From North to South and Back Again: Race, Religion, Reconciliation
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CTBA Band Scramble at Threadgill's North
Volume 37, No. 7 Copyright © Central Texas Bluegrass Association July 2015 Sunday, July 5: CTBA Band Scramble at Threadgill’s North By Eddie Collins up. It’s that time again. It’s the CTBA’s 19th annual garage sale and band scramble, Sun- Y day, July 5, 2-6 PM at Threadgill’s North, 6416 N. Lamar. The garage sale portion of the event will be where the buffet is usually set up. We’ll have CDs, instructional materials and other music related items, and T-shirts (didn’t make it out to the RayFest? Here’s your second chance to get a RayFest T-shirt at a bargain price). The second part of the event is the band scramble, where up to 40 area (continued on page 3) The weather in Texas is as changeable as a chameleon on a rain gauge. One year it’s a drought, next year it’s monsoon season. But don’t let that stop you from scrambling out to Threadgill’s on July 5. If you miss it, you’ll be green with envy. Photo by K. Brown. Jamming at the 2012 CTBA band scramble; Waterloo Ice House, June 1, 2012. Left to right: Jeff Robertson, Jacob Roberts, Matt Downing. Photo by K. Brown. July birthdays: Jeff Autry, Byron Berline, Ronnie Bowman, Sidney Cox, Dave Evans, Bela Fleck, Jimmy Gaudreau, Bobby Hicks, Jim Hurst, Alison Krauss, Andy Leftwich, Everett Lilly, Larry McPeak, Jesse McReynolds, Charlie Monroe, Scott Nygaard, Molly O’Day, Peter Rowan, Allan Shelton, Valerie Smith, Bobby Thompson, Jake Tullock, Rhonda Vincent, Keith Whitley… oh, and also the United States. -
Tenor Saxophone Mouthpiece When
MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, -
The American Voice Anthology of Poetry
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Kentucky University of Kentucky UKnowledge Creative Writing Arts and Humanities 1998 The American Voice Anthology of Poetry Frederick Smock Bellarmine College Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Smock, Frederick, "The American Voice Anthology of Poetry" (1998). Creative Writing. 3. https://uknowledge.uky.edu/upk_creative_writing/3 vice ANTHOLOGY OF POETRY EDITED BY FREDERICK SMOCK THE UNIVEESITT PRESS OF KENTUCKY Publication of this volume was made possible in part by grants from the Kentucky Foundation for Women, Inc., and the National Endowment for the Humanities. Copyright © 1998 by The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine College, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Club Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 02 01 00 99 98 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data The American Voice anthology of poetry / edited by Frederick Smock. -
Ron Block Hogan's House of Music Liner Notes Smartville (Ron Block
Ron Block Hogan’s House of Music Liner Notes Smartville (Ron Block, Moonlight Canyon Publishing, BMI) Barry Bales - bass Ron Block - banjo, rhythm and lead guitar Tim Crouch - fiddle Jerry Douglas - Dobro Stuart Duncan – fiddle Clay Hess - rhythm guitar Adam Steffey – mandolin Hogan’s House of Boogie (Ron Block, Moonlight Canyon Publishing, BMI) Ron Block – banjo, rhythm and lead guitar Sam Bush - mandolin Jerry Douglas – Dobro Byron House - bass Dan Tyminski – rhythm guitar Lynn Williams – snare Wolves A-Howling (Traditional) Barry Bales - bass Ron Block - banjo Stuart Duncan - fiddle Adam Steffey - mandolin Dan Tyminski - rhythm guitar The Spotted Pony (Traditional, arr. Ron Block, Moonlight Canyon Publishing, BMI) Barry Bales - bass Ron Block - banjo, rhythm and lead guitar Stuart Duncan – fiddle Sierra Hull – octave mandolin Alison Krauss - fiddle Adam Steffey – mandolin Dan Tyminski - rhythm guitar Lynn Williams – snare Clinch Mountain Backstep (Ralph Stanley) Barry Bales - bass Ron Block - banjo, rhythm and lead guitar Stuart Duncan – fiddle Clay Hess - rhythm guitar Adam Steffey – mandolin Gentle Annie (Stephen Foster) Ron Block – banjo, guitar Tim Crouch – fiddles, cello, bowed bass Mark Fain - bass Sierra Hull – octave mandolins Mooney Flat Road (Ron Block, Moonlight Canyon Publishing, BMI) Barry Bales - bass Ron Block - banjo, rhythm and lead guitar Stuart Duncan – fiddle Sierra Hull – octave mandolin Alison Krauss - fiddle Adam Steffey – mandolin Jeff Taylor - accordion Dan Tyminski - rhythm guitar Lynn Williams – snare Mollie -
Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious. -
NO RISK DISC Greentea Peng What’S New
4 juni 2021 - nr. 378 Het blad van/voor muziekliefhebbers NO RISK DISC Greentea Peng What’s New Billie Marten Flora Fauna ‘Flora Fauna’ is het derde album van singer/songwriter Billie Marten. Na twee akoestische folk albums, heeft ze haar kenmerkende sound uitgebreid met een sterke ruggengraat van bas en ritme. De liedjes markeren een periode van persoonlijke onafhankelijkheid voor Marten, terwijl ze leerde om goed voor zichzelf te zorgen en zich los te maken uit giftige relaties. Release: 21 mei James All the Colours of You ‘All the Colours of You’ is het zestiende studioalbum van de Britse rockband James. Het album is geproduceerd door de met een Grammy bekroonde Jacknife Lee (U2, REM, Taylor Swift, Snow Patrol, The Killers). Hij zorgde voor een frisse blik en een andere benadering, waardoor ‘All the Colours of You’ een fris en festivalklaar geluid heeft. Release: 4 juni Rise Against Nowhere Generation NO ‘Nowhere Generation’ is het negende studioalbum van de Amerikaanse rockband Rise Against. De muziek van de band is gevormd door het activisme en het gevoel van sociale RISK rechtvaardigheid van de bandleden. Dit zijn dan ook elementen die centraal staan in ‘Nowhere Generation’. DISC GREENTEA PENG Release: 4 juni Man Made (Universal) jeugd die niets wil voelen, maar tegelijkertijd LP, CD alles voelt en waarbij Peng zichzelf verliest in Gaspard Augé Greentea Peng is de artiestennaam van de in Zuid- antidepressiva. Die eerlijkheid fascineert. Pengs Escapades Londen geboren zangeres Aria Wells. De 26-jarige teksten zijn donker en persoonlijk en gaan over ‘Escapades’ is het debuutalbum van Gaspard Augé, vooral bekend Peng is met haar vele tatoeages een opvallende haar hoopvolle verlangen naar eenheid in een als de helft van Justice: het duo dat rock en rave verenigde in verschijning, maar meer nog imponeert ze door wereld vol patriarchale structuren, marginalisatie het midden van de jaren 2000. -
The Demographics and Production of Black Poetry
Syllabus Week 1: The Demographics and Production of Black Poetry Resident Faculty: Howard Rambsy Visiting Faculty: James Smethurst, Kathy Lou Schultz, Tyehimba Jess, Brenda Marie Osbey Led by Rambsy, the Week 1 readings, activities and lectures will address significant recurring topics in the discourse on African American poetry—black aesthetics, history, cultural pride, critiques of anti-black racism, music and performance—and concentrate on major trends, popular poets and canonical poems and genres. We will identify and discuss several major poets, including Amiri Baraka, Jayne Cortez, Nikki Giovanni, Carolyn Rodgers, and Dudley Randall whose works began circulating widely during the late 1960s and early 1970s. We will consider how the BAM intersects with and distinguishes itself from other related poetry movements like the Beat Generation. We look at the configuration of contemporary black poetry, as poets become identified by subject matter, region, movement and/or collective like Cave Canem Poets, the Affrilachian Poets, and the National Poetry Slam Movement that began in 1990. Rambsy, Kathy Lou Schultz, Smethurst and Graham will give lectures that provide NEH Summer Scholars with an overarching sense of poets in the field as well as major events and circumstances that have shaped African American poetry. As specialists who have written about poetry and literary history, Rambsy, Schultz, and Smethurst will collectively provide foundational concepts and material for understanding and teaching black poetry. The week will also include discussions and readings by poets Tyehimba Jess and Brenda Marie Osbey, which will give NEH Summer Scholars chances to consider persona poetry and the presence of history in contemporary poems. -
Finding Aid for the the Oxford American Collection (MUM00347)
