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Congressional Record—House H613
January 16, 2019 CONGRESSIONAL RECORD — HOUSE H613 Born Alive Act, which will require all gave in; and he never wavered in his principles that all are created equal, healthcare providers to give babies who patriotism, his faith in God, his cour- and we cannot back down from the survive abortions the same level of age, his sacrifices, and his commitment fight to preserve life and to protect care as other newborns and to ensure to this country. those who can’t protect themselves. that they are immediately admitted to America is eternally grateful for his I look forward to continuing work to a hospital. The illegal fetal tissue traf- service. ensure that our taxpayer dollars do not ficking industry profits most from After he got back from the Hanoi Hil- fund death and abortion, a procedure abortions that increase the likelihood ton, he came back to his beloved Shir- that denies the right to live and con- of a live birth. Congress must provide ley and his children back in Texas. He tradicts the core founding principles of born-alive infants with lifesaving care, was in the Air Force for a while, and our freedom and our Nation. not exploit, kill, and sell them to the then he went into business. f highest bidder. But he wanted to continue to serve. IN SUPPORT OF LIFE I am also introducing the Prenatal In 1984, he ran for the Texas House of Nondiscrimination Act, or PRENDA, Representatives, and he was elected in The SPEAKER pro tempore. The which will prohibit sex-selection abor- the Third District in a special election Chair recognizes the gentleman from tions or forcing a woman to obtain a in 1991. -
And Others Small Scale Marine Fisheries
DOCUMENT RESUME ED 243 658 SE 044 389 AUTHOR Martinson, Steven; And OtherS TITLE Small Scale Marine Fisheries: An ExtensionTraining Manual. TR-30. INSTITUTION Peace Corps, Washington, DC., Office of Program Development. SPONS AGENCY 'Peace Corps, Washington, DC. InformationCollection and Exchange Div. PUB DATE Apr 83 NOTE 578p.; Prepared by Technos Corp., San Juan, Puerto RiCO. PUB TYPE Guides = Classroom Use - Guides (ForTeachers) (052) EDRS PRICE MF03/PC24 Plus Postage. DESCRIPTORS *Developing Nations; *Fisheries; *Learning Activities; Marine Biology; Postsecondary Education; Science Education; *Skill Development; Technology; *Training Methods; *Training Objectiyes IDENTIFIERS *Peace Corps ABSTRACT This manual is designed for use in_a preservice training program 'for prospective volunteers whose PeaceCorps service Will be spent working with small-scale artisanalfighing communities in developing nations. The program consists of8'weeks of intensive training_to develop competencies in marinefisheries technology and fisheries extension work and in the ability to transferknowledge and skills. The manual includes an overview of the program,lists of program goals, information onstarting the program, lists of references and materialt needed,_tips on conductingthe program, and the complete 111 training sessions.Provided for each session-are: (1) session goals; (2) one or more exercisesdirected toward meeting these goals; (3) total time required to complete thesession or exercise; (4) overview statement describing the purposeof the session or exercise; (5) procedures andactivities (sequenced in time steps that describe what trainer andparticipants are required to do at a particular point in theprogram); (6) list of materials and equipment needed; and, when applicable, (7) trainer notes.Although each session builds toward or from the -ones) preceding and following it, individual sessions can be usedindependently with minor modification. -
Caldonia”—Louis Jordan (1945) Added to the National Registry: 2013 Essay by Stephen Koch (Guest Post)*
