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Antique Japanese Swords for Sale
! Antique Japanese Swords For Sale As of October 24, 2012 Tokyo, Japan The following pages contain descriptions of genuine antique Japanese swords currently available for ownership. Each sword can be legally owned and exported outside of Japan. Descriptions and availability are subject to change without notice. Please enquire for additional images and information on swords of interest to [email protected]. We look forward to assisting you. Pablo Kuntz Founder, unique japan Unique Japan, Fine Art Dealer Antiques license issued by Meguro City Tokyo, Japan (No.303291102398) Feel the history.™ uniquejapan.com ! Index of Japanese Swords for Sale # SWORDSMITH & TYPE CM CERTIFICATE ERA / PERIOD PRICE 1 A SADAHIDE GUNTO 68.0 NTHK Kanteisho 12th Showa (1937) ¥510,000 2 A KANETSUGU KATANA 73.0 NTHK Kanteisho Gendaito (~1940) ¥495,000 3 A KOREKAZU KATANA 68.7 Tokubetsu Hozon Shoho (1644~1648) ¥3,200,000 4 A SUKESADA KATANA 63.3 Tokubetsu Kicho 17th Eisho (1520) ¥2,400,000 5 A ‘FUYUHIRO’ TACHI 71.6 NTHK Kanteisho Tenbun (1532~1555) ¥1,200,000 6 A TADAKUNI KATANA 65.3 NBTHK Hozon Jokyo (1684~1688) ¥1,150,000 7 A MORIIE KATANA 71.0 NBTHK Hozon Eisho (1504~1521) ¥1,050,000 HOLD A TAKAHIRA KATANA 69.7 Tokubetsu Kicho 5th Kanai (1628) 9 A NOBUHIDE KATANA 72.1 NTHK Kanteisho 2nd Bunkyu (1862) ¥2,500,000 10 A KIYOMITSU KATANA 67.6 NBTHK Hozon 2nd Eiroku (1559) ¥2,500,000 SOLD A KANEUJI KATANA 69.8 NTHK Kanteisho Kyoho (1716~1735) ¥2,000,000 12 A NAOTSUNA KATANA 61.8 NTHK Kanteisho Oei (1394~1427) ¥600,000 13 A YOSHIKUNI KATANA 69.0 Keian (1648~1651) -
Ephesians 6 17 Pulpit
Copyright © Two Journeys Ministry Andrew M. Davis Sermon Notes www.twojourneys.org Please use in accordance with the copyright policy found at twojourneys.org The Helmet of Salvation and the Sword of the Spirit Ephesians 6:17 Few things in military history have so aroused the passions and imaginations of warriors as the SWORD… a long, shiny, sharp weapon of death… the sword devours life and leaves death in its path; the technological advances of metallurgy and of the design of the perfect blade has been a big part of that imagination… the dream of a PERFECT SWORD Throughout military history, no technology was so carefully developed and guarded as that of swordmaking… the sword was the most powerful weapon in the world before the advent of gunpowder… thus it became a symbol of military conquest To live by the sword or to die by the sword meant to live and die by military conquest Swords are mentioned 404 times in the Bible… The merest mention of the word sword evokes images of legendary figures: English knights, Roman gladiators, Japanese Samurai, or Viking warriors. When I was a missionary in Japan, I became fascinated by the katana, the legendary Samurai sword that was forged with astonishing precision by ancient technologies When you look at the edge of an exquisitely forged Samurai blade, you can see ripples in the steel… as though there are layers upon layers of steel And that’s because that is exactly what they are… layers after layers of two different types of steel: High carbon steel, that is exceptionally hard: such steel can be -
Удк 712.42:635.923 Сприйняття Рьоан-Дзі Восприятие Рёан
160 Культура України. Випуск 48. 2015 УДК 712.42:635.923 Ендрю Дж. Сведлоу, професор мистецтвознавства та історії мистецт ва, Університет Північного Колорадо, США СпРИЙНяТТя РЬоАН-дзі У храмі Рьоан-дзі в Кіото розташований найвідоміший у Японії сад каменів. Камені розміщені так, що з будь-якого кута побачити всю композицію неможливо. Щодо цього саду, як і будь-якого витвору мистецтва, можливі різні інтерпретації. Висвітлено зв’язок між естетичними теоріями за часів створення саду та сучасними поглядами на природу і мистецтво, розглянуто важливість місця медитації в естетичному досвіді. Проаналізовано суворість і про- стоту саду в Рьоан-дзі в історичному і релігійному контекстах. Ключові слова: храм, сад каменів, дизайн, медитація, асиметрія, традиції