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3. Historyscape on the Border War
Haunted Borderland The Politics on the Border War against China in post-Cold War Vietnam by Juhyung Shim Department of Cultural Anthropology Duke University Date:_______________________ Approved: ___________________________ Ralph A Litzinger, Supervisor ___________________________ Anne Allison ___________________________ Charles D Piot ___________________________ Michael Hardt Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Cultural Anthropology in the Graduate School of Duke University 2014 ABSTRACT Haunted Borderland The Politics on the Border War against China in post-Cold War Vietnam by Juhyung Shim Department of Cultural Anthropology Duke University Date:_______________________ Approved: ___________________________ Ralph A Litzinger, Supervisor ___________________________ Anne Allison ___________________________ Charles D Piot ___________________________ Michael Hardt Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Cultural Anthropology in the Graduate School of Duke University 2014 Copyright by Juhyung Shim 2014 Abstract This dissertation deals with the history and memory of the Border War with China in contemporary Vietnam. Due to its particularity as a war between two neighboring socialist countries in Cold War Asia, the Border War has been a sensitive topic in Vietnam. While political sensitivity regarding the national past derives largely from the Party-State, the history and memory of the war has permeated Vietnamese society. The war’s legacy can be seen in anti-China sentiments that, in the globalized neoliberal order, appear to be reviving alongside post-Cold War nationalism. The Border War against China represented an important nationalist turn for Vietnam. At the same time, the traumatic breakdown of the socialist fraternity cultivated anxiety over domestic and international relations. -
Southeast Asian Archaeology, Culture and Fine Arts News March 27- April
www.seameo-spafa.org https://www.facebook.com/seameo.spafa/ www.twitter.com/seameospafa Southeast Asian Archaeology, Culture and Fine Arts News March 27- April 2, 2021 Country Headline Cambodia Handwoven straps give helping hand Daiku, Cambodian social enterprise founded in 2019, has lifted up the traditional craft of Tampuan indigenous into modern fashionable products. Date: March 29, 2021 Source: Phnom Penh Post Author: Roth Sochieata Link: https://www.phnompenhpost.com/lifestyle-arts-culture/handwoven- straps-give-helping-hand C-19 badly impacts arts and cultural workers The virtual conference organised by the Asian Cultural Council (ACC) in partnership with UNESCO and the International Conference of Asian Political Parties (ICAPP) has highlighted emergency measures to support artists and cultural works who are impacted by the coronavirus outbreak. Date: March 29, 2021 Source: Khmer Times Author: Rhea Mae Soco Link: https://www.khmertimeskh.com/50831255/c-19-badly-impacts- arts-and-cultural-workers/ SEAMEO SPAFA 81/1 Si Ayutthaya Rd, Thewet, Dusit, Bangkok, 10300 Thailand Tel: +662-2804022 up to 9 Fax:+662-2804030 E-mail: [email protected] Subscribe:https://www.seameo-spafa.org/mailing-list-subscribe/ Indonesia Bali: A treasured wealth of heritage and arts The sheer natural landscape, vibrant arts and heritage are what takes Bali’s appeals to another level. Date: March 30, 2021 Source: The Standard Author: Lily Wong Link: https://www.thestandard.com.hk/section-news/fc/12/228858/Bali:- A-treasured-wealth-of-heritage-and-arts Laos Laos: Government and handicraft stakeholders pledge to protect traditional designs of Laos The meeting on “Protecting Cultural Intellectual Property Rights in Laos: A Way Forward”, participated by representatives from the Lao government, Lao Handicrafts Association, and cultural heritage stakeholders, was organised by the Traditional Arts and Ethnology Centre, and the Lao Handicrafts Association to discuss models for legal action to protect Laos’s traditional designs. -
