The Power of the Documentary: Breaking the Silence Full Program Download
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Cambridge University Press 978-0-521-71826-4 - Rebel Journalism: The Writings of Wilfred Burchett Edited by George Burchett and Nick Shimmin Frontmatter More information Rebel Journalism The Writings of Wilfred Burchett This book is an anthology of the writings of Wilfred Burchett, perhaps the greatest journalist and war correspondent Australia has ever produced. He was also one of the most controversial figures of the Cold War, both here and overseas. Burchett published more than 30 books, and this volume brings together extracts from most of these, spanning the entire breadth of his career, from World War II, through Hiroshima, Eastern Europe, Korea, Russia, Laos, Cambodia, China, Vietnam, Angola, Rhodesia (Zimbabwe) and other areas from which Burchett reported. The book presents these documents of reportage mostly in chronological order, and thus serves not only as a significant historical overview of the period, but also as a reader in Cold War journalism. George Burchett is an artist and translator. In 2005 he co-edited, with Nick Shimmin, Memoirs of a Rebel Journalist: The Autobiography of Wilfred Burchett. Nick Shimmin completed a doctorate at the University of Lancaster in 1989 on the Manx writers T.E. Brown and Hall Caine. Since that time he has worked in sales and marketing and as a subtitling editor at the Special Broadcasting Service. © Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-71826-4 - Rebel Journalism: The Writings of Wilfred Burchett Edited by George Burchett and Nick Shimmin Frontmatter -
Framing 'The Other'. a Critical Review of Vietnam War Movies and Their Representation of Asians and Vietnamese.*
Framing ‘the Other’. A critical review of Vietnam war movies and their representation of Asians and Vietnamese.* John Kleinen W e W ere Soldiers (2002), depicting the first major clash between regular North-Vietnamese troops and U.S. troops at Ia Drang in Southern Vietnam over three days in November 1965, is the Vietnam War version of Saving Private Ryan and The Thin Red Line. Director, writer and producer, Randall Wallace, shows the viewer both American family values and dying soldiers. The movie is based on the book W e were soldiers once ... and young by the U.S. commander in the battle, retired Lieutenant General Harold G. Moore (a John Wayne- like performance by Mel Gibson).1 In the film, the U.S. troops have little idea of what they face, are overrun and suffer heavy casualties. The American GIs are seen fighting for their comrades, not their fatherland. This narrow patriotism is accompanied by a new theme: the respect for the victims ‘on the other side’. For the first time in the Hollywood tradition, we see fading shots of dying ‘VC’ and of their widows reading loved ones’ diaries. This is not because the filmmaker was emphasizing ‘love’ or ‘peace’ instead of ‘war’, but more importantly, Wallace seems to say, that war is noble. Ironically, the popular Vietnamese actor, Don Duong, who plays the communist commander Nguyen Huu An who led the Vietnamese People’s Army to victory, has been criticized at home for tarnishing the image of Vietnamese soldiers. Don Duong has appeared in several foreign films and numerous Vietnamese-made movies about the War. -
Diplomarbeit
Diplomarbeit Zur Erlangung des akademischen Grades einer Magistra der Rechtswissenschaften an der Karl-Franzens-Universität Graz. Der Räumliche Anwendungsbereich der EMRK am Beispiel „Diego Garcia“ Vorgelegt von Lisa Maria GUTWENGER Beurteiler: Univ.Prof.Dr. Hans-Peter Folz am Institut für Europarecht an der Karl-Franzens-Universität Graz Graz, im Juni 2019 Ehrenwörtliche Erklärung Ich erkläre ehrenwörtlich, dass ich die vorliegende Arbeit selbstständig und ohne fremde Hilfe verfasst, andere als die angegebenen Quellen nicht benutzt und die den Quellen wörtlich oder inhaltlich entnommenen Stellen als solche kenntlich gemacht habe. Die Arbeit wurde bisher in gleicher oder ähnlicher Form keiner anderen inländischen oder ausländischen Prüfungsbehörde vorgelegt und auch noch nicht veröffentlicht. Die vorliegende Fassung entspricht der eingereichten elektronischen Version. Datum Unterschrift Gender Erklärung Aus Gründen der leichteren Lesbarkeit wird in dieser Diplomarbeit die Sprachform des generischen Maskulinums verwendet. Dabei kommt es zu keiner Benachteiligung des weiblichen Geschlechts, da die Verwendung der männlichen Form ausschließlich der sprachlichen Vereinfachung dienen soll und geschlechtsneutral, sohin Frauen und Männer gleichermaßen, zu verstehen ist. Danksagung und Widmung An dieser Stelle möchte ich Herrn Prof. Dr. Hans-Peter Folz herzlich dafür danken, dass er sich sofort bereit erklärt hat, die Betreuung meiner Diplomarbeit zu übernehmen. Meinen Eltern Sabine und Hermann möchte ich meinen größten und herzlichsten Dank aussprechen. -
