1960'S T.V. Shows and Movie Word Searches
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SHAMELESS Sunday I SHOWTIME PLAN QUESTIONS with YOUR +DAISY TM WEEK! HAGGARD
SEASONPREMIERE November 10th – 16th, 2019 SHAMELESS sunday I SHOWTIME PLAN QUESTIONS WITH YOUR +DAISY TM WEEK! HAGGARD DOLLY PARTON CARRIE UNDERWOOD REBA MCENTIRE BEST BETS NEWSERIES DUBLIN MURDERS Sunday ISTARZ E! PEOPLE’S CHOICE AWARDS SUNDAY IE! THE 53RD NEWSERIES KINGS OF PAIN ANNUAL TUESDAY IHISTORY NEWMINISERIES THE PREPPY MURDER: CMA DEATH IN CENTRAL PARK WEDNESDAY IAMC SEASONPREMIERE THE MAN IN THE HIGH CASTLE AWALIVE! R WEDNESDAY D S IABC FRIDAY IAMAZONPRIMEVIDEO $3.99 ORIGINALFILM CHRISTMAS UNDER THE STARS SATURDAY HALLMARKCHANNEL New rate plans, now with more minutes! Easier is better with the Jitterbug. The Jitterbug® Flip, from the creators of the original easy-to-use cell phone, has big buttons and an exclusive 5Star® Urgent Response button on the keypad. EASY TO USE Today, cell phones are hard to hear, Plansdifficult as low to dialas Plans as low as and overloaded with features you may never use. That’s not the case with the Jitterbug Flip. A large screen and big buttons$ make99 it $ 99 $ easy to call family and friends. The powerful speaker ensures every month2 conversation will be loud and clear. Plus, straightforward14 YES and NO 14 1 buttons make navigating the menu simple. 2 EASY TO ENJOY Wherever you go, a built-in cameraPlans makes as low it easyas* andPlans fun as forlow you as to capture and share your favorite memories. And a built-in reading magnifier with LED flashlight helps you see in dimly lit areas. With all the $features you99 need,$ the Jitterbug99 $ 2 2 Flip also comes with a long-lasting battery, so you won’t have14 to worrymonth about14 runningmonth out 1 of power. -
The Day Everything Stopped
20131118-NEWS--1-NAT-CCI-CL_-- 11/15/2013 2:06 PM Page 1 $2.00/NOVEMBER 18 - 24, 2013 THE JOHN F. KENNEDY ASSASSINATON: 50 YEARS LATER The day everything stopped Cleveland icons recall the ‘intangible sadness’ they felt when they first heard the grim news By JAY MILLER “I was on the air, as a matter of fact, and all [email protected] of the sudden the teletype went crazy,” re- called Bob Conrad, who was a co-owner of ot long after 1:20 p.m. on Nov. 22, WCLV-FM, then and now Cleveland’s classical 1963, workers at the May Co.’s music radio station. He went to the Associated downtown Cleveland store moved Press wire machine and ripped the story from a television set wired to an out- its roll. He rushed back to the booth and told Ndoor loudspeaker into a display window fac- listeners that the president had been shot. ing Public Square. Passersby soon were clus- “We continued what we were (playing) tered around the black-and-white glow. until we got confirmation Kennedy was Minutes earlier, President John F. dead,” Mr. Conrad said. “Then we put the Kennedy had been fatally wounded as his Mozart’s Requiem (the haunting ‘Requiem motorcade was carrying him to a speaking Mass in D Minor’) on the air.” engagement in downtown Dallas. He then canceled all commercials. For as long as the workday continued, ra- “We did that because I remembered lis- dios and televisions were turned on in of- tening to the radio when (President Franklin fices, schools and factories in Northeast D.) Roosevelt died,” he said. -
Available Videos for TRADE (Nothing Is for Sale!!) 1
