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À La Séance Ordinaire Du Conseil Des Commissaires De La Commission
- 861 - À la séance ordinaire du Conseil des commissaires de la Commission scolaire des Portages-de-l’Outaouais tenue au Centre administratif, 225, rue Saint-Rédempteur, Gatineau (Québec), le mercredi 13 septembre 2006, à l9 heures 30 et à laquelle séance sont présents : Séance ordinaire M. Jocelyn Blondin, président 13 septembre 2006 Mme Hélène Bélisle M. Gilbert Couture M. Mario Crevier M. Ugo de Montigny M. Alain Faussurier M. Alain Gauthier M. Michel Gervais M. Dominique Kenney M. Michel Lanthier Mme Chantal Leblanc-Bélanger Mme Johanne Légaré Mme Francine Lorange Mme Francine Poitras M. Andrew Rhéaume Mme Gervaise St-Amour M. Gilles Chagnon, représentant le Comité de parents Étaient également présentes et présents : Mme Lucie Lafleur, directrice générale M. René Gauthier, secrétaire général M. Mario Auclair, directeur, Service des ressources humaines Mme Lucie Demers, directrice, Service des ressources éducatives M. Gérard Lacroix, directeur, Service des ressources financières M. Luc Pelchat, directeur, Service des ressources matérielles M. Gérald St-Arneault, directeur, Service des technologies de l'information Mme Claudette Séguin, directrice, Service de l’organisation scolaire Mme Jocelyne Bertrand, agente d’administration M. Guy Bélanger, directeur, école Aux Quatre-Pignons Mme Louise Cousineau, directrice, école du Grand-Boisé Mme Ginette Giroux, directrice, école du Village Étaient absentes et absents : M. Nicolas Cazelais M. Fernand Lavoie M. Jacques Lemay Mme Marie-Andrée Lépine M. Jean-Pierre Reid Mme José Morissette, représentant le Comité de parents OUVERTURE DE LA SÉANCE ET ADOPTION DE L’ORDRE DU JOUR Le Président procède à la vérification du quorum, à l’ouverture de la séance et à l’adoption de l’ordre du jour. -
CPCC-C32-Committee-S
CANADIAN PRIVATE COPYING COLLECTIVE SOCIÉTÉ CANADIENNE DE PERCEPTION DE LA COPIE PRIVÉE 150 Eglinton Ave. East, Suite 403 Toronto, Ontario M4P 1E8 416 486 6832 1 800 892 7235 416 486 3064 [FAX] www.cpcc.ca CPCC CPCC C-32 Submission Background The Canadian Private Copying Collective (CPCC) is the non-profit organization responsible for collecting private copying royalties and distributing them to songwriters, performers, music publishers and record companies, as well as promoting the interests of rights holders as they pertain to private copying. For over a decade, the CPCC has represented copyright holders before the Copyright Board of Canada. The Board establishes the levies that may be collected after trial-like hearings where experts, representing music rights holders and organizations that represent consumers and businesses that sell leviable blank media, present evidence and are cross-examined. The private copying levy has been an important part of the Canadian copyright regime since 1999, when the first private copying tariff was certified by the Copyright Board, following amendments made to the Copyright Act (the “Act”) in 1997 to allow for a levy to be placed on blank audio recording media. Currently, the levy only applies to blank CDs and MiniDiscs, at a rate of 29 cents per unit, and is paid by manufacturers and importers of these blank media to the CPCC for distribution to rights holders. The private copying levy has provided an effective mechanism whereby consumers are allowed to make copies of music for their personal use without infringing copyright and, in exchange, music creators receive royalties that recognize the value of private copies of their work. -
Radio Essentials 2012
Artist Song Series Issue Track 44 When Your Heart Stops BeatingHitz Radio Issue 81 14 112 Dance With Me Hitz Radio Issue 19 12 112 Peaches & Cream Hitz Radio Issue 13 11 311 Don't Tread On Me Hitz Radio Issue 64 8 311 Love Song Hitz Radio Issue 48 5 - Happy Birthday To You Radio Essential IssueSeries 40 Disc 40 21 - Wedding Processional Radio Essential IssueSeries 40 Disc 40 22 - Wedding Recessional Radio Essential IssueSeries 40 Disc 40 23 10 Years Beautiful Hitz Radio Issue 99 6 10 Years Burnout Modern Rock RadioJul-18 10 10 Years Wasteland Hitz Radio Issue 68 4 10,000 Maniacs Because The Night Radio Essential IssueSeries 44 Disc 44 4 1975, The Chocolate Modern Rock