DOCSLIB.ORG

Ambler Theater

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Ambler Theater Previews93A SEPTEMBER – DECEMBER 2015 Brian Cranston in TRUMBO Brian Cranston in INCLUDES OUR MAIN ATTRACTIONS AND SPECIAL PROGRAMS A MBLERT HEATER.ORG 215 345 7855 Welcome to the nonprofit Ambler Theater The Ambler Theater is a nonprofit, tax-exempt 501(c)(3) organization. How can you support ADMISSION AMBLER THEATER the Ambler Theater? MEMBER General ............................................................$10.50 Be a member. Members ...........................................................$6.00 Become a member of the MEMBER nonprofit Ambler Theater and Seniors (62+) & Students ..................................$8.00 show your support for good Matinees films and a cultural landmark. See back panel for a member- Mon, Tues, Thurs & Fri before 4:30 ship form or join online. Your financial support is tax-deductible. Sat & Sun before 2:30 .....................................$8.00 Make a gift. Wed Early Matinee before 2:30 ........................$7.00 Your additional gifts and support make us even better. Your Affiliated Theaters Members* ...........................$6.00 donations are fully tax-deductible. And you can even put your You must present your membership card to obtain membership discounts. name on a bronze star in the sidewalk! The above ticket prices are subject to change. Contact our Business Office at 215 348 1878 x117 or at [email protected]. Be a sponsor. *Affiliated Theater Members Receive prominent recognition for your business in exchange All members of our theater are entitled to members tickets at all for helping our nonprofit theater. Recognition comes in a variety “Renew Theaters” (Ambler, County, Garden, and Hiway), as well as of ways – on our movie screens, in our brochures, and on our at participating “Art House Theaters” nationwide. For more infor- website. Contact us at 215 348 1878 x112 or at mation, visit our website. [email protected]. Policies Get our weekly email notices. Children under 6 – Children under age 6 will not be admitted to We can keep you up-to-date on all our events and scheduling our films or programs unless specifically indicated. via our weekly email notices. Visit our website to sign up, and Late Arrivals – The theater reserves the right to stop selling tickets then stay plugged into our latest programming news. (and/or seating patrons) after a film has started. Give us feedback. Outside Food and Drink – Patrons are not permitted to bring out- Your film experience is the most important thing to us, so we side food and drink into the theater. welcome your feedback. Please let us know what we can do Accessibility & Hearing Assistance – The Ambler Theater better at 215 348 1878 or [email protected]. has wheelchair-accessible auditoriums and restrooms, and Special thanks. is equipped with hearing enhancement devices. (For head- The Ambler Theater receives funding support through phones, please see the theater manager when you arrive.) a grant from the Pennsylvania Council on the Arts, a Parking state agency funded by the Commonwealth of Penn- Check our website for parking information. sylvania and the National Endowment for the Arts, a federal agency. We’re Nonprofit. The Ambler Theater is owned and operated by Ambler Theater, Inc., a 501(c)(3) tax-exempt, nonprofit corporation. Contribu- tions are tax-deductible to the full extent of the law. The official Ambler Theater registration and financial information of Ambler Theater, Inc. may be obtained from the Pennsylvania Department of State by call- 108 East Butler Ave, Ambler, PA 19002 ing toll-free, within Pennsylvania, 1 800 732 0999. Registration 215 345 7855 HOTLINE does not imply endorsement. 215 348 1878 Administrative Office AmblerTheater.org PREVIEWS (93) SEPTEMBER 1, 2015 PUBLISHED QUARTERLY BY AMBLER THEATER, INC. 108 EAST BUTLER AVENUE, AMBLER, PA 19002-4426 ISSUE NO. 93 MAIN ATTRACTIONS Main Attractions What main films will play at the Ambler? This section lists the Main At- tractions that we intend to play in the coming weeks. This list is only an edu- cated guess, though, since film release plans often change. (Additional unlisted films will also become available.) Scheduling our Main Attractions is week- to-week. On Monday, we decide what main films will play starting that Friday. On Tuesday and Wednesday, we set the showtimes for the upcoming week and then update our website and telephone hotline. We also send out a weekly email (which you can receive by signing up at our website). Sometimes, we book a main film a few weeks in advance, which we post on our website’s “Coming Attrac- tions” section. For our latest Main Attractions plans, visit: AmblerTheater.org (Or call our hotline at 215 345 7855.) Carol Brooklyn Labyrinth of Lies Suffragette UK - 1 hr 45 min - John Crowley Germany - 2 hr 4 min - Giulio Ricciarelli UK - 1 hr 46 min - Sarah Gavron BROOKLYN is the story of a young Irish w/ subtitles Set in early 20th century England, immigrant trying to adjust to life in New From Germany, a drama that takes place SUFFRAGETTE stars Carey Mulligan as a York City. An earnest and moving film thirteen years after the end of World War working woman who gets recruited into with a beautifully written script by Nick II. A young public prosecutor exposes the suffragette movement. This gripping Hornby, this period-piece romance was the cover-up of Nazi war crimes by the film displays the struggle and courage a big hit at the Sundance Film Festival. German government and other major of early feminist pioneers who faced Starring Saoirse Ronan (from Grand institutions in this intelligent look at a dangerous circumstances in order to Budapest Hotel). difficult historical moment. fight for the right to vote. Meryl Streep plays activist Emmeline Pankhurst. Also with Helena Bonham Carter and Brendan Gleeson. MAIN ATTRACTIONS Labyrinth of Lies A Walk in the Woods Coming Home Spotlight USA - 1 hr 44 min - Ken Kwapis China - 1 hr 49 min - Yimou Zhang USA - 2 hr 6 min - Tom McCarthy Robert Redford and Nick Nolte are w/ subtitles The true story of how reporters for the featured as two old friends reuniting A beautifully shot film from acclaimed Boston Globe uncovered a deep-rooted for one last adventure. Redford plays Chinese director Yimou Zhang. A married scandal and cover-up within the local Bill Bryson, who decides to reconnect couple are torn apart when the husband Catholic church. A fascinating and with America by hiking the Appalachian is arrested and taken to a labor camp. compelling thriller with a superb, all-star trail. Based on Bryson’s memoirs, this After returning home, he is devastated cast, including Rachel McAdams, Liev film is a humorous look at friendship to discover that his wife does not Schreiber, Michael Keaton, Mark Ruffalo, and returning home. Also with Emma remember him. An intimate and elegant and Stanley Tucci. Thompson and Mary Steenburgen. film. Starring Gong Li. A MBLERT HEATER.ORG 215 345 7855 MAIN ATTRACTIONS Limited Engagements We try to play each of our Main Attractions films for a full multi-week run. Sometimes, however, we are unable to play a film in a timely or complete way, and it becomes a question of either squeezing it in or not playing it at all. We then often schedule that film for a couple of mid-week screenings, called Limited Engagements. Make sure that you sign up for our weekly email, so that you don’t miss these short, last-chance screenings. Brooklyn Carol Trumbo The Danish Girl USA - 1 hr 58 min - Todd Haynes USA - 2 hr 4 min - Jay Roach USA - 2 hrs - Tom Hooper Cate Blanchett and Rooney Mara star The life and times of the biggest The King’s Speech director Tom Hooper in this period melodrama set in 1950’s screenwriter in Hollywood, Dalton returns with THE DANISH GIRL, a New York. A young department store Trumbo, when he was blacklisted in biography of the transgender artist clerk seeking a better life falls in love the Fifties for his political beliefs. Lili Elbe. After realizing her gender with an older, married woman. Brilliant Bryan Cranston plays Trumbo in this identity, Elbe becomes the recipient performances from Mara and Blanchett passionate and revealing film. Also of the first attempted male-to-female and absorbing, nuanced filmmaking from starring Diane Lane and Helen Mirren. gender reassignment surgery. Eddie director Todd Haynes. A quietly powerful Redmayne, acclaimed for his portrayal film that won high praise at this year’s of Stephen Hawking last year, plays Elbe. Cannes Film Festival. Also with Alicia Vikander and Matthias Schoenaerts. A MBLERT HEATER.ORG 215 345 7855 SpecialH programs FALL 2015 Ambler: Sept 17 Thurs 7:30 County: Sept 24 Thurs 7:30 The Third Man Special Programs 1949 - 1 hr 33 min - UK - b/w - DCP In addition to our Main Attractions, we present d: Carol Reed - w/ Orson Welles, special programming throughout the year. These Joseph Cotten, Alida Valli are generally one-time events and include a THE THIRD MAN, one of the great diverse collection of independent and classic movies of all time, has been re-released films, works from local filmmakers, and stage with a beautiful, new 4K restoration. productions from London’s National Theatre. Pulp novelist Holly Martins travels to shadowy, postwar Vienna, only to find himself investigating the mysterious death of an old friend. Featuring a haunting zither score, amazing b&w cinematography, and some of the best performances of the postwar period. Voted the #1 British Film of the 20th Century by the British Film Institute. Local Filmmakers A / V CLUB Ambler: Sept
Recommended publications
  • See It Big! Action Features More Than 30 Action Movie Favorites on the Big