Or on Image Above to Download WAR by MEDIA
WAR ME DIA JOHN PILGER Cold Type The Heyman Center for the Humanities at Columbia University in New York brought together John Pilger, Seymour Hersh, Robert Fisk and Charles Glass for a discus - sion entitled “Breaking the Silence: War, Lies and Empire” on 14 April 2006. This is a transcript of John Pilger’s address © John Pilger 2006 PAGE 2 JOHN PILGER: WAR BY MEDIA DURING the Cold War, a group of Russian jour - nalists toured the United States. On the final day of their visit, they were asked by their hosts for their impressions. “I have to tell you,” said their spokesman, “that we were as - tonished to find, after reading all the newspapers and watching TV, that all the opinions on all the vital issues were, by and large, the same. To get that result in our country, we imprison people, we tear out their fingernails. Here, you don’t have that. What’s the secret? How do you do it?” What is the secret? It’s a question now urgently asked of those whose job is to keep the record straight: who in this country have extraordinary constitutional freedom. I refer to journalists, of course, a small group who hold privileged sway over the way we think, even the way we use language. I have been a journalist for more than 40 years. Although I am based in London, I have worked all over the world, including the United States, and I have reported America’s wars. My experience is that what the Russian journalists were referring to is censorship by omis - sion, the product of a parallel world of unspoken truth and public myths and lies: in other words, censorship by journalism, which today has become war by journalism. -
How the Vietnam War Had Profound Consequences on Reporting Future Conflicts
How the Vietnam War had profound consequences on reporting future conflicts Can a new BBC documentary about the Vietnam War convey the conflict's horrors? Vietnam. Picture Phillip Jones Griffith ©Philip Jones Griffiths (Image: ©Philip Jones Griffiths) Want the latest news sent straight to your inbox? When you subscribe we will use the information you provide to send you these newsletters. Sometimes they’ll include recommendations for other related newsletters or services we offer. OurPrivacy Noticeexplains more about how we use your data, and your rights. You can unsubscribe at any time. Thank you for subscribingWe have more newslettersShow meSee ourprivacy notice Invalid Email For the last two Mondays BBC Four has broadcast the first instalments of Ken Burns’ 10-part documentary series on the Vietnam War. The series has long been anticipated, not least because Burns is considered by many to be the USA’s greatest living practitioner of the art of factual film. Indeed, his 1990 series on the American Civil War has been lauded as the country’s finest documentary and was the recipient of dozens of awards including two Emmys and two Grammys. Initial reviews of The Vietnam War have generally been positive. In the Guardian, Mark Lawson wrote that the series was, along with Burns’ other work, a broadasting event “that will stand for ever in the history of TV”, while in the Times Chris Bennon said: “This is serious telly. An exhaustive, intellectual series… worth every penny spent in the archives”. There are dissenting voices, though. Nick Turse, an expert on foreign policy and author of several books including Kill Any- thing That Moves: The Real American War in Vietnam, states that Burns (and long- term co director Lynn Novick) gloss over the devastating Vietnamese civilian death toll at the hands of US forces. -
Battle to Save Children from Gang Terror
City Research Online City, University of London Institutional Repository Citation: Lashmar, P. (2008). From shadow boxing to Ghost Plane: English journalism and the War on Terror. In: Investigative Journalism. (pp. 191-214). Abingdon, UK: Routledge. ISBN 9780415441445 This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/19055/ Link to published version: http://dx.doi.org/10.4324/9780203895672 Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] From shadow boxing to Ghost Plane: English journalism and the War on Terror In my career as a journalist, there has never been a war on terror but a war of terror. John Pilger.1 “In our time, political speech and writing are largely the defense of the indefensible….This political language has to consist largely of euphemism, question-begging and sheer cloudy vagueness. Defenceless villages are bombed from the air, the inhabitants driven out into the countryside, the cattle machine gunned, the huts set on fire with incendiary bullets: this is called pacification. -
