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Saint Vincent Ferrer Polyptych

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Saint Vincent Ferrer Polyptych EDITORIAL COMMITTEE Stijn Alsteens International Head of Old Master Drawings, Jennifer Montagu Art Historian specializing in Italian Baroque. Christie’s. Scott Nethersole Senior Lecturer in Italian Renaissance Art, The Courtauld Institute of Art, London. Jaynie Anderson Professor Emeritus in Art History, The Larry Nichols William Hutton Senior Curator, European and American Painting and University of Melbourne. Sculpture before 1900, Toledo Museum of Art, Ohio. Charles Avery Art Historian specializing in European Tom Nickson Associate Dean, Lecturer in Medieval Art, Courtauld Institute of Art. Sculpture, particularly Italian, French and English. Gianni Papi Art Historian specializing in Caravaggio. Andrea Bacchi Director, Federico Zeri Foundation, Bologna. Colnaghi Studies Journal is produced biannually by the Colnaghi Foundation. Its purpose is Edward Payne Senior Curator, Spanish Art, Auckland Castle Trust. to publish texts on significant pre-twentieth-century artworks in the European tradition Colin Bailey Director, Morgan Library and Museum, New York. Martin Postle Deputy Director for Grants and Publications, The Paul Mellon Centre for Piers Baker-Bates Visiting Honorary Associate in Art History, Studies in British Art, London. that have recently come to light or about which new research is underway, as well as The Open University. Xavier F. Salomon Peter Jay Sharp Chief Curator, The Frick Collection, New York. on the history of their collection. Texts about artworks should place them within the Francesca Baldassari Art Historian. Salvador Salort-Pons Director, President & CEO, Detroit Institute of Arts. broader context of the artist’s oeuvre, provide visual analysis and comparative images. Bonaventura Bassegoda Catedràtic, Universitat Autònoma de Timothy Schroder Art Historian specializing in European silver and goldsmiths’ work. Barcelona. Manuscripts may be sent at any time and will be reviewed by members of the journal’s Manfred Sellink General Director, Koninklijk Museum Voor Schone Kunsten Antwerpen Till-Holger Borchert Director, Musea Brugge. Editorial Committee, composed of specialists on painting, sculpture, architecture, Pippa Shirley Head of Collections, Waddesdon Manor. Antonia Boström Keeper of Sculpture, Metalwork, Ceramics conservation, decorative arts, and the history of collecting, covering a wide range Jack Soultanian Conservator, The Metropolitan Museum of Art, New York. & Glass, Victoria & Albert Museum, London. of periods and geographical areas. Texts should be between 1000 and 10,000 words Nicola Spinosa Former Director of Museo di Capodimonte, Naples. Bruce Boucher Director, Sir John Soane’s Museum, London. (including endnotes) and include high resolution, comparative images. Carl Strehlke Adjunct Emeritus, Philadelphia Museum of Art. Edgar Peters Bowron Former Audrey Jones Beck Curator of European Art, The Museum of Fine Arts, Houston. Holly Trusted Senior Curator of Sculpture, Victoria & Albert Museum, London. The Colnaghi Foundation is a platform for realizing a variety of projects in Xavier Bray Director, The Wallace Collection, London. Benjamin van Beneden Director, Rubenshuis, Antwerp. collaboration with scholars, museums, and educational institutions worldwide. These Xanthe Brooke Curator of Continental European Art, Walker Jeremy Warren Honorary Curator of Sculpture, Ashmolean Museum, Oxford. include organizing exhibitions and other educational events, supporting scholarly Art Gallery, Liverpool. Mark Westgarth Programme Director and Lecturer in Art History & Museum Studies, research, and publishing Colnaghi Studies Journal as well as monographs, conference School of Fine Art, University of Leeds. Christopher Brown Art Historian specializing in Dutch and proceedings, and catalogues. Flemish Seventeenth-Century Art, former Director, Ashmolean Catherine Whistler Keeper of Western Art, Ashmolean Museum, Oxford. Museum, Oxford. Betsy Wieseman Chair of European Art from Classical Antiquity to 1800 and Paul J. and Caroline Campbell The Jacob Rothschild Head of the Edith Ingalls Vignos, Jr. Curator of European Paintings and Sculpture, 1500-1800, The Curatorial Department and Curator of Italian Paintings before Cleveland Museum of Art. 1500, The National Gallery, London. Matthias Wivel Curator, Sixteenth-Century Italian Paintings, The National Gallery, London. Ignacio Cano Conservador & Jefe Departamento Difusión, Yao-Fen You Associate Curator of European Sculpture and Decorative Arts, Detroit Institute of Arts. Museo de Bellas Artes de Sevilla. Dimitrios Zikos Curator of Sculpture working with the Museo Nazionale del Bargello, MANUSCRIPT GUIDELINES Peter Cherry Associate