    See It Big! Action Features More Than 30 Action Movie Favorites on the Big

    FOR IMMEDIATE RELEASE ‘SEE IT BIG! ACTION’ FEATURES MORE THAN 30 ACTION MOVIE FAVORITES ON THE BIG SCREEN April 19–July 7, 2019 Astoria, New York, April 16, 2019—Museum of the Moving Image presents See It Big! Action, a major screening series featuring more than 30 action films, from April 19 through July 7, 2019. Programmed by Curator of Film Eric Hynes and Reverse Shot editors Jeff Reichert and Michael Koresky, the series opens with cinematic swashbucklers and continues with movies from around the world featuring white- knuckle chase sequences and thrilling stuntwork. It highlights work from some of the form's greatest practitioners, including John Woo, Michael Mann, Steven Spielberg, Akira Kurosawa, Kathryn Bigelow, Jackie Chan, and much more. As the curators note, “In a sense, all movies are ’action’ movies; cinema is movement and light, after all. Since nearly the very beginning, spectacle and stunt work have been essential parts of the form. There is nothing quite like watching physical feats, pulse-pounding drama, and epic confrontations on a large screen alongside other astonished moviegoers. See It Big! Action offers up some of our favorites of the genre.” In all, 32 films will be shown, many of them in 35mm prints. Among the highlights are two classic Technicolor swashbucklers, Michael Curtiz’s The Adventures of Robin Hood and Jacques Tourneur’s Anne of the Indies (April 20); Kurosawa’s Seven Samurai (April 21); back-to-back screenings of Mad Max: Fury Road and Aliens on Mother’s Day (May 12); all six Mission: Impossible films
  • Includes Our Main Attractions and Special

    Includes Our Main Attractions and Special

    Princeton Garden Theatre Previews93G SEPTEMBER - DECEMBER 2015 Benedict Cumberbatch in rehearsal for HAMLET INCLUDES OUR MAIN ATTRACTIONS AND SPECIAL PROGRAMS P RINCETONG ARDENT HEATRE.ORG 609 279 1999 Welcome to the nonprofit Princeton Garden Theatre The Garden Theatre is a nonprofit, tax-exempt 501(c)(3) organization. Our management team. ADMISSION Nonprofit Renew Theaters joined the Princeton community as the new operator of the Garden Theatre in July of 2014. We General ............................................................$11.00 also run three golden-age movie theaters in Pennsylvania – the Members ...........................................................$6.00 County Theater in Doylestown, the Ambler Theater in Ambler, and Seniors (62+) & University Staff .........................$9.00 the Hiway Theater in Jenkintown. We are committed to excellent Students . ..........................................................$8.00 programming and to meaningful community outreach. Matinees Mon, Tues, Thurs & Fri before 4:30 How can you support Sat & Sun before 2:30 .....................................$8.00 the Garden Theatre? PRINCETON GARDEN THEATRE Wed Early Matinee before 2:30 ........................$7.00 Be a member. MEMBER Affiliated Theater Members* .............................$6.00 Become a member of the non- MEMBER You must present your membership card to obtain membership discounts. profit Garden Theatre and show The above ticket prices are subject to change. your support for good films and a cultural landmark. See back panel for a membership form or join online. Your financial support is tax-deductible. *Affiliated Theater Members Be a sponsor. All members of our theater are entitled to members tickets at all Receive prominent recognition for your business in exchange “Renew Theaters” (Ambler, County, Garden, and Hiway), as well for helping our nonprofit theater. Recognition comes in a variety as at participating “Art House Theaters” nationwide.
  • Kameo Team Founded in the Early Stages of the Pandemic, After a Brief Intermission, Hollywood Is Back in Business

    Kameo Team Founded in the Early Stages of the Pandemic, After a Brief Intermission, Hollywood Is Back in Business