Hofstra University Film Library Holdings
Hofstra University Film Library Holdings TITLE PUBLICATION INFORMATION NUMBER DATE LANG 1-800-INDIA Mitra Films and Thirteen/WNET New York producer, Anna Cater director, Safina Uberoi. VD-1181 c2006. eng 1 giant leap Palm Pictures. VD-825 2001 und 1 on 1 V-5489 c2002. eng 3 films by Louis Malle Nouvelles Editions de Films written and directed by Louis Malle. VD-1340 2006 fre produced by Argosy Pictures Corporation, a Metro-Goldwyn-Mayer picture [presented by] 3 godfathers John Ford and Merian C. Cooper produced by John Ford and Merian C. Cooper screenplay VD-1348 [2006] eng by Laurence Stallings and Frank S. Nugent directed by John Ford. Lions Gate Films, Inc. producer, Robert Altman writer, Robert Altman director, Robert 3 women VD-1333 [2004] eng Altman. Filmocom Productions with participation of the Russian Federation Ministry of Culture and financial support of the Hubert Balls Fund of the International Filmfestival Rotterdam 4 VD-1704 2006 rus produced by Yelena Yatsura concept and story by Vladimir Sorokin, Ilya Khrzhanovsky screenplay by Vladimir Sorokin directed by Ilya Khrzhanovsky. a film by Kartemquin Educational Films CPB producer/director, Maria Finitzo co- 5 girls V-5767 2001 eng producer/editor, David E. Simpson. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987. ita Flaiano, Brunello Rondi. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987. -
How the Kremlin Weaponizes Information, Culture and Money by Peter Pomerantsev and Michael Weiss
The Menace of Unreality: How the Kremlin Weaponizes Information, Culture and Money by Peter Pomerantsev and Michael Weiss A Special Report presented by The Interpreter, a project of the Institute of Modern Russia imrussia.org interpretermag.com The Institute of Modern Russia (IMR) is a nonprofit, nonpartisan public policy organization—a think tank based in New York. IMR’s mission is to foster democratic and economic development in Russia through research, advocacy, public events, and grant-making. We are committed to strengthening respect for human rights, the rule of law, and civil society in Russia. Our goal is to promote a principles- based approach to US-Russia relations and Russia’s integration into the community of democracies. The Interpreter is a daily online journal dedicated primarily to translating media from the Russian press and blogosphere into English and reporting on events inside Russia and in countries directly impacted by Russia’s foreign policy. Conceived as a kind of “Inopressa in reverse,” The Interpreter aspires to dismantle the language barrier that separates journalists, Russia analysts, policymakers, diplomats and interested laymen in the English-speaking world from the debates, scandals, intrigues and political developments taking place in the Russian Federation. CONTENTS Introductions ...................................................................... 4 Executive Summary ........................................................... 6 Background ........................................................................ -
8583.06 GHY31 CAT History (Support and Opposition for the Vietnam War
General Certificate of Secondary Education History Controlled Assessment Task Unit 3: Investigative Study Support and Opposition for the Vietnam War [GHY31] VALID FROM SEPTEMBER 2013 – MAY 2014 INSTRUCTIONS TO CANDIDATES Answer both questions. The candidate should show evidence of having studied and evaluated between 10 and 15 sources in their Investigative Study. The sources which accompany the tasks must be used as part of the Investigative Study. The time allocation of 3 hours for the formal write-up of the task must not be exceeded. INFORMATION FOR CANDIDATES Controlled Assessment is marked out of 50. Question 1 is worth 15 marks and Question 2 is worth 35 marks. Quality of written communication will be assessed in both questions. You should aim to write approximately 2000 words in total. Candidates’ work to be submitted May 2014 Controlled Assessment Tasks must comply with the Regulations as detailed in the Subject Specifi cation. NB: Some Controlled Assessment Tasks instructions may constitute more than 1 page. Please check you have all the information you need to complete the task if printing from a computer. 8583.06 1 [Turn[Turn overover Controlled Assessment Task: Support and Opposition for the Vietnam War Answer both questions. You should use the source material provided and other evidence gathered during your investigative research to complete your answers. Source A From an Internet website, www.spartacus.schoolnet.co.uk, on opposition to the Vietnam War. As the war continued, more and more Americans turned against it. People were particularly upset by the use of chemical weapons such as napalm and agent orange. -
