JOHN GOODWIN Beauty and Prosthetics Make up IATSE Local #706

Total Page:16

File Type:pdf, Size:1020Kb

JOHN GOODWIN Beauty and Prosthetics Make up IATSE Local #706 Screen Talent Agency 818 206 0144 JOHN GOODWIN Beauty and Prosthetics Make up IATSE local #706 John Goodwin has over 20 years of experience in make up. Apprenticing at the Universal Studios make-up department, Goodwin also took time to study with the likes of William Tuttle and Bob Schiffer to get a solid foundation in his craft. He went onto work at Stan Winston and Rob Bottin’s shops before opening his own lab. Not only able to create and apply prosthetics, John is fully versed in glamour and character work. Goodwin’s goal is to find the appropriate artistry for the dramatic requirements of director and story. Therefore, it came as no surprise when he won an Emmy for his work on CSI, as well as nominations for an additional three for the same show and one for CSI: New York. John also is a pleasure to work with, his good-natured attitude and commitment to the project is infectious to both cast and crew. He writes for “Make-up Artist’s Magazine”, and recently completed a six-disc DVD set on his techniques. Goodwin is available for projects worldwide. selected credits as department head: production director/production company television THE AFTER (key, pilot) Chris Carter / Cyrus Yavneh / Amazon Studios WHODONNIT? (series) Tony Sacco / Anthony Zuiker / Candlestick Ent. / ABC CSI: NY (seasons 1-3 MU FX dept head) various / Alliance Atlantis / CBS Nominated for Emmy Award SNOWDEN ON ICE (MOW) Dwight Hemion / Smith-Hemion Prods TAG TEAM (MOW) Paul Krasny / Touchstone TV / ABC MAX MONROE (series, also MU FX) Christopher Hibler / Viacom / CBS THE TRIAL OF THE INCREDIBLE HULK (also MU FX) Bill Bixby / Anchor Bay / NBC DOWN AND OUT IN BEVERLY HILLS (series) various / Touchstone TV / Fox Network INCREDIBLE HULK RETURNS (also MU FX) Nicholas Corea / Anchor Bay / NBC AIRWOLF (also MU FX) various / Belisarius Prods / CBS feature films LEVEL 26: DARK PROPHECY Anthony Zuiker / Dare to Pass PSYCHO BEACH PARTY Robert Lee King / Strand Releasing – New Oz NIGHT CLUB Sam Borowski / The Naoj Company DEATH HOUSE (also MU FX) John Saxon / Double Helix selected credits as make-up artist: WAKE (MU FX) Chad Feehan / The Fort / NBC CSI (seasons 1-4 make up & MU FX) various / Alliance Atlantis / CBS Emmy Award and 4 nominations SPY GAME (series, also MU FX) Sam Raimi / Universal / ABC MEN IN BLACK (2nd unit MU FX) Barry Sonnefeld / Ambiin / Columbia Pictures TERROR NIGHT (MU FX) Nick Marino / Legacy Entertainment CRITTERS (MU FX) Stephen Herek / New Line Cinema THE THING (MU FX) John Carpenter / Universal Pictures John has designed and/or applied special appliance make-ups for shows as varied as MIKE & MOLLY, ROSWELL (1ST SEASON), ROCKFORD FILES (4 TV movies), CHICAGO HOPE, QUANTUM LEAP, STAR TREK – THE NEXT GENERATION, DEEP SPACE NINE, DARK SHADOWS, WEIRD SCIENCE, FAME, COACH, LOVE BOAT , MANIMAL, and features BEETLEJUICE, LEGEND, NORTH, ADDAMS FAMILY, THE RIVER, THE COLOR PURPLE, SPACE BALLS, and THE PRACTICE. His commercials include appliance make-ups for McDonalds, Pioneer Electronics, and many glamour spots – did over 10,000 glamour & monster make-up shows on the Universal Tours. Thibault Nicholl The Screen Talent Agency 2920 W Olive Ave #201, Burbank, CA 91505 tel 818 206 0144 email [email protected] web www.screen-talent.com .
