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Syapnony Orcncstrs ,aW BOSTON SYAPnONY ORCnCSTRS PROGRHnnC The DURABILITY of PIANOS and the permanence of their tone quaHty surpass anything that has ever before been obtained, or is possible under any other conditions. This is due to the Mason & Hamhn system of manufacture, which not only carries substantial and enduring construction to its limit in every detail, but adds a new and vital principle of construc- tion—The Mason & Hamlin Tension Resonator Catalogue Mailed on Jlpplication Old Pianos Taken in Exchange MASON & HAMLIN COMPANY Established 1854 Opp. Institute of Tcchnologfy 492 Boylston Street SYMPHONY HALL, BOSTON HUNTINGTON 6-MASSACHUSETTS AVENUES , , Ticket Office, 1492 ) „ , _ Telephones^ I ^^*=^ ^^^ { Administration Offices, 3200 f TWENTY-NINTH SEASON, 1909-1910 MAX FIEDLER, Conductor programm? of % Fourteenth Rehearsal and Concert WITH HISTORICAL AND DESCRIP- TIVE NOTES BY PHILIP HALE FRIDAY AFTERNOON, JANUARY 28 AT 2.30 O'CLOCK SATURDAY EVENING, JANUARY 29 AT 8.00 O'CLOCK COPYRIGHT, 1909, BY C. A. ELLIS PUBLISHED BY C. A.ELLIS, MANAGER 1037 Mme. TERESA CARRENO On her tour this season will use exclusively ^^ Piano. THE JOHN CHURCH CO. NEW YORK CINCINNATI CHICAGO REPRESENTED BY G. L SCHIRMER & CO., 338 Boylston Street, Boston, Mass. 1038 Boston Symphony Orchestra PERSONNEL J R« M im Mnn wi t^Mmn r« »w »w.^«.«^[M,ma«.»w R*.'m:m,iw m MiM t? Perfection m Piano Making THE Qaarter Grand Style V, in figured MaKogany, price $650 It is tut FIVE FEET LONG and in Tonal Proportions a Masterpiece or piano building. It IS ChiCKering & Sons most recent triumph, tlie exponent of EIGHTY-SEVEN YEARS experience in artistic piano building, and tne neir to all tne qualities tnat tne name or its makers implies. CHICKERING & SONS PIANOFORTE MAKERS E>lablished 1823 791 TREMONT STREET, Corner Northampton Street, near Mass. Ave. BOSTON I vv w wv wv vtf¥v w w)iM)tw)i iniiin«ini4niini¥w ^ v^vw ^ tmivu ff 1040 TWENTY-NINTH SEASON, NINETEEN HUNDRED NINE AND TEN Fourteenth Rehearsal and Concert FRIDAY AFTERNOON, JANUARY 28, at 2.30 o^cIock SATURDAY EVENING, JANUARY 29, at 8 o'clock PROGRAMME Schumann Overture to "Genoveva," Op. Si Franck Symphony in D minor I. Lento: Allegro non troppo. II. Allegretto. III. Allegro non troppo. Wagner Prelude and "Love Death" from "Tristan and Isolde" '' Wagner . ' Waldweben ("Life and Stir of the Forest "), from "Siegfried," Act II. Wagner . Overture to "The Flying Dutchman" There will be an intermission of ten minutes after the symphony The doors of the hall will he closed during the performance of each number on the programme. Those who wish to leave before the end of the concert are requested to do so in an interval be- tween the numbers. City of Boston. Revised Regulation of Audusi 5, 1898.— Chapter 3. relating to the covering of the head in places of public amusement. Every licensee shall not, in his olace of amusement, allow any person to wear upon the head a covering which obstructs the view of the exhibition or performance in such place of any person seated in any seat therein provided for spectators, it being understood that a low head covering without projection, which does not I obstruct such view, may be worn. Attest: J. M. G.-VLVIN, City Clerk. 1041 I "upright" GRAND Size 4 feet 6 inches MAHOGANY CASE- BEAUTIFULLY VENEERED •550 ®f«^Jfemfo THE WORLD'S BEST PIANO ^ is the one piano not only abreast of the times, but today, more than ever, is solely and purely representative of faultless con- struction, exceptional durability and that tonal sublimity that cannot be successfully imitated or equalled. C C HARVEY CO. 144 BOYLSTON STREET BOSTON I 1042 " Overture to the Opera "Genoveva," Op. 8i . Robert Schumann (Born at Zwickau, June 8, 1810; died at Endenich, July 29, 1856.) "Genoveva," opera in four acts, text by Robert Reinick (after the tragedies by Hebbel and Tieck), music by Robert Schumann, was per- formed for the first time at Leipsic, June 25, 1850. The chief singers were Miss Mayer, Genoveva; Mrs. Giinther-Bachmann, Margaretha; Brassin, Siegfried; Widemann, Golo. The first performance of the overture was at the Gewandhaus, Leipsic, February 25, 1850, for the benefit of the Orchestra Pension Fund. Schumann conducted. As early as 1841 Schumann endeavored to obtain a Hbretto from Griepenkerl. He wrote in 1842: "Do you know what is my morning and evening prayer as an artist ? German opera. There is a field for work." He thought of an opera to be founded on Byron's "Corsair," and composed a chorus and aria. He sought anxiously for a subject that might inspire him. At last in 1 847 he chose the legend of Genevieve of Brabant. Reinick's text did not fully satisfy him; nor was Hebbel