The Divine Liturgy with NOTES for SERVING
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A Liturgy for the Church
Western Washington University Western CEDAR WWU Honors Program Senior Projects WWU Graduate and Undergraduate Scholarship Spring 2003 The Work of the People: A Liturgy for the Church Taylor Swedberg Western Washington University Follow this and additional works at: https://cedar.wwu.edu/wwu_honors Part of the Liturgy and Worship Commons Recommended Citation Swedberg, Taylor, "The Work of the People: A Liturgy for the Church" (2003). WWU Honors Program Senior Projects. 337. https://cedar.wwu.edu/wwu_honors/337 This Project is brought to you for free and open access by the WWU Graduate and Undergraduate Scholarship at Western CEDAR. It has been accepted for inclusion in WWU Honors Program Senior Projects by an authorized administrator of Western CEDAR. For more information, please contact [email protected]. The Wark of the People A Liturgy for the Church By Taylor Swedberg Dr. Tom Moore, Advisor June 3, 2003 :n~WESTERN - WASHINGTON UNIVERSITY An equal opportunity w1iversity Honors Program Bellingham, Washington 98225-9089 (360)650-3034 Fax (360) 650-7305 HONORS THESIS In presenting this Honors paper in partial requirements for a bachelor's degree at Western Washington University, I agree that the library shall make its copies freely available for inspection. I further agree that extensive copying of this thesis is allowable only for scholarly purposes. It is understood that any publication of this thesis for commercial purposes or for financial gain shall not be allowed without my written permission. Signature Date b ~3 - 03 Literally, the word "liturgy" means "the work of the people." It is a word commonly used to describe the organization of how to celebrate the Eucharist. -
The Tradition of the Female Deacon in the Eastern Churches
The Tradition of the Female Deacon in the Eastern Churches Valerie Karras, Th.D., Ph.D. and Caren Stayer, Ph.D. St. Phoebe Center Conference on “Women and Diaconal Ministry in the Orthodox Church: Past, Present, and Future” Union Theological Seminary, New York, NY December 6, 2014 PURPOSE OF HISTORY SESSION • To briefly review the scholarship on the history of the deaconess, both East and West • To lay the groundwork for discussions later in the day about the present and future • To familiarize everyone with material you can take with you • Book list; book sales • We ask you to share and discuss this historical material with others in your parish TIMELINE—REJUVENATION FROM PATRISTIC PERIOD (4TH -7TH C.) • Apostolic period (AD 60-80): Letters of Paul (Rom 16:1 re Phoebe) • Subapostolic period (late 1st/early 2nd c.): deutero-Pauline epistles (I Tim. 3), letter of Trajan to Pliny the Younger • Byzantine period (330-1453) − comparable to Early, High, and Late Middle Ages plus early Renaissance in Western Europe • Early church manuals (Didascalia Apostolorum, late 3rd/early 4th c.; Testamentum Domini, c.350; Apostolic Constitutions, c.370, Syriac) • 325-787: Seven Ecumenical Councils • Saints’ lives, church calendars, typika (monastic rules), homilies, grave inscriptions, letters • 988: conversion of Vladimir and the Rus’ • 12th c. or earlier: office of deaconess in Byz. church fell into disuse • Early modern period in America • 1768: first group of Greek Orthodox arrives in what is now Florida • 1794: first formal Russian Orthodox mission arrives in what is now Alaska BYZANTINE EMPIRE AND FIVE PATRIARCHATES CIRCA 565 A.D. -
Behold the Lamb of God; He Joins His Hands and Behold Him That Taketh Away the Sins of the World