дзен-буддизму. Эндрю Дж. Сведлоу, профессор искусствоведения и истории искус- ства, Университет Северного Колорадо, США ВоСпРИяТИЕ РЁАН-дзИ В храме Рёан-дзи в Киото находится самый знаменитый в Япо- нии сад камней. Камни расположены так, что под любым углом увидеть всю композицию невозможно. Относительно этого сада, как и любого произведения искусства, возможны различные ин- терпретации. Освещена связь между эстетическими теориями времен создания сада и современными взглядами на природу и искусство, рассмотрено значение места медитации в эстетиче- ском опыте. Проведен анализ строгости и простоты сада в Рёан- дзи в историческом и религиозном контекстах. Ключевые слова: храм, сад камней, дизайн, медитация, асимме- трия, традиции дзэн-буддизма. Andrew J. Svedlow, Ph.D., Professor of Art History University of Northern Colorado. Greeley, Colorado, USA EMBraCING rYOaN-JI Ryoan-ji temple in Kyoto is the site of Japan's most famous rock gar- den. The stones are arranged so that the entire composition cannot be seen at once from any angle. -
Exhibition Schedule
November 8 (Sun.) - December 13 (Sun.), 2020 Special Exhibits at the Masterpieces Collection Room 2 Thematic Exhibition February 20 - March 2, 2021 Reading and Re-envisioning The Tale of Genji Tea Scoop, named Namida ("Tears") 2020 - 2021 through the Ages It is said that Sen-no-Rikyū (1522-1591), in April March Exhibition Rooms at Hōsa Library his last days, carved this bamboo tea scoop and used it in his last tea gathering, after Toyotomi Hideyoshi (1537-1598) The Tale of Genji written by Murasaki Shikibu is a masterpiece of classic ordered punishment upon him. March 28, the day of Rikyū's death, literature that has been read continuously over the course of a thousand is remembered as a memorial day called "Rikyū-ki." The scoop was Exhibition Schedule years. The National Treasure The Diary of later owned by Furuta Oribe who made the outer case for the scoop, Murasaki Shikibu Illustrated Handscroll in the then by Tokugawa Ieyasu and by the 1st Owari Lord Tokugawa THE TOKUGAWA ART MUSEUM collection of Gotoh Museum, Tokyo, will be on Yoshinao. HŌSA LIBRARY CITY of NAGOYA special exhibit and this exhibition will unravel the charm of Japan’s world-famous Tale of February 6 (Sat.) - April 4 (Sun.), 2021 Genji by tracing the cultural history pertaining to the tale. Special Exhibition The Doll Festival of the Owari Tokugawa <Chapter "Kiritsubo" from the Tale of Genji> Edo period, 1655 Family Private Collection Exhibition Rooms 7-9 at The Tokugawa Art Museum Special Exhibits at the Masterpieces Collection Room 5 Focused on the Hina dolls and doll accessories passed down in the Owari November 8 - December 13, 2020 Tokugawa family, this exhibition presents the extravagant and refined world of dolls that is The Diary of Murasaki Shikibu Illustrated Handscroll (designated a distinctive of an elite daimyō family. -
Some Observations on the Weddings of Tokugawa Shogun╎s
University of Pennsylvania ScholarlyCommons Department of East Asian Languages and Civilizations School of Arts and Sciences October 2012 Some Observations on the Weddings of Tokugawa Shogun’s Daughters – Part 1 Cecilia S. Seigle Ph.D. University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/ealc Part of the Asian Studies Commons, Economics Commons, Family, Life Course, and Society Commons, and the Social and Cultural Anthropology Commons Recommended Citation Seigle, Cecilia S. Ph.D., "Some Observations on the Weddings of Tokugawa Shogun’s Daughters – Part 1" (2012). Department of East Asian Languages and Civilizations. 7. https://repository.upenn.edu/ealc/7 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/ealc/7 For more information, please contact [email protected]. Some Observations on the Weddings of Tokugawa Shogun’s Daughters – Part 1 Abstract In this study I shall discuss the marriage politics of Japan's early ruling families (mainly from the 6th to the 12th centuries) and the adaptation of these practices to new circumstances by the leaders of the following centuries. Marriage politics culminated with the founder of the Edo bakufu, the first shogun Tokugawa Ieyasu (1542-1616). To show how practices continued to change, I shall discuss the weddings given by the fifth shogun sunaT yoshi (1646-1709) and the eighth shogun Yoshimune (1684-1751). The marriages of Tsunayoshi's natural and adopted daughters reveal his motivations for the adoptions and for his choice of the daughters’ husbands. The marriages of Yoshimune's adopted daughters show how his atypical philosophy of rulership resulted in a break with the earlier Tokugawa marriage politics. -