RadioDec-13 12 1975, The Girls Mainstream RadioNov-14 8 1975, The Give Yourself A Try Modern Rock RadioSep-18 20 1975, The Love It If We Made It Modern Rock RadioJan-19 16 1975, The Love Me Modern Rock RadioJan-16 10 1975, The Sex Modern Rock RadioMar-14 18 1975, The Somebody Else Modern Rock RadioOct-16 21 1975, The The City Modern Rock RadioFeb-14 12 1975, The The Sound Modern Rock RadioJun-16 10 2 Pac Feat. Dr. Dre California Love Radio Essential IssueSeries 22 Disc 22 4 2 Pistols She Got It Hitz Radio Issue 96 16 2 Unlimited Get Ready For This Radio Essential IssueSeries 23 Disc 23 3 2 Unlimited Twilight Zone Radio Essential IssueSeries 22 Disc 22 16 21 Savage Feat. J. Cole a lot Mainstream RadioMay-19 11 3 Deep Can't Get Over You Hitz Radio Issue 16 6 3 Doors Down Away From The Sun Hitz Radio Issue 46 6 3 Doors Down Be Like That Hitz Radio Issue 16 2 3 Doors Down Behind Those Eyes Hitz Radio Issue 62 16 3 Doors Down Duck And Run Hitz Radio Issue 12 15 3 Doors Down Here Without You Hitz Radio Issue 41 14 3 Doors Down In The Dark Modern Rock RadioMar-16 10 3 Doors Down It's Not My Time Hitz Radio Issue 95 3 3 Doors Down Kryptonite Hitz Radio Issue 3 9 3 Doors Down Let Me Go Hitz Radio Issue 57 15 3 Doors Down One Light Modern Rock RadioJan-13 6 3 Doors Down When I'm Gone Hitz Radio Issue 31 2 3 Doors Down Feat. -
A Window on Artistic Traditions
umber 1 N ummer 2011 | Volume 18, Volume ummer 2011 | ALBERTA’S UKRAINIAN ARTS AND CULTURE MAGAZINE S pring/ S A window on artistic traditions A PUBLICATION Myrna Kostash: Diarizing Our Journey | The Korovai: A Symbol of Ukrainian Ethnicity OF THE ALBERTA The Ukrainian Experience in Alberta: Through the eyes of Larysa Luciw COUNCIL FOR THE UKRAINIAN ARTS ACUAVITAE Spring/Summer 2011 7 16 18 26 features Diarizing Picture This The Art of 8 Our 12 18 the Korovai departments In her stunning Journey photo essay, Anna Chudyk 4 From the Editor Lida Somchynsky Larysa Luciw looks into the speaks to Myrna illustrates The korovai…a symbol 5 Arts & Culture News Kostash about the Ukrainian of Ukrainian true spirit of her Experience in ethnicity. 7 Profile: Tanya in Wonderland work. Alberta. 11 Profile: Carving A Tradition 16 Profile: Ukrainian Youth Orchestras 22 Music: An Interview with Theresa Sokyrka 25 Literary Works: A Short Reminiscence for Babunia 11 Stocky 26 Lystivky: Men of the Bandura on the cover “Window” Photograph by Larysa Luciw Spring/Summer 2011 ACUAVITAE 3 FROM THE EDITOR “The life of an artist is a continuous journey, the path long and never ending” Justin Beckett the 120th anniversary of the first Ukrainian Settlement to Canada-a significant journey that laid the foundation of our community today. In this issue of ACUA Vitae, we explore the cultural journeys of artists from our Ukrainian community. Larysa Luciw gets behind the lens and captures images of the Ukrainian experience ALBERTA’S UKRAINIAN ARTS AND CULTURE MAGAZINE in Alberta; Mary Oakwell takes a look at woodworking; Anna Chudyk Spring/Summer 2011 | Volume 18 Number 1 explores the art and symbol of korovai; and Lida Somchinsky shares with us Publisher: ACUA, The Alberta Myrna Kostash’s literary journey. -
Famous Male Musicians
Canadian Celebrity Readers Famous Male Musicians Grades 4-8 Written by Ruth Solski Illustrated by Dan Day About the author: Ruth Solski was an educator for 30 years. She has written many educational resources over the years and is the founder of S&S Learning Materials. As a writer, her main goal is to provide teachers with a useful tool they can implement in their classrooms to bring the joy of learning to children. ISBN: 978-1-55495-025-6 Copyright 2009 All Rights Reserved * Printed in Canada Published in Canada by: S&S Learning Materials 15 Dairy Avenue Napanee, Ontario K7R 1M4 www.sslearning.com Permission to Reproduce Permission is granted to the individual teacher who purchases one copy of this book to reproduce the student activity material for use in his/her classroom only. Reproduction of these materials for an entire school or for a school system, or for other colleagues or for commercial sale is strictly prohibited. No part of this publication may be transmitted in any form or by any means, electronic, mechanical, recording or otherwise without the prior written permission of the publisher. “We acknowledge the financial support of the Government of Canada through the Book Publishing Industry Development Program (BPIDP) for this project.” © S&S Learning Materials 1 SSJ1-72 Famous Male Musicians Canadian Celebrity Readers Famous Male Musicians Table of Contents At A GlanceTM ............................................................................................. 2 About This Book ....................................................................................... -
