Jafar Panahi and Mohamad Rasoulof
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Andrej Sakharov 19 Elena Bonner, Compagna Di Vita 21
a cura di Stefania Fenati Francesca Mezzadri Daniela Asquini Presentazione di Stefania Fenati 5 Noi come gli altri, gli altri come noi di Simonetta Saliera 9 L’Europa è per i Diritti Umani di Bruno Marasà 13 Il Premio Sakharov 15 Andrej Sakharov 19 Elena Bonner, compagna di vita 21 Premio Sakharov 2016 25 Nadia Murad Basee Taha e Lamiya Aji Bashar, le ragazze yazide Premio Sakharov 2015 35 Raif Badawi, il blogger che ha criticato l’Arabia Saudita Premio Sakharov 2014 43 Denis Mukwege, il medico congolese che aiuta le donne Premio Sakharov 2013 53 Malala Yousafzai, la ragazza pakistana Premio Sakharov 2012 59 Jafar Panahi, il regista indiano Nasrin Sotoudeh, l’avvocatessa iraniana Premio Sakharov 2011 69 Mohamed Bouazizi - Asmaa Mahfouz - Ali Ferzat - Razan Zaitouneh - Ahmed Al-Sanusi - Le donne e la Primavera araba Glossario 89 Carta dei Diritti Fondamentali dell’Unione Europea 125 Presentazione Stefania Fenati Responsabile Europe Direct Emilia-Romagna Il Premio Sakharov rappresenta un importante momento nel quale ogni anno, dal 1988 ad oggi, la voce dell’Unione europea si fa senti- re contro qualsiasi violazione dei diritti umani nel mondo, e riafferma la necessità di lavorare costantemente per il progresso dell’umanità. Ogni anno il Parlamento europeo consegna al vincitore del Premio Sakharov una somma di 50.000 euro nel corso di una seduta plena- ria solenne che ha luogo a Strasburgo verso la fine dell’anno. Tutti i gruppi politici del Parlamento possono nominare candidati, dopodi- ché i membri della commissione per gli affari esteri, della commis- sione per lo sviluppo e della sottocommissione per i diritti dell’uomo votano un elenco ristretto formato da tre candidati. -
Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
A Film by Mohammad Rasoulof a Man of Integrity a Film by Mohammad Rasoulof IRAN / 117 Min / Scope 2,39 / 5.1 / 2017 / Farsi
A Man of Integrity a film by Mohammad Rasoulof A Man of Integrity a film byMohammad Rasoulof IRAN / 117 min / Scope 2,39 / 5.1 / 2017 / Farsi INTERNATIONAL PUBLICITY WORLD SALES WOLF Consultants The Match Factory GmbH T: +49 157 7474 9724 Domstraße 60, 50668 Cologne/Germany (in Cannes) M: +33 7 60 21 57 76 phone +49 221 539 709-0 / fax +49 221 539 709-10 [email protected] [email protected] / www.the-match-factory.com DOWNLOAD PRESS MATERIALS at: www.wolf-con.com/download Reza (35), having distanced himself from the urban quagmire, leads a simple life along with his wife and sole child, somewhere in a remote village in Northern Iran. He spends his days working in his gold fish farm. Nearby, a private company with close links to the government and local authorities, has taken control of nearly every aspect of the regional life. Its shareholders, accumulating wealth, power and economic rents, have been pushing local farmers and small owners to dilapidate their belongings, farms and estates, to the benefit of the Company’s influential network and its monopoly. It is under their pressure that many villagers have themselves become local rings of the larger network of corruption. Meanwhile, Reza strives to resist coercion and preserve his farm. Soon though, he will realize that he can no longer stand up to this powerful, yet hidden, coercive web of corruption. Giving up, he decides to sell his property and move away. The Company however, decides to raise the stakes… PRODUCER’S NOTES DIRECTOR’S COMMENTS I have so far produced up to six films, none of which ever screened in Iran – the land my stories and I belong to. -
Religious Studies 181B Political Islam and the Response of Iranian
Religious Studies 181B Political Islam and the Response of Iranian Cinema Fall 2012 Wednesdays 5‐7:50 PM HSSB 3001E PROFESSOR JANET AFARY Office: HSSB 3047 Office Hours; Wednesday 2:00‐3:00 PM E‐Mail: [email protected] Assistant: Shayan Samsami E‐Mail: [email protected] Course Description Artistic Iranian Cinema has been influenced by the French New Wave and Italian neorealist styles but has its own distinctly Iranian style of visual poetry and symbolic lanGuaGe, brinGinG to mind the delicate patterns and intricacies of much older Iranian art forms, the Persian carpet and Sufi mystical poems. The many subtleties of Iranian Cinema has also stemmed from the filmmakers’ need to circumvent the harsh censorship rules of the state and the financial limitations imposed on independent filmmakers. Despite these limitations, post‐revolutionary Iranian Cinema has been a reGular feature at major film