in responseto perceived criticism by Eric Linklater, offers a unique insight into Gunn's view of his literary achievement at the end of his novel-writing career. In it Gunn sets out the theoretical concept of all his twenty novels being components of a single, composite, 'Novel of the Highlands', an abstract concept referred to in this thesis as a'meta-novel'. -
THINKING OUTDOORS a Scots Quair As a Place-Based Perceptual Narrative
INSTITUTIONEN FÖR SPRÅK OCH LITTERATURER THINKING OUTDOORS A Scots Quair as a Place-Based Perceptual Narrative Pia Sundh Essay: Advanced Research Essay, Literary Specialisation, 15 credits Course: EN2D04 Level: Second cycle Term/year: Vt/2016 Supervisor: Ronald Paul Examiner: Marcus Nordlund Report nr: Abstract Title: Thinking Outdoors: A Scots Quair as a Place-Based Perceptual Narrative Author: Pia Sundh Supervisor: Ronald Paul Abstract: This thesis is an ecocritical reading of A Scots Quair with a focus on agency and perception of place. A Scots Quair is a trilogy consisting of the novels Sunset Song, Cloud Howe and Grey Granite, first published in the 1930’s. In this thesis ‘Place’ is perceived as an important key to A Scots Quair, where the main character, Chris Guthrie, finds refuge for thinking outdoors in communication with the landscape, regardless of time or season. Chris’ integral relationship with the soil, the clouds and the stones turns these into agents of their own right, and simultaneously into key characters of the narrative. During her sessions ‘thinking outdoors’ she is the mediator of the story. Using an ecological term, Chris can be seen as ‘observing edges’, similar to what Mitchell Tomashow calls a ‘Place-Based Perceptual Ecology’ (2002, 73). Gibbon’s focus on a reciprocal relation to the landscape deserves contemporary recognition. The bioregion wherein Lewis Grassic Gibbon’s book is grounded is represented by four places where the human protagonist is placed. The whole narrative can in this way be considered a ‘Place-Based Perceptual Narrative’, although these places in the Scottish landscape could represent communication with any place on earth, not just Scotland. -
Popular Fiction: Detective Novels and Thrillers from Holmes to Rebus
Popular Fiction: Detective Novels and Thrillers from Holmes to Rebus David Goldie Scottish writers have, at times, played a role in detective, adventure, and thriller writing that is out of proportion to the size of the nation. Though Scotland played no significant part in the twentieth- century’s so-called ‘Golden Age’ of crime fiction, which was dominated by English and American authors, its writers were influential in establishing the genre in the late nineteenth century and can, in the early twenty-first century, count among themselves some of its most popular global practitioners. This chapter may not be able to offer a satisfactory explanation of why this is the case – unfortunately literary criticism is rarely as tidy as fictional detective work – but it will offer an account of the somewhat punctuated evolution of crime and thriller fiction in the Scottish context in the period that runs from Conan Doyle to so-called Tartan Noir. Arthur Conan Doyle and Robert Louis Stevenson are Scottish writers who demand attention principally because of the impact their work had on a popular writing based on action and suspense, on psychological instability and the solving of puzzles. Conan Doyle’s place in the history of detective fiction needs little elaboration. Though he took up a genre that had been established in the 1830s and 40s by Vidocq’s Mémoires, the Newgate novels, and Edgar Allan Poe’s Dupin stories, and which had been experimented with variously by Charles Dickens, Wilkie Collins, Mary Elizabeth Braddon, and, most successfully, by Émile Gaboriau, Conan Doyle established in the popular mind the type of the detective story in its modern form. -
The Oxford Companion to English Literature, 6Th Edition
M MABBE, James (1572-71642), educated at, and fellow MACAULAY,Dame (Emilie) Rose (1881-1958), novelist, of, Magdalen College, Oxford. He became a lay essayist, and travel writer, whose many works include prebendary of Wells. He is remembered for his trans Potterism (1920), They Were Defeated (1932), both lations of Fernando de Rojas's *Celestina and of The fiction, and Pleasures of Ruins (1953). Her best-known Spanish Ladye, one of *Cervantes's 'Exemplary novels, The World My Wilderness (1950) and The Novels'. Mabbe Hispanicized his name as 'Puede- Towers of Trebizond (1956), appeared after a decade Ser' (may-be). in which she wrote no fiction, and followed her return to the Anglican faith, from which she had been long Mabinogion, The, strictly, the first four Welsh tales estranged through her love for a married man who died contained in the collection of Lady Charlotte Guest, in 1942. Her religious revival was inspired partly by the made in 1838-49. The four are preserved in two Welsh Revd J. H. C. Johnson, and her correspondence with manuscripts: The White Book of Rhydderch (1300-25) him was published after her death in two volumes, and The Red Book of Hergest (1375-1425). 'Mab' is the 1961-2, as Letters to a Friend. word for 'youth', but, even by the time of the medieval title, it is likely that the word meant nothing much MACAU LAY, Thomas Babington (1800-59), politician more precise than 'story'. In the four stories it is likely and historian, son of the philanthropist and reformer that the original common element was the hero Zachary Macaulay. -