pleased, although he refused to help out the composer. Schumann himself undertook the task of revision. Then there was delay in securing a performance, and at one time Schumann thought of suing the manager of the Leipsic opera-house. When the opera was pro- duced, it was the time, as Schumann wrote to a friend, when one pre- ferred to go into the woods rather than the theatre. There were three performances, and the opera was put aside. It is occasionally revived in Germany, but it never had an abiding-place in a repertory. The legend of Genevieve de Brabant was in detail told, so far as litera- ture is concerned, in the Golden Legend, in the Chronicle (1472) of Mat- thias Emmich, doctor of theology, and of a Carmelite monastery at Boppard, and by the Jesuit Cerisier; but there were Complaints* founded on the legend before that. In the old story Genevieve, the daughter of the Duke of Brabant, and in 731 wife of Sifroy, Count of the Palatinate, was slandered foully by Golo, steward of the household, because she had not listened to his amorous protestations. She was condemned to death, but this mercy was shown her: she was left to her fate in the Forest of Ardennes. There she gave birth to a child. They * " of devotion. It is, first of all, a tale. It A "complainte : a folk-song on some tragic event or legend " js the type of a serious or sad narration in song. Yet it is not an elegy, a deploralion. The Only Authorized Edition of Operas as Performed by The Boston Opera Company LA BOHEME, TOSCA, MANON LESCAUT, and MADAMA BUTTERFLY . by G. Puccini Galeotti ANTON . by C. FALSTAFF . by G. Verdi OTELLO by G. Verdi Boito MEFISTOFELE . by A. AND ALL ITALIAN OPERAS BOOSEY & COMPANY, 9 East Seventeenth St, New YorK City 1043 L P. Hollander & Co. SPRING and SUMMER WASH FABRICS Exclusively Imported Goods The latest Parisian Novelties in all the Newest Designs and Colorings. The collection includes: Silk and Cotton Bareges Swiss Muslins French Plumelis Imported Cotton Voiles French Linens French Challies Whom Will You Appoint as Executor ? The man with a small or moderate sized estate often finds it impossible to choose an individual executor and trustee with experience and standing, and he is very^pt to impose these difficult tasks on his widow, who is not fitted by experience or inclination for the work. To such men the Old Colony Trust Company particularly offers its services. The reduced tax rate on trust estates held by trust companies makes possible a wide range of good invest- ments of such funds which give a satisfactory income after paying taxes. Our book on "Trust Estates" may be obtained at either office. Old Colony Trust Company TRUST DEPARTMENT COURT STREET TEMPLE PLACE U 1044 1 lived on roots and herbs and the milk of a hind. Six years afterward Sifroy, who in the mean time had found out that Genevieve w^as in- nocent, came upon her by accident when he was hunting. Later writers turn Golo, the monster, into a handsome young man, much to the regret of Heine, who deplored the disappearance of the old chap- books, with their abominable wood-cuts, which were dear to his child- hood. In Schumann's opera Siegfried is ordered by Charles Martel to join him in war against the infidels. Siegfried puts his wife and all he pos- sesses under the care of his friend Golo, farewells his wife, who falls into a swoon ; and Golo, already in love with her, kisses her. An old woman, Margaretha, is Golo's mother, but he takes her to be his nurse. Am- bitious for him, she plots against Genoveva, who mourns her husband and hears with dismay and anger the wild songs of the carousing ser- vants. Golo brings news of a great victory. She bids him sing, and she accompanies him until he makes love to her; nor will he leave her, till she taunts him with his birth. Drago, the steward, tells him that the servants are insulting the good name of their mistress. Golo says they speak the truth, and when Drago does not believe him he tells him to hide in Genoveva's room. Margaretha, listening at the door, hears the talk. She informs Golo that Siegfried, wounded, is at Strasbourg; that she has intercepted his letter to the Countess, and is going to Strasbourg to nurse him, and, as nurse, to poison him. Then Golo summons the servants, and they make their way into Genoveva's room, where Drago is found behind the curtains. Golo puts a dagger into his heart, to quiet his tongue. Genoveva is led to prison. ^- H , Siegfried's strength resists the poison of Margaretha. Golo tells him of Genoveva's infidelity, and the tortured Count determines to go into the wilderness, but Margaretha hands him a magic looking-glass, in which he sees Genoveva and Drago.
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