[Art List of Works] Echoes of a Masterpiece: the Lineage Of
Organizers: Tokyo National Museum, Kokka-sha, The Asahi Shimbun, List of Works TV Asahi Corporation, BS Asahi With the Sponsorship of: Takenaka Corporation, Toppan Printing Co., Ltd., Mitsubishi Corporation With the Cooperation of: Aioi Nissay Dowa Insurance Co., Ltd., NIPPON EXPRESS CO., LTD. Echoes of a Masterpiece: Note; ・Exhibition numbers correspond to the catalogue entry numbers. However, the order of the artworks in the exhibition may not necessarily be the same. The Lineage of Beauty ・The symbols before the titles means the following; ◉=National Treasure, ◎=Important Cultural Property. ・Some artworks* may also be rotated during the exhibition period. Exhibition lineup may change as in Japanese Art circumstances require. ・The rotation schedule is as follows; Friday, April 13 – Sunday, May 27, 2018 ①4/13( Fri.) 4/2 2( Sun.) ④5/8( Tue.) 5/13( Sun.) ②4/2 4( Tue.) 4/29( Sun.) ⑤5/15( Tue.) 5/2 0( Sun.) Heiseikan, Tokyo National Museum ③4/3 0( Mon.) 5/6( Sun.) ⑥5/2 2( Tue.) 5/2 7( Sun.) The rotation No. Title Artist, etc Period Collection schedule Chapter 1: The Lineage of Faith 1 ◎ Standing Buddha, Ascribed as Nara period, 8th century Toshodai-ji, Nara Yakushi Nyorai (Bhaisajyaguru) 2 ◎ Standing Bodhisattva, Ascribed as Shuho’o Bosatsu Nara period, 8th century Toshodai-ji, Nara 3 ◎ Standing Eleven-headed Kannon (Ekadasamukha) China, Tang dynasty, 8th century Jinpuku-ji, Yamaguchi 4 ◎ Standing Eleven-headed Kannon (Ekadasamukha) Nara period, 8th century Domyo-ji, Osaka 5 ◉ Standing Yakushi Nyorai (Bhaisajyaguru) Nara to Heian period, -
Reading and Re-Envisioning the Tale of Genji Through the Ages
Symbols of each chapters of The Tale of Genji Thematic Exhibition Ⅳ Dissemination of the Genji Tale from the Genji-kō Incense Game Reading and Re-envisioning The Tale of Genji attracted many readers, irrespective of gender, through "Genji-kō" is a name of the kumikō incense game which is tasting different the beauty of the text and its thorough depictions fragrances and guessing the name, developed in Edo period. Participants The Tale of Genji of every aspect of classical court culture, its skillful would taste 5 different fragrances and draw a horizontal line to connect the psychological portrayals of the characters, and same fragrance. Thus drawn, figures appear in 52 different shapes, matching through the Ages its diverse world view based on Japanese the number of chapters of The Tale of Genji except the first and the last ones, and Chinese literature, various arts, and and they are called "Genji-kō" design. The "Genji-kō" design often appears in Buddhism. Not only did it have a significant impact on various traditional craft works as well as design of Japanese confectionery later literary works, but its influence can also be seen in associated with the story of The Tale of Genji. Japanese performing arts, such as Noh theater, and cultural arts, such as incense ceremony (kōdō), and tea ceremony (sadō), as well as the arts and crafts that accompany them. 46 37 28 1 9 1 0 1 “The Tale of Genji,” written Shiigamoto Yokobue Nowaki Usugumo Sakaki Kiritsubo At the same time, as a narrative that features Art Museum & The Tokugawa 2020 / By Hōsa Library, City of Nagoya Nov. -
The Hina Doll Festival of the Owari Tokugawa Family 2021