Recommended publications
  • Mels Resume:Update2020
    Melissa Street Makeup Artist Film/Television/Theater/Live Events cell: (858) 344-7201 email: [email protected] FILM: 2020 MAKEUP DEPARTMENT HEAD - GIGI - Director: Drew Sackheim. 2018 MAKEUP ARTIST - TOP GUN MAVERICK - PARAMOUNT - Director: Joseph Kosinski - Starring: Tom Cruise, Jennifer Connelly, Jon Hamm, Val Kilmer, Miles Teller. 2016 MAKEUP DEPARTMENT HEAD - THE RIDE - 100 ACRE FILMS - SHORT FILM - Director: Eric Addison 2014 MAKEUP DEPARTMENT HEAD - WALTER - ZERO GRAVITY Director: Anna Mastro - Starring: Andrew J. West, Virginia Madsen, William H. Macy, Leven Rambin, Peter Facinelli, Neve Campbell, Brian White, Jim Gaffigan, Justin Kirk, Milo Ventimiglia. Personal artist to: Virginia Madsen, William H. Macy, Andrew J. West, Peter Facinelli, Neve Campbell, Brian White. 2013 MAKEUP DEPARTMENT HEAD - SUPER ATHLETE - WHITE NIGHT PRODUC- TIONS Director: John Comrie - Starring: Tony Sirico, Christopher Lloyd, Faran Tahir, Cameron Rodriguez, Larry Van- Buren Jr. Personal artist to: Tony Sirico, Christopher Lloyd, Faran Tahir. 2011 KEY MAKEUP ARTIST - WHEN YOU FIND ME - SHORT FILM - PROJECT IMAG- IN8TION/FREESTYLE Director: Bryce Dallas-Howard - Starring: Marianna Palka, Erin Way, Jacy King, Karley Scott Collins, Devon Woods, Zachary James Rukavina. 2010 MAKEUP DEPARTMENT HEAD - THE HEIRESS LETHAL - SHORT FILM - EYE- FULL STUDIOS Director: Michael Brueggemeyer - Starring: Merrick McCartha, Cristyn Chandler, Ron Christopher Jones, Theresa Layne. 2003 MAKEUP DEPARTMENT HEAD - CARROT TOP ROCKS LAS VEGAS - DELTA EN- TERTAINMENT Director: Steve Hanft - Starring: Scott “Carrot Top” Thompson, Penn Jillette, Teller. 1986 UNCREDITED MAKEUP ASSISTANT - INVADERS FROM MARS - CANNON PIC- TURES Director: Tobe Hooper - Starring: Karen Black, Hunter Carson, Timothy Bottoms, James Karen, Laraine Newman. Makeup Assistant to Stan Winston F/X lab team.
    [Show full text]
  • UNIVERSITY of Southern CALIFORNIA 11 Jan
    UNIVERSAL CITY STUDIOS. INC. AN MCA INC. COMPANY r November 15, 1971 Dr. Bernard _R. Kantor, Chairman Division of Cinema University <;:>f S.outhern California University Park Los Angeles, Calif. 90007 Dear Dr. Kantor: Forgive my delay in answering your nice letter and I want to assure you I am very thrilled about being so honored by the Delta Kappa Al ha, and I most certainly will be present at the . anquet on February 6th. Cordia ~ l I ' Edi ~'h EH:mp 100 UNIVERSAL CITY PLAZA • UNIVERSAL CITY, CALIFORNIA 91608 • 985-4321 CONSOLIDATED FILM I DU TRIES 959 North Seward Street • Hollywood, California 90038 I (213) 462 3161 telu 06 74257 1 ubte eddr n CONSOLFILM SIDNEY P SOLOW February 15, 1972 President 1r. David Fertik President, DKA Uni ersity of Southern California Cinema Department Los Angels, California 90007 Dear Dave: This is to let you know how grateful I am to K for electing me to honorary membership. This is an honor, I must confess, that I ha e for many years dar d to hope that I would someday receive. So ;ou have made a dre m c me true. 'I he award and he widespread publici : th· t it achieved brought me many letters and phone calls of congra ulations . I have enjoyel teaching thee last twent, -four years in the Cinema Department. It is a boost to one's self-rep ct to be accepted b: youn , intelligent people --e peciall, those who are intere.ted in film-m·king . Please e t nJ my thanks to all t e ho ~ere responsible for selec ing me for honor ry~ m er_hip.
