ABRSM Syllabus for Ensembles 2011–2014
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Arnold Schoenberg Wind Quintet Op. 26 Mp3, Flac, Wma
Arnold Schoenberg Wind Quintet Op. 26 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Wind Quintet Op. 26 Country: US Released: 1978 Style: Modern MP3 version RAR size: 1884 mb FLAC version RAR size: 1453 mb WMA version RAR size: 1326 mb Rating: 4.4 Votes: 714 Other Formats: WAV DMF AIFF AA ASF TTA WMA Tracklist A1 First Movement: Schwungvoll 11:31 A2 Second Movement: Anmutig Und Heiter; Scherzando 8:17 B1 Third Movement: Etwas Langsam (Poco Adagio) 9:05 B2 Fourth Movement: Rondo 8:28 Credits Bassoon – Brian Pollard Clarinet – Piet Honingh Flute – Frans Vester Horn – Adriaan van Woudenberg Illustration – Kandinsky* Liner Notes – Alan Stout, Jeffrey Wasson Oboe – Maarten Karres Producer – Wolf Erichson Other versions Category Artist Title (Format) Label Category Country Year Schoenberg*, Danzi Philips, Schoenberg*, PHC 9068 Quintet* - Wind Quintet, World PHC 9068 Canada 1967 Danzi Quintet* Opus 26 (LP, Album) Series Arnold Schönberg* - Danzi Quintett* - Arnold Schönberg* 64 812 Bläserquintett Op. 26 BASF 64 812 Germany 1975 - Danzi Quintett* (1923/24) (LP, Album, Club) Arnold Schönberg* - Arnold Schönberg* Danzi Quintett* - 25 22057-5 Acanta 25 22057-5 Germany Unknown - Danzi Quintett* Bläserquintett Op. 26 (LP, RE) Arnold Schönberg* - Arnold Schönberg* Danzi Quintett* - 25 22057-5 BASF 25 22057-5 Germany 1975 - Danzi Quintett* Bläserquintett Op. 26 (1923/24) (LP, Album) Arnold Schönberg* - Arnold Schönberg* 37 93007 Danzi Quintett* - BASF 37 93007 Spain 1976 - Danzi Quintett* Bläserquintett Op. 26 (LP) Related Music albums to Wind Quintet Op. 26 by Arnold Schoenberg Schönberg / Claude Helffer - Intégrale De L'Oeuvre Pour Piano Seul Messiaen, Schoenberg - Yvonne Loriod, Pierre Boulez - Sept Haïkaï / Kammersymphonie / 3 Orchesterstücke Paul Hindemith, Danzi-Quintett - Kleine Kammermusik Op. -
Composed for Six-Hands Piano Alti El Piyano Için Bestelenen
The Turkish Online Journal of Design, Art and Communication - TOJDAC ISSN: 2146-5193, April 2018 Volume 8 Issue 2, p. 340-363 THE FORM ANALYSIS OF “SKY” COMPOSED FOR SIX-HANDS PIANO Şirin AKBULUT DEMİRCİ Assoc. Prof. Education Faculty, Music Education Faculty. Uludag University, Turkey https://orcid.org/0000-0001-8904-4920 [email protected] Berkant GENÇKAL Assoc. Prof. State Conservatory, School for Music and Drama. Anadolu University, Turkey https://orcid.org/0000-0001-5792-2100 [email protected] ABSTRACT The piano, which is a solo instrument that takes part in educational process, can take role not only in instrumental education but also in chamber music education as well with the 6-hands pieces for three players that perform same composition on a single instrument. According to the international 6-hands piano literature, although the works of Alfred Schnittke's Hommage, Carl Czerny's Op.17 and 741, Paul Robinson's Pensees and Montmartre and many more are included, the Turkish piano literature has been found to have a limited number of compositions. The aim of the work is to contribute to the field by presenting musical analysis about the place and the importance of the educational use of the works composed for 6-hands which are extremely rare in the Turkish piano literature. As an example, the piece named Sky composed by Hasan Barış Gemici is considered. Analysis is supported by comparative methods in form, structuralism, rhythm, theoretical applications and performance; it also gives information about basic playing techniques. It is thought that this study carries importance in contributing to the limited number of Turkish 6-hands piano literature and researchers who will conduct research in this regard, in terms of creating resources for performers and composers who will interpret the literature. -
The Tuesday Concert Series at Tuesday Maintain Epiphany’S Artistic Profile the Church of the Epiphany and Its Instruments