158 143 At High Mass the priest opens the taber- Body and Blood from all mine iniquities, nd although we He uncovers the chalice, genuflects, nacle and removes the ciborium contain- and from every evil: and make me ever be unworthy, With and takes the Host between the ing the Reserved Sacrament, placing it cleave unto thy commandments, and suf- A thumb and forefinger of his right on the corporal. Then, he says this prayer fer me never to be separated from thee: hands extended as before, hand: and holding the chalice with silently: Who with the same God the Father and through our manifold sins, his left, he signs with the Host three O Lord Jesu Christ, Son of the living the Holy Ghost, livest and reignest God, times from lip to lip of the chalice, God, who by the will of the Father, and world without end. Amen. to offer unto thee any sac- saying: the cooperation of the Holy Ghost, hast through thy death given life unto the I will receive the Bread of Heaven, and rifice; yet we beseech thee world: deliver me by this thy most sacred call upon the name of the Lord. to accept this our bound- en duty and service; not y wh om, and with When the deacon and subdeacon have returned to the altar, they genuflect with the weighing our merits, but priest, who invites the communicants to receive the Blessed Sacrament, saying: wh om, in the u nity pardoning our offences. Bof the Holy Ghost, With the Behold the Lamb of God; He joins his hands and Host itself he signs twice behold him that taketh away the sins of the world. -
UNIVERSITY of CALIFORNIA Los Angeles Byzantine Liturgy and The
UNIVERSITY OF CALIFORNIA Los Angeles Byzantine Liturgy and the Primary Chronicle A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Slavic Languages and Literatures by Sean Delaine Griffin 2014 ABSTRACT OF THE DISSERTATION Byzantine Liturgy and the Primary Chronicle by Sean Delaine Griffin Doctor of Philosophy in Slavic Languages and Literatures University of California, Los Angeles, 2014 Professor Gail Lenhoff, Chair The monastic chroniclers of medieval Rus’ lived in a liturgical world. Morning, evening and night they prayed the “divine services” of the Byzantine Church, and this study is the first to examine how these rituals shaped the way they wrote and compiled the Povest’ vremennykh let (Primary Chronicle, ca. 12th century), the earliest surviving East Slavic historical record. My principal argument is that several foundational accounts of East Slavic history—including the tales of the baptism of Princess Ol’ga and her burial, Prince Vladimir’s conversion, the mass baptism of Rus’, and the martyrdom of Princes Boris and Gleb—have their source in the feasts of the liturgical year. The liturgy of the Eastern Church proclaimed a distinctively Byzantine myth of Christian origins: a sacred narrative about the conversion of the Roman Empire, the glorification of the emperor Constantine and empress Helen, and the victory of Christianity over paganism. In the decades following the conversion of Rus’, the chroniclers in Kiev learned these narratives from the church services and patterned their own tales of Christianization after them. The ii result was a myth of Christian origins for Rus’—a myth promulgated even today by the Russian Orthodox Church—that reproduced the myth of Christian origins for the Eastern Roman Empire articulated in the Byzantine rite. -
THO 3347 (H 2015) – Glossary of Terms
THO 3347 (H 2015) – Glossary of Terms Akathist Literally, “not standing.” A hymn dedicated to our Lord, the Theotokos, a saint, or a holy event. Aposticha The stichera sung with psalm verses at the end of Vespers and Matins. These differ from the stichera at Psalm 140 (Vespers) and at the Praise Psalms (Matins), which are sung with fixed psalms, in that the psalm verses used (pripivs) vary with the day or feast, and do not end the singing of the whole psalm. See also stichery na stichovnych. Archieratikon Тhе book containing texts and rubrics for the solemn Hierarchical (a.k.a. Pontifical) Divine Liturgy. The Archieratikon also contains the sacrament of Ноlу Orders and special blessings and consecrations. Canon A system of nine odes (the Second Ode is sung only during Great Lent) sung at Matins after Psalm 50 and before the Praises. Each ode is connected traditionally with a scriptural canticle (see below for the nine scriptural canticles) and consists of an Irmos, a variable number of troparia and, on feasts, a katavasia. After the Third Ode a sidalen is usually sung, and after the Sixth Ode a kontakion and ikos, and after the Ninth Ode, the Svitelen is sung. The Canon has its own system of eight tones. Domatikon A theotokion sung after “Now…” (or “Glory… Now…”) at the end of Psalms 140, 141, 129, and 116 at Vespers on Friday and Saturday evenings, and on the eve of a Polyeleos saint or saints with a vigil in the same tone as the last sticheron of the saint (at “Glory…”). -