Professor, Trinity College Dublin. Florence. FOR THE COLNAGHI STUDIES JOURNAL Rosario Coppel Art Historian specializing in Spanish Sculpture. Submissions should be emailed to: [email protected]. or figure number(s). For citations in notes, please cite the full Christina Currie Head of Scientific Imagery at the Royal reference the first time it appears, and then an abbreviated Institute for Cultural Heritage (KIK/IRPA), Brussels. Manuscripts are reviewed by the Journal’s Editorial version which includes only the last name(s) of the author or Gail Feigenbaum Associate Director, Getty Research Institute, EDITORS Commitee. They may be submitted, complete including authors and a short title. When submitting manuscripts, authors illustrations, at any time. Los Angeles. should include a PDF of all illustrations. Authors are encouraged Nicola Jennings, Jeremy Howard, José Gómez Frechina, and Irene Brooke Lázaro Gila Medina Catedrático de Historia del Arte, Authors will have the opportunitiy to review their texts after to include dates and dimensions of works within captions; the Facultad de Filosofía y Letras, Campus Universitario de Cartuja, editing. The honorarium for photographic and research costs is editors will not include this information unless it is provided by Universidad de Granada. the author on submission. Please do not embed images within Project Director: Ricardo Fernández-Deu 1,000 € or £800, and each author will receive a hard copy of the volume in which his or her article appears. text documents. If the manuscript is accepted, the author Peter Humfrey Emeritus Professor, School of Art History, Designer: Laura Eguiluz de la Rica University of St. Andrews. is expected to provide publication-quality images as well as Project coordinator: Alice Thomson Manuscripts should be submitted as double-spaced Word files. copyright permissions to reproduce them in both the print and Paul Joannides Emeritus Professor of Art History, University of Picture researchers: Elisa Salazar and Sarah Gallagher In addition to the text, the manuscript must include endnotes, electronic editions of the Journal. Cambridge. captions for illustrations, photographic credits, and a 200-word Kirstin Kennedy Curator of Silverwork, Metalwork, Victoria & Published by the Colnaghi Foundation abstract. Each part of the article should be in a separate file Height precedes width and then depth in dimensions cited. Albert Museum, London. Copyright Colnaghi Foundation except the endnotes, which should be linked to and appear at the The Journal requires either digital scans of at least 300 dpi at Alastair Laing Former Curator of Pictures and Sculpture at the end of the text file. Please direct all subscription enquiries and back issue requests to: 3,000 pixels wide, colour transparencies (preferably 203 x 254 cm National Trust. The Colnaghi Foundation, 26 Bury Street, London SW1Y 6AL For the style of captions and bibliographic references in endnotes, but 102 x 152 cm is also acceptable), or glossy black-and-white Barbara Lasic Lecturer in Art History, University of Buckingham. authors are referred to the Chicago Manual of Style and photographs (preferably 203 x 254 cm with white borders) of Riccardo Lattuada Full Professor of Art History of the Modern instructions on the Colnaghi Foundation’s website: good quality and in good condition. Copyright notice Age, Università degli studi della Campania “Luigi Vanvitelli”, Naples. www.colnaghifoundation.org/studies-journal.php The Colnaghi Foundation endeavours to respect copyright in a manner consistent with its nonprofit educational In a separate Word file, please indicate the figure number, the Patrick Lenaghan Curator of Prints and Photographs, The mission. If you believe any material has been included in this publication improperly, please contact the Foundation. Please provide a list of all bibliographic citations that includes, picture’s orientation, and any instructions for cropping. Hispanic Society of America, New York. for each title: full name(s) of author or authors; title and subtitle All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, Patrice Marandel Former Chief Curator/Department Head of electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without of book or article and periodical; place, publisher, and date The author of each article is responsible for obtaining all European Painting and Sculpture, Los Angeles County Museum of Art. permission in writing from The Colnaghi Foundation. of publication; volume number, if any; and page, plate, and/ photographic material and reproduction rights. Articles in Honour of Jennifer Fletcher ‘Actaeon not words’ Reflections on the date and impact of Giovanni Bellini’s 8 GABRIELE FINALDI 112 Saint Vincent Ferrer Polyptych ANTONIO MAZZOTTA A Renaissance
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