    [Show full text]
  • ASC History Timeline 1919-2019
    American Society of Cinematographers Historical Timeline DRAFT 8/31/2018 Compiled by David E. Williams February, 1913 — The Cinema Camera Club of New York and the Static Camera Club of America in Hollywood are organized. Each consists of cinematographers who shared ideas about advancing the art and craft of moviemaking. By 1916, the two organizations exchange membership reciprocity. They both disband in February of 1918, after five years of struggle. January 8, 1919 — The American Society of Cinematographers is chartered by the state of California. Founded by 15 members, it is dedicated to “advancing the art through artistry and technological progress … to help perpetuate what has become the most important medium the world has known.” Members of the ASC subsequently play a seminal role in virtually every technological advance that has affects the art of telling stories with moving images. June 20, 1920 — The first documented appearance of the “ASC” credential for a cinematographer in a theatrical film’s titles is the silent western Sand, produced by and starring William S. Hart and shot by Joe August, ASC. November 1, 1920 — The first issue of American Cinematographer magazine is published. Volume One, #1, consists of four pages and mostly reports news and assignments of ASC members. It is published twice monthly. 1922 — Guided by ASC members, Kodak introduced panchromatic film, which “sees” all of the colors of the rainbow, and recorded images’ subtly nuanced shades of gray, ranging from the darkest black to the purest white. The Headless Horseman is the first motion picture shot with the new negative. The cinematographer is Ned Van Buren, ASC.
    [Show full text]
  • Ilanrlfratrr of Puritan Fashions Corp
    i^-.“ «T:3^*r.Tflv, ir.jri^-fflr>t ‘ < - 24 - MANCHESTER HERALD. Tues!, April 13, 1982 Find fitness increases productivity Restaurateurs Survivor recalls O'Neill victor a oppose fees Titanic disaster in Forand vote Firms push exercise programs page 3 . page 5 ... page 8 workins , By Gay Pauley ’They were Puritan, Forbes, Inc., UPl Senior Editor into other enterprises, and Pepsico, the soft drink, food and transportation conglomerate. Anyone who markets jeans modeled by Brooke Shields Fitness director Colacino of Pepsico attendM also had better project the image of fitness. Washington State University on a basketball Carl Rosen, 63,, boss of the company that manufac­ scholarship, studying architectural engineering. He has tures jeans advertised everywhere by the teen-age sex a degree in physical education from the ^hool of Sunny, mild Manchester, Conn. kitten, projects that image dnd also assures that his top medicine and architecture at the University of Wiscon- executives practice what he preaches about America’s on Thursday Wednesday, April 14, 1982 shaping up, Pepslco’s program at its spacious hMdquarters in — See page 2 'T d rather have us corporately fit than corpulently Purchase, N.Y., about 30 miles north of New York City, Single copy 25«i: fat,” said Rosen, president and chief executive officer he says, is one of the most complete exercise and ilanrlfratrr of Puritan Fashions Corp. which makes the designer recreational programs in big business,. Calvin Klein jeans and other apparel. “ We look on the three mile run as the alternative to Each weekday morning at 7, Rosen and his immediate the three martini lunch,” said Colacino.
    [Show full text]
  • HP0227 Yvonne Littlewood
    Yvonne Littlewood DRAFT. Tape 1 Side A This recording was transcribed by funds from the AHRC-funded ‘History of Women in British Film and Television project, 1933-1989’, led by Dr Melanie Bell (Principal Investigator, University of Leeds) and Dr Vicky Ball (Co-Investigator, De Montfort University). (2015). BECTU History Project Interview no: 227 Interviewee: Yvonne Littlewood Interviewer: Norman Swallow No of tapes : 4 Duration: 04:45:31 NB: The time codes given here are estimates based on readings from the original cassette recording. Tape 1 Side 1 The copyright of this recording is vested in the BECTU History Project. Yvonne Littlewood, television producer. Interviewer, Norman Swallow. Recorded on the 21st of November 1991. Side One. Can, can we ask, first of all when and where you were born? I was born in Maidstone, Kent, in 1927. And, but from Kent I moved over for a short to King’s Lynn in Norfolk because my father was in banking, and then eventually I went to the West Country, to Ross-on-Wye, when I was about six I suppose, I think, or there around. And so I spent all my schooling in Ross, and that was, of course, then sort of late ‘30s and into the War. So, the early part of the War anyway, I, I was in Ross, I was in school there. Convents, schooling, I can't claim any academic qualifications, but I did specialise in school quite a bit in music, and my mother seemed to think that I had some, I mean, and my mother was one of those people who I think thought I should have to do everything, you know, one of those, a bit of this, a bit of that, and whether you did any of it really well, but it, we had to have a go at it all.