Annual Palm Sunday Seafood Dinner 6:30 P.M
Saint John the Baptist Orthodox Church, Rochester NY Great Lent, Holy Week, PASCHA: 2017 Schedule of Services First Week of Great Lent: Orthodoxy 27 February (Monday) 6:30 p.m. Compline & Canon of St. Andrew of Crete 28 February (Tuesday) 6:30 p.m. Compline & Canon of St. Andrew of Crete 1 March (Wednesday) 7:15 a.m. Daily Lenten Matins 6:30 p.m. Liturgy of the Pre-Sanctified Gifts 2 March (Thursday) 6:30 p.m. Compline & Canon of St. Andrew of Crete 3 March (Friday) 12:15 p.m. Akathist: To the Divine Passion of Christ 5:15 p.m. Akathist: In Preparation for Holy Communion 4 March (Saturday) 5:00 p.m. Great Vespers; General Confession 5 March (Sunday) 10:00 a.m. Divine Liturgy of Saint Basil the Great 5:00 p.m. Sunday of Orthodoxy Vespers ~ Annunciation Greek Orthodox Church Second Week of Great Lent: Saint Gregory Palamas 8 March (Wednesday) 7:15 a.m. Daily Lenten Matins 6:30 p.m. Liturgy of the Pre-Sanctified Gifts 10 March (Friday) 12:15 p.m. Akathist: In Preparation for Holy Communion 5:15 p.m. Akathist: To the Divine Passion of Christ 11 March (Saturday) 4:30 p.m. Panikheda (memorial) for the departed 5:00 p.m. Great Vespers; individual confessions 12 March (Sunday) 10:00 a.m. Divine Liturgy of Saint Basil the Great Third Week of Great Lent: The Veneration of the Cross 15 March (Wednesday) 7:15 a.m. Daily Lenten Matins 6:30 p.m. Liturgy of the Pre-Sanctified Gifts 17 March (Friday) 12:15 p.m. -
The Office of Vespers
THE PATRIARCHAL ORTHODOX CHURCH OF ROMANIA ARCHDIOCESE OF WESTERN EUROPE THE OFFICE OF VESPERS TYPIKON ( With Litiya & Artoklasia Service ) ? The priest vests with the epitrachelion in the sanctuary. He opens the curtain and the Royal Doors Standing before the holy table facing East, he blesses himself saying loudly : Priest Blessed is Our God, always, Now and Forever, and to the Ages of Ages. + Choir Amen. Glory to Thee our God, Glory to Thee. The Choir Leader begins the Trisagion Prayers. The priest closes the Holy Doors and curtain Choir Come let us worship and bow down before God our King ( + metanie ) Come let us worship and bow down before Christ, our King and God ( + metanie ) Come let us worship and bow down before Christ himself, our King, and our God ( + metanie ) O Heavenly King, the Paraclete, the Spirit of Truth, who are present everywhere filling all things, Treasury of good things, and Giver of Life, come and dwell in us, cleanse us of every stain, and save our souls, O Good One. + Holy God, Holy Mighty, Holy Immortal, Have mercy on us ( three times) + Glory to the Father, and to the Son, and to the Holy Spirit, Now, and forever, and to the Ages of Ages, Amen. All Holy Trinity have mercy on us. Lord forgive us our sins. Master pardon our transgressions. Holy One, visit and heal our infirmities for your name’s sake. Lord have mercy, Lord have mercy, Lord have mercy. + Glory to the Father, and to the Son, and to the Holy Spirit Now, and forever, and to the Ages of Ages, Amen. -
June 09, 2020 Rev. Father, Hon. President, & Est. Members of the Community Council, Churches of the Greek Orthodox Archdioc
June 09, 2020 Rev. Father, Hon. President, & Est. Members of the Community Council, Churches of the Greek Orthodox Archdiocese of Canada In Ontario Beloved in Christ, Plan for the Reopening of the Churches 1. Church leaders are responsible for the implementation and adherence to all health regulations issued by each Province. If any particular parish feels that they are not ready to implement the following guidelines immediately, they can postpone re-opening for up to a week. 2. All those in high risk groups are strongly urged to stay home in accordance with government guidelines. 