Angela Merkel - Hơn Cả Bất Ngờ Angela Merkel - the Unexpected
1 Chào mừng Quý vị đến với Liên hoan Phim Tài liệu châu Welcome to the 10th edition of the European-Vietnamese Âu-Việt Nam lần thứ 10. Documentary Film Festival. Đây là mốc kỷ niệm đáng nhớ cho con đường tuyệt đẹp This is quite an anniversary…and a beautiful road so far! của Liên hoan Phim: 10 năm giới thiệu tới khán giả Việt 10 years of introducing to the Vietnamese audience the Nam những bộ phim tài liệu hay nhất của Châu Âu. 10 best of Europe’s documentaries.10 years of mirroring năm đồng hành với những bộ phim do Việt Nam sản xuất. these films with Vietnam’s own production. 10 years full 10 năm đầy những khám phá, kiến thức, bất ngờ và cả of discoveries, insights, surprises and entertainment. EMMANUEL LABRANDE những phút giây thư giãn. 10 years for 10 countries collaborating altogether, along GIÁM ĐỐC VIỆN PHÁP TẠI HÀ NỘI - L’ESPACE 10 năm để 10 quốc gia hợp tác cùng nhau và cùng với with Vietnam, to present their films, their culture and their CHỦ TỊCH EUNIC-VIỆT NAM Việt Nam để giới thiệu các bộ phim, nền văn hóa và quan point of view: Austria, Wallonia-Brussels (Belgium), France, DIRECTOR OF INSTITUT FRANÇAIS DE điểm của các nước: Áo, Wallonie-Bruxelles (Bỉ), Pháp, Denmark, Germany, Israel, Spain, Switzerland, Czech HANOÏ - L’ESPACE Đan Mạch, Đức, Israel, Tây Ban Nha, Thụy Sĩ, Cộng hòa Republic and United Kingdom. Séc và Vương quốc Anh. PRESIDENT OF EUNIC-VIETNAM This festival is always an important event for EUNIC as Liên hoan Phim này luôn là một sự kiện quan trọng đối documentary films provide an opportunity to analyze our với EUNIC vì các bộ phim tài liệu cung cấp một cơ hội để societies, question our relationships with our environment phân tích xã hội của chúng ta, đặt câu hỏi về mối quan hệ and discover new territories and subjects: music, heritage, của chúng ta với môi trường và khám phá các vùng lãnh design, current affairs… there are objects of interest for thổ mới cũng như chủ đề mới: âm nhạc, di sản, thiết kế, everybody. -
The Impact of Covid-19 on the Southeast Asian Tourism Industry
THE IMPACT OF COVID-19 ON THE SOUTHEAST ASIAN TOURISM INDUSTRY THE IMPACT OF COVID-19 ON THE SOUTHEAST ASIAN WEEKLY SUMMARY TOURISM 27 SEP 2020 Hannah Pearson INDUSTRY [email protected] INTRODUCTION As a market highly dependent on both Chinese outbound tourism and the Chinese economy, Southeast Asia is a region which was heavily affected by COVID-19 even in the early months of 2020. With the declaration of a pandemic, as well as the closing of borders and imposition of lockdowns, Southeast Asia’s tourism economy will continue to be impacted for the foreseeable future. View this information online and more on our frequently updated dashboard at: https://www.pearanderson.com/coronavirus/ Sign up to be added to our weekly mailing list, with this report sent out every Sunday: https://insights.pearanderson.com/sea-covid-summary THE IMPACT OF COVID-19 ON THE SOUTHEAST ASIAN TOURISM INDUSTRY IMPACT SUMMARY Week ending Sunday 27th September 2020 INBOUND TRAVEL OUTBOUND TRAVEL COUNTRY LOCKDOWN RESTRICTIONS RESTRICTIONS CASES DEATHS Cambodia Partial Visa restrictions Discouraged 276 0 Indonesia Partial Visa restrictions Restricted 275,213 10,386 Laos None Visa restrictions Discouraged 23 0 Malaysia Partial Visa restrictions Restricted 10,919 134 Myanmar Partial Visa restrictions Discouraged 9,991 198 Philippines Partial Not permitted Not permitted 304,226 5,344 Singapore Partial Visa restrictions Restricted 57,700 27 Thailand None Visa restrictions Flight restriction 3,523 59 Vietnam Partial Visa restrictions Restricted 1,074 35 Data accurate as of 20:15 (UTC+8) on 27 Sep 2020 Partial lockdown = closure of schools or some non-essential services (e.g. -