Available Videos For TRADE (nothing is for sale!!) 1/2022 MOSTLY GAME SHOWS AND SITCOMS - VHS or DVD - SEE MY “WANT LIST” AFTER MY “HAVE LIST.” W/ O/C means With Original Commercials NEW EMAIL ADDRESS – [email protected] For an autographed copy of my book above, order through me at [email protected]. 1966 CBS Fall Schedule Preview 1969 CBS and NBC Fall Schedule Preview 1997 CBS Fall Schedule Preview 1969 CBS Fall Schedule Preview (not for trade) Many 60's Show Promos, mostly ABC Also, lots of Rock n Roll movies-“ROCK ROCK ROCK,” “MR. ROCK AND ROLL,” “GO JOHNNY GO,” “LET’S ROCK,” “DON’T KNOCK THE TWIST,” and more. **I ALSO COLLECT OLD 45RPM RECORDS. GOT ANY FROM THE FIFTIES & SIXTIES?** TV GUIDES & TV SITCOM COMIC BOOKS. SEE LIST OF SITCOM/TV COMIC BOOKS AT END AFTER WANT LIST. Always seeking “Dick Van Dyke Show” comic books and 1950s TV Guides. Many more. “A” ABBOTT & COSTELLO SHOW (several) (Cartoons, too) ABOUT FACES (w/o/c, Tom Kennedy, no close - that’s the SHOW with no close - Tom Kennedy, thankfully has clothes. Also 1 w/ Ben Alexander w/o/c.) ACADEMY AWARDS 1974 (***not for trade***) ACCIDENTAL FAMILY (“Making of A Vegetarian” & “Halloween’s On Us”) ACE CRAWFORD PRIVATE EYE (2 eps) ACTION FAMILY (pilot) ADAM’S RIB (2 eps - short-lived Blythe Danner/Ken Howard sitcom pilot – “Illegal Aid” and rare 4th episode “Separate Vacations” – for want list items only***) ADAM-12 (Pilot) ADDAMS FAMILY (1ST Episode, others, 2 w/o/c, DVD box set) ADVENTURE ISLAND (Aussie kid’s show) ADVENTURER ADVENTURES IN PARADISE (“Castaways”) ADVENTURES OF DANNY DEE (Kid’s Show, 30 minutes) ADVENTURES OF HIRAM HOLLIDAY (8 Episodes, 4 w/o/c “Lapidary Wheel” “Gibraltar Toad,”“ Morocco,” “Homing Pigeon,” Others without commercials - “Sea Cucumber,” “Hawaiian Hamza,” “Dancing Mouse,” & “Wrong Rembrandt”) ADVENTURES OF LUCKY PUP 1950(rare kid’s show-puppets, 15 mins) ADVENTURES OF A MODEL (Joanne Dru 1956 Desilu pilot. -
Arte El Súper Agente 86
17 de octubre.qxd 10/18/2008 09:59 p.m. Page 8 EL SIGLO DE DURANGO DOMINGO 19 8E MÉXICO DE OCTUBRE 2008 Arte NOTA RETRO En preparación para la próxima película y la salida de la CRONOLOGÍA serie completa en DVD, recordamos a la comedia de El Súper espionaje por excelencia. Don Adams Barbara Feldon como Maxwell Smart como la Agente 99 Maxwell Smart era el Barbara Feldon (1932) ya personaje principal de era famosa antes de El Súper Agente 86. integrarse al elenco de A pesar de ser un El Súper Agente 86, importante agente aunque nadie sabía secreto, la su nombre: era tele-audiencia podía conocida como la notar que no era muy sensual Agente 86 brillante, era algo torpe mujer que y a menudo ocasionaba aparecía sobre una piel tantos problemas de tigre en un como los villanos. comercial para la crema El actor encontró un anticaspa Top Brass. poco más de éxito En el 2003 escribió como actor de voz, una el libro Viviendo solo y profesión donde no feliz, un libro de debía preocuparse por auto-ayuda para ser identificado con su personas solteras papel de El Súper de todas las Agente 86. edades. Edward Platt Bernie Kopell como El Jefe como Sigfrido Edward Platt (1916-1974) Aunque el será por siempre presidente de la agencia recordado como enemiga de Control, El Jefe en El Súper KAOS, sólo apareció Agente 86, pero ya en el episodio tenía dos décadas piloto, el némesis laborando en el mundo de Maxwell Smart en la del espectáculo antes mayoría de los episodios de tomar ese papel. -
Guide to the Smothers Brothers Collection
Guide to the Smothers Brothers Collection NMAH.AC.1437 Vanessa Broussard-Simmons Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Scope and Contents........................................................................................................ 2 Arrangement..................................................................................................................... 2 Names and Subjects ...................................................................................................... 2 Container Listing ............................................................................................................. 4 Series 1: Photographic Materials, 1961-2007, undated........................................... 4 Series 2: Business Records, 1959-2002, undated................................................. 16 Series 3: Personal Papers, 1966-2008, undated................................................... 25 Smothers Brothers Collection NMAH.AC.1437 Collection Overview Repository: Archives Center, National Museum of American History Title: Smothers Brothers Collection Identifier: NMAH.AC.1437 Date: 1959-2008, undated Creator: Smothers -
