“Remember the ship”: Narrating the Empire Windrush Hannah Lowe Brunel University *Email:
[email protected] Despite the ubiquity of the SS Empire Windrush as a symbol of postwar Caribbean migration to Britain, there are few literary evocations of its journey and arrival, and of those, the majority are literary commissions from 1998, the year in which the ship was to become legendary. The synthetic nature of the literary engagement with the ship confirms its own construction as an historical event made retrospectively famous. This article describes and interrogates the 1998 rise to prominence of the Windrush, before examining the relationship of the actual ship to literary/cultural criticism and literary works. It contends that the small body of poetic and fictional narratives about the Windrush both problematize elements of a dominant Windrush narrative while simultaneously confirming the ship’s primacy. Keywords: please add 6 Windrush, Caribbean migration, James Berry, Jackie Kay, Benjamin Zephaniah, John Agard In her short story “Out of Hand” (1998), Jackie Kay describes the Empire Windrush as a “huge fiction”, in reference to the history and arrival of that particular ship and its role in postwar Caribbean migration. Her revision of the iconic 1948 Pathé newsreel of the ship’s arrival (which had featured only male migrants) depicts a female protagonist, Rose, stepping from the ship on to British ground. The focus on Rose interjects a woman’s perspective into a historical narrative with a strong male bias, and Kay’s sense of the ship as a “fiction” is intricately tied to the false promise of the “mother country”, which rather than welcoming the young and optimistic Rose, subjects her to a battery of racism endured over decades.