    Human Interest Lights, Camera, Testing! lex Ostebo did not spend her pan- demic binge-watching movies. In fact, when stay-at-home orders A brought film productions to a grind- ing halt in spring of 2020, the producer and founder of LA-based Creative Picnic thought she’d be back behind the camera soon enough. But as weeks turned to months, she wondered what productions would look like when they were finally able to return. Studios would sure- ly have to provide safeguards against the coro- navirus and of course, frequent testing. At the time though, no lab option was as fast and as flexible as a time-strapped film production would require. “Our entire industry,” she recalls, “is based on being together.” And that entire industry need- ed a solution. “Film sets are all about safety,” she says, so it seemed logical that testing would become es- sential. “The challenge was to get the right peo- ple and the right labs.” The Kameo Team Founded in the early stages of the pandemic, After a brief intermission, Hollywood is back in business. Some productions started filming again last summer, thanks to an LA start-up -- founded by a veteran producer -- that provides reliable, flexible covid testing for the entertainment industry. Ostebo launched Kameo specifically for the partner labs to ensure they would always meet production industry she knows so well. In fact, the industry’s time-sensitive needs for results. Kameo is a play on the word cameo, a short – They even hired out-of-work movie producers but meaningful -- guest appearance.
  • Not Your Mother's Library Transcript Episode 11: Mamma Mia! and More Musicals (Brief Intro Music) Rachel: Hello, and Welcome T

    Not Your Mother's Library Transcript Episode 11: Mamma Mia! and More Musicals (Brief Intro Music) Rachel: Hello, and Welcome T

    Not Your Mother’s Library Transcript Episode 11: Mamma Mia! and More Musicals (Brief intro music) Rachel: Hello, and welcome to Not Your Mother’s Library, a readers’ advisory podcast from the Oak Creek Public Library. I’m Rachel, and once again since Melody’s departure I am without a co-host. This is where you would stick a crying-face emoji. Luckily for everyone, though, today we have a brand new guest! This is most excellent, truly, because we are going to be talking about musicals, and I do not have any sort of expertise in that area. So, to balance the episode out with a more professional perspective, I would like to welcome to the podcast Oak Creek Library’s very own Technical Services Librarian! Would you like to introduce yourself? Joanne: Hello, everyone. I am a new guest! Hooray! (laughs) Rachel: Yeah! Joanne: So, I am the Technical Services Librarian here at the Oak Creek Library. My name is Joanne. I graduated from Carroll University with a degree in music, which was super helpful for libraries. Not so much. Rachel: (laughs) Joanne: And then went to UW-Milwaukee to get my masters in library science, and I’ve been working in public libraries ever since. I’ve always had a love of music since I've been in a child. My mom is actually a church organist, and so I think that’s where I get it from. Rachel: Wow, yeah. Joanne: I used to play piano—I did about 10 years and then quit. (laughs) So, I might be able to read some sheet music but probably not very well.
  • Cultural Commentary: Affectional Preference on Film: Giggle and Lib Joseph J

    Cultural Commentary: Affectional Preference on Film: Giggle and Lib Joseph J

    Bridgewater Review Volume 1 | Issue 2 Article 9 Dec-1982 Cultural Commentary: Affectional Preference on Film: Giggle and Lib Joseph J. Liggera Bridgewater State College Recommended Citation Liggera, Joseph J. (1982). Cultural Commentary: Affectional Preference on Film: Giggle and Lib. Bridgewater Review, 1(2), 21-22. Available at: http://vc.bridgew.edu/br_rev/vol1/iss2/9 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. CULTURAL COMMENTARY Affectional Preference on Film: Giggle and Lib omantic attachments on screen the romantic man whose passionate desire With the great artist abandoning R these days require at least a hint of is for a person unquestionably of the romantic love--Bergman has lately something kinky to draw the pop audience opposite sex. So straight are his lusts that announced that his next two films will be his which in the days of yesteryear thrilled to no one seemed to notice the dilemma posed last--leaving the field to an oddity like Allen Bogart and Bacall, but which now winks in Manhattan of a man in his mid-forties or television's "Love Boat", the pop knowingly at Julie Andrews in drag. having physical congress with a fifteen year audience, which never warmed to Bergman Something equally aberrant, in fact moreso, old. This year, A -Midsummer Night's Sex or his like anyway, might find solace in Blake more blatant and proselytizing, quickens Comedy renders two points of sexual Edwards, an intriguing director whose last the mental loins of the liberal film-going metaphysics for those still lost in memories three films and his wife's, Julie Andrews, mind; anything less denies the backbone of a gender-differentiated past, the first changing image in them illustrate a syn­ upon which liberal sentiments are oddly enough insisted upon by the women: if thesis of audience demands with a structured.
  • BFI CELEBRATES BRITISH FILM at CANNES British Entry for Cannes 2011 Official Competition We’Ve Got to Talk About Kevin Dir

    BFI CELEBRATES BRITISH FILM at CANNES British Entry for Cannes 2011 Official Competition We’Ve Got to Talk About Kevin Dir