“Caldonia”—Louis Jordan (1945) Added to the National Registry: 2013 Essay by Stephen Koch (guest post)* Louis Jordan Original label “Caldonia” film poster, 1945 “Caldonia” (originally titled “Caldonia Boogie”) became one of Louis Jordan and his Tympany Five’s most enduring hits. The song, with its lyrical catchphrase “Caldon-YAH! Caldon-YAH! What makes your big head so hard!?” set America on its ear and spawned endless cover versions, two of which competed directly with Jordan’s version in 1945. The song had been in Jordan’s repertoire since at least the summer of 1944, when he recorded it for use on a December airing of “Jubilee!,” an Armed Forces Radio Service show for African- American servicemen. In January, 1945 he recorded it for Decca, but the label first released a pairing of Jordan’s “Mop! Mop!” and “You Can’t Get That No More” that became a major hit that winter, and perhaps delayed the release of “Caldonia.” In February, Jordan filmed a performance of it for a short film of the same name, which hit theaters in March. In late Feburary, white bandleader Woody Herman recorded a modern jazz-tinged arrangement by Ralph Burns, who’d heard Jordan perform it live. Herman’s version hit the stores at about the time that African-American bandleader Erskine Hawkins recorded a version for RCA-Victor at the end of March. Decca, perhaps feeling the pressure, released Jordan’s definitive small group version at almost the same time that Hawkins’ disc came out in mid-April. Surprisingly, all three versions of the tunes were hits. -
Discord and Factionalism in New Caledonia
CULTURAL POLITICS: DISCORD AND FACTIONALISM IN NEW CALEDONIA, 1991 TO 1993 Margaret Alison Taylor A thesis submitted for the degree of Doctor of Philosophy of the University of London 1997 LONDON SCHOOL OF ECONOMICS AND POLITICAL SCIENCE 1 UMI Number: U109404 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U109404 Published by ProQuest LLC 2014. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 I w£S£S> F 74^7 ABSTRACT This thesis focusses on the activities of a group of young French people staying in a hostel in Noumea from 1991 to 1993. It draws on my fieldwork in Noumea and Mare in the Loyalty Islands of New Caledonia. The main part of the thesis looks at the interactions of this group of young people with other ethnic and social groups living in New Caledonia. These include the Kanaks, the “Caldoches” (native-born Caledonians of French origin), the “Metros” (immigrants from metropolitan France), Pacific islanders, Vietnamese and Indonesians. The thesis also includes a short section describing Mare itself and my fieldwork there. Particular attention is paid to the Kanaks and to the Caldoches, whose rural and urban lifestyles are compared and contrasted to those of the young people being studied. -
Five Guys Names Moe Song List
Five Guys Names Moe Song List A Chicken Ain't Nothin' But A Bird B flat After The Lovin A Kiss To Build A Dream On Ain't That A Kick In The Head! Ain't Misbehavin' Ain't Nobody Here But Us Chickens All Of Me All My Tomorrows All Shook Up All The Way Always Angel Eyes Angelina (From The Pizzaria) Anniversary Waltz (Oh how we danced) Anything Goes Are You Lonesome Tonight? As Time Goes By At Last Azure Te' (Paris Blues) Automobile (She Loves My) Baby Won't You Please Come Home? Basin Street Blues/ 5 Ft. 2 Big Ten Inch Beyond The Sea Buona Serra Buzz Me Baby Bye Bye Blackbird Bye Bye Love Black Cadilac/Kansas City Black Magic Woman Blue Light Boogie Blue Moon Blue Spanish Eyes Blue Suede Shoes Brother Beware Brown Eyed Girl Bowlegged Woman Caldonia... Chicago (a toddlin' town) Choo Choo Ch-Boogie Come Dance With Me Come Fly With Me Come Rain Or Come Shine Crazy Critical Condition-.(J. Sapienza) Daddy's Little Girl Day-O ( The Work Song ) Don't Be Cruel (You know I can be found) Don't Get Around Much Anymore Don't Let The Sun Catch You Cryin' Drownin' On Dry Land...slow Early In The Morning Embraceable You Everybody Loves Somebody Sometime Fever Fly Me To The Moon Five Guys Named "MOE' Frim Fram Song God Bless The Child t Georgia Gigolo Girl From Ipanema G. I. Jive G.L.O.R.I.A. Gloria Guess I'll Hang My Tears Out To Dry Help Me Make It Through The Night Honey Child Honky Tonk Woman How About You How Little We Know I Don't Know Why ( I Love You Like I DO ) I Feel Good I Get A Kick Out OF You I Left My Heart In San Francisco In My Chevrolet ( J. -
Breath 2015 Feb 143 曲、11.4 時間、1.27 GB