the HOW YOU CAN CONSIDER HELPING THE TUESDAY CONCERT SERIES AT TUESDAY MAINTAIN EPIPHANY’S ARTISTIC PROFILE THE CHURCH OF THE EPIPHANY AND ITS INSTRUMENTS CONCERT The Tuesday Concert Series reaches out to the entire metropolitan Washington community 52 weeks of the year, and Since the Church of the Epiphany was founded in brings both national and international artists here to 1842, music has played a vital role in the life of the parish. The Tuesday Concert Series reaches out to the SERIES Washington, DC. The series enjoys partnerships with many entire metropolitan Washington community and runs artistic groups in the area, too, most keenly with the Washington throughout the year. No other concert series follows July - December Bach Consort, the Levine School of Music, and the Avanti such a pattern and, as such, it is unique in the 2017 Orchestra. Washington, DC area. There is no admission charge to the concerts, and visitors and Epiphany houses three fine musical instruments: The regular concert-goers are invited to make a freewill offering to Steinway D concert grand piano was a gift to the support our artists. This freewill offering has been the primary church in 1984, in memory of vestry member Paul source of revenue from which our performers have been Shinkman, and the 4-manual, 64-rank, 3,467-pipe remunerated, and a small portion of this helps to defray costs of Æolian-Skinner pipe organ (1968) is one of the most the church’s administration, advertising and instrument upkeep. versatile in the city. The 3-stop chamber organ (2014), Today, maintaining the artistic quality of Epiphany’s series with commissioned in memory of Albert and Frances this source of revenue is challenging. -
Grandview Graduation Performances Archive
Grandview Graduation Performances Archive 2020 Graduation Speech-“We did it” “Landslide” by Stevie Nicks (Vocal Solo) 2019 A Graduation Skit-Comedy Sketch “No Such Thing” by John Mayer (Guitar/Vocal Duet) “See You Again” by Wiz Khalifa and Charlie Puth (Instrumental Duet) “Journey to the Past” by Stephen Flaherty (Vocal Solo) “I Lived a Good Life Gone” by One Republic and Phillip Phillips (Vocal Octet) 2018 Graduation Speech-“A Poem” “You Will Be Found” by Benj Pasek and Justin Paul (Vocal Octet) “Bring It On Home To Me” by Sam Cooke (Instrumental Sextet) “This Is Me” by Benj Pasek and Justin Paul (Vocal Solo w/support from Senior Choir) 2017 Adoration for Violin and Piano Duet by Felix Borowski Graduation Speech-“Single” “Fools Who Dream” by Justin Hurwitz and Benj Pasek (Vocal Duet) Original Number-Down to the Wire for Piano and Saxphone “From the First Hello to the Last Goodbye” by Johnny Burke (Vocal Octet) 2016 “As If We Never Said Goodbye” by Don Black, Christopher Hampton & Andrew Lloyd Weber (Solo with Piano accompaniment) Rondo from Sonata No. 3 for Violin and Piano Duet by Ludwig van Beethoven (Violin and Piano) Graduation Speech –Pair Graduation Speech-Trio “I Lived” Ryan Tedder and Noel Zancanella Orchestra Octet and 2 Vocalists) 2015 Clarinet and Bassoon Duet 3 by Ludwig van Beethoven “My Wish” by Steele and Robson “Corner of the Sky” from Pippin by Stephen Schwartz 2014 Even if your Heart Breaks by Hoge and Paslay Never Give up, Never Surrender (a speech) by Malik Williams Meditation from Thais by Massenet (Violin and piano) Take Chances by Nelson 2013 Come Fly with Me (Vocalist and piano) Moderato by Kummer (Wood wind Duet) Homeward Bound (Vocalist and Piano) Live your Life by Yuna (Vocalist and guitar accompaniment) 2012 You Raise Me Up (Violins/Cello Trio) Who I’d Be (Male Vocal Solo, Recorded Accompaniment) 1 Grandview Graduation Performances Archive Crazy Dreams (Female/Male Vocal, Guitar Accompaniment) Transcendental etude No. -
Download Program Notes
Notes on the Program By James M. Keller, Program Annotator, The Leni and Peter May Chair Piano Quintet in F minor, Op. 34 Johannes Brahms ohannes Brahms was 29 years old in 1862, seated at the other piano. Ironically, critics Jwhen he embarked on this seminal mas- now complained that the work lacked the terpiece of the chamber-music repertoire, sort of warmth that string instruments would though the work would not reach its final have provided — the opposite of Joachim’s form as his Piano Quintet until two years objection. Unlike the original string-quintet later. He was no beginner in chamber music version, which Brahms burned, the piano when he began this project. He had already duet was published — and is still performed written dozens of ensemble works before and appreciated — as his Op. 34bis. he dared to publish one, his B-major Piano By this time, however, Brahms must have Trio (Op. 8) of 1853–54. Among those early, grown convinced of the musical merits of his unpublished chamber pieces were 20-odd material and, with some coaxing from his string quartets, all of which he consigned friend Clara Schumann, he gave the piece to destruction prior to finally publishing his one more try, incorporating the most idiom- three mature works in that classic genre in atic aspects of both versions. The resulting the 1870s. In truth, he did get some use out Piano Quintet, the composer’s only essay of those early quartets — to paper the walls in that genre (and no wonder, after all that and ceilings of his apartment. -