1001 Classic Commercials 3 DVDS
1001 classic commercials 3 DVDS. 16 horas de publicidad americana de los años 50, 60 y 70, clasificada por sectores. En total, 1001 spots. A continuación, una relación de los spots que puedes disfrutar: FOOD (191) BEVERAGES (47) 1. Coca-Cola: Arnold Palmer, Willie Mays, etc. (1960s) 2. Coca-Cola: Mary Ann Lynch - Stewardess (1960s) 3. Coca-Cola: 7 cents off – Animated (1960s) 4. Coca-Cola: 7 cents off – Animated (1960s) 5. Coca-Cola: “Everybody Need a Little Sunshine” (1960s) 6. Coca-Cola: Fortunes Jingle (1960s) 7. Coca-Cola: Take 5 – Animated (1960s) 8. Pet Milk: Mother and Child (1960s) 9. 7UP: Wet and Wild (1960s) 10. 7UP: Fresh Up Freddie – Animated (1960s) 11. 7UP: Peter Max-ish (1960s) 12. 7UP: Roller Coaster (1960s) 13. Kool Aid: Bugs Bunny and the Monkees (1967) 14. Kool Aid: Bugs Bunny and Elmer Fudd Winter Sports (1965) 15. Kool Aid: Mom and kids in backyard singing (1950s) 16. Shasta Orange: Frankenstein parody Narrated by Tom Bosley and starring John Feidler (1960s) 17. Shasta Cola: R. Crumb-ish animation – Narrated by Tom Bosley (1960s) 18. Shasta Cherry Cola: Car Crash (1960s) 19. Nestle’s Quick: Jimmy Nelson, Farfel & Danny O’Day (1950s) 20. Tang: Bugs Bunny & Daffy Duck Shooting Gallery (1960s) 21. Gallo Wine: Grenache Rose (1960s) 22. Tea Council: Ed Roberts (1950s) 23. Evaporated Milk: Ed & Helen Prentiss (1950s) 24. Prune Juice: Olan Soule (1960s) 25. Carnation Instant Breakfast: Outer Space (1960s) 26. Carnation Instant Breakfast: “Really Good Days!” (1960s) 27. Carnation: “Annie Oakley” 28. Carnation: Animated on the Farm (1960s) 29. Carnation: Fresh From the Dairy (1960s) 30. -
1968-May.Pdf
-.. -4 --,- - ANOK - mw~ AE OooWN 40_ f .A l -- -_ - _-; - I, " -, - 4--':.LL-9jL - ~·~:o~~_·r+·T~R ~ ~~~ __ - ~.,, ~~~-- L_-··-__et_r4- · ,---- 7,~ -;ami: is as Ad~,~4'f~ - rW.-. .r9 a :cr mok,~~~~~~~c. --.z-.TB 3A1aW ,5l.11 I -. -1 i" \.J . ., t ' q:i t gI~ 1wDn'' fI 1 it U 0 C IA R E TT s 20 - =l~awlaqlk j Oh b vd guideIF VOO DOO may, 1968 =·\ Transformer Wesley Mo ore Attenuator Jim Tagga rt University Insuranc Commercial Gary Blau Generator Ed "The H ick" Salzburg Agency, Inc. Screw-Up John Jurewicz BoYL5ToN ST. W5sToN Antenna Rich Rosen (oYP? PRUDENTYL CENTER) Resistor Raisa Berlin Video Valve Mike Brom berg Autonobile and Motoreycle Triode Scotly Rho( es Insutrance Ionisphere Charles Deber, Ph.D., Hs. C. Sybsystem Art Polansl :y Noise Generator Mark Mariinch Ghosts Alan Chapi nan ALL RISKS ACCEPTED FOR LIABILITY, Flicks Finder and Lavin FIRE/THEFT AND COLLISION COVERAGE Nielsen Trv Simnn-'Steve Gallant Static Harold Federow Phosphor PhosphorusS "FOR PERSONAL SERVICE, CALL ON VooDoo is published 9 times ayear(Oct. thru May, and US AT THE UNIVERSITY" in August) by the VooDoo Managing Board, 84 Massa- TELEPHONE: 536 - 9555 chusetts Avenue, Cambridge, Massachusetts, 02139; en- tered as Second Class Mail at the Boston Post Office, I i , ' ;L ·r 111~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ _ Year subscription Three Dollars. Volume 51, Number 8, --Z - L-C May, 1968. Thank God. ON V. D. GUIDE'S COVER THIS WEEK ... rFF Shown on V.D. Guide's cover this week are the rising new stars Connie Linkes and Rod Fellas, hard at work on their new show, "Annie, Gotcha 'Gain" premiering &PIZZAthis week on Channel 69, Tuesdays at 8:30. -
Acting in the Academy