2008 / 2009 Annual Report
RADIO STARMAKER FUND ANNUAL REPORT 20#08 –2009 ANNUAL REPORT RADIO TABLE OF CONTENTS STARMAKER #FUND 02. Message from the Chair 03. Board of Directors and Staff | Mandate 04 . Application Evaluation | Applications Submitted vs. Applications Approved 05. Tracking Success | Grant Allocation by Type of Record Label 07. -10. Radio Starmaker Funded Artists 12. Sales Certifications 14. Grant Allocation by Province | Grant Allocation by Genre 16. Grant Allocation by Music Industry Association 18. -19. Awards Won by Radio Starmaker Funded Artists 21. New Artists to Radio Starmaker Fund 23. Allocation of Funding by Category 25. -29. Condensed Financial Statements 372 Bay Street, Suite 302, Toronto, Ontario M5H 2W9 T. 416.597.6622 F. 416.597.2760 TF. 1.888.256.2211 www.radiostarmakerfund.com RADIO STARMAKER FUND ANNUAL REPORT 2008-2009 .01 ANNUAL REPORT RADIO MESSAGE FROM THE CHAIR STARMAKER #FUND It is my pleasure in my second year as Another important issue for Starmaker is to ensure that I am very excited to see these excellent results and I look Chair of the Radio Starmaker Fund the funding is distributed broadly over new and emerg - forward to working further with the new Board and the to present our outstanding results ing talent and that we are not funding the same artists very capable staff here at Starmaker to continue to set from the fiscal year 2008-2009. repeatedly. This year in addition to our dramatic and meet these very high standards for supporting artists increase in applications we saw almost one third of these in Canada. One of the primary goals of the applications from artists who were new to the Fund. -
Baltruschat-MIA
Doris Baltruschat THE NEW MEDIA GEOGRAPHY OF GLOBAL AND LOCAL PRODUCTION NETWORKS Abstract This article highlights the networked collaborations, across non-traditional lines, between producers, broadcasters, digital content developers and telecommunications providers for the development of content across multiple platforms. Through using global production technologies such as co-production and formatting, they are able to localise program narratives with the participation of audiences, online communities, and media events — all of which increase the value of the overall program package for the international market. Global film and television programs are based on production ecologies that interconnect vast networks of producers, broadcasters and digital content developers. These partnerships include collaborations on multi-platform media to stem the growing ‘audience coup’ emanating from file-sharing sites and to exploit social networking aspects that surround popular television programs. In particular, professional media producers take advantage of the reciprocal relationship between actual and virtual communities that coalesce around television shows in the form of real live media events, program participation, public display, online chat rooms and blogs. While these immersive environments extend a global media product’s reach into specific local contexts, they also provide the blueprint for its successful adaptation in different markets around the world. This article explores the intersection between professional media practices and active public engagement with television programs: the dichotomy of media localisation and globalisation is at the core of the investigation. Public involvement in television programs runs the gamut of attending open auditions and participating in television programs to creating a plethora of user-generated content. These activities add value to programs because locally acquired expertise becomes part of a production matrix that is reapplied to the development of new media products. -
RADIO Si RECORDS Second in an Excllsive 'Series on Nashville Success Mapping the DNA of PPM MARCH 28, 2003 NO