A Prima Vista
A PRIMA VISTA a survey of reprints and of recent publications 2002/1 BROEKMANS & VAN POPPEL Van Baerlestraat 92-94 Postbus 75228 1070 AE AMSTERDAM sheet music: 020-6796575 CDs: 020-6751653/fax: 020-6646759 also on INTERNET: www.broekmans.com e-mail: [email protected] 2 CONTENTS A PRIMA VISTA 2002/1 PAGE HEADING 03 PIANO 2-HANDS 07 PIANO 4-HANDS, 2 AND MORE PIANOS, HARPSICHORD 08 ORGAN 09 KEYBOARD 1 STRING INSTRUMENT WITHOUT ACCOMPANIMENT: 10 VIOLIN SOLO, VIOLA SOLO 1 STRING INSTRUMENT WITH ACCOMPANIMENT, piano unless stated otherwise: 11 VIOLIN WITH ACCOMPANIMENT 12 VIOLIN PLAY-ALONG 13 VIOLA WITH ACCOMPANIMENT, CELLO WITH ACCOMPANIMENT 14 VIOLA DA GAMBA WITH ACCOMPANIMENT 14 2 AND MORE STRING INSTRUMENTS WITH AND WITHOUT ACCOMPANIMENT: 1 WIND INSTRUMENT WITHOUT ACCOMPANIMENT: 18 FLUTE SOLO, OBOE SOLO 19 CLARINET SOLO, SAXOPHONE SOLO, BASSOON SOLO, TRUMPET SOLO 20 HORN SOLO, TROMBONE SOLO, TUBA SOLO 1 WIND INSTRUMENT WITH ACCOMPANIMENT, piano unless stated otherwise: 20 PICCOLO WITH ACCOMPANIMENT, FLUTE WITH ACCOMPANIMENT 22 FLUTE PLAY-ALONG, ALTO FLUTE WITH ACCOMPANIMENT 23 OBOE WITH ACCOMPANIMENT, OBOE PLAY-ALONG, CLARINET WIT ACCOMPANIMENT 24 CLARINET PLAY-ALONG 25 BASSETHORN WITH ACCOMPANIMENT, SAXOPHONE WITH ACCOMPANIMENT 27 SAXOPHONE PLAY-ALONG 28 BASSOON WITH ACCOMPANIMENT, TRUMPET WIT ACCOMPANIMENT 29 TRUMPET PLAY-ALONG, HORN WITH ACCOMPANIMENT 30 TROMBONE WITH ACCOMPANIMENT, TROMBONE PLAY-ALONG 31 TUBA WITH ACCOMPANIMENT, EUPHONIUM PLAY-ALONG 2 AND MORE WIND INSTRUMENTS WITH AND WITHOUT ACCOMPANIMENT: 31 2 AND MORE WOODWIND -
Faculty Woodwind Quartet Flyer Earl Boyd Eastern Illinois University
Eastern Illinois University The Keep Music Programs The Earl Boyd Collection 2015 Faculty Woodwind Quartet Flyer Earl Boyd Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/earl_boyd_programs Part of the Music Commons Recommended Citation Boyd, Earl, "Faculty Woodwind Quartet Flyer" (2015). Music Programs. 29. http://thekeep.eiu.edu/earl_boyd_programs/29 This Book is brought to you for free and open access by the The Earl Boyd Collection at The Keep. It has been accepted for inclusion in Music Programs by an authorized administrator of The Keep. For more information, please contact [email protected]. 0 €astenn 1tt1nols Un1vens1ty w oo0w1n0 Quintet Dear Music Director: Your flutist, oboist, clarinetist, bassoonists, and hornists will welcome the opportunity to hear and work personally with the fine performers in the Eastern Illinois University Woodwind Quintet You are invited to write or call Rhoderick Key, Chairman, Music Department, Eastern Illinois University, Charleston, Illinois, 61920 Phone 217-581-2917 Scheduled to suit your program FLUTE - Robert C. Snyder, flutist, frequent recitalist in Illinois and recent performer at Carnegie Recital Hall in New York, clinician, · writer, and band direetor, graduated from Indiana University with a Masters Degree in Woodwinds and complet~ his doctorate in History and Literature at University of Missouri at Kansas City. He has studied with Vallie Kirk at Washburn University of Topeka, James Pellerite at Indiana University, and William Kincaid. OBOE -Joseph Martin, oboist, double-reed specialist, recitalist, and clinician, graduated with his Masters Degree in Education from East Carolina University in North Carolina. Mr. Martin directs a University stage band and assists in the Symphony Orchestra program. -
Heeguen and Sharon Violin and Piano Duet
Presents Heeguen and Sharon Members of Ensemble Ari Violin and Piano Duet Saturday, February 20, 7 p.m. PST Presented ONLINE from St. Paul’s Episcopal Church Walnut Creek, California www.StPaulswc.org/concert-series Heeguen and Sharon Members of Ensemble Ari Violin and Piano Duet February 20, 2021 7pm PST Violin and Piano Sonata no. 8 in G Major, op. 30 Ludwig von Beethoven I. Allegro assai II. Tempo de Minuetto III. Allegro Vivace Caprice for Solo Violin Op. 1 No. 24 Niccolò Paganini Fantasie Nègre no. 4 Florence Price Violin and Piano Sonata no. 3 in D Minor, Op. 108 Johannes Brahms I. Allegro II. Adagio III. Un poco presto e con sentimento IV. Presto agitato We will hold a