HISTORY & AESTHETICS of ELECTRO-ACOUSTIC MUSIC Course After its practical emergence in the late 1940’s, electro-acoustic music became an integral part of 20 th and 21 st century music history. This course will explore the aesthetical, ideological and technical evolution of electroacoustic music in historical context. Instructor C. Barkın Engin E-mail
[email protected] Building Fac.of Arts and Social Sci. Room G030 Class Hours Monday / Tuesday 12:40 – 15:30 Prerequisites None Textbooks Chadabe, Joe. 1997. Electric Sound: The Past and Promise of Electronic Music. Upper Saddle River, NJ: Prentice-Hall. Cox, Christoph & Warner, Daniel. 2009. Audio Culture: Readings in Modern Music. New York: Continuum Manning, Peter. 1985. Electronic & Computer Music . New York: Oxford University Press. Wishart, Trevor. 1996. On Sonic Art. (2 nd edn.) New York: Routledge. Software Audacity http://audacity.sourceforge.net Recommended Emmerson, Simon. 1986. The language of Electro-acoustic Music . London: The Textbooks Macmillan Press. Landy, Leigh. 2007. Understanding the Art of Sound Organization . London. MIT Press. Rules Listening journals, etudes and final project are to be completed by the due date. No late submissions will be graded. Student presentations cannot be postponed. Assessment Attendance 10 %, Assignments & Quiz 20 %, Listening Journals % 30, Final Project 40 % 1 Course Syllabus Week Day Topic Commands, Assignments & Exams 1 Introduction to Aesthetics & Theory Reading: a) Fundamentals of electro-acoustic composition: Sonic continuum a) Wishart, Trevor - Chapter 1 & 2 b) Critical / analytical listening b)Busoni, Ferruccio - c) Modes of listening “Sketch of a New Early Technological & Theoretical Developments I Aesthetic of Music” a) Concise History of Audio recording c)Pratella, Balilla - “Manifesto of Futurist b) Echoes of the industrial revolution 1: The mutation of Musicians” the orchestra: Honegger, Antheil, and Mossolov.