1 / 5 ページ breath_2015_feb 143 曲、11.4 時間、1.27 GB 名前 時間 アルバム アーティスト 1 I Asked 3:35 Perfect Animal [Bonus Tracks] Becca Stevens Band 2 Imperfect Animals 5:08 Perfect Animal [Bonus Tracks] Becca Stevens Band 3 Thinking Bout You 4:06 Perfect Animal [Bonus Tracks] Becca Stevens Band 4 Be Still 5:05 Perfect Animal [Bonus Tracks] Becca Stevens Band 5 105 4:37 Perfect Animal [Bonus Tracks] Becca Stevens Band 6 Tillery 5:37 Perfect Animal [Bonus Tracks] Becca Stevens Band 7 You Make Me Wanna 5:08 Perfect Animal [Bonus Tracks] Becca Stevens Band 8 Reminder 5:02 Perfect Animal [Bonus Tracks] Becca Stevens Band 9 Higher Love 5:21 Perfect Animal [Bonus Tracks] Becca Stevens Band 10 JAC 5:15 Perfect Animal [Bonus Tracks] Becca Stevens Band 11 I Asked(acoustic demo version) 2:50 Perfect Animal [Bonus Tracks] Becca Stevens Band 12 I'm A Fool To Want You 4:51 Shadows In The Night Bob Dylan 13 The Night We Called It A Day 3:24 Shadows In The Night Bob Dylan 14 Stay With Me 2:57 Shadows In The Night Bob Dylan 15 Autumn Leaves 3:02 Shadows In The Night Bob Dylan 16 Why Try To Change Me Now 3:38 Shadows In The Night Bob Dylan 17 Some Enchanted Evening 3:28 Shadows In The Night Bob Dylan 18 Full Moon And Empty Arms 3:27 Shadows In The Night Bob Dylan 19 Where Are You? 3:38 Shadows In The Night Bob Dylan 20 What'll I Do 3:21 Shadows In The Night Bob Dylan 21 That Lucky Old Sun 3:37 Shadows In The Night Bob Dylan 22 Feel Like Making Love 5:04 Restoration: Best Of Bob Jame… Bob James 23 Nautilus 5:05 Restoration: Best Of Bob Jame… Bob James 24 Farandole (L'Arlesienne -
Wilson Pickett, New York City, 1981; Swamp Dogg; Aretha Franklin, New York City, 1982; Fred Wesley, 2011; Dr
HYTHM AND LUES From left top and clockwise: Wilson Pickett, New York City, 1981; Swamp Dogg; Aretha Franklin, New York City, 1982; Fred Wesley, 2011; Dr. Mable John. Photos: © Fredrich Cantor; Courtesy of Swamp Dogg; © Fredrich Cantor; Mark Puryear, Smithsonian Institution; Courtesy of Stax Museum of American Soul Music Right side: The Dixie Cups® began performing rhythm and blues music in 1963; the group now includes original members Barbara A. Hawkins (right) and Rosa L. Hawkins (left), joined by Athelgra Neville. Photo by Richard Strauss, Smithsonian Institution Rhythm and Blues 53 Tell It Like It Is by Mark Puryear In 1964 The Dixie Cups®, a female vocal trio from New Orleans, crooned out a cheerful version of “Chapel of Love” and knocked the Beatles from their number one spot on the pop charts. A year later, the trio released “Iko Iko,” a song first released in 1954 by James “Sugar Boy” Crawford as “Jock-A-Mo,” whose lyrics recount the meeting of two groups of Mardi Gras Indians. Since then, this song has been cov- ered by artists from the Grateful Dead to Cyndi Lauper, and continues to move new generations with its infectious New Orleans rhythms. The career of The Dixie Cups, and their direct and indirect roles in carrying rhythm and blues (R&B) into mainstream consciousness, speaks to the enduring pow- er of this music to transcend region and musical category and become a representative sound of the country. Musical Crossroads by Dwandalyn Reece The National Museum of African American History of musical genres, highlighting musical innovations, and Culture (NMAAHC) was established by an act of significant time periods and events along with Congress in 2003 making it the nineteenth museum historic performances to capture the music’s impact of the Smithsonian Institution. -
Bandworks Song List **Please Circle All Songs You Would Like to Perform in the Next Session**
