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Texas Highways Events Calendar Summer 2019
SUMMER 2019 JUNE • JULY • AUGUST EVENTSC A L E N DA R FESTIVALS, CONCERTS, EXHIBITS, PARADES, AND ALL THINGS SNAPSHOT Addison Kaboomtown FUN IN TEXAS! See more inside... EVENTS SUMMER 2019 oasis for the soul. On Aug. 10, Texans season, guests can stroll the expansive A Site for gather in Brenham County for the property and cut their own lavender or the Senses farm’s annual Lavender and Wine settle for solitude in the gazebo or by Fest. During the free event, attendees the waterfall on-site. But even if the estled in the heart of wild- can shop local artisan vendors and lavender isn’t in bloom, the scenic flower country, Chappell Hill enjoy live music, lavender cuisine, sights make this a worthy day trip, Lavender Farm is a sprawl- demonstrations, plant sales, a petting topped off with a glass of ice-cold ing 3,000-plant landscape zoo with miniature animals, and more. lemonade—lavender flavored, of course. Nthat offers an aromatic and scenic During the farm’s twice-yearly cutting chappellhilllavender.com/lavender-festival ON THE COVER STAR-SPANGLED SUMMER No matter your locale, the Lone Star State has a wide variety of celebrations to suit your patriotic fancy. One such soiree takes place in the 4.4-square-mile town of Addison, which has welcomed more than half a million guests to Addison Kaboomtown for more than three decades. On July 3, make your way to one of 180 watch parties, watch the Addison Airport Show, and gaze at one of the top fireworks displays in the nation. -
Jack Ingram and the Roots of the Texas Country Scene Rich Kelly
32 Jack Ingram and the Roots of the Texas Country Scene Rich Kelly Jack Ingram performing at Gruene Hall, March 31, 2000. Photo by and courtesy of Jeremy Elliott. In May of 2016 Guy Clark, a songwriting giant in both his native Texas and his adopted Nashville, passed away. A week later, a bus of Clark’s Tennessee friends delivered their mentor’s cremated remains to fellow artist Terry Allen’s Santa Fe home for a wake for the legend. The intimate picking party featured a who’s who of alternative country luminaries including Steve Earle, Emmylou Harris, Vince Gill, Joe Ely, Rodney Crowell, Lyle Lovett, 33 and Robert Earl Keen. Among the impressive gathering of singer-songwriters, only two were under sixty years old: Allen’s son Bukka, an accomplished accordionist, and Jack Ingram.1 The 45-year-old Ingram had come a long way from his musical beginnings in Dallas’s Deep Ellum more than twenty- five years earlier. Along with the chance to honor one of his heroes and inspirations, the invitation signaled Ingram’s ascension into the pantheon of Texas’s elite singer-songwriters. Along the way Ingram pushed against the prevailing musical winds, played a key role in reviving fan interest in original Texas country music, and served as the key inspiration for the early artists of the emerging Texas Country scene. In the 1990s in college cities and towns throughout Texas, a Kacey Musgraves. Despite the genre’s widespread popularity, regional country music scene developed. The artists and fans there has been little academic examination of its beginnings or in this musical movement consciously strove to revive the values impact. -
Unintended Consequences: Robert Earl Keen and the Origins Of
UNINTENDED CONSEQUENCES: ROBERT EARL KEEN AND THE ORIGINS OF THE TEXAS COUNTRY MUSIC SCENE by Richard Kelly, B.A. A thesis submitted to the Graduate Council of Texas State University in partial fulfillment of the requirements for the degree of Master of Arts with a Major in History August 2017 Committee Members: Gary Hartman, Chair Jason Mellard Dan K. Utley COPYRIGHT by Richard Kelly 2017 FAIR USE AND AUTHOR’S PERMISSION STATEMENT Fair Use This work is protected by the Copyright Laws of the United States (Public Law 94-553, section 107). Consistent with fair use as defined in the Copyright Laws, brief quotations from this material are allowed with proper acknowledgement. Use of this material for financial gain without the author’s express written permission is not allowed. Duplication Permission As the copyright holder of this work I, Richard Kelly, authorize duplication of this work, in whole or in part, for educational or scholarly purposes only. DEDICATION This work is dedicated to anyone who has, or anyone who will in the future, put me on the guest list. ACKNOWLEDGEMENTS In 1992, during my second year of college, I would occasionally tag along with Mike Kilian, a high school friend, to his Alpha Tau Omega parties just west of the campus of the University of Texas at Austin. Not knowing many people, I usually ended up watching the band. This is how I first heard and met Jack Ingram, a fledgling performer and SMU ATO. At the time, none of us could know Ingram was a harbinger of a generation of Texas musicians who, inspired by Robert Earl Keen, would lead a resurgence of interest in original, Texas country music, an echo of the progressive country of the music of Ingram’s, Kilian’s, and my childhood. -
Vol 4 No 3 Summer
CONTENTS Publisher/Designer: Karyn Lyn Publisher/Editor: Greg Forest Design & Layout: Lonesome Dove Design Studio Columnists & Contributing Writers: Karyn Lyn, Greg Forest, Kathleen Hudson, Joe Herring, Phil Houseal, Jil Utterback, Gary Lockte, Mary Schenk, Genie Strickland, Betty Sharp, Homer Stevens, Colleen Brooks, Carlotta Schmittgen & Jack Armstrong Proof Readers: Jil Utterback, Guy Barzetti Layout & Web Site: The Music Office Photographers: Greg Forest, Karyn Lyn, Nancy Essary- Sales: Karyn Lyn, Greg Forest, Richard Redmond, Colleen Brooks, Jennifer Nimmrichter, Gary Smith, Guy Barzetti, Contact Heart Beat texasheartbeat.com | PO Box 1204 |Bandera,TX 78003 Karyn (210) 316-2986 [email protected] Greg (830) 746-8041, [email protected] Phil Houseal Visits The Backyard Fredericksburg has opened yet another great music venue with space suitable for national touring acts. The Backyard is starting to get off the ground and it's a sure bet to be packing 60 in the crowds this summer. Phil has the whole scoop on what owner Sloan Ruth has up her sleeve. Kathleen Hudson The Women Behind Willie's Music Willie Nelson has been a Texas and country music icon since the 1950s. Little is known about the women (primarily his sisters) that 36 helped him along the way. Careers like Willie's can't be sustained without the support of those who love him. The Heart Beat of the Texas Hill Country is published quarterly by Heart Beat Publishing PO Box 1204, Bandera, Texas 78003. Opin- ions expressed in articles may not be those of the publisher and editor of the The Heart Beat of the Texas Hill Country, its advertisers, writers or contributors. -
Literature Born of the Texas Singer-Songwriter Movement of the Last Forty Years" (2016)
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Spring 5-13-2016 The People's Poets: Literature Born of the Texas Singer- Songwriter Movement of the Last Forty Years Phyllis M. Dunham [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Dunham, Phyllis M., "The People's Poets: Literature Born of the Texas Singer-Songwriter Movement of the Last Forty Years" (2016). University of New Orleans Theses and Dissertations. 2212. https://scholarworks.uno.edu/td/2212 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. The People’s Poets: Literature Born of the Texas Singer-Songwriter Tradition of the Last Forty Years A Thesis Submitted to the Graduate Faculty of The University of New Orleans in partial fulfillment of the requirements for the degree of Master of Fine Arts in Creative Writing by Phyllis Dunham B. A. Sul Ross State University, 2013 May 2016 Table of Contents List of Figures ...................................................................................................................