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afrika focus — Volume 29, Nr. 2, 2016 — pp. 39-57 Assessing the responsibilities of the United Kingdom and Mauritius towards the Chagossians under international law Darsheenee Raumnauth (1), Roopanand Mahadew(2)1 (1) African Union Commission, Ethiopia (2) Department of Law, University of Mauritius, Mauritius This article reviews the obligations under international law of the United Kingdom and Mauritius towards the Chagossians. With the detachment of Chagos from Mauritius as an essential condi- tion for the independence of Mauritius from the British colonial master, the Chagossians have, over the past four decades, endured enormous human rights violations . This article assesses the responsibility of the two states vis-à-vis the Chagossians. A comprehensive factual account is first presented to clarify understanding of the history of Chagos. The legal framework is then analysed to assess the responsibility of each state, before a number of recommendations are made. Key words: Chagos, Mauritius, United Kingdom, British Indian Ocean territories Introduction A Factual account Known as the largest and only inhabited coral island of the Chagos Archipelago (Gifford, 2004: 2), Diego Garcia, the horseshoe-shaped atoll is equally renowned as a site for one of a number of secretive U.S military bases in the Indian Ocean. However, while this latter aspect is frequently prominent, it is typically overlooked in mainstream discussions in relation to militarisation, world peace and security (Boolell, 2010: 29). For example, this issue seems to have been almost wholly ignored during consultations on nuclear disarmament in Africa (Pelindaba Treaty, 1966) even though Mauritius and Diego Garcia irrefutably form an integral part of the African Continent (Collen, 2009). -
STEALING a NATION a Special Report by John Pilger STEALING a NATION Introduction
STEALING A NATION A special report by John Pilger STEALING A NATION Introduction A Special Report by John Pilger eginning in the late 1960s the British government removed the population of B around 2,000 people from the Chagos islands in the Indian Ocean. This policy was pursued as quietly as possible to ensure minimal international attention. Subsequently, successive British This film is a shocking, almost incredible governments over nearly four decades have story. A government calling itself civilised maintained this policy by not disclosing the fact that “ the islanders were permanent inhabitants. tricked and expelled its most vulnerable citi- zens so that it could give their homeland to a foreign power . Ministers and their officials then mounted a campaign of deception all the way up to the Prime Minister. John Pilger ” In this part of the world, except if we go “back to the days of slavery and to the days of indentured labour, I can't remember anything of the sort happening. Cassam Uteem, former President of Mauritius. The depopulation was done at the behest of the United States Stealing a Nation – ITV October 2004. ” government to make way for a military base on the largest island in the Chagos group – Diego Garcia. Diego Garcia is now a large US military base used as a launch pad for intervention in the Middle East, most recently in Afghanistan and Iraq. John Pilger beside a boat used in the All the while, the Chagossians, most of whom have been living expulsion of the Chagos Islanders. in exile in poverty, have been campaigning for proper © ITV plc compensation and for the right to return to their homeland. -
A Case of the Historical Construction of the Unter-Journalist
City Research Online City, University of London Institutional Repository Citation: Bromley, M. S. (2010). From noted “phenomenon” to “missing person”: a case of the historical construction of the unter-journalist. Journalism, 11(3), pp. 259-275. doi: 10.1177/1464884909360919 This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/13233/ Link to published version: http://dx.doi.org/10.1177/1464884909360919 Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] From noted ‘phenomenon’ to ‘missing person’: a case of the historical construction of the unter-journalist Michael Bromley Abstract Tim Hewat was celebrated during his tenure at Granada Television as one of the most influential journalists working in Britain in the second half of the twentieth century, but then largely forgotten for 30 years. This was a function of the specific historicisation of journalists. Hewat’s case indicates that journalists’ histories are shaped as reflections of the narrow sectarian values of journalism and the media.