Asian Studies
ASIAN STUDIES SPECIAL ISSUE: CONFUCIANISM IN VIETNAM Volume VIII (XXIV), Issue 2 Ljubljana 2020 Azijske_studije_2_2020_FINAL.indd 1 21.5.2020 10:44:57 ASIAN STUDIES, Volume VIII (XXIV), Issue 2, Ljubljana 2020 Editor-in-Chief: Jana S. Rošker Guest Editor: Tho Ngoc Nguyen Editor-in-Charge: Nataša Visočnik Technical Editor: Nina Kozinc Proof Readers: Rok Janežič and Paul Steed Editorial Board: Selusi Ambrogio, Bart Dessein, Luka Culiberg, Lee Hsien-Chung, Jana S. Rošker, Tea Sernelj, Nataša Vampelj Suhadolnik, Nataša Visočnik, Jan Vrhovski, Weon-Ki Yoo All articles are double blind peer-reviewed. The journal is accessable online in the Open Journal System data base: http://revije.ff.uni-lj.si/as. Published by: Znanstvena založba Filozofske fakultete Univerze v Ljubljani/Ljubljana University Press, Faculty of Arts, University of Ljubljana For: Oddelek za azijske študije/Department of Asian Studies For the publisher: Roman Kuhar, Dean of Faculty of Arts Ljubljana, 2020, First edition Number printed: 60 copies Graphic Design: Aleš Cimprič Printed by: Birografika Bori, d. o. o. Price: 10,00 EUR ISSN 2232-5131 The articles of Asian Studies are indexed/reviewed in the following databases/resources: SCOPUS, Elsevier A&I, A&HCI (Emerging Sources), WEB OF SCIENCE, COBISS.si, dLib.si, DOAJ, ERIH PLUS, ESCI, CNKI. Yearly subscription: 17 EUR Address: Filozofska fakulteta, Oddelek za azijske študije, Aškerčeva 2, 1000 Ljubljana, Slovenija tel.: +386 (0)1 24 11 450, +386 (0)24 11 444 faks: +386 (0)1 42 59 337 This journal is published with the support of the Slovenian Research Agency (ARRS). This issue has also been co-financed in the framework of the research program Asian Languages and Cultures P6-0243. -
Liên Hoan Phim Tài Liệu Châu Âu - Việt Nam Lần Thứ 7 Hà Nội 10.-19.06.2015 Tp
THE 7TH european - vietnamese DOCUMENTARY FILM FESTIVAL liên hoan phim tài liệu châu âu - việt nam lần thứ 7 Hà nội 10.-19.06.2015 tp. Hồ cHí minH 11.-20.06.2015 EUNIC, Hiệp hội các Viện văn hóa và Đại sứ quán châu Âu tại EUNIC, the association of European cultural institutes and Hà Nội, hợp tác cùng Hãng phim Tài liệu và Khoa học Trung embassies in Hanoi, is proud to present the 7th European- “A country witHout ương, hân hạnh giới thiệu Liên hoan Phim tài liệu Châu Âu - Việt Vietnamese Documentary Film Festival, in partnership with Nam lần thứ 7. Tổng Giám đốc Hãng phim - bà Phạm Thị Tuyết, the National Studio of Documentary and Science Film. Director documentAries is like A cùng với các đồng nghiệp của mình, không chỉ đứng ra cùng Ms. Pham Thi Tuyet, together with her team, is not only the fAmily witH no tổ chức Liên hoan mà còn tuyển chọn để giới thiệu trong Liên dedicated host of the festival, but prepares also the selection of hoan 9 phim tài liệu do Hãng phim sản xuất. Cùng với các phim nine films produced by the Studio. Together with the European pHoto Albums” tài liệu của châu Âu, mỗi một buổi chiếu phim sẽ là một đối films, these films create each evening a vibrant dialogue thoại sôi nổi giữa Việt Nam và châu Âu. between Europe and Vietnam. patricio Guzman, film director Lần này khuôn khổ của Liên hoan được mở rộng với sự tham The horizon of the festival has expanded: Besides eight gia lần đầu tiên của Israel, cùng với sự tham gia của tám nước European countries, Israel joins the festival for the first time. -