    [Show full text]
  • Janet Quarton, 15 Letter Dahl, Cairnbaan, Lochgilphead, Argyll, Scotland
    October 1979 NElWSLETXlilR No. 3Z President: Janet Quarton, 15 Letter DaHl, Cairnbaan, Lochgilphead, Argyll, Scotland. Vice President: Sheila Clark, 6 Craigmill Cottages, Strathmartine, by Dundee, Scotland. Committee: Beth Hallam, Flat 3, 36 Clapham Rd, Bedford, England. Sylvia Billings, 49 Southampton Rd, Far Cotton, Northampton, England. Valerie Piacentini, 20 Ardrossan Rd, Saltcoats, Ayrshire, Scotland. Honorary Membersl Gene Roddenberry, Majel Barrett, William Shatner. De Forest Kelley, .rames Doohan, George Takei, Susan Sackett, Grace Lee 'ihitney, Rupert Evans, Senni Cooper, Anne McCaffrey, Anne Page. DUES U.K. - £2.25 per year: Europe, £2.50 surface, £3.00 airmail letter U.S.A. - $11.00 or £4.50 airmail Australia & Japan - £5.00 airmail Hi, folks. We decided to go ahead and put this newsletter out on time even though it is so close to Terracon. It would have been too late if we had left it till after the con and we didn't really fancy going home from the con to the newsletter. As September 30th is the end of STAG's year we have printed the accounts at the end of this letter. He've ended up with less money in the bank than we started with, but don't worry as there is a good reason. Sylvia is still holding renewal money which hasn't been processed through the Gooks yet and a couple of' bookshops owe us quite a lot on zines. Also we'Ve had to layout quite a lot of money for paper and photos to stock up for the con. The clUb has broken even for the year and we have a good stock of 'zines and photos on hand.
    [Show full text]
  • Science Fiction on American Television
    TV Sci-Fi 16 + GUIDE This and other bfi National Library 16 + Guides are available from http://www.bfi.org.uk/16+ TV Sci-Fi CONTENTS Page IMPORTANT NOTE................................................................................................................. 1 ACCESSING RESEARCH MATERIALS.................................................................................. 2 APPROACHES TO RESEARCH, by Samantha Bakhurst ....................................................... 4 INTRODUCTION by Sean Delaney ......................................................................................... 6 AMERICAN TELEVISION........................................................................................................ 8 SCIENCE FICTION ON AMERICAN TELEVISION ................................................................. 9 AUDIENCES AND FANS......................................................................................................... 11 ANDROMEDA ......................................................................................................................... 12 BABYLON 5 ............................................................................................................................ 14 BATTLESTAR GALACTICA................................................................................................... 17 FARSCAPE ............................................................................................................................. 19 THE IRWIN ALLEN QUARTET • VOYAGE TO THE BOTTOM OF THE SEA.....................................................................
    [Show full text]
  • Introduction to the Complete Directory to Prime Time Network and Cable TV Shows
    Broo_9780345497734_2p_fm_r1.qxp 7/31/07 10:32 AM Page ix INTRODUCTION In the following pages we present, in a sin- eral headings. For example, newscasts are gle volume, a lifetime (or several lifetimes) of summarized under News, movie series under television series, from the brash new medium Movies and sports coverage under Football, of the 1940s to the explosion of choice in the Boxing, Wrestling, etc. All other series are 2000s. More than 6,500 series can be found arranged by title in alphabetical order. There here, from I Love Lucy to Everybody Loves is a comprehensive index at the back to every Raymond, The Arthur Murray [Dance] Party cast member, plus appendixes showing an- to Dancing with the Stars, E/R to ER (both nual network schedules at a glance, the top with George Clooney!), Lost in Space to Lost 30 rated series each season, Emmy Awards on Earth to Lost Civilizations to simply Lost. and other information. Since the listings are alphabetical, Milton Network series are defined as those fed out Berle and The Mind of Mencia are next-door by broadcast or cable networks and seen si- neighbors, as are Gilligan’s Island and The multaneously across most of the country. Gilmore Girls. There’s also proof that good Broadcast networks covered are ABC, CBS, ideas don’t fade away, they just keep coming NBC, Fox, CW, MyNetworkTV, ION (for- back in new duds. American Idol, meet merly PAX) and the dear, departed DuMont, Arthur Godfrey’s Talent Scouts. UPN and WB. We both work, or have worked, in the TV Original cable series are listed in two dif- industry, care about its history, and have ferent ways.