    London May 10 2011: For immediate release BFI CELEBRATES BRITISH FILM AT CANNES British entry for Cannes 2011 Official Competition We’ve Got to Talk About Kevin dir. Lynne Ramsay UK Film Centre supports delegates with packed events programme 320 British films for sale in the market A Clockwork Orange in Cannes Classics The UK film industry comes to Cannes celebrating the selection of Lynne Ramsay’s We Need to Talk About Kevin for the official competition line-up at this year’s festival, Duane Hopkins’s short film, Cigarette at Night, in the Directors’ Fortnight and the restoration of Stanley Kubrick’s A Clockwork Orange, restored by Warner Bros; in Cannes Classics. Lynne Ramsay’s We Need To Talk About Kevin starring Tilda Swinton was co-funded by the UK Film Council, whose film funding activities have now transferred to the BFI. Duane Hopkins is a director who was supported by the UK Film Council with his short Love Me and Leave Me Alone and his first feature Better Things. Actor Malcolm McDowell will be present for the screening of A Clockwork Orange. ITV Studios’ restoration of A Night to Remember will be screened in the Cinema on the Beach, complete with deckchairs. British acting talent will be seen in many films across the festival including Carey Mulligan in competition film Drive, and Tom Hiddleston & Michael Sheen in Woody Allen's opening night Midnight in Paris The UK Film Centre offers a unique range of opportunities for film professionals, with events that include Tilda Swinton, Lynne Ramsay and Luc Roeg discussing We Need to Talk About Kevin, The King’s Speech producers Iain Canning and Gareth Unwin discussing the secrets of the film’s success, BBC Film’s Christine Langan In the Spotlight and directors Nicolas Winding Refn and Shekhar Kapur in conversation.
  • State Visit of Queen Elizabeth II and Prince Phillip (Great Britain) (4)” of the Betty Ford White House Papers, 1973-1977 at the Gerald R

    State Visit of Queen Elizabeth II and Prince Phillip (Great Britain) (4)” of the Betty Ford White House Papers, 1973-1977 at the Gerald R

    The original documents are located in Box 51, folder “7/7-10/76 - State Visit of Queen Elizabeth II and Prince Phillip (Great Britain) (4)” of the Betty Ford White House Papers, 1973-1977 at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Betty Ford donated to the United States of America her copyrights in all of her unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. THE WHITE HOUSE WASHINGTON Proposed guest list for the dinner to be given by the President and Mrs. Ford in honor of Her Majesty Queen Elizabeth II and His Royal Highness The Prince Philip, Duke of Edinburgh, on Wednesday, July 7, 1976 at eight 0 1 clock, The White House. White tie. The President and Mrs. Ford Her Majesty Queen Elizabeth II and The Prince Philip Balance of official party - 16 Miss Susan Ford Mr. Jack Ford The Vice President and Mrs. Rockefeller The Secretary of State and Mrs. Kissinger The Secretary of the Treasury and Mrs. Simon The Secretary of Defense and Mrs. Rumsfeld The Chief Justice and Mrs. Burger General and Mrs.
  • Jessica Lange Regis Dialogue Formatted

    Jessica Lange Regis Dialogue Formatted

    Jessica Lange Regis Dialogue with Molly Haskell, 1997 Bruce Jenkins: Let me say that these dialogues have for the better part of this decade focused on that part of cinema devoted to narrative or dramatic filmmaking, and we've had evenings with actors, directors, cinematographers, and I would say really especially with those performers that we identify with the cutting edge of narrative filmmaking. In describing tonight's guest, Molly Haskell spoke of a creative artist who not only did a sizeable number of important projects but more importantly, did the projects that she herself wanted to see made. The same I think can be said about Molly Haskell. She began in the 1960s working in New York for the French Film Office at that point where the French New Wave needed a promoter and a writer and a translator. She eventually wrote the landmark book From Reverence to Rape on women in cinema from 1973 and republished in 1987, and did sizable stints as the film reviewer for Vogue magazine, The Village Voice, New York magazine, New York Observer, and more recently, for On the Issues. Her most recent book, Holding My Own in No Man's Land, contains her last two decades' worth of writing. I'm please to say it's in the Walker bookstore, as well. Our other guest tonight needs no introduction here in the Twin Cities nor in Cloquet, Minnesota, nor would I say anyplace in the world that motion pictures are watched and cherished. She's an internationally recognized star, but she's really a unique star.