Acting in the Academy There are over 150 BFA and MFA acting programs in the US today, nearly all of which claim to prepare students for theatre careers. Peter Zazzali contends that these curricula represent an ethos that is outdated and limited given today’s shrinking job market for stage actors. Acting in the Academy traces the history of actor training in universities to make the case for a move beyond standard courses in voice and speech, move- ment, or performance, to develop an entrepreneurial model that motivates and encourages students to create their own employment opportunities. This book answers questions such as: • How has the League of Professional Theatre Training Programs shaped actor training in the US? • How have training programs and the acting profession developed in relation to one another? • What impact have these developments had on American acting as an art form? Acting in the Academy calls for a reconceptualization of actor training in the US, and looks to newly empower students of performance with a fresh, original perspective on their professional development. Peter Zazzali is Assistant Professor of Theatre at the University of Kansas. John Houseman and members of Group I at Juilliard in the spring of 1972 reading positive reviews of the Acting Company’s inaugural season. Kevin Kline is seated behind Houseman. Photo by Raimondo Borea; Courtesy of the Juilliard School Archives. Acting in the Academy The history of professional actor training in US higher education Peter Zazzali First published 2016 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN and by Routledge 711 Third Avenue, New York, NY 10017 Routledge is an imprint of the Taylor & Francis Group, an informa business © 2016 Peter Zazzali The right of Peter Zazzali to be identifi ed as author of this work has been asserted by him in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988. -
How the Summer of the Spinoff Came to Be: the Branding of Characters in American Mass Media
Loyola of Los Angeles Entertainment Law Review Volume 23 Number 2 Article 3 1-1-2003 How the Summer of the Spinoff Came to Be: The Branding of Characters in American Mass Media Benjamin A. Goldberger Follow this and additional works at: https://digitalcommons.lmu.edu/elr Part of the Law Commons Recommended Citation Benjamin A. Goldberger, How the Summer of the Spinoff Came to Be: The Branding of Characters in American Mass Media, 23 Loy. L.A. Ent. L. Rev. 301 (2003). Available at: https://digitalcommons.lmu.edu/elr/vol23/iss2/3 This Article is brought to you for free and open access by the Law Reviews at Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in Loyola of Los Angeles Entertainment Law Review by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact [email protected]. HOW THE "SUMMER OF THE SPINOFF" CAME TO BE: THE BRANDING OF CHARACTERS IN AMERICAN MASS MEDIA Benjamin A. Goldberger* I. INTRODUCTION "If in past summers Hollywood seemed to surrender its creative soul to the making of sequels, prequels, spinoffs, remakes and franchise films based on comic books, television series or video games, take a deep breath and prepare for the summer of 2002."1 With these words, the New York Times' Rick Lyman dubbed this past summer "the summer of the spinoff."2 Although it is most apparent in the movie theater, mass media art of all types in the United States is becoming increasingly derivative. -
We Remember Them
We Remember Them september 2019 yale university We Remember Them Included in these pages are remembrances written about our First Women classmates who have died since we arrived at Yale in September 1969. Reading about the lives they lived and the people and communities they touched is humbling. Remembering shared experiences from our days together at Yale and in the years after is bittersweet. Life is short, and we do not have much time to gladden the hearts of those who make the journey with us. So be swift to love and make haste to be kind. Jane Curtis ’73 by Lawrie Mifflin ’73 Jane had a wonderful smile, one that stretched