    [Show full text]
  • Wonderful! 100: a Centennial Celebration Published September 18Th, 2019 Listen on Themcelroy.Family
    Wonderful! 100: A Centennial Celebration Published September 18th, 2019 Listen on TheMcElroy.family [theme music plays] Rachel: Hi, this is Rachel McElroy. Griffin: [laughs] Yeah. Okay, Mario. Yeah, I'll hit you up at the after party. Okay, man. Yeah, I'll see you there. Hey, this is Griffin McElroy. Rachel: And this is Wonderful! Griffin: Sorry, it‘s just… [sighs] I know we gotta focus on the show. I know it‘s our big day, but… we‘re on the red carpet, and like… Rachel: Yeah. Griffin: It‘s hard—if Mario Lopez comes up and wants to hang out at the after party, babe, it‘s like, I‘ve made it! Rachel: I know, but let‘s not celebrate our hundredth episode before we‘ve actually recorded it. Griffin: Right, this is the red carpet before the event. We‘re about to go to the first screening of our hundredth episode. For all I know, it could be a disaster. Mario may not want to talk to me after the party, so I need to check that—cash that check. Shit, if this is the energy I bring to ep one hundred, Mario‘s definitely not gonna wanna talk to me. Rachel: [laughs] Griffin: I just wanna tell him what a good job he did playing Greg Louganis in that one Lifetime movie. Rachel: Aw, jeez. Griffin: In that one commercial I saw for it where he asked if there was a blood nipple. Rachel: Yeah. Yeah. Yeah. Griffin: You love that anecdote. Rachel: Yeah. Griffin: Who are you looking forward to seeing today on the big red way? Rachel: Well, Wallace Shawn.
    [Show full text]
  • Human' Jaspects of Aaonsí F*Oshv ÍK\ Tke Pilrns Ana /Movéis ÍK\ É^ of the 1980S and 1990S
    DOCTORAL Sara MarHn .Alegre -Human than "Human' jAspects of AAonsí F*osHv ÍK\ tke Pilrns ana /Movéis ÍK\ é^ of the 1980s and 1990s Dirigida per: Dr. Departement de Pilologia jA^glesa i de oermanisfica/ T-acwIfat de Uetres/ AUTÓNOMA D^ BARCELONA/ Bellaterra, 1990. - Aldiss, Brian. BilBon Year Spree. London: Corgi, 1973. - Aldridge, Alexandra. 77» Scientific World View in Dystopia. Ann Arbor, Michigan: UMI Research Press, 1978 (1984). - Alexander, Garth. "Hollywood Dream Turns to Nightmare for Sony", in 77» Sunday Times, 20 November 1994, section 2 Business: 7. - Amis, Martin. 77» Moronic Inferno (1986). HarmorKlsworth: Penguin, 1987. - Andrews, Nigel. "Nightmares and Nasties" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney: Ruto Press, 1984:39 - 47. - Ashley, Bob. 77» Study of Popidar Fiction: A Source Book. London: Pinter Publishers, 1989. - Attebery, Brian. Strategies of Fantasy. Bloomington and Indianapolis: Indiana University Press, 1992. - Bahar, Saba. "Monstrosity, Historicity and Frankenstein" in 77» European English Messenger, vol. IV, no. 2, Autumn 1995:12 -15. - Baldick, Chris. In Frankenstein's Shadow: Myth, Monstrosity, and Nineteenth-Century Writing. Oxford: Oxford Clarendon Press, 1987. - Baring, Anne and Cashford, Jutes. 77» Myth of the Goddess: Evolution of an Image (1991). Harmondsworth: Penguin - Arkana, 1993. - Barker, Martin. 'Introduction" to Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Media. London and Sydney: Ruto Press, 1984(a): 1-6. "Nasties': Problems of Identification" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney. Ruto Press, 1984(b): 104 - 118. »Nasty Politics or Video Nasties?' in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Medß.
