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Italian Renaissance Cultural Connections 1-800-724-TRIP Group Tours Incorporated Specializing in customized group tours Italian Renaissance Featuring Venice, Florence, Tuscany, Rome & Sorrento 10 Days / 9 Nights $3,495-$3,995 Price Varies with Group Size and Travel Dates Florence, Italy Roman Colosseum Day 1 Departure Day 7 Old Rome Tour & Colosseum Assemble with your group and depart on your overnight, Today is reserved for walking tour of Old Rome, featuring trans-Atlantic flight to Milan, Italy. the famous sights, including the Spanish Steps, the Day 2 Milan Arrival, Verona & Venice Pantheon, and the Trevi Fountain. Conclude your tour in On arrival, meet your tour director and motorcoach, and Piazza Navona where you will have time to enjoy the street then transfer to Venice, stopping en route in Verona, the performers and artists. This afternoon, visit the Colosseum home of Romeo & Juliet, where you will have time to get and Roman Forum, the most important landmarks of ancient lunch and see the famous amphitheater. Arrive in Mestre Rome. Dinner and overnight in Rome. this afternoon, check into your hotel, and have time to rest Day 8 Vatican City and get settled. Tonight, enjoy a special welcome dinner Today is reserved for a guided tour of the Vatican, the with your group. Overnight in Venice-Mestre. center of the Roman Catholic Church. Your visit will Day 3 Venice Tour & Florence include St. Peter’s Square and Basilica, the Vatican Palace, After breakfast at your hotel, transfer into central Venice the Vatican Museum, and Michelangelo’s amazing Sistine for a guided walking tour, featuring St. Mark’s Square & Chapel. Dinner and overnight in Rome. Basilica, the Ponte de Rialto and Palazzo Ducale. Enjoy Day 9 Free Day & Illuminations Tour some free time this afternoon for shopping or an optional Today is a free day for group or individual activities. gondola ride! Dinner and overnight in Venice. Options include shopping on the Via del Corso, or visiting Day 4 Florence Tour & Accademia one of the many museums. Tonight is reserved for a special This morning, transfer to Florence and enjoy a walking farewell dinner with your group followed by a nighttime orientation tour featuring visits to the Duomo and the illuminations tour of the city to see the famous monuments Church of San Lorenzo. Also visit the Galleria dell’ lit up at night! Final overnight in Rome. Accademia to see Michelangelo’s famous David. This Day 10 Return evening, visit Piazelle Michelangelo for a beautiful view of Transfer to the Rome airport for your return, trans- the Red Roofs of Florence at sunset, followed by a typical Atlantic flight to the U.S. pizzeria dinner! Overnight in Florence. Day 5 Siena & San Gimignano Venetian After free time in Florence for individual shopping and Canals visiting markets, check out and depart for visits to walled town of San Gimignano and the medieval Tuscan town of Siena. Enjoy a guided tour of Siena, a town surrounded by well-preserved walls and filled with fine examples of Gothic architecture, most notably the Cathedral and Piazza del Campo. Dinner and overnight in Siena. Day 6 Rome Arrival & Illuminations Tour Transfer to Rome this morning and enjoy guided orientation tour of the ‘Eternal City’, including highlights such as the Piazza del Popolo, Piazza Venezia with its monument to Victor Emmanuel, the Colosseum, and Capitoline Hill, seat of the ancient Roman government and Sample Tour Itinerary birthplace of much of Western Civilization. Check into Customize for your group, your preferences, your hotel have some time to get settled before dinner your budget, your timeline! with your group, Overnight in Rome. ● 668 Phillips Rd, Victor NY 14564 ● TEL 1-800-724-TRIP ● www.grouptoursinc.com ● .
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    chapter 5 Art Art offers a glimpse at a different world than that which the written narratives of early Rome provide. Although the producers (or rather, the patrons) of both types of work may fall into the same class, the educated elite, the audience of the two is not the same. Written histories and antiquarian works were pro- duced for the consumption of the educated; monuments, provided that they were public, were to be viewed by all. The narrative changes required by dyadic rivalry are rarely depicted through visual language.1 This absence suggests that the visual narratives had a different purpose than written accounts. To avoid confusion between dyadic rivals and other types of doubles, I con- fine myself to depictions of known stories, which in practice limits my inves- tigation to Romulus and Remus.2 Most artistic material depicting the twins comes from the Augustan era, and is more complimentary than the literary narratives. In this chapter, I examine mainly public imagery, commissioned by the same elite who read the histories of the city. As a result, there can be no question of ignorance of this narrative trope; however, Roman monuments are aimed at a different and wider audience. They stress the miraculous salvation of the twins, rather than their later adventures. The pictorial language of the Republic was more interested in the promo- tion of the city and its elite members than problematizing their competition. The differentiation between artistic versions produced for an external audi- ence and the written narratives for an internal audience is similar to the dis- tinction made in Propertius between the inhabitants’ knowledge of the Parilia and the archaizing gloss shown to visitors.
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  • Robert Venturi & Denise Scott Brown. Architecture As Signs and Systems
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