festivals around the Globe. The minimalist Art Cinema of Iran often blurs the borders between documentary and fiction films. Directors employ non‐professional actors. Male and female directors and actors darinGly explore the themes of Gender inequality and sexual exploitation of women in their work, even thouGh censorship laws forbid female and male actors from touchinG one another. In the process, filmmakers have created aesthetically sublime metaphors that bypass the censors and directly communicate with a universal audience. This course is an introduction to contemporary Iranian cinema and its interaction with Political Islam. Special attention will be paid to how Iranian Realism has 1 developed a more tolerant discourse on Islam, culture, Gender, and ethnicity for Iran and the Iranian plateau, with films about Iran, AfGhanistan, and Central Asia. -
In New Iranian Cinema
UNIVERSITEIT VAN AMSTERDAM DEPARTMENT OF MEDIA STUDIES MASTER THESIS RETHINKING THE ’TYPICAL’ IN NEW IRANIAN CINEMA A STUDY ON (FEMALE) REPRESENTATION AND LOCATION IN JAFAR PANAHI’S WORK Master in Film and Media Studies Thesis supervisor: Dr. Gerwin van der Pol 2nd reader: Dr. Emiel Martens Date of Completion: 20th May 2019 i ABSTRACT Contemporary Iranian cinema has been acknowledged and praised by film critics, festivals and audiences worldwide. The recent international acclaim that Iranian films have received since the late 1980s, and particularly through the 1990s, show the significance that the films’ exhibition and reception outside Iran has played in the transformation of cinema in Iran, developing certain themes and aesthetics that have become known to be ‘typical’ Iranian and that are the focus of this paper. This survey explores Iranian film culture through the lens of Jafar Panahi and the poetics of his work. Panahi’ films, in past and present, have won numerous prizes within the international festival circuit and have been interpreted by audiences and critics around the world. Although officially banned from his profession since 2010, the Iranian filmmaker has found its ‘own’ creative ways to circumvent the limitations of censorship and express its nation’s social and political issues on screen. After providing a brief historical framework of the history of Iranian cinema since the 1990s, the survey will look at Panahi’s work within two categories. Panahi’s first three feature films will be explored under the aspects of Iranian children’s films, self-reflexivity and female representation(s). With regards to Panahi’s ‘exilic’ position and his current ban on filmmaking, the survey will analyze one of Panahi’s recent self-portrait works to exemplify the filmmaker use of ‘accented’ characteristics in terms of authorship and the meaning of location (open and closed spaces). -
Taxi, Un Jafar Panahi En Roue Libre Dans Le Marasme Téhéranais Hanieh Ziaei
Document generated on 09/27/2021 10:20 a.m. TicArtToc Diversité/Arts/Réflexion(s) Taxi, un Jafar Panahi en roue libre dans le marasme téhéranais Hanieh Ziaei « Clandestino » : créer en marge Number 6, Spring 2016 URI: https://id.erudit.org/iderudit/86872ac See table of contents Publisher(s) Diversité artistique Montréal (DAM) ISSN 2292-101X (print) 2371-4875 (digital) Explore this journal Cite this article Ziaei, H. (2016). Taxi, un Jafar Panahi en roue libre dans le marasme téhéranais. TicArtToc, (6), 32–35. Tous droits réservés © Hanieh Zahieh, 2016 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ ) s ( réflexion Taxi, un Jafar Panahi en roue libre dans le marasme téhéranais Hanieh Ziaei petite fille de dix ans, nièce du réalisateur (Hana Saïdi), Dans son dernier film, Jafar Panahi nous invite dans un taxi téhéranais, dans lequel les passagers successifs la célèbre avocate engagée, Nasrin Sotoudeh, un ancien partagent leurs opinions sur le pouvoir d’État, et ce, en voisin et ami de longue date, une institutrice, un voleur, évoquant chacun une facette différente de la société un vendeur de films et de musique piratés, un étudiant iranienne. Ce docufiction fut cependant critiqué par la en cinéma, un enfant de la rue, un homme blessé après jeune génération, qui lui reprocha d’avoir donné une un accident de moto et sa compagne et enfin deux vieilles vision erronée, caricaturale et simpliste de la société. -
MANUSCRIPTS DON't BURN Synopsis Kasra Is an Iranian Author