University of Mississippi eGrove Archives & Special Collections: Finding Aids Library November 2020 Finding Aid for the The Oxford American Collection (MUM00347) Follow this and additional works at: https://egrove.olemiss.edu/finding_aids Recommended Citation The Oxford American Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi This Finding Aid is brought to you for free and open access by the Library at eGrove. It has been accepted for inclusion in Archives & Special Collections: Finding Aids by an authorized administrator of eGrove. For more information, please contact [email protected]. Finding Aid for the The Oxford American Collection (MUM00347) Questions? Contact us! The Oxford American Collection is open for research. Material separated for preservation, such as photographs, cassette tapes and computer discs, are stored at an off-site facility. Researchers interested in using this collection must contact Archives and Special Collections at least two business days in advance of their planned visit Finding Aid for the The Oxford American Collection Table of Contents Descriptive Summary Administrative Information Subject Terms Historical Note Scope and Content Note User Information Related Material Separated Material Arrangement Container List Descriptive Summary Title: The Oxford American Collection Dates: 1988-2002 Collector: Smirnoff, Marc ; Oxford American Physical Extent: 85 boxes (46 linear feet) + Unprocessed Materials Repository: University of Mississippi. Department of Archives and Special Collections. University, MS 38677, USA Identification: MUM00347 Location: J.D. Williams Library & Library Annex Language of Material: English Abstract: Manuscripts & production materials related to The Oxford American magazine, a prominent literary journal. Administrative Information Acquisition Information Materials donated by the Marc Smirnoff, founder and editor of the The Oxford American. -
Furiousflower2014 Program.Pdf
Dedication “We are each other’s harvest; we are each other’s business; we are each other’s magnitude and bond.” • GWENDOLYN BROOKS Dedicated to the memory of these poets whose spirit lives on: Ai Margaret Walker Alexander Maya Angelou Alvin Aubert Amiri Baraka Gwendolyn Brooks Lucille Clifton Wanda Coleman Jayne Cortez June Jordan Raymond Patterson Lorenzo Thomas Sherley Anne Williams And to Rita Dove, who has sharpened love in the service of myth. “Fact is, the invention of women under siege has been to sharpen love in the service of myth. If you can’t be free, be a mystery.” • RITA DOVE Program design by RobertMottDesigns.com GALLERY OPENING AND RECEPTION • DUKE HALL Events & Exhibits Special Time collapses as Nigerian artist Wole Lagunju merges images from the Victorian era with Yoruba Gelede to create intriguing paintings, and pop culture becomes bedfellows with archetypal imagery in his kaleidoscopic works. Such genre bending speaks to the notions of identity, gender, power, and difference. It also generates conversations about multicultur- alism, globalization, and transcultural ethos. Meet the artist and view the work during the Furious Flower reception at the Duke Hall Gallery on Wednesday, September 24 at 6 p.m. The exhibit is ongoing throughout the conference, 10 a.m. to 5 p.m. FUSION: POETRY VOICED IN CHORAL SONG FORBES CENTER FOR THE PERFORMING ARTS Our opening night concert features solos by soprano Aurelia Williams and performances by the choirs of Morgan State University (Eric Conway, director) and James Madison University (Jo-Anne van der Vat-Chromy, director). In it, composer and pianist Randy Klein presents his original music based on the poetry of Margaret Walker, Michael Harper, and Yusef Komunyakaa. -
American Book Awards 2004
BEFORE COLUMBUS FOUNDATION PRESENTS THE AMERICAN BOOK AWARDS 2004 America was intended to be a place where freedom from discrimination was the means by which equality was achieved. Today, American culture THE is the most diverse ever on the face of this earth. Recognizing literary excel- lence demands a panoramic perspective. A narrow view strictly to the mainstream ignores all the tributaries that feed it. American literature is AMERICAN not one tradition but all traditions. From those who have been here for thousands of years to the most recent immigrants, we are all contributing to American culture. We are all being translated into a new language. BOOK Everyone should know by now that Columbus did not “discover” America. Rather, we are all still discovering America—and we must continue to do AWARDS so. The Before Columbus Foundation was founded in 1976 as a nonprofit educational and service organization dedicated to the promotion and