Yashwantrao Chavan
Yashwantrao Chavan MESSAGE The birth centenary of Shri Yashwantrao Chavan (1913 - 1984) was celebrated last year in a befitting manner by the Government of Maharashtra and the Yashwantrao Chavan Pratishthan, Mumbai. It was an acknowledgement of his stellar contribution as first Chief Minister to the making of modern Maharashtra, as a State with progressive policies and a decentralized democratic set up of administration. In November, 1962, he became the Defence Minister in the aftermath of the India-China conflict. He worked hard to restore the morale of the armed forces and to enhance his strength through modern weapons, better equipment, organisational changes and a harmonious relationship with the armed forces. The efforts paid off in the India-Pakistan conflict in 1965. Subsequently, he held the high offices of Union Home Minister, Union Finance Minister and Foreign Minister of India. In 1979, he became the Deputy Prime Minister of India. He was a freedom fighter, effective parliamentarian and an astute administrator. He was a connoisseur of fine arts, a great lover of books and an author of acknowledged literary merit. He was very fond of watching good films, plays and stage performances of folk-art. The 'Yashwant' International Film Festival is a tribute to the outstanding personay of Yashwantrao Chavan. Yashwantrao Chavan Pratishthan Presents Jointly organized by: Supported by: Government of Maharashtra President Yashwantrao Chavan Pratishthan, Mumbai Shri Sharad Pawar Foreword The Sixth Yashwant International Film Festival is being held from 22nd to 28 th January 2016 at the Chavan Centre. It is being organized by the Yashwantrao Chavan Pratishthan, Mumbai in collaboration with the Pune Film Foundation with financial support from the Government of Maharashtra. -
Vietnamese and Chinese Movies About Royalty: from Confucian Cosmology to Ecological Politics
DOI: 10.4312/as.2020.8.2.135-162 135 Vietnamese and Chinese Movies about Royalty: From Confucian Cosmology to Ecological Politics Cam-Giang HOANG* Abstract Since 2002, with the enormously successful release of the movie Hero by Zhang Yimou, we have been witnessing the resurrection of the royal theme in contemporary East Asian cinema, and the return of Confucian cosmology as its philosophical foundation. In this paper, I focus on Vietnamese films which represent royal subjects and court life, like Heroes of the Tay Son Dynasty (Tây Sơn hào kiệt; Lý Hùng, Lý Huỳnh, and Phượng Hoàng; 2010), Blood Letter (Thiên mệnh anh hùng, Victor Vũ, 2012), and Tam Cam The Untold Story (Tấm Cám chuyện chưa kể, Ngô Thanh Vân, 2016); and Chinese films, like Hero (英雄, Zhang Yimou, 2002), The Banquet (夜宴, Feng Xiaogang, 2006), and Red Cliff (赤壁, John Woo, 2008). Firstly and most importantly, my essay examines how the cosmic and environmental elements in such movies are manipulated to advocate some particular political discourse as a kind of ecological politics. From this analysis, I analyse and explain the similarities in how the filmmakers in Vietnam and China establish the ste- reotypes of power and legitimacy of authority utilizing and transforming the Confucian spiritual cosmology. I also try to clarify the difference between the two cinemas in how they express the concepts “the Unity of Heaven and Man” (tianren heyi), “Rectification of Names” (zhengming), and “Virtue of Loving Life” (haosheng) in their political impli- cations. Finally, I will discuss the layers of meaning and visual narratives by analysing the characters and social contexts of the films to reaffirm the varying degrees of influence of Confucian tradition on contemporary forms of cultural and political practices. -