The Tokugawa Art Museum Special Exhibition The Hina Doll Festival of the Owari Tokugawa Family 2021 From February 6 (Sat.) to April 4 (Sun.), 2021 Organized by The Tokugawa Art Museum, Hōsa Library-City of Nagoya and The Chūnichi Shimbun The dolls and doll accessories that were made to order for the princesses of the Owari Tokugawa family have been passed down to the Tokugawa Art Museum and all of them boast a high quality that is befitting the most senior rank of the three branches of the Tokugawa family. Another highlight is the collection of Meiji, Taishō and Shōwa–era displays overflowing with dolls and accessories and reaching as much as two meters high by seven meters wide. Here, we introduce this world of the Doll Festival reaching heights of luxury and elegance achievable only in such a household of the daimyō elite. The Tokugawa Art Museum's Hina Doll Collection Yūsoku-bina of Lady Kane-hime The Tokugawa Art Museum has a large hina doll collection. The most gorgeous sets of dolls belonged to Lady Kane-hime (1831– 1902), who married the 14th Lord of Owari, Tokugawa Yoshikatsu (1824–1883), at the age of 19. It was customary for a daimyō's daughter to bring her hina dolls with her when she married into another daimyō family, so Kane-hime’s dolls were passed down in the Owari Tokugawa family and eventually came to the Museum. Yūsoku-bina (two sets of hina dolls and five gagaku musicians) All of Kane-hime’s hina dolls belong to the category of yūsoku-bina. -
Zen As a Creative Agency: Picturing Landscape in China and Japan from the Twelfth to Sixteenth Centuries
Zen as a Creative Agency: Picturing Landscape in China and Japan from the Twelfth to Sixteenth Centuries by Meng Ying Fan A thesis submitted in conformity with the requirements for the degree of Master of Arts Department of East Asian Studies University of Toronto © Copyright by Meng Ying Fan 2020 Zen as a Creative Agency: Picturing Landscape in China and Japan from the Twelfth to Sixteenth Centuries Meng Ying Fan Master of Arts Department of East Asia Studies University of Toronto 2020 Abstract This essay explores the impact of Chan/Zen on the art of landscape painting in China and Japan via literary/visual materials from the twelfth to sixteenth centuries. By rethinking the aesthetic significance of “Zen painting” beyond the art and literary genres, this essay investigates how the Chan/Zen culture transformed the aesthetic attitudes and technical manifestations of picturing the landscapes, which are related to the philosophical thinking in mind. Furthermore, this essay emphasizes the problems of the “pattern” in Muromachi landscape painting to criticize the arguments made by D.T. Suzuki and his colleagues in the field of Zen and Japanese art culture. Finally, this essay studies the cultural interaction of Zen painting between China and Japan, taking the traveling landscape images of Eight Views of Xiaoxiang by Muqi and Yujian from China to Japan as a case. By comparing the different opinions about the artists in the two regions, this essay decodes the universality and localizations of the images of Chan/Zen. ii Acknowledgements I would like to express my deepest gratefulness to Professor Johanna Liu, my supervisor and mentor, whose expertise in Chinese aesthetics and art theories has led me to pursue my MA in East Asian studies. -
The Making of Modern Japan
The Making of Modern Japan The MAKING of MODERN JAPAN Marius B. Jansen the belknap press of harvard university press Cambridge, Massachusetts London, England Copyright © 2000 by the President and Fellows of Harvard College All rights reserved Printed in the United States of America Third printing, 2002 First Harvard University Press paperback edition, 2002 Book design by Marianne Perlak Library of Congress Cataloging-in-Publication Data Jansen, Marius B. The making of modern Japan / Marius B. Jansen. p. cm. Includes bibliographical references and index. isbn 0-674-00334-9 (cloth) isbn 0-674-00991-6 (pbk.) 1. Japan—History—Tokugawa period, 1600–1868. 