Appendix 1: Selected Films
Appendix 1: Selected Films The very random selection of films in this appendix may appear to be arbitrary, but it is an attempt to suggest, from a varied collection of titles not otherwise fully covered in this volume, that approaches to the treatment of sex in the cinema can represent a broad church indeed. Not all the films listed below are accomplished – and some are frankly maladroit – but they all have areas of interest in the ways in which they utilise some form of erotic expression. Barbarella (1968, directed by Roger Vadim) This French/Italian adaptation of the witty and transgressive science fiction comic strip embraces its own trash ethos with gusto, and creates an eccentric, utterly arti- ficial world for its foolhardy female astronaut, who Jane Fonda plays as basically a female Candide in space. The film is full of off- kilter sexuality, such as the evil Black Queen played by Anita Pallenberg as a predatory lesbian, while the opening scene features a space- suited figure stripping in zero gravity under the credits to reveal a naked Jane Fonda. Her peekaboo outfits in the film are cleverly designed, but belong firmly to the actress’s pre- feminist persona – although it might be argued that Barbarella herself, rather than being the sexual plaything for men one might imagine, in fact uses men to grant herself sexual gratification. The Blood Rose/La Rose Écorchée (aka Ravaged, 1970, directed by Claude Mulot) The delirious The Blood Rose was trumpeted as ‘The First Sex Horror Film Ever Made’. In its uncut European version, Claude Mulot’s film begins very much like an arthouse movie of the kind made by such directors as Alain Resnais: unortho- dox editing and tricks with time and the film’s chronology are used to destabilise the viewer. -
Canongate JULY–DECEMBER 2017 the Graybar Hotel CURTIS DAWKINS
Canongate JULY–DECEMBER 2017 The Graybar Hotel CURTIS DAWKINS A gritty, unflinching and deeply moving collection of stories by a debut writer currently serving a life sentence in Michigan’s prison system. His stories form a vivid portrait of prison life, painted from behind bars The Graybar Hotel offers a glimpse into the reality of prison life through the eyes of the people who spend their days and years behind bars. A man sits collect-calling strangers every day just to hear the sounds of the outside world; an inmate recalls his descent into addiction as his prison softball team gears up for an annual tournament; a prisoner is released and finds freedom more complex and baffling than he expected. In this stunning debut story collection, Curtis Dawkins, who is currently serving a life sentence without parole, gives voice to RELEASE DATE: 6 JULY 2017 the experience of some of the most isolated members of our HARDBACK society. 9781786891112 £14.99 ABOUT THE AUTHOR Curtis Dawkins grew up in rural Illinois and earned an MFA in fiction writing at Western Michigan University. He has struggled with alcohol and substance abuse through most of his life and, during a botched robbery, killed a man on Halloween 2004. Since late 2005, he’s been serving a life sentence, with no possibility of parole, in various prisons throughout Michigan. He has three children with his partner, Kim, who is a writing professor living in Portland, Oregon. Canongate July–December 2017 02 Under The Skin MICHEL FABER One of Michel Faber’s best-loved novels, this is an utterly compulsive and mysterious masterpiece With an introduction by David Mitchell Isserley spends most of her time driving. -
At the University of Edinburgh
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. What is Tartan Noir? Investigating Scotland’s Dark Contemporary Crime Fiction Len Wanner Doctor of Philosophy The University of Edinburgh 2014 I, Len Wanner, hereby declare that this thesis, submitted in candidature for the degree of Doctor of Philosophy at the University of Edinburgh, is of my own composition, excluding designated citations, and was not previously submitted for the award of any other degree or professional qualification at this or any other university. ______________________________________________ Len Wanner, BA, MA January the 31st, 2014 2 Abstract Contrary to popular belief, Tartan Noir is not a synonym for Scottish noir but a mystifying marketing label for a national literature: dark, contemporary Scottish crime fiction. As it comprises an immense diversity of writing done in such mainstream sub-genres as detective, police, and serial killer fiction, as well as actual noir, I will investigate both the contrasts and the crossovers between said sub-genres.