BandWorks Song List **Please circle all songs you would like to perform in the next session** After Midnight (Eric Clapton) Break on Through (Doors) Don’t Change Horses [In the Middle A Hard Day’s Night (Beatles) Breathe (Pink Floyd) of a Stream] (Tower of Power) Ain’t That Peculiar (Marvin Gaye) Brick House (Commodores) Don’t Let the Sun Catch You Cryin’ Ain’t Wastin’ Time No More (Allman Bros.) Brown-Eyed Girl (Van Morrison) (Ray Charles) Alison (Elvis Costello) Buddy Holly (Weezer) Don’t Lose Your Cool (Albert Collins) Alive (Pearl Jam) Burning Down the House (Talking Heads) Don’t Speak (No Doubt) All Along the Watchtower (Bob Dylan) Burn to Shine (Ben Harper) Don’t Talk About My Mama All Apologies (Nirvana) By the Way (Red Hot Chili Peppers) (Mem Shanon) All For You (Sister Hazel) Cabron (Red Hot Chili Peppers) Don’t Throw That Mojo on Me All My Love (Led Zeppelin) Caldonia (Bb King) (Wynona Judd) All You Need Is Love (Beatles) Caledonia Mission (The Band) Do Your Thing (Lyn Collins) All Your Love (Otis Rush) California (Lenny Kravitz) Down Payment Blues (AC/DC) Alone (Susan Tedeschi) Callin’ San Francisco (Tommy Castro) Dreams (Fleetwood Mac) American Girl (Tom Petty) Call Me the Breeze (Lynyrd Skynyrd) Dr. Feelgood (Aretha Franklin) American Idiot (Green Day) Can’t Find My Way Home (Blind Faith) Drive South (John Hiatt) And It Stoned Me (Van Morrison) Can’t Get Next to You (Al Green) Drops of Jupiter (Train) And She Was (Talking Heads) Canteloupe Island (Herbie Hancock) Elevation (U2) Angel (Jimi Hendrix) Caravan (Van Morrison) -
Wavelength (December 1984)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 12-1984 Wavelength (December 1984) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (December 1984) 50 https://scholarworks.uno.edu/wavelength/50 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. UNIVERSITY OF NEW ORLEANS EARL K LONG LIBRARY ACQUISITIONS DEPT NEW ORLEANS. LA 70148 1101 S.PETERS PHVSALIA PRODUCTION PRESENTATION NOONE UNOER18 ADMITTED ISSUE NO. 50 e DECEMBER 1984 "''m not sure, but I'm almost she1o's positive, that all music came from New Orleans." -Ernie K-Doe, 1979 D EPARTMENTS LIVE BANDS EVERY December News .... .... .. .. ... 4 Golden Moments . ........... ..... 8 NIGHT OF THE WEEK Flip City . ......... ............. 8 (NO COVER EVER!!!) New Bands ....... ..... .. ... 10 Caribbean . .. .. ........ ... .. .. 12 ENTRANCE ON SOUTH PETERS BETWEEN JULIA & ST. JOSEPH Dinette Set . ......... ............ 14 Rare Record . .. .... .. .. ... ... 16 Reviews . .. ...... ..... ... ... 16 shei Ia's features local, national, Listings . .. ........... .. .. .. 23 and international groups such as ... Last Page . ....................... 30 FEATURES Number 50 . 19 Dear Santa .. .... .. .. .. .. 22 Lady Rae New Orleans 1984 .... .. .. .. ... 25 Neville Brothers The Cold Records .. ........ ... .. ...... 31 One-Stops . .. .. ..... .. .. .. 35 Radia!ors HooDoo Guru's Hanoi Rocks Tim Shaw Cover design by Steve St. Germam. For informa Belfegore Java tion on purchasing cover art, ca/1 504/895-2342. John Fred & The Playboys Mrolberof f Habit JD & The Jammers Force o . -
Songs by Artist
Songs by Artist Title Title (Hed) Planet Earth 2 Live Crew Bartender We Want Some Pussy Blackout 2 Pistols Other Side She Got It +44 You Know Me When Your Heart Stops Beating 20 Fingers 10 Years Short Dick Man Beautiful 21 Demands Through The Iris Give Me A Minute Wasteland 3 Doors Down 10,000 Maniacs Away From The Sun Because The Night Be Like That Candy Everybody Wants Behind Those Eyes More Than This Better Life, The These Are The Days Citizen Soldier Trouble Me Duck & Run 100 Proof Aged In Soul Every Time You Go Somebody's Been Sleeping Here By Me 10CC Here Without You I'm Not In Love It's Not My Time Things We Do For Love, The Kryptonite 112 Landing In London Come See Me Let Me Be Myself Cupid Let Me Go Dance With Me Live For Today Hot & Wet Loser It's Over Now Road I'm On, The Na Na Na So I Need You Peaches & Cream Train Right Here For You When I'm Gone U Already Know When You're Young 12 Gauge 3 Of Hearts Dunkie Butt Arizona Rain 12 Stones Love Is Enough Far Away 30 Seconds To Mars Way I Fell, The Closer To The Edge We Are One Kill, The 1910 Fruitgum Co. Kings And Queens 1, 2, 3 Red Light This Is War Simon Says Up In The Air (Explicit) 2 Chainz Yesterday Birthday Song (Explicit) 311 I'm Different (Explicit) All Mixed Up Spend It Amber 2 Live Crew Beyond The Grey Sky Doo Wah Diddy Creatures (For A While) Me So Horny Don't Tread On Me Song List Generator® Printed 5/12/2021 Page 1 of 334 Licensed to Chris Avis Songs by Artist Title Title 311 4Him First Straw Sacred Hideaway Hey You Where There Is Faith I'll Be Here Awhile Who You Are Love Song 5 Stairsteps, The You Wouldn't Believe O-O-H Child 38 Special 50 Cent Back Where You Belong 21 Questions Caught Up In You Baby By Me Hold On Loosely Best Friend If I'd Been The One Candy Shop Rockin' Into The Night Disco Inferno Second Chance Hustler's Ambition Teacher, Teacher If I Can't Wild-Eyed Southern Boys In Da Club 3LW Just A Lil' Bit I Do (Wanna Get Close To You) Outlaw No More (Baby I'ma Do Right) Outta Control Playas Gon' Play Outta Control (Remix Version) 3OH!3 P.I.M.P. -