Vietjet Honored the Most Favorite Airline in Vietnam 2017
BẢN TIN NHÀ ĐẦU TƯ IR NEWS Tháng 12/ 2017 DEC, 2017 EVENTS - NEWS INVESTOR RELATION VIETJET’S 10TH ANNIVERSARY VIETJET COLLECTED ITS SHAREHOLDERS’ OPINIONS REGARDING THE OF ESTABLISHMENT INCREMENT OF 2017 ESTIMATED DIVIDEND PAYOUT RATIO WELCOME TO VIETJET’S On November 29, 2017, Vietjet’s Board of Directors collected shareholders’ opinions with regards to TOMORROW WORLD the increment of 2017 estimated dividend payout ratio. If the resolution is passed, the 2017 esti- mated dividend payout ratio will increase from 50% to 60%, of which a maximum of 40% is cash dividend payment. VIETJET ATTENDED INVESMENT CONFERENCE 2017 On December 23, 2017, at the Saigon Exhibition and Convention Center, the 2017 Year End Party with the theme “Vietjet for Tomorrow World” took place successfully with the participation of more than 2,000 employees and guests. On November 21st, 2017 Vice President Nguyen Thi Thuy Binh attended the 2017 Investment Confer- ence "Business Breakthrough Businesses" organized by Nhip Cau Dau Tu magazine in Ho Chi Minh City. At the seminar, one of the most successful "breakthrough" business models in Vietnam is the "bikini airline" Vietjet. Sharing at the seminar, Vice President Nguyen Thi Thuy Binh said Vietjet also takes the lead in Vietnam's aviation industry by bringing technological applications into service. The year of 2017 marked 10-year journey of Vietjet in the quest of becoming the global leading airline. During this journey, Vietjet has created a travel trend with a global vision. Moving on to 2018, Viet- OPERATIONAL PERFORMANCE COMMERCICAL BUSINESS PERFORMANCE jet is well prepared to record new success and put one step closer to become a Global Consumer Air- line. -
Download the 35Th Fajr International Film Festival Catalogue
264 In the Name of God Download PDF version of FIFF Festival Catalogue Signs Asian premiere A.P. International premiere Int.p. National premiere N.P. How to use the app World premiere W.P. get.winkere.com Regional premiere R.P. Middle East premiere ME.P Question & Answer Q&A 3 2 1 Original Voice OV Director Of Photography DOP Catalogue of 35th Fajr International Film Festival Tehran, 21st-28th. April. 2017 Supervisor: Kayvan Kassirian Editor-in-chief: Somayeh Alipour With Special Thanks to Amir Esfandiari, Iraj Taghipour, Kamyar Mohs- enin, Ali Eftekhari, Raha Pourghassem English to Persian Translator: Lida Sadrololamayi, Hafez Rouhani, Farzad Mozafari, Ghodratollah Shafiee Persian to English Translator: Ghanbar Naderi, Ahmad Khouzani, Hos- sein Bouye Editor: Masoumeh Alipour Art Manager: Hamidreza Baydaghi Graphics: Afshin Ziaeeian Alipour, Leili Eskandarpour Print Supervisor: Mehrdad Haji Hassani Printing: Senobar The Official apps of FIFF Message of Head of Iranian Cinema Organization 4 Message of the Festival Director 5 About 34th Fajr Film Festival 7 Rules and Regulations of 35th Fajr Festival 11 Juries 15 International Competition 27 Panorama of Films from Asian and Islamic Countries 73 Festival of Festivals 119 Docs in Focus 135 Special Screenings 149 Classics Preserved 177 Korean Cinema 189 Baltic Cinema 197 Shadows of Horror 205 Broken Olive Trees 213 Enviromental Films 225 Interfaith Competition Nominees 227 Here is the Friend’s Home 229 Workshops 239 Organization 255 Index 261 Message of Head Iranian Cinema Organization Deputy Minister of Culture and Islamic Guidance and Head of Iranian Cinema Organization 4 Mohammad Mehdi Heydarian has sent the followin message to the organizers of this year’s Fajr International Film Festival. -