3. Each Church according to its area should determine how many people it can safely host per service, while maintaining government guidelines (2 m social distancing and 30% capacity). 4. There should be more services during the week to accommodate all the faithful, or more than one (1) service will be done daily so people can attend and maintain social distancing. 5. Only one chanter per chanting station (analogion) is permitted. 6. Up to five (5) altar boys per service are permitted (depending on size of altar area) and only one sexton. 7. When full capacity of 30% is reached, no parishioners will be allowed into the Church. Additional people are free to wait outside until the end of Liturgy, maintaining social distance. Please note that Church halls can be used for additional seating, provided they do not surpass 30% of the hall’s occupancy and still maintain social distancing. When Liturgy concludes clergy have 2 options: a) After the first group exits the Church, those waiting outside may be allowed in to receive Holy Communion or b) If they are too many people, clergy can consider, or even plan beforehand, to have additional services the same day. -
A Comparison of the Two Forms of the Roman Rite
A Comparison of the Two Forms of the Roman Rite Mass Structures Orientation Language The purpose of this presentation is to prepare you for what will very likely be your first Traditional Latin Mass (TLM). This is officially named “The Extraordinary Form of the Roman Rite.” We will try to do that by comparing it to what you already know - the Novus Ordo Missae (NOM). This is officially named “The Ordinary Form of the Roman Rite.” In “Mass Structures” we will look at differences in form. While the TLM really has only one structure, the NOM has many options. As we shall see, it has so many in fact, that it is virtually impossible for the person in the pew to determine whether the priest actually performs one of the many variations according to the rubrics (rules) for celebrating the NOM. Then, we will briefly examine the two most obvious differences in the performance of the Mass - the orientation of the priest (and people) and the language used. The orientation of the priest in the TLM is towards the altar. In this position, he is facing the same direction as the people, liturgical “east” and, in a traditional church, they are both looking at the tabernacle and/or crucifix in the center of the altar. The language of the TLM is, of course, Latin. It has been Latin since before the year 400. The NOM was written in Latin but is usually performed in the language of the immediate location - the vernacular. [email protected] 1 Mass Structure: Novus Ordo Missae Eucharistic Prayer Baptism I: A,B,C,D Renewal Eucharistic Prayer II: A,B,C,D Liturgy of Greeting: Penitential Concluding Dismissal: the Word: A,B,C Rite: A,B,C Eucharistic Prayer Rite: A,B,C A,B,C Year 1,2,3 III: A,B,C,D Eucharistic Prayer IV: A,B,C,D 3 x 4 x 3 x 16 x 3 x 3 = 5184 variations (not counting omissions) Or ~ 100 Years of Sundays This is the Mass that most of you attend. -
Singing the Prostopinije Samohlasen Tones in English: a Tutorial
Singing the Prostopinije Samohlasen Tones in English: A Tutorial Metropolitan Cantor Institute Byzantine Catholic Metropolia of Pittsburgh 2006 The Prostopinije Samohlasen Melodies in English For many years, congregational singing at Vespers, Matins and the Divine Liturgy has been an important element in the Eastern Catholic and Orthodox churches of Southwestern Ukraine and the Carpathian mountain region. These notes describes one of the sets of melodies used in this singing, and how it is adapted for use in English- language parishes of the Byzantine Catholic Church in the United States. I. Responsorial Psalmody In the liturgy of the Byzantine Rite, certain psalms are sung “straight through” – that is, the verses of the psalm(s) are sung in sequence, with each psalm or group of psalms followed by a doxology (“Glory to the Father, and to the Son…”). For these psalms, the prostopinije chant uses simple recitative melodies called psalm tones. These melodies are easily applied to any text, allowing the