MANUSCRIPTS DON'T BURN Synopsis Kasra is an Iranian author who manages to secretly write down his memoirs, although being under strict monitoring by the security service. His stories are related to his time in jail as a political prisoner, as well as different events connected to his life as an intellectual in Iran. He has prepared everything in order to publish these writings and is getting ready to leave the country. Several people in the security service apparatus manage to uncover Kasra’s plans. They will do anything to destroy his manuscripts. Director Mohammad Rasoulof was born in Shiraz, Iran in 1972 and is an independent filmmaker. He studied sociology. He started his professional carrier as a filmmaker with the making of independent documentary films. The docudrama The Twighligth (gagooman) was his first full-length cinema film. This film related to real events and persons and was produced in 2000 and was released in the year 2002. Until today Mohammad Rasoulof has made two documentary and four feature films. In 2010 Mohammad Rasoulof was arrested on set and was accused of filming without a permit. He was sentenced to six years in prison, this was later reduced to one year. Right now he is out on bail and is waiting for the sentence to be executed. His last film Goodbye (Be omid é didar) was released at the 2011 Cannes Film Festival in the category Un Certain Regard and won the prize for directing. His recent film Manuscripts Don't Burn was also screened in the Un Certain Regard section at the 2013 Cannes Film Festival where it won the FIPRESCI Prize. -
Films Shown by Series
Films Shown by Series: Fall 1999 - Winter 2006 Winter 2006 Cine Brazil 2000s The Man Who Copied Children’s Classics Matinees City of God Mary Poppins Olga Babe Bus 174 The Great Muppet Caper Possible Loves The Lady and the Tramp Carandiru Wallace and Gromit in The Curse of the God is Brazilian Were-Rabbit Madam Satan Hans Staden The Overlooked Ford Central Station Up the River The Whole Town’s Talking Fosse Pilgrimage Kiss Me Kate Judge Priest / The Sun Shines Bright The A!airs of Dobie Gillis The Fugitive White Christmas Wagon Master My Sister Eileen The Wings of Eagles The Pajama Game Cheyenne Autumn How to Succeed in Business Without Really Seven Women Trying Sweet Charity Labor, Globalization, and the New Econ- Cabaret omy: Recent Films The Little Prince Bread and Roses All That Jazz The Corporation Enron: The Smartest Guys in the Room Shaolin Chop Sockey!! Human Resources Enter the Dragon Life and Debt Shaolin Temple The Take Blazing Temple Blind Shaft The 36th Chamber of Shaolin The Devil’s Miner / The Yes Men Shao Lin Tzu Darwin’s Nightmare Martial Arts of Shaolin Iron Monkey Erich von Stroheim Fong Sai Yuk The Unbeliever Shaolin Soccer Blind Husbands Shaolin vs. Evil Dead Foolish Wives Merry-Go-Round Fall 2005 Greed The Merry Widow From the Trenches: The Everyday Soldier The Wedding March All Quiet on the Western Front The Great Gabbo Fires on the Plain (Nobi) Queen Kelly The Big Red One: The Reconstruction Five Graves to Cairo Das Boot Taegukgi Hwinalrmyeo: The Brotherhood of War Platoon Jean-Luc Godard (JLG): The Early Films, -
The Arab Spring of Discontent
The Arab Spring of Discontent a collection from e-International Relations Created in November 2007 by students from the UK universities of Oxford, Leicester and Aberystwyth, e-International Relations Contents (e-IR) is a hub of information and analysis on some of the key is- sues in international politics. 4 Introductory notes As well as editorials contributed by students, leading academics 6 A Personal Perspective on the Tunisian Revolution and policy-makers, the website contains essays, diverse perspectives on global news, lecture podcasts, blogs written by 8 The Dictator is Dead,God Save the Dictator! some of the world’s top professors and the very latest research news from academia, politics and international development. 10 Tunisia: Was it a revolution? The pieces in this collection were published on e-International 12 The Egyptian People Demand the Fall of the Regime Relations during the first half of 2011, as events unfolded. 14 The EU & the Arab world: living up to the EU’s normative expectations 18 Yemen & the ‘Arab Spring’: Moving Beyond the Tribal Order? Front page image by Jonathan Rashad 21 The Arab Uprisings: Opportunities and Challenges for Iran 23 Cultural Emancipation & Political Liberation: The Iranian Green Movement 26 The Silence of Fear Shattered by the Voice of Protests in Iran 28 Why is Iran Championing Messianism to the Arab Masses? 34 The Persian Gulf Tinderbox 36 Libya: The First Stand or the Last Post for the Responsibility to Protect? 39 How to Save a Revolution 41 Did Diplomacy Succeed or Fail in Libya? Edited -
Sensate Focus (Mark Fell) Y (Sensate Focus 1.666666) [Sensate Focus