RECORD -SETTING '4 MINUTES' Madonna Ties Mariah Carey For Most CHR /Top 40 Chart Hits, At 26, As '4 Minutes' With Justin) LATIN SPECIAL: New York's Heart Timberlake Launches At No. 23. Beats For SBS Latin Pop 'Amor' It's Her Highest Bow Since TALENT: N LOS,L.A. Free -Form 'Frozen' In 1998 Night Jock. Jim Ladd Still Beats Tribal Crum DANCING UP THE CHARTS REGULATORY: Has The FCC Goie Teenage Double Threat Locc Tc SafegL.ard Localism? Julianne Hough Turns °..`: : 'Tracking Dittoheads,' TV Exposure Into RADIO si RECORDS Second In An Excllsive 'Series On Nashville Success Mapping The DNA Of PPM MARCH 28, 2003 NO. -755 $6.50 www.RadioandRecords.com ADVERTISEMENT FROM TH- FASTEST SELLING UK DEBUT A_BUM OF ALL TIME...ALREADY 5); PLATIkUN'! n.,m1, WWW.LEONALEWISIlUS C.COM WWW.JRECCRDS.CCM 2008 J Records, a unit of SONY BMG Music Entertainment www.americanradiohistory.com intelligent Mosíc Scheduling Soft wO re Get it right. Every schedule. Every time. Find out why POWERGOLD's innovative features are making better radio for programmers around the world. Contact us to schedule your V.I.P. get together at the 2008 NAB in Las Vegas. [email protected] [email protected] 501.821.1111 www.americanradiohistory.com WWW.RADIOANDRECORDS.COM: INDUSTRY AND FORMAT NEWS, AS IT HAPPENS, AROUND THE CLOCK. RAR News Iwo _tes Ortuño To Program Approves Sirius -XM Merger ON THE WEB Austin's La Ley, Norteño ow Report: Clear Channel Sirius and XM Satellite Radio have cleared their first big hurdle on the vvay to the altar Buyout 'Near Collapse' Chayan Ortuño is named PD for Border Media by securing the I )epar :utent of justice's Antitrust I )ivision's approval to join operations. -
Changing Times a Magazine Made by Newcomers to Southwest Saskatchewan SPRING 2012
Changing Times A magazine made by newcomers to Southwest Saskatchewan SPRING 2012 CELEBRATE DIVERSITY from the editor spring Welcome to spring! Doesn’t this newfound sunshine cheer you up? GREETINGS! It sure puts a smile on my face. Spring always feels like a refreshing reward for surviving the long and gloomy winter. I wish Saskatchewan springs lasted a little bit longer even if it meant shorter summers. I had lots of fun working on this spring issue of the Changing Times magazine, as there was so much to tell and report on. I hope you will enjoy reading our stories and perhaps also learn something new or gain a new per- spective. I am also very grateful for the wonderful con- tributions of our new volunteer writers. If you Spring is an excit- like writing, designing, taking pictures and if ing season! Every- you would like to volunteer thing is starting to some of your time, please let green, the weather me know! is getting warmer, and the days are getting longer! Happy Easter! Another bonus: it’s ~ Agnese Vilde almost summer! ~ Emilia Spring: The changing of the weather al- ways amazes me, especially from winter to spring. It’s like a big theatre production set unfolding before my eyes, with the basi- cally black and white winter suddenly changing into this colorful set-not just in nature but in people as well. Seeing the perennial plants that hide all winter months come out is really looking at life and how it must go on after a deep slumber. ~ Icasiana de Gala 2 Inside this issue Mabel R. -
BCE-CTV Benefits 2004 Allow Me to Introduce Myself
Sorry, Ben Mulroney was busy BCE-CTV Benefits 2004 Allow me to introduce myself. im Brent Butt from Corner Gas. before' the Ground Breaker fund' , I could' never afford to be represented by an artists rendering. But look at me' now! Introduction: The BCE-CTV Benefits are a $230 million benefits package, which now includes $146.5 million for the development and production of priority programming, $47 million for news and information programming, and $36.5 million for various industry initiatives and institutions in support of talent and skills development. This report details the activity and benefit expenditures for the period of September 1, 2003 to August 31, 2004. 