The Magazine of the Cuban Army’.27 the War Correspondents School Continued to Function Under Duction with Ivens in France
in this edition : By Camera and by Gun: THE Joris Ivens and the Radicalization of Latin American Filmmakers Susan Martin-Márquez Odyssey to The 17th Parallel Alex Vernon MAGAZINE Unique photos found, Nr 18 | Dec 2013 European Foundation Joris Ivens made by Young Ivens Interviews with: 26 José Venturelli and 3 Paolo Taviani Joris Ivens 38 Leonard Retel Helmrich 24 Ivens and 30 Thomas Waugh contemporary art 42 Jan de Vaal and 40 Joris Ivens in Museums the Netherlands Filmmuseum 48 A secret mecenas of Ivens December 2013 | 18 1 Talking about Ivens with a very vivid Paolo Taviani in his house in Rome, still energetic and filming at the age of 82, is MAGAZINE like talking with an Italian Titan about a Dutch Titan. Last year he and his brother Table of contents Vittorio received the Golden Bear at the 3 ‘Under the Sign of Scorpio’ Berlinale for their latest film Cesare deve Interview with Paolo Taviani morire (Ceasar Must Die, 2012), after a Alessandro Cecchi, long and successful film career. Their Maurizio Corbella collaboration with Ivens began in 1959 6 The Foundation update when they were still at the start of it. 9 Ivens in Museums (1) Ivens made only one film in Italy: L’Italia 10 By Camera and by Gun: non è un paese povero (Italy is Not a Poor Joris Ivens and the Radicalization of Country), but with the best of collabora- Latin American Filmmakers tors and an influence until today. Susan Martin-Márquez COLOPHON Staff European Foundation Joris Ivens André Stufkens, director 23 ‘A Shared Purpose…’, Europese Stichting Joris Ivens Anne Jaspers -
Examining Postwar Issues of Male Identity Crisis and Disenfranchisment in Vietnamese Films: the Wild Reed and Living in Fear
EXAMINING POSTWAR ISSUES OF MALE IDENTITY CRISIS AND DISENFRANCHISMENT IN VIETNAMESE FILMS: THE WILD REED AND LIVING IN FEAR A Thesis Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Master of Arts by Eileen Nho Vo May 2010 © 2010 Eileen Nho Vo ABSTRACT Themes of war and revolution dominated the Vietnamese film industry when it first developed during the early years of the First Indochina War (1945-54). These films glorified comradeship on the battlefield and venerated the image of heroic soldiers who sacrificed their lives and youth for the liberation and unification of the nation, which was achieved in 1975 after nearly a century of continued warfare. In the postwar period, the legacies of war continue to dominate the content of many films. Filmmakers have privileged the social plight of women as a key narrative tool to discuss the emotional wounds of war, and the trope of grieving Vietnamese women, particularly in the postwar context, has come to symbolize the sorrow and devastation of the nation in the aftermath of war. Yet, an examination of the crisis of Vietnamese male identity and the role of men in postwar society raise many interesting social and political questions about that society. The story of the postwar as told from the perspective of male protagonists in film sheds light on the mine-laden social and political landscapes through which the nation maneuvered to build a new and unified Vietnam. This thesis analyzes two films, Co Lau [The Wild Reed] (1993) and Song Trong So Hai [Living in fear] (2005), which revisit the theme of war from a nuanced angle through a critical examination of postwar issues from the perspective of male protagonists.