into almost- dimples and made you eager to conspire with her. She first flashed it my way when we were 18, in the summer of 1969, at a fancy Philadelphia Yale Club reception for students newly admitted to Yale. Jane and I might have been the only girls in the room; I can’t remember. But I do remember we had two things in common—we were both Quakers, and we both loved to play field hockey—and we felt relieved to know that when we got to New Haven and Vanderbilt Hall, at least we’d have one sure friend. Little did we know that our field hockey bond would lead us to make Yale history. When we tried to find out how to join the Yale team, we learned there wasn’t one. Nor were there any teams, or even plans for teams, in any sport for women. -
HERRMANN MUSIC in HAVE GUN WILL TRAVEL and OTHER CLASSIC CBS TELEVISION SERIES by Bill Wrobel
HERRMANN MUSIC IN HAVE GUN WILL TRAVEL AND OTHER CLASSIC CBS TELEVISION SERIES By Bill Wrobel [April 2006 1st draft but some material added June 13, 2007 for Rawhide & Perry Mason] Have you ever watched the old classic CBS series such as Have Gun Will Travel, Gunsmoke, Rawhide, Perry Mason, and Twilight Zone and ever wondered how much of Bernard Herrmann’s music you heard in various episodes? I remember when I was seven years old and watched Paladin on Saturday nights for its first season run. While I was still not cognizant at the time of whom Bernard Herrmann was by name, I recall the excitement I felt watching the show (westerns were big, so to speak, or very popular at that general period on American television). I particularly liked Paladin, and then Matt Dillon (Gunsmoke). I also associated the CBS series with pleasure because of the music heard. I did not know Herrmann’s name because no credits were given at the end of the episodes (since the music was a collection of so-called “stock music” cues from various composers edited into each episode). But even back at that young age I felt drawn to the music. Let’s focus first on the Have Gun Will Travel series since the first three seasons (as I write this paper) are now available on dvd. Now: Bernard Herrmann did indeed write an original score for the pilot episode of Have Gun Will Travel starring Richard Boone perfectly cast as Paladin (although I heard, true or not, that Randolph Scott was first offered the role). -
Get Smart Talent: Steve Carell, Anne Hathaway
Get Smart Talent: Steve Carell, Anne Hathaway, Alan Arkin, Terence Stamp, Dwayne Johnson (The Rock), Ken Davitian, James Caan. Date of review: Thursday 26th June, 2008 Director: Peter Segal Classification: PG Running time: 110 minutes We rate it: Four and a half stars. Like many people who mis-spent their youth watching too much television, I can remember a golden age of American TV comedy: it was characterised, for me, by the mid-1960s series created by Mel Brooks and Buck Henry, Get Smart. Born as a sort of comedic reaction to some of the more serious cold-war thrillers like Fail Safe and its Seven Days in May, Get Smart reduced the espionage landscape to an ongoing battle for supremacy between two shadowy spy agencies: the bad guys, K.A.O.S., and the good guys, CONTROL. Headed up by bungling spy-hero Maxwell Smart (who was of course anything but), and his wiser and far more competent “side-kick”, Agent 99, the CONTROL agency routinely foiled plots to explode bombs, assassinate Presidents, and generally destroy the balance of good and evil. Brooks and Henry created a series that is now legendary for its cheesy but still laugh- out-loud humour, which was given life by a game cast and a series of running gags that are now the stuff of TV folklore. Phrases like “Missed it by THAT much,” and “The old dart-gun in the fountain-pen trick” still have me rolling about laughing whenever they’re delivered, which many of my contemporaries find somewhat sad, I must admit.