Foreign and European Policy Report 2012
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Andrej Sakharov 19 Elena Bonner, Compagna Di Vita 21
a cura di Stefania Fenati Francesca Mezzadri Daniela Asquini Presentazione di Stefania Fenati 5 Noi come gli altri, gli altri come noi di Simonetta Saliera 9 L’Europa è per i Diritti Umani di Bruno Marasà 13 Il Premio Sakharov 15 Andrej Sakharov 19 Elena Bonner, compagna di vita 21 Premio Sakharov 2016 25 Nadia Murad Basee Taha e Lamiya Aji Bashar, le ragazze yazide Premio Sakharov 2015 35 Raif Badawi, il blogger che ha criticato l’Arabia Saudita Premio Sakharov 2014 43 Denis Mukwege, il medico congolese che aiuta le donne Premio Sakharov 2013 53 Malala Yousafzai, la ragazza pakistana Premio Sakharov 2012 59 Jafar Panahi, il regista indiano Nasrin Sotoudeh, l’avvocatessa iraniana Premio Sakharov 2011 69 Mohamed Bouazizi - Asmaa Mahfouz - Ali Ferzat - Razan Zaitouneh - Ahmed Al-Sanusi - Le donne e la Primavera araba Glossario 89 Carta dei Diritti Fondamentali dell’Unione Europea 125 Presentazione Stefania Fenati Responsabile Europe Direct Emilia-Romagna Il Premio Sakharov rappresenta un importante momento nel quale ogni anno, dal 1988 ad oggi, la voce dell’Unione europea si fa senti- re contro qualsiasi violazione dei diritti umani nel mondo, e riafferma la necessità di lavorare costantemente per il progresso dell’umanità. Ogni anno il Parlamento europeo consegna al vincitore del Premio Sakharov una somma di 50.000 euro nel corso di una seduta plena- ria solenne che ha luogo a Strasburgo verso la fine dell’anno. Tutti i gruppi politici del Parlamento possono nominare candidati, dopodi- ché i membri della commissione per gli affari esteri, della commis- sione per lo sviluppo e della sottocommissione per i diritti dell’uomo votano un elenco ristretto formato da tre candidati. -
In New Iranian Cinema
UNIVERSITEIT VAN AMSTERDAM DEPARTMENT OF MEDIA STUDIES MASTER THESIS RETHINKING THE ’TYPICAL’ IN NEW IRANIAN CINEMA A STUDY ON (FEMALE) REPRESENTATION AND LOCATION IN JAFAR PANAHI’S WORK Master in Film and Media Studies Thesis supervisor: Dr. Gerwin van der Pol 2nd reader: Dr. Emiel Martens Date of Completion: 20th May 2019 i ABSTRACT Contemporary Iranian cinema has been acknowledged and praised by film critics, festivals and audiences worldwide. The recent international acclaim that Iranian films have received since the late 1980s, and particularly through the 1990s, show the significance that the films’ exhibition and reception outside Iran has played in the transformation of cinema in Iran, developing certain themes and aesthetics that have become known to be ‘typical’ Iranian and that are the focus of this paper. This survey explores Iranian film culture through the lens of Jafar Panahi and the poetics of his work. Panahi’ films, in past and present, have won numerous prizes within the international festival circuit and have been interpreted by audiences and critics around the world. Although officially banned from his profession since 2010, the Iranian filmmaker has found its ‘own’ creative ways to circumvent the limitations of censorship and express its nation’s social and political issues on screen. After providing a brief historical framework of the history of Iranian cinema since the 1990s, the survey will look at Panahi’s work within two categories. Panahi’s first three feature films will be explored under the aspects of Iranian children’s films, self-reflexivity and female representation(s). With regards to Panahi’s ‘exilic’ position and his current ban on filmmaking, the survey will analyze one of Panahi’s recent self-portrait works to exemplify the filmmaker use of ‘accented’ characteristics in terms of authorship and the meaning of location (open and closed spaces). -
Taxi, Un Jafar Panahi En Roue Libre Dans Le Marasme Téhéranais Hanieh Ziaei