Question-and-Answer session with our performers at the end of the concert. At this time, our concert audience at home can submit questions for our performers using the chat function on the Youtube screen. Thank you for joining us at St. Paul’s Concert Series St. Paul’s Episcopal Church 1924 Trinity Avenue Walnut Creek, California 94596 925-934-2324 www.StPaulsWC.org [email protected] “Ari” is a Korean word with multiple meanings: big river, wisdom and beauty. Ensemble Ari is a group of Korean American musicians in the Bay Area who wants to share this quality with the community. The ensemble gave its debut concert in October, 2014 as a Korean War Memorial Concert and contributed to the SF Korean memorial in Presidio. Since then ARI was featured at Old First Concert Series, Maybeck, UC Berkeley, St.Mary’s College and others. -
Music Catalog
2019 MUSIC CATALOG HOPE Publishing Company 380 South Main Place, Carol Stream, IL 60188 E-mail: [email protected] Phone Orders: 800-323-1049 Web: www.hopepublishing.com 2 Tel: 630-665-3200 HOPE Toll Free: 800-323-1049 Publishing Company www.hopepublishing.com 380 South Main Place Carol Stream, IL 60188 [email protected] Table of Contents Hymnals..................................................... 2-3 Music Library Builders .................................. 4 Large Print Songbooks! Wedding Music ............................................. 5 Vocal Music A Large Print Songbook Duet Collections ........................................ 6 Solo & Duet Collections ............................. 7 Compiled by Jane Holstein Solo & Duet Sheet Music........................ 8-9 Designed with the ‘singing community’ in Choral Collections ................................. 10-13 mind, Editor, Jane Holstein, has compiled this attractive songbook containing 200 Service Music, Introits, Responses ....... 12-13 favorite hymns & songs in a large-print Musicals & Cantatas format and lower keys. Guitar chords are included in this light-weight, easy-to-hold School Musicals....................................... 14 7 x 10 inch spiral bound collection. This is Musicals for Young Voices ....................... 15 an attractive book for gatherings, as well as personal, devotional use. Lent & Easter ...................................... 16-17 Christmas ........................................... 18-19 ___8680 Spiral-bound . .$14 .95 ___8680C Accomp -
Ronald Roseman: a Biographical Description and Study of His Teaching Methodology
LAMPIDIS, ANNA, D.M.A. Ronald Roseman: A Biographical Description and Study of his Teaching Methodology. (2008) Directed by Dr. Mary Ashley Barret. 103 pp. Ronald Roseman was an internationally acclaimed oboe soloist, chamber musician, teacher, recording artist, and composer whose career spanned over 40 years. A renowned oboist, he performed in some of America’s most influential institutions and ensembles including the New York Woodwind Quintet, the New York Philharmonic, and the New York Bach Aria Group. His contributions to 20th Century oboe pedagogy through his own unique teaching methodology enabled him to contribute to the success of both his own personal students and many others in the field of oboe and woodwind performance. His body of compositions that include oboe as well as other instruments and voice serve to encapsulate his career as a noteworthy 20th Century composer. Roseman’s musicianship and unique teaching style continues to be admired and respected worldwide by oboists and musicians. The purpose of this study is to present a biographical overview and pedagogical techniques of oboist Ronald Roseman. This study will be divided into sections about his early life, teaching career, performance career and his pedagogical influence upon his students. Exercises and techniques developed by Roseman for the enhancement of oboe pedagogy will also be included. Interviews have been conducted with his wife and three former well-known students in order to better serve the focus of this study. The author also contributed pedagogical techniques compiled during a two-year period of study with Roseman. Appendices include a discography of recorded materials, the New York Woodwind Quintet works list, Roseman’s published article on Baroque Ornamentation, a list of his compositions with premiere dates and performers, and interview questions. -
Great American Composers Series: Carl Ruggles How to Install a Stereo Test Switch the Art of Bel Canto * How Much Should a Record Cost?