congregation to sing the psalms from books containing only the psalm texts themselves. At certain points in the services, psalms or parts of psalms are sung with a response after each verse. These responses add variety to the service, provide a Christian “pointing” to the psalms, and allow those parts of the service to be adapted to the particular hour, day or feast being celebrated. The responses can be either fixed (one refrain used for all verses) or variable (changing from one verse to the next). Psalms with Fixed Responses An example of a psalm with a fixed response is the singing of Psalm 134 at Matins (a portion of the hymn called the Polyeleos): V. -
Semiotics and Symbolism in the Orthodox Church Architecture
Special Issue INTERNATIONAL JOURNAL OF HUMANITIES AND August 2016 CULTURAL STUDIES ISSN 2356-5926 Semiotics and Symbolism in the Orthodox Church Architecture Liliya R. Akhmetova Kazan Federal University, Institute of Philology and Intercultural Communication named after Leo Tolstoy, Tatarstan Str.2, Kazan, Tatarstan, Russia Elmira U. Abdulkadyrova Kazan Federal University, Institute of Philology and Intercultural Communication named after Leo Tolstoy, Tatarstan Str.2, Kazan, Tatarstan, Russia Irina M. Maiorova Kazan Federal University, Institute of Philology and Intercultural Communication named after Leo Tolstoy, Tatarstan Str.2, Kazan, Tatarstan, Russia Abstract The movement on restoration of the temples destroyed in Soviet period has begun from below, later local authorities became involved and, at last, the state program on restoration of temples has been adopted. There is a process of returning to the roots, to traditions: not only Orthodox churches, but also Catholic, Buddhist, as well as mosques are being restored. Each temple embodies religious idea in the architecture. Each architectural element comprises a certain symbol. The symbolics in architecture of an Orthodox church is difficult and many- sided. It expresses what directly cannot be represented - it is the terrestrial embodiment of the heavenly, spiritual, non hand-made, sacral. Unlike Catholic temples built according to the art style dominating during construction the Orthodox churches are built according to Orthodoxy symbolics. Thus, each element of an Orthodox church bears some information on the one the temple is devoted to, on some lines of the Orthodoxy and on many other aspects. The architecture as any other art form, has its own language - it is the language of architectural forms. -
Blessing of New Priestly Vestments
The Blessing of New Priestly Vestments Holy Trinity Orthodox Church Willimantic, Connecticut At table, is set and placed before the Ambon, the new Vestments. For the sanctification, the Priest, vested in Epitrachelion and Phelonion, proceeds through the Holy Doors with the censer. Having censed the vestments, he begins: Priest: Blessed is our God, always, now and ever, and unto ages of ages. Reader: Behold, how good and pleasant it is when brothers dwell in unity. It is like the myrrh upon the head, that runs down upon the beard, the beard of Aaron, that runs down the collar of his robe. It is like the dew of Hermon that descends upon the Mountains of Zion; for there the Lord commands the blessing, life for evermore. Glory … now and ever. Alleluia (3x). Priest: Let us pray to the Lord. Choir: Lord, have mercy. Priest: O Lord God Almighty, who sets in motion from the beginning all that is profitable for the human race; Who willed that temples should be erected to Thy holy Name by hands of men, and that these should be consecrated to Thy glory, and that these places should be called the abode of Thy glory; Who through Thy servant Moses commanded that the vestments of the high priest, the priests and the Levites, and other various adornments should be made for the magnificence and beauty of Thy sanctuary and altar: Do Thou hearken now mercifully unto our supplication and bless, purify and sanctify these Vestments (Epitrachelion, Belt, Cuffs, Phelonion) in honor of, and to the glory of Thy most-holy Name, for the adornment and splendor of