Document generated on 09/27/2021 10:20 a.m. TicArtToc Diversité/Arts/Réflexion(s) Taxi, un Jafar Panahi en roue libre dans le marasme téhéranais Hanieh Ziaei « Clandestino » : créer en marge Number 6, Spring 2016 URI: https://id.erudit.org/iderudit/86872ac See table of contents Publisher(s) Diversité artistique Montréal (DAM) ISSN 2292-101X (print) 2371-4875 (digital) Explore this journal Cite this article Ziaei, H. (2016). Taxi, un Jafar Panahi en roue libre dans le marasme téhéranais. TicArtToc, (6), 32–35. Tous droits réservés © Hanieh Zahieh, 2016 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ ) s ( réflexion Taxi, un Jafar Panahi en roue libre dans le marasme téhéranais Hanieh Ziaei petite fille de dix ans, nièce du réalisateur (Hana Saïdi), Dans son dernier film, Jafar Panahi nous invite dans un taxi téhéranais, dans lequel les passagers successifs la célèbre avocate engagée, Nasrin Sotoudeh, un ancien partagent leurs opinions sur le pouvoir d’État, et ce, en voisin et ami de longue date, une institutrice, un voleur, évoquant chacun une facette différente de la société un vendeur de films et de musique piratés, un étudiant iranienne. Ce docufiction fut cependant critiqué par la en cinéma, un enfant de la rue, un homme blessé après jeune génération, qui lui reprocha d’avoir donné une un accident de moto et sa compagne et enfin deux vieilles vision erronée, caricaturale et simpliste de la société. -
The Arab Spring of Discontent
The Arab Spring of Discontent a collection from e-International Relations Created in November 2007 by students from the UK universities of Oxford, Leicester and Aberystwyth, e-International Relations Contents (e-IR) is a hub of information and analysis on some of the key is- sues in international politics. 4 Introductory notes As well as editorials contributed by students, leading academics 6 A Personal Perspective on the Tunisian Revolution and policy-makers, the website contains essays, diverse perspectives on global news, lecture podcasts, blogs written by 8 The Dictator is Dead,God Save the Dictator! some of the world’s top professors and the very latest research news from academia, politics and international development. 10 Tunisia: Was it a revolution? The pieces in this collection were published on e-International 12 The Egyptian People Demand the Fall of the Regime Relations during the first half of 2011, as events unfolded. 14 The EU & the Arab world: living up to the EU’s normative expectations 18 Yemen & the ‘Arab Spring’: Moving Beyond the Tribal Order? Front page image by Jonathan Rashad 21 The Arab Uprisings: Opportunities and Challenges for Iran 23 Cultural Emancipation & Political Liberation: The Iranian Green Movement 26 The Silence of Fear Shattered by the Voice of Protests in Iran 28 Why is Iran Championing Messianism to the Arab Masses? 34 The Persian Gulf Tinderbox 36 Libya: The First Stand or the Last Post for the Responsibility to Protect? 39 How to Save a Revolution 41 Did Diplomacy Succeed or Fail in Libya? Edited -
General Assembly Distr.: General 25 March 2008
United Nations A/AC.252/2008/INF/1 General Assembly Distr.: General 25 March 2008 English only Ad Hoc Committee established by General Assembly resolution 51/210 of 17 December 1996 Twelfth session 25 and 26 February and 6 March 2008 List of participants Chairman: Mr. Rohan Perera (Sri Lanka) Vice-Chairpersons: Mr. Diego Malpede (Argentina) Ms. Maria Telalian (Greece) Mr. Sabelo Sivuyile Maqungo (South Africa) Rapporteur: Mr. Lublin Dilja (Albania) 08-28339 (E) 280308 *0828339* A/AC.252/2008/INF/1 Country Representative Alternates Advisers Pays Représentant Suppléants Conseillers País Representante Suplentes Consejeros Afghanistan Albania Mr. Andris Stastoli Algeria Andorra Angola Antigua and Barbuda Argentina Armenia Australia Mr. Andrew Rose Austria Mr. Gerhard Pfanzelter Mr. Christian Ebner Mr. Konrad Bühler Azerbaijan Bahamas Bahrain Bangladesh Ms. Ismat Vahan Mr. Tareq Md. Ariful Islam Mr. Toufiq Islam Shatil Barbados Belarus Belgium Mr. Johan Verbeke Mr. Christophe Payot Mr. William Roelants de Stappers Belize Benin Mr. Jean-Francis R. Zinsou Mr. Nicolas Codjo Bhutan Bolivia 2 08-28339 A/AC.252/2008/INF/1 Country Representative Alternates Advisers Pays Représentant Suppléants Conseillers País Representante Suplentes Consejeros Bosnia and Herzegovina Botswana Brazil Mr. Paulo Roberto C. Mr. Marcelo Böhlke Tarrisse de Fontoura Brunei Darussalam Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Mr. Hugh Adsett Cape Verde Central African Republic Chad Chile Mr. Herman Quezada Mr. Rodrigo Toledo China Mr. Liu Zhenmin Ms. Chen Peijie Mr. LI Yongsheng Mr. Wang Chen Ms. Liu Ying Colombia Ms. Claudia Blum Mr. Alvaro Sandoval Bernal Comoros Congo Mr. Luc Joseph Okio Mr. Justin Biabaroh-Iboro Mr. Boniface Lezona, Mr. -