  • Summer Classic Film Series, Now in Its 43Rd Year

    Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre.
  • BRIEF CHRONICLE Artistic Director the Official Newsmagazine of Writers’ Theatre Kathryn M

    BRIEF CHRONICLE Artistic Director the Official Newsmagazine of Writers’ Theatre Kathryn M

    ISSUE twEnty-nInE MAY 2010 1 A STREETCAR NAMED DESIRE: On Stage Table of ConTenTs Dear Friends .................................................................................................... 3 “DroppeD overboarD… on Stage: A Streetcar Named Desire ...................................................................... 5 The Man. The Play. The Legend. ........................................................ 6 Director's Sidebar .................................................................................... 10 into an ocean Acting Cromer ............................................................................................. 12 Setting the Scene ..................................................................................... 13 Why Here? Why Now? ............................................................................ 14 Announcing the 2010/11 Season ................................................. 16 baCksTage: as blue as Event Wrap Up – Behind-the-Scenes Brunch ........................... 20 Event Wrap Up – Literary Luncheon ............................................ 22 Sponsor Salute ........................................................................................... 24 Tales of a True Fourth Grade Nothing .......................................... 26 Performance Calendar .......................................................................... 29 my first lover’s eyes!” - blanChe, A Streetcar named desire 2 A STREETCAR NAMED DESIRE: On Stage A STREETCAR NAMED DESIRE: On Stage 1 Michael halberstam tHe
  • Conquering the Colon: the Adventure of Advanced Punctuation

    Conquering the Colon: the Adventure of Advanced Punctuation

    Oregon State Bar Bulletin — APRIL 2010 April Issue The Legal Writer Conquering the Colon: The Adventures of Advanced Punctuation By Suzanne E. Rowe Perhaps the only punctuation mark more terrifying than the semicolon is the colon. Most writers avoid the colon for fear of misusing it. Most readers feel intimidated by the brave writer who dared try to master the colon’s nuances. When is a colon appropriate? How many spaces follow it? Does the word after a colon need to be capitalized? This article will bring you closer to conquering your fear of the colon. When to Use a Colon Colon usage varies from the exciting to the mundane. In the first two explanations below, think of the colon as the pause — or the drum roll — between an introduction and the exciting details. Picture someone on stage with an envelope saying, “And the winner is…!” The remaining explanations are more mundane, but perhaps easier. Lists One common use of a colon is to introduce a list. The nominees for best actress were impressive: Sandra Bullock, Helen Mirren, Carey Mulligan, Gabourey Sidibe and Meryl Streep. Be sure that the introductory sentence preceding the colon is truly a sentence. A colon would be incorrect in the following example. The nominees were Sandra Bullock, Helen Mirren, Carey Mulligan, Gabourey Sidibe and Meryl Streep. Independent clauses In the use that inspires the most fear, a colon separates two independent clauses when the second clause expands or illustrates the idea in the first clause. (Remember that an independent clause is just a complete sentence.) The drum roll — the colon — comes after the first sentence.
  • Screenplay Pdf, Epub, Ebook

    Screenplay Pdf, Epub, Ebook

    HES JUST NOT THAT INTO YOU : SCREENPLAY PDF, EPUB, EBOOK Jamie Tota | 118 pages | 02 Jun 2020 | Independently Published | 9798650533580 | English | none Hes Just Not That Into You : Screenplay PDF Book And that same wise person told me that I'm the rule. Can you begin to guess what might happen between him and Gigi? He'll make an effort to find your number or ask you out or propose. Filming Locations: Handy Market - W. Log In. Director Ken Kwapis, who has inflicted License to Wed and The Sisterhood of the Traveling Pants on unsuspecting moviegoers, drags out the script by Abby Kohn and Marc Silverstein for a punishing two hours and ten minutes. Toggle navigation User area. And it actually was filmed in Baltimore, mostly around the Canton and Brewers Hill neighborhoods, it would seem. She was the exception, you are not. And there are no mixed messages. Drew Barrymore shops in a CVS. It's exhausting. A dark secret spans several Lists with This Book. I dunno. And would you really want to be in a relationship where you have to work that hard, especially if you finally realize that you're working that hard just to keep yourself interested? The authors have two main lessons to teach: 1. P65 "Pets are God's way of saying, 'Don't lower the bar because you're lonely. Women, they just love decorating, and shopping. Conor is treated badly by hottie yoga teacher and wannabe singer Anna Scarlett Johansson. Leave a Reply Cancel reply Save my name, email, and website in this browser for the next time I comment.