    [Show full text]
  • Creature Designers- the Frankenstein Complex Press Release.Indd
    31 Southampton Row, London WC1B 5HJ Tel: 0203 585 1396 Web: fetch.fm PRESS RELEASE Creature Designers: The Frankenstein Complex RELEASE INFORMATION Distributor Studiocanal “A wealth of pure ________________________________________________ Certifi cate 12 craftsmanship and magic” ________________________________________________ Release date 3rd October, 2016 Ain’t It Cool ________________________________________________ Extras Soundtrack / Designing On DVD from Monday 3rd Oct. 2016. the Opening Credits / A conversation with John Fast sell: Landis & Joe Dante / A conversation with Steve Like modern Frankensteins, special effects wizards create Johnson & John Vulich / life out of raw material, art and complex machinery, from Stills Gallery / Guillermo slavering werewolves to robots and zombies! Del Toro Masterclass This fascinating documentary, looking at the visionaries KEY TALENT INFORMATION responsible for some of cinema’s most fearsome and thrilling onscreen monsters, from King Kong climbing the Empire Director Gilles Penso / State through to the astonishing trickery of Terminator 2, is a Alexandre Poncet treat for creature feature fans and fi lm afi cionados alike. CONTACT/ORDER MEDIA Key talent: Thomas Hewson - [email protected] Rick Baker (Oscar-winning make up genius, An American Werewolf in London) Joe Dante (Director, Gremlin, The ‘Burbs) Guillermo del Toro (Director, Hellboy, Pacifi c Rim, Pan’s Labyrinth) Greg Nicotero (Special effects master, From Dusk Till Dawn, The Walking Dead, Kill Bill, Evil Dead 2) Steve Johnson (Creature designer, The Abyss) Gilles Penso/Alexandre Poncet (Directors, Ray Harryhausen: Special Effects Titan) Synopsis: From King Kong to Avatar, from Star Wars to Lord of the Rings, movie creatures have never been as popular as they are today! Yet the art of creating monsters for the big screen is as old as cinema itself..
    [Show full text]
  • Rick Ludwin Collection Finding
    Rick Ludwin Collection Page 1 Rick Ludwin Collection OVERVIEW OF THE COLLECTION Creator: Rick Ludwin, Executive Vice President for Late-night and Primetime Series, NBC Entertainment and Miami University alumnus Media: Magnetic media, magazines, news articles, program scripts, camera-ready advertising artwork, promotional materials, photographs, books, newsletters, correspondence and realia Date Range: 1937-2017 Quantity: 12.0 linear feet Location: Manuscript shelving COLLECTION SUMMARY The majority of the Rick Ludwin Collection focuses primarily on NBC TV primetime and late- night programming beginning in the 1980s through the 1990s, with several items from more recent years, as well as a subseries devoted to The Mike Douglas Show, from the late 1970s. Items in the collection include: • magnetic and vinyl media, containing NBC broadcast programs and “FOR YOUR CONSIDERATION” awards compilations, etc. • program scripts, treatments, and rehearsal schedules • industry publications • national news clippings • awards program catalogs • network communications, and • camera-ready advertising copy • television production photographs Included in the collection are historical narratives of broadcast radio and television and the history of NBC, including various mergers and acquisitions over the years. 10/22/2019 Rick Ludwin Collection Page 2 Other special interests highlighted by this collection include: • Bob Hope • Johnny Carson • Jay Leno • Conan O’Brien • Jimmy Fallon • Disney • Motown • The Emmy Awards • Seinfeld • Saturday Night Live (SNL) • Carson Daly • The Mike Douglas Show • Kennedy & Co. • AM America • Miami University Studio 14 Nineteen original Seinfeld scripts are included; most of which were working copies, reflecting the use of multi-colored pages to call out draft revisions. Notably, the original pilot scripts are included, which indicate that the original title ideas for the show were Stand Up, and later The Seinfeld Chronicles.
    [Show full text]