Urgent Action
First UA: 32/19 Index: MDE 13/9952/2019 Iran Date: 4 March 2019 URGENT ACTION WOMEN’S RIGHTS DEFENDER FACES 34 YEARS IN JAIL Prominent detained Iranian human rights lawyer, Nasrin Sotoudeh, faces up to 34 years in prison and 148 lashes, after two grossly unfair trials. The charges against her stem solely from her peaceful human rights work, including her defence of women protesting Iran’s abusive forced hijab (veiling) laws, and her outspoken opposition to the death penalty. TAKE ACTION: WRITE AN APPEAL IN YOUR OWN WORDS OR USE THIS MODEL LETTER Head of the Judiciary Sadegh Larijani C/o Permanent Mission of Iran to the UN Chemin du Petit-Saconnex 28 1209 Geneva, Switzerland Email: [email protected] Dear Mr Larijani, Nasrin Sotoudeh, a prominent human rights lawyer and women’s rights defender who has been arbitrarily detained in Tehran’s Evin prison since her arrest on 13 June 2018, faces a total of up to 34 years in prison and 148 lashes in relation to two onGoinG court cases. I appeal to you to release her as she is a prisoner of conscience. Nasrin Sotoudeh is awaitinG a court verdict followinG a grossly unfair trial that took place, in her and her lawyer’s absence, on 30 December 2018 before Branch 28 of the Revolutionary Court in Tehran. She has been prosecuted on seven charges, some of which are related to her opposition to forced hijab laws, includinG “incitinG corruption and prostitution” and “openly committinG a sinful act… by appearing in public without a hijab”. -
The Austrian Rule of Law Initiative 2004 - 2008
The Austrian Rule of Law Initiative 2004 - 2008 – The Panel Series, the Advisory Group and the Final Report on the UN Security Council and the Rule of Law Konrad G. Bühler* I. Introduction II. The Austrian Rule of Law Initiative 1. The Panel Series and the Alpbach Retreat 2. The Advisory Group – the Group of “Friends of the Rule of Law” a. The 2005 World Summit Outcome b. The New General Assembly Agenda Item on The Rule of Law at the National and International Levels c. The Establishment of the Rule of Law Unit 3. The Final Report on The UN Security Council and the Rule of Law a. The International Rule of Law b. Strengthening the Rule of Law within States c. The Security Council as a Creature of Law d. The Security Council as Legislator e. The Security Council as Judge f. The Security Council and Individual Rights III. Conclusion I. Introduction The year 2004 marked the beginning of an unprecedented renaissance of the rule of law at the United Nations, which was ignited by then UN Secretary-General Kofi Annan and spurred by initiatives of several like- * The views expressed in this article are the author’s personal views only and cannot be attributed to the Permanent Mission of Austria or the Austrian Federal Ministry for European and International Affairs. A. von Bogdandy and R. Wolfrum, (eds.), Max Planck Yearbook of United Nations Law, Volume 12, 2008, p. 409-446. © 2008 Koninklijke Brill N.V. Printed in The Netherlands. 410 Max Planck UNYB 12 (2008) minded UN Member States. -
FY 2000 Country Commercial Guide: Austria
U.S. Department of State FY 2000 Country Commercial Guide: Austria The Country Commercial Guides for Austria and was prepared by U.S. Embassy Vienna and released by the Bureau of Economic and Business in July 1999 for Fiscal Year 2000. International Copyright, U.S. and Foreign Commercial Service and the U.S. Department of State, 1999. All rights reserved outside the United States. TABLE OF CONTENTS Chapter I Executive Summary Chapter II Economic Trends and Outlook A. Major Trends and Outlook B. Government Role in the Economy C. Balance of Payments Situation D. Infrastructure Situation Chapter III Political Environment A. Nature of Political Relationship with the U.S. B. Major Political Issues Affecting the Business Climate C. Synopsis of Political System, Schedule