dissemination of contemporary American multicultural literature. The goals of BCF are to provide recognition and a wider audience for the wealth of cultural and ethnic diversity that constitutes American writing. BCF has always employed the term “multicultural” not as a description of an aspect of American literature, but as a definition of all American litera- ture. BCF believes that the ingredients of America’s so-called “melting pot” are not only distinct, but integral to the unique constitution of American Culture—the whole comprises the parts. In 1978, the Board of Directors of BCF (authors, editors, and publishers representing the multicultural diversity of American Literature) decided that one of its programs should be a book award that would, for the first time, respect and honor excellence in American literature without restric- tion or bias with regard to race, sex, creed, cultural origin, size of press or ad budget, or even genre. -
The 2007 Oxford Conference for the Book
Southern Register Winter 2k7 2/19/07 3:28 PM Page 1 the THE NEWSLETTER OF THE CENTER FOR THE STUDY OF SOUTHERN CULTURE •WINTER 2007 THE UNIVERSITY OF MISSISSIPPI 2007 Oxford Conference for the Book his year’s Oxford Conference for the Book will be a special one. The conference honors each year a Tprominent Southern writer, and Larry Brown will be the focus of attention when the 14th annual conference meets on March 22–24, 2007. Brown was one of the South’s, and nation’s, most acclaimed younger writers, when he died November 24, 2004. The conference will provide the first literary occasion to gather critics, scholars, musicians, teachers, friends, and family to consider and celebrate Brown’s achievements. Brown was an especially well known figure around Oxford. Having grown up in Lafayette County, he studied writing at the University of Mississippi, taught here briefly, and had been a frequent participant in Center work. Brown was a legendary figure—the Oxford firefighter who served the community from 1973 to 1990, when he retired to work full time on his writing. He studied with Mississippi writer Ellen Douglas, and his wide reading and relentless work on his writing contributed to his prolific success. He published his first book, Facing the Music: Short Stories, in 1988. He wrote five novels, a second short-story collection, and two books of nonfiction. His last novel, A Miracle of Catfish, will be published by Algonquin Books of Chapel Hill on March 20, just before the conference begins. Illustrating 2007 Oxford Conference for the Book materials is a Brown received the Mississippi Institute of Arts and Letters Larry Brown portrait made by Tom Rankin in 1996. -
Nicolas Cage Tye Sheridan Meilleur Espoir Masculin Mostra De Venise 2013
WILD SIDE EN ASSOCIATION AVEC LE PACTE PRÉSENTE NICOLAS CAGE TYE SHERIDAN MEILLEUR ESPOIR MASCULIN MOSTRA DE VENISE 2013 D’APRÈS LE ROMAN DE LARRY BROWN UN FILM DE DAVID GORDON GREEN WILD SIDE EN ASSOCIATION AVEC LE PACTE PRÉSENTE UNE PRODUCTION WORLDVIEW ENTERTAINMENT / DREAMBRIDGE FILMS UNE PRODUCTION MUSKAT FILMED PROPERTIES / ROUGH HOUSE PICTURES D’APRÈS LE ROMAN DE LARRY BROWN UN FILM DE DAVID GORDON GREEN avec NICOLAS CAGE DISTRIBUTION TYE SHERIDAN WILD SIDE (PRIX DU MEILLEUR ESPOIR MASCULIN MOSTRA DE VENISE 2013) www.wildside.fr GARY POULTER en association avec RONNIE GENE BLEVINS LE PACTE 5, rue Darcet - 75017 Paris 1H57 / USA / 2013 / COULEUR / 5.1 / 2.40 Tél: 01 44 69 59 59 www.le-pacte.com SORTIE NATIONALE : RELATIONS PRESSE 30 AVRIL 2014 Matilde INCERTI assistée de Jérémie CHARRIER 16, rue Saint Sabin - 75011 Paris Tél: 01 48 05 20 80 Matériel presse téléchargeable sur [email protected] www.joe-lefi lm.com ripou qui tente de voler la récolte de marijuana au héros. Mais sous l’influence À PROPOS DE LARRY BROWN de Richard Howorth, le libraire de Square Books, en face du palais de justice d’Oxford, il élargira son champ de lecture, découvrant Flannery O’Connor, Larry Brown avait scotché une citation de Faulkner sur sa vieille machine Carver et Bukowski (pas encore Cormac McCarthy, qui l’influencera à partir de électrique Smith-Corona: « You Have to Kill All Your Darlings », et le moins Joe). Pour écrire, il doit s’isoler, travailler la nuit, d’abord dans une pièce exiguë qu’on puisse dire c’est qu’il prenait cela très sérieusement.