Sensate Focus (Mark Fell) Y (Sensate Focus 1.666666) [Sensate Focus / Editions M ego] Tuff Sherm Boiled [Merok] Ital - Ice Drift (Stalker Mix) [Workshop] Old Apparatus Chicago [Sullen Tone] Keith Fullerton Whitman - Automatic Drums with Melody [Shelter Press] Powell - Wharton Tiers On Drums [Liberation Technologies] High Wolf Singularity [Not Not Fun] The Archivist - Answers Could Not Be Attempted [The Archivist] Kwaidan - Gateless Gate [Bathetic Records] Kowton - Shuffle Good [Boomkat] Random Inc. - Jerusalem: Tales Outside The Framework Of Orthodoxy [RItornel] Markos Vamvakaris - Taxim Zeibekiko [Dust-To-Digital] Professor Genius - À Jean Giraud 4 [Thisisnotanexit] Suns Of Arqa (Muslimgauze Re-mixs) - Where's The Missing Chord [Emotional Rescue ] M. Geddes Genras - Oblique Intersection Simple [Leaving Records] Stellar Om Source - Elite Excel (Kassem Mosse Remix) [RVNG Intl.] Deoslate Yearning [Fauxpas Musik] Jozef Van Wissem - Patience in Suffering is a Living Sacrifice [Important Reords ] Morphosis - Music For Vampyr (ii) Shadows [Honest Jons] Frank Bretschneider machine.gun [Raster-Noton] Mark Pritchard Ghosts [Warp Records] Dave Saved - Cybernetic 3000 [Astro:Dynamics] Holden Renata [Border Community] the postman always rings twice the happiest days of your life escape from alcastraz laurent cantet guy debord everyone else olga's house of shame pal gabor billy in the lowlands chilly scenes of winter alambrista david neves lino brocka auto-mates the third voice marcel pagnol vecchiali an unforgettable summer arrebato attila -
THERE IS NO EVIL (Sheytan Vojud Nadarad) a Film by Mohammad Rasoulof
THERE IS NO EVIL (Sheytan vojud nadarad) A film by Mohammad Rasoulof 150 min/Germany/Czech Republic/Iran/Farsi with English subtitles/2020/Cert tbc Winner of the Golden Bear – Berlin International Film Festival 2020 Release 2021 FOR ALL PRESS ENQUIRIES PLEASE CONTACT: Sue Porter/Lizzie Frith – Porter Frith Ltd Tel. 07940 584066/07825 603705 [email protected] FOR ALL OTHER ENQUIRIES PLEASE CONTACT Robert Beeson – [email protected] Dena Blakeman – [email protected] Unit 9, Bickels Yard 151 – 153 Bermondsey St London SE1 3HA [email protected] SYNOPSIS: Every society that enforces the death penalty needs people to kill other people. Four men are faced with an unthinkable but simple choice. Whatever they decide, it will directly or indirectly corrode themselves, their relationships, and their entire lives. In four thematically connected episodes, Mohammad Rasoulof tells their stories, which inevitably are also the stories of the people who surround them. 1 - THERE IS NO EVIL 40-year-old Heshmat is a kind and pleasant family man. He has a peaceful life with his wife and young daughter. He feels caught up in a daily routine. He makes enough money to support his family, but we see in his eyes that they are living with a secret. 2 – SHE SAID, “YOU CAN DO IT” Pouya has just begun his mandatory 2-year military service. With an honorable discharge, he will be able to apply for a passport and realize his dream of leaving Iran to live abroad with his girlfriend. After only one week of basic training, he is faced with a dilemma. -
Urgent Action
First UA: 32/19 Index: MDE 13/9952/2019 Iran Date: 4 March 2019 URGENT ACTION WOMEN’S RIGHTS DEFENDER FACES 34 YEARS IN JAIL Prominent detained Iranian human rights lawyer, Nasrin Sotoudeh, faces up to 34 years in prison and 148 lashes, after two grossly unfair trials. The charges against her stem solely from her peaceful human rights work, including her defence of women protesting Iran’s abusive forced hijab (veiling) laws, and her outspoken opposition to the death penalty. TAKE ACTION: WRITE AN APPEAL IN YOUR OWN WORDS OR USE THIS MODEL LETTER Head of the Judiciary Sadegh Larijani C/o Permanent Mission of Iran to the UN Chemin du Petit-Saconnex 28 1209 Geneva, Switzerland Email: [email protected] Dear Mr Larijani, Nasrin Sotoudeh, a prominent human rights lawyer and women’s rights defender who has been arbitrarily detained in Tehran’s Evin prison since her arrest on 13 June 2018, faces a total of up to 34 years in prison and 148 lashes in relation to two onGoinG court cases. I appeal to you to release her as she is a prisoner of conscience. Nasrin Sotoudeh is awaitinG a court verdict followinG a grossly unfair trial that took place, in her and her lawyer’s absence, on 30 December 2018 before Branch 28 of the Revolutionary Court in Tehran. She has been prosecuted on seven charges, some of which are related to her opposition to forced hijab laws, includinG “incitinG corruption and prostitution” and “openly committinG a sinful act… by appearing in public without a hijab”.