for Elections and Orientation of Major Political Parties Chapter IV Marketing U.S. Products and Services A. Distribution and Sales Channels B. Product Pricing Structures C. Retail Trends D. Use of Agents/Distributors; Finding a Partner E. Franchising F. Joint Ventures and Licensing G. Steps to Establishing an Office H. Selling Factors and Techniques I. Advertising and Trade Promotion J. Pricing Products K. Sales Services/Customer Support L. Selling to the Government M. Protecting Your Product from IPR Infringement N. Need for a Local Attorney Chapter V Leading Sectors for U.S. Exports A. Best Prospects for Non-Agricultural Products B. Best Prospects for Agricultural Products Chapter VI Trade Regulations, Customs, and Standards A. Trade Barriers, including Tariff and Non- Tariff Barriers B. Customs Regulations and Tariff Rates C. Import Taxes including Value Added Taxes D. Import License Requirements E. -
121018 GHRN Sakharov Flyer
Sakharov Prize 2012 Panel Discussion Collaboration between the European Parliament Office in Scotland & Glasgow Human Rights Network (GHRN) The European Parliament's Sakharov Prize for Freedom of Thought is awarded annually to honour exceptional individuals who combat intolerance, fanaticism and oppression. Like Andrei Sakharov himself, all the winners of the prize have shown how much courage it takes to defend human rights and freedom of expression. The European Parliament Office in Scotland and the Glasgow Human Rights Network host this event at which students will mirror the process by which MEPs choose the winner of the Sakharov Prize. Students will present and argue the case for each nominee to receive the prize. Presentations will be followed by a discussion and vote among those present to determine the shortlist. After a further discussion, a vote will be taken to choose a winner - and we will see if the choice in Glasgow is the same as the choice made in Brussels! This year's nominees Ales Bialiatski imprisoned civil society activist fighting for freedom of thought and expression in Belarus. Joseph Francis founder and director of the Centre for Legal Aid, Assistance and Settlement (CLAAS). Victoire Ingabire Umuhoza, Déogratias Mushayidi, Bernard Ntaganda imprisoned Rwandan opposition politicians fostering dialogue and reconciliation. Pussy Riot Russian arrested after protesting in a cathedral against Russian president Vladimir Putin. Nasrin Sotoudeh imprisoned Iranian lawyer and human rights advocate. Jafar Panahi Iranian film director, screenwriter and film editor. Full details of the 2012 Sakharov Prize can be found on the European Parliament website. Thursday 18 October 2012 17.30 – 19.30 Wolfson Medical School Building, Seminar Room 3 (Gannochy) Location C8 on Campus map The event will conclude with refreshments served in the Wolfson Atrium All are welcome – event is free of charge Registration essential – please register by Tues 16 October http://ghrn-eorg.eventbrite.com/ www.glasgow.ac.uk/humanrights . -
Four Asian Filmmakers Visualize the Transnational Imaginary Stephen Edward Spence University of New Mexico
University of New Mexico UNM Digital Repository American Studies ETDs Electronic Theses and Dissertations Spring 4-17-2017 "Revealing Reality": Four Asian Filmmakers Visualize the Transnational Imaginary Stephen Edward Spence University of New Mexico Follow this and additional works at: https://digitalrepository.unm.edu/amst_etds Part of the American Studies Commons, Film and Media Studies Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, and the Race, Ethnicity and Post-Colonial Studies Commons Recommended Citation Spence, Stephen Edward. ""Revealing Reality": Four Asian Filmmakers Visualize the Transnational Imaginary." (2017). https://digitalrepository.unm.edu/amst_etds/54 This Dissertation is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in American Studies ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. i Stephen Edward Spence Candidate American Studies Department This dissertation is approved, and it is acceptable in quality and form for publication: Approved by the Dissertation Committee: Rebecca Schreiber, Chairperson Alyosha Goldstein Susan