Commencement 1920-1940
J3 THE JOHNS HOPKINS UNIVERSITY BALTIMORE Conferring of Degrees At The Close Of The Fifty-Ninth Academic Year JUNE 11, 1935 IN THE LYRIC THEATRE AT 4 P. M. MARSHALS Professor W. 0. Weytorth Chief Marshal Aids Dr. W. S. Holt Dr. E. E. Franklin Dr. R. T. Abercrombie Dr. W. S. Tillett Dr. H. E. Cooper Dr. S. R. Damon Mr. M. W. Pullen Dr. J. Hart USHERS John Christopher MacGill Chief Usher Allen Fitzhugh Delevett Vernon Charles Kelly Philip "White Guild Robert Henry Levi William Alexander Hazlett "William Edwin Holt Maulsby George Kahl, Jr. Brian Francis Murphy MUSIC The program is under the direction of Philip S. Morgan of the Johns Hopkins Alumni Association and is presented by the Johns Hopkins Orchestra, Hendrik Essers, Conducting. The orchestra was founded and endowed in 1919 by Edwin L. Turnbull, of the Class of 1893, for the presentation of good music in the University and the community. ——— — ORDER OF EXERCISES i Academic Procession " Johns Hopkins Forever " Dauterich " March in B Flat " Mendelssohn ii Invocation The Eeverend Noble C. Powell Kector of Emanuel Church in Address The President of the University IV " A Melody from Lanier's Flute " Turnbull Flute Solo by Donald A. Wilson v CONFEERING OE DEGREES * Bachelors of Arts, presented by Dean Berry ^ Bachelors of Engineering, presented by Professor Kouwenhoven v Bachelors of Science in Chemistry, presented by Professor Kouwenhoven 1/ Bachelors of Science in Economics, presented by Associate Professor Weyforth- v^ Bachelors of Science, presented by Professor Bamberger v Eecipients -
Religious Satire and Narrative Ambiguity in the Known World
Religious Satire and Narrative Ambiguity in The Known World Michael Odom dward P. Jones’s 2004 Pulitzer Prize winning novel, The Known EWorld, explores the troubling historical phenomenon of freed blacks owning slaves in antebellum America. Jones takes what is al- ready a sensitive subject and further problematizes it by intermingling fictional and historical records, as well as displacing the chronology of events and character outcomes. This chaos proves calculated for the narrative voice to achieve a disorienting reading experience. Jones commented upon the non-linear structure of the novel in a 2004 in- terview: “It might be that because I, as the ‘god’ of the people in the book, could see their first days and their last days and all that was in between, and those people did not have linear lives as I saw all that they had lived” (4). Here Jones is referring to the literary concept of narrative omniscience, a frequently employed analogy that conceives of the author (and by extension, his narrative persona) as god-like in his knowledge of everything in the fictional world. When encounter- ing what appears to be an omniscient narrator, readers have a tendency to trust the account as both authoritative and reliable. Yet we might pause to consider the relationship between knowledge and morality in an omniscient narrator, and whether these two attributes might con- flict with one another. What if an omniscient narrator endorses slavery as a legitimate social practice? The proleptic narrative voice in The Known World unsettles the reader with ambiguous religious and moral sentiments. Despite blunt parenthetical pronouncements regarding characters’ destinies (suc- cess, death, etc.), random details from the past, and knowledge of in- correct census data caused by simple mathematical errors, the narrator expresses suspect religious views and reports anomalous supernatural occurrences that problematize the concept of narrative omniscience.