Hifi StereoReview SEPTEMBER 1966 60 CENTS GREAT AMERICAN COMPOSERS SERIES: CARL RUGGLES HOW TO INSTALL A STEREO TEST SWITCH THE ART OF BEL CANTO * HOW MUCH SHOULD A RECORD COST? 4,z, 3 3 4 it's/Wit/OW 01 cE 99L0 because it is the next best speakers, or $299.50 with 10- thing to our grand grands. At inch speakers. a small fraction of the size The 85 includes a powerful and cost. The 95 baby grand transistor amplifier, an auto- is only $369.50 with standard matic turntable and a mag- speakers, or $399.50 with op- netic cartridge to match. The tional larger speaker systems 95 has a sensitive FM -stereo for even finer bass. The 85 is tuner in addition. Everything only $269.50 with 8 -inch you need for fine stereo. The Fisher baby grand. CIRCLE NO. 24 ON READER SERVICE CARD OVERSEAS AND CANADIAN RESIDENTS PLEASE WRITETO TIMER RADIO I IONAL. INC., LONG ISLAND CITY, N.Y. 1 r PLACE 40 STAMP HERE At Fisher we don't equate performance with size. Every Fisher stereo system must be capable of producing °- FISHER RADIO CORPORATION 11-35 45th Road sound as big as the music. Long Island City, N. Y. 11101 Without compromise. And every time you turn it on. IN The Fisher baby grand is J the most recent proof of this. We call it our baby grand How to get big sound out ofasmall Fisher: N theRemarkable-howTurntable soundRemarkable, ofreproduces the most too-how a stereo magnificentthat recordarecord Garrard without capturesperformance. Automatic a hint dynamicallyofIntegralmeaningful distortion.Technically-this cueing; featuresbalanced, adjustable introducedis counterweightdue antito certain -skating by Garrard. -
5256.Pdf (2.944Mb)
University of Washington The Scbool of Music presents the CONTEMPORARY GROUP . '. r Stuart Dempster and William O. Smith Co-Directors '. 8:00 PM FEBRUARY 24,1993 MEANY THEATER D~'fF \). I lc:o cA- ~!- =t+ 121 to ) PROGRAM ~: The SEXTET FOR WINDS AND PIANO, Op. 39, was written during the year 1975-76, at a time in which the composer was living in Edmonds, Washington. The work is dedicated to the Soni Ventorum, who gave its first performance on EX'ffiTE0RWINDS ' ~~'~ ......jrunes-Beale. November 11 , 1976 at Meany Hall with Jane Beale on the piano . /ttodemto ' :;, . (b. 1924) The frrs t movement serves as a prelude to the four-movement work, and fea Allegr.o i.! ,,2. tures the upper winds in solo and ensemhle interweaving. The second movement l..ento- , ~ : ." j d t-::;1 . is a scherzo and trio. The piano comes more to the fo re in the last two move Vivace ,. ments-the third movement serving as the slow movement, and the fourth, a bright finale. Me-&-an , Ly6efr,fittteT-Taina-Kaft:,_Qtme~JoeI-.Barbos-a , cLarinet; Although there are several serial passages, they are combined or alternated Lorraine Fader; hom; BeatriceJ(auffinah., bassoon; with the composer's earlier tonal style. In the resultant mixture, tonality ulti Lisa, Reedy,piano ., . mately dominates. JANE BEALE ?~ ' /l-T , '7 I iVL--TROIS MELODIES D' APRES YVES,P;O~OY..... Joel-Fran~ois Durand 1ROIS MELODIES D' APREs YVES BONNEFOY were composed originally thirteen (1922) " .' . ; ~; ~<O (b. 1954) years ago. At that time (1979-80) they were written for counter tenor and harp Tres Lent ,1' , it:: sichord.