Dever Luisela Alvaray ii "REVEALING REALITY": FOUR ASIAN FILMMAKERS VISUALIZE THE TRANSNATIONAL IMAGINARY by STEPHEN EDWARD SPENCE B.A., English, University of New Mexico, 1995 M.A., Comparative Literature & Cultural Studies, University of New Mexico, 2002 DISSERTATION Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy American Studies The University of New Mexico Albuquerque, New Mexico May, 2017 iii ACKNOWLEDGEMENTS This project has been long in the making, and therefore requires substantial acknowledgments of gratitude and recognition. First, I would like to thank my fellow students in the American Studies Graduate cohort of 2003 (and several years following) who always offered support and friendship in the earliest years of this project. -
Persian Or Islamic? Depictions of Love in Contemporary Iranian Cinema
Anne Démy-Geroe Persian or Islamic? Depictions of Love in Contemporary Iranian Cinema IRANIAN CINEMA HAS been showered with gold, silver and bronze Leopards, Lions, Bears, Seashells and Palms from the major international film festivals since Abbas Kiarostami won his first international award in 1989: a Bronze Leopard at the Locarno Film Festival for Where is the Friend’s House. In more recent times, internationally and domestically, cinema has become the cultural marker of Iran and a major site of conflict between the government and its filmmakers. Yet it is poetry that perhaps best reflects Iran’s 2,500-year history as its most significant and enduring cultural achievement and export. The influence of Iranian poets, such as that of Hafiz on Goethe1, are as well- known as the fact that Rumi is the best-selling poet today in the United States. Thus it could be expected that there is a strong relationship between cinema and poetry and much has been written about it in general terms. I am interested in the way romantic love, often allegorical for, or ultimately transcending into, love for God, as expressed in much classical Persian poetry, manifests itself in contemporary Iranian cinema. Let me start with some of the constraints. The concept of love as portrayed by Rumi or Hafiz is less readily expressed cinematically, but the strong narrative elements in the work of Firdausi and Nizami lend themselves well to the cinematic form. Turning to the Iranian film industry there are constraints on how to portray, dictated by the Iranian cinematographic regulations (veiling, touch etc), and what to portray in the tensions between Islamic and pre-Islamic (or Persian) culture (the official favouring of the depiction of Islamic values and religious subjects over national culture and myths). -
Jafar Panahi's Taxi
presents JAFAR PANAHI’S TAXI Written, Produced and Directed by Jafar Panahi 2015 Berlin Film Festival- Winner Golden Bear 2015 Toronto International Film Festival Iran | 82 minutes | 2015 | In Farsi with English Subtitles www.kinolorber.com/press Kino Lorber, Inc. 333 West 39th St. Suite 503 New York, NY 10018 (212) 629-6880 Publicity Contact: Rodrigo Brandao O: (212) 629-6880 M: 917.434.6168 Synopsis Internationally acclaimed director Jafar Panahi (This is Not a Film) drives a yellow cab through the vibrant streets of Tehran, picking up a diverse (and yet representative) group of passengers in a single day. Each man, woman, and child candidly expresses his or her own view of the world, while being interviewed by the curious and gracious driver/director. His camera, placed on the dashboard of his mobile film studio, captures a spirited slice of Iranian society while also brilliantly redefining the borders of comedy, drama and cinema. Director’s Statement I’m a filmmaker. I can’t do anything else but make films. Cinema is my expression and the meaning of my life. Nothing can prevent me from making films. Because when I'm pushed into the furthest corners I connect with my inner self. And in such private spaces, despite all limitations, the necessity to create becomes even more of an urge. Cinema as an art becomes my main preoccupation. That is the reason why I have to continue making films under any circumstances to pay my respects and feel alive. Director Biography Jafar Panahi was born in 1960 in Mianeh, Iran.