2. Japan—History—Meiji period, 1868– I. Title. ds871.j35 2000 952′.025—dc21 00-041352 CONTENTS Preface xiii Acknowledgments xvii Note on Names and Romanization xviii 1. SEKIGAHARA 1 1. The Sengoku Background 2 2. The New Sengoku Daimyo 8 3. The Unifiers: Oda Nobunaga 11 4. Toyotomi Hideyoshi 17 5. Azuchi-Momoyama Culture 24 6. The Spoils of Sekigahara: Tokugawa Ieyasu 29 2. THE TOKUGAWA STATE 32 1. Taking Control 33 2. Ranking the Daimyo 37 3. The Structure of the Tokugawa Bakufu 43 4. The Domains (han) 49 5. Center and Periphery: Bakufu-Han Relations 54 6. The Tokugawa “State” 60 3. FOREIGN RELATIONS 63 1. The Setting 64 2. Relations with Korea 68 3. The Countries of the West 72 4. To the Seclusion Decrees 75 5. The Dutch at Nagasaki 80 6. Relations with China 85 7. The Question of the “Closed Country” 91 vi Contents 4. STATUS GROUPS 96 1. The Imperial Court 97 2. -
Ifroim Zens I Jae Rocks of Sessw to Xrimniplii ©If Rae Sparrows Zen Poems of Siainkicli Xakawski S Tlae Japanese Sources of Lmcien Sfoyk S Early Poenis
IFroim Zens I Jae Rocks of SessW to Xrimniplii ©if rae Sparrows Zen Poems of SiainkicLi XakaWski s Tlae Japanese Sources of Lmcien Sfoyk s Early Poenis David Ewick louden Stryk's arrival for his first visiting lectureship in Japan, at Niigata University in the summer of 1956, coincided with the publication of a second successful collection of poems, The Trespasser. Poems in this collec tion, like those in the earlier Taproot (1953), were respectable and well- wrought, reliant upon accentual meters and predetermined forms, but striking enough in theme and diction to avoid easy placement in what Del- more Schwartz was to call by the end of the decade the "peaceful public park" of contemporary American poetry. Of poems from these collections reprinted in Stryk's Collected Poems' perhaps the best is "The Stack Among the Ruins" (p. 4). In the second stanza the "stack" of the title is described, a chimney of a building destroyed in war: No smoke lifts from the broken chimney's lip Where winds hurl down to jar the blistered fields: It stands alone, a maniac that yields No breath or word, but raddled by the dip And twist of day, rums inward to a grief That's like an arm shaped through an empty sleeve. The closing simile is more daring than most of the period, and anticipates in 314 F r o m " Z e n : T h e R o c k s o f S e s s h u " 3 1 5 several ways things to come, but in other matters, the stricdy iambic five- stress lines, regular end rhyme, and elevated theme, the stanza is faithful to mainstream mid-fifties poetics. -
Latest Japanese Sword Catalogue
! Antique Japanese Swords For Sale As of December 23, 2012 Tokyo, Japan The following pages contain descriptions of genuine antique Japanese swords currently available for ownership. Each sword can be legally owned and exported outside of Japan. Descriptions and availability are subject to change without notice. Please enquire for additional images and information on swords of interest to [email protected]. We look forward to assisting you. Pablo Kuntz Founder, unique japan Unique Japan, Fine Art Dealer Antiques license issued by Meguro City Tokyo, Japan (No.303291102398) Feel the history.™ uniquejapan.com ! Upcoming Sword Shows & Sales Events Full details: http://new.uniquejapan.com/events/ 2013 YOKOSUKA NEX SPRING BAZAAR April 13th & 14th, 2013 kitchen knives for sale YOKOTA YOSC SPRING BAZAAR April 20th & 21st, 2013 Japanese swords & kitchen knives for sale OKINAWA SWORD SHOW V April 27th & 28th, 2013 THE MAJOR SWORD SHOW IN OKINAWA KAMAKURA “GOLDEN WEEKEND” SWORD SHOW VII May 4th & 5th, 2013 THE MAJOR SWORD SHOW IN KAMAKURA NEW EVENTS ARE BEING ADDED FREQUENTLY. PLEASE CHECK OUR EVENTS PAGE FOR UPDATES. WE LOOK FORWARD TO SERVING YOU. Feel the history.™ uniquejapan.com ! Index of Japanese Swords for Sale # SWORDSMITH & TYPE CM CERTIFICATE ERA / PERIOD PRICE 1 A SADAHIDE GUNTO 68.0 NTHK Kanteisho 12th Showa (1937) ¥510,000 2 A KANETSUGU KATANA 73.0 NTHK Kanteisho Gendaito (~1940) ¥495,000 3 A KOREKAZU KATANA 68.7 Tokubetsu Hozon Shoho (1644~1648) ¥3,200,000 4 A SUKESADA KATANA 63.3 Tokubetsu Kicho x 2 17th Eisho (1520) ¥2,400,000