1 ON-SCREEN: Priority Programming Success is what the BCE-CTV Benefits are all about. Breakout success for Canadian programming, both here in Canada and in the rest of the world. We are proud of the fact that the highest rated Canadian drama series (Degrassi: The Next Generation), the highest rated Canadian comedy series (Corner Gas), and the most watched Canadian series (Canadian Idol) are all supported by these benefits.1 1 Degrassi: The Next Generation is the #1 rated Canadian drama series (Adults 18-49, averaged over 2003-04, BBM Canada). Canadian Idol is the most watched Canadian English-language series since electronic measurement began. If i knew 1.7 million people were watching Corner Gas, i would have' shaved.' Gas stations are funny. if you give me money to write some scripts, i'll prove it. Priority Programming: DEVELOPMENT Cross Cultural Development This important benefit stream provides support for the development of stories that reflect the blending and contrast of diverse cultures. -
Pickering Faces Contempt Accusations Marks 10 Years
The Pickering 48 PAGES ✦ Metroland Durham Region Media Group ✦ WEDNESDAY, JUNE 8, 2005 ✦ Optional delivery $6 / Newsstand $1 RAW POWER IDOL WORSHIP Audi delivers it TV show runner-up signs with velvet gloves on for fans in Pickering Wheels pullout Page B3 [ Briefly ] Youth Centre Pickering faces contempt accusations marks 10 years PICKERING — The Youth Green Door Alliance, Alliance and Whitevale resident properties. The easements were held move resolved a court action initiated Centre is celebrating a decade of Sandy Rider filed a contempt ap- by the City. at the end of January against Pickering helping teens. resident ask OMB to plication with the Ontario Munici- “Pickering had no legal or moral by some preserve landowners, with The centre’s annual general enforce easements pal Board Tuesday morning against right to unilaterally break the ease- the City receiving $2.5 million and the meeting is Thursday, June 16, and Pickering’s decision in February to ments,” said Brian Buckles, vice-presi- potential for more if the area is devel- it is inviting members of the public remove easements from properties in dent of the Green Door Alliance and oped. At the same time as the deal was to celebrate as well. The event is By Danielle Milley the preserve. They want the OMB to an Uxbridge resident. reached, the Province included the from 5 to 6:30 p.m. at the Kinsmen Staff Writer Heritage Centre, 120 Robson Dr., in enforce the 1999 order that created The City converted some of the entire preserve in its greenbelt. Ajax. PICKERING — Pickering is facing the easements in perpetuity. -
Multiculturalism and the De-Politicization of Blackness in Canada: the Case of Flow 93.5 Fm
MULTICULTURALISM AND THE DE-POLITICIZATION OF BLACKNESS IN CANADA: THE CASE OF FLOW 93.5 FM by Kisrene McKenzie A thesis submitted in conformity with the requirements for the degree of Master of Arts Department of Sociology and Equity Studies in Education Ontario Institute for Studies in Education of the University of Toronto © Copyright by Kisrene McKenzie 2009 MULTICULTURALISM AND THE DE-POLITICIZATION OF BLACKNESS IN CANADA: THE CASE OF FLOW 93.5 FM Master of Arts 2009 Kisrene McKenzie Department of Sociology and Equity Studies in Education University of Toronto Abstract This thesis presents a case study of Canada‟s first Black owned radio station, FLOW 93.5 FM, to demonstrate how official multiculturalism, in its formulation and implementation, negates Canada‟s history of slavery and racial inequality. As a response to diversity, multiculturalism shifts the focus away from racial inequality to cultural difference. Consequently, Black self-determination is unauthorized. By investigating FLOW‟s radio license applications, programming and advertisements, this thesis reveals just how the vision of a Black focus radio station dissolved in order to fit the practical and ideological framework of multiculturalism so that Blackness could be easily commodified. This thesis concludes that FLOW is not a Black radio station but instead is a multicultural radio station – one that specifically markets a de-politicized Blackness. As a result, multiculturalism poses serious consequences for imagining and engaging with Blackness as a politics that may address the needs of Black communities in Canada. ii ACKNOWLEDGEMENTS I extend my deepest gratitude to my thesis supervisor, Dr. Sherene Razack, for her guidance, constant support, encouragement and initial interest in my thesis topic.