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STEP 6 FULL DRAW, ANCHOR and STRING ALIGNMENT ALIGNMENT
SECTION 16 STEP 6 FULL DRAW, ANCHOR and STRING ALIGNMENT FULL DRAW At full draw, the elbow of the drawing arm should be in line with the shaft of the arrow, the back of the drawing hand flat, three fingers in contact with the string and the bow arm straight with the elbow rotated away from the bowstring. BODY ALIGNMENT The student should be standing upright, with 60% to 70% of their body weight distributed forward on the balls of their feet and 40% to 30% on their heels. From a front view the student should be standing upright and should not be leaning back or forward. It is common for students to lean back, taking the majority of their body weight on their back foot. Their spine should be straight and their head directly over their spine. FromThe correct a rear postureview the is student the one should on the be left standing with the upright tick. withThis a is stra alsoight known spine. as chest-down technique. It is using the abdominal muscles to pull the chest down to the hip. Not to be confused with sucking the stomach Itin, is rather, common just for flexing students the abdominalto have the muscles. majority Thiof ws eightstraightens on their the heels. lower This spine will cause the lower back to be arched backwards, causing a hollow back. Ideally the body’s centre of balance should be centred in a line below the archer’s spine toward their feet By not standing straight and keeping the spine straight, long term this can cause injuries as well as affect the archer’s development. -
Passion and Glory! Spectacular $Nale to National Series
01 Cover_DC_SKC_V2_APP:Archery 2012 22/9/14 14:25 Page 1 AUTUMN 2014 £4.95 Passion and glory! Spectacular $nale to National Series Fields of victory At home and abroad Fun as future stars shine Medals galore! Longbow G Talent Festival G VI archery 03 Contents_KC_V2_APP:Archery 2012 24/9/14 11:44 Page 3 CONTENTS 3 Welcome to 0 PICTURE: COVER: AUTUMN 2014 £4.95 Larry Godfrey wins National Series gold Dean Alberga Passion and glory! Spectacular $nale to National Series Wow,what a summer! It’s been non-stop.And if the number of stories received over the past few Fields of victory weeks is anything to go by,it looks like it’s been the At home and abroad same for all of us! Because of that, some stories and regular features Fun as future have been held over until the next issue – but don’t stars shine Medals galore! worry,they will be back. Longbow G Talent Festival G VI archery So what do we have in this issue? There is full coverage of the Nottingham Building Society Cover Story National Series Grand Finals at Wollaton Hall, including exclusive interviews with Paralympians John 40 Nottingham Building Society National Series Finals Stubbs and Matt Stutzman.And, as many of our young archers head off to university,we take a look at their options. We have important – and possibly unexpected – news for tournament Features organisers, plus details about Archery GB’s new Nominations Committee. 34 Big Weekend There have been some fantastic results at every level, both at home and abroad.We have full coverage of domestic successes as well the hoard of 38 Field Archery international medals won by our 2eld, para and Performance archers. -
INGO GILDENHARD Cicero, Philippic 2, 44–50, 78–92, 100–119 Latin Text, Study Aids with Vocabulary, and Commentary CICERO, PHILIPPIC 2, 44–50, 78–92, 100–119
INGO GILDENHARD Cicero, Philippic 2, 44–50, 78–92, 100–119 Latin text, study aids with vocabulary, and commentary CICERO, PHILIPPIC 2, 44–50, 78–92, 100–119 Cicero, Philippic 2, 44–50, 78–92, 100–119 Latin text, study aids with vocabulary, and commentary Ingo Gildenhard https://www.openbookpublishers.com © 2018 Ingo Gildenhard The text of this work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the text; to adapt the text and to make commercial use of the text providing attribution is made to the author(s), but not in any way that suggests that they endorse you or your use of the work. Attribution should include the following information: Ingo Gildenhard, Cicero, Philippic 2, 44–50, 78–92, 100–119. Latin Text, Study Aids with Vocabulary, and Commentary. Cambridge, UK: Open Book Publishers, 2018. https://doi. org/10.11647/OBP.0156 Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher. In order to access detailed and updated information on the license, please visit https:// www.openbookpublishers.com/product/845#copyright Further details about CC BY licenses are available at http://creativecommons.org/licenses/ by/4.0/ All external links were active at the time of publication unless otherwise stated and have been archived via the Internet Archive Wayback Machine at https://archive.org/web Digital material and resources associated with this volume are available at https://www. -
UC Berkeley Berkeley Undergraduate Journal of Classics
UC Berkeley Berkeley Undergraduate Journal of Classics Title Bow Designs on Ancient Greek Vases Permalink https://escholarship.org/uc/item/3rh4f9jd Journal Berkeley Undergraduate Journal of Classics, 5(2) ISSN 2373-7115 Author Bowyer, Emily S Publication Date 2017 Peer reviewed|Undergraduate eScholarship.org Powered by the California Digital Library University of California Bow Designs on Ancient Greek Vases Emily Bowyer University of California, Los Angeles Classical Civilizations Class of 2017 Abstract: This research looks to investigate the designs of ancient bows depicted on ancient Greek pottery. The goal is to show that the bows most commonly shown are not native to the Greek mainland but rather are from Scythia and Egypt. This has been done by examining a number of vases, pyramid friezes, and modern bow reconstructions. The common use of the Scythian design for archer characters in scenes of myth implies a familiarity with archery primarily through the Scythian mercenaries. The Egyptian acacia deflex bow design, while rare in vase depictions, directly corresponds to images on pyramids. The Egyptian angular composite bow appears in a rare case on a Greek vase, but its depiction is consistent with modern historical reconstructions. Through showing these non-native bow origins, this paper hopes to further demonstrate the worldly influences on archaic Greece. The practice of archery is ancient, as is its depiction in art. Analysis of the bow’s form provides a unique insight into the ancient world. This is because a culture’s bow design is a direct reflection of its environment. From the single-piece English Yew longbow to the massive Japanese Yumi to the compact Mongolian horse bow, the available materials dictate the form of the tool. -
Topics on Archery Mechanics Joe Tapley
Topics on Archery Mechanics Joe Tapley Topics on Archery Mechanics Introduction The basic physics of archery has in principle been understood for around 80 years. The last topic to be theoretically described was vortex shedding (aerodynamics) in the 1920's related to developments in the aircraft industry. While the principles of archery are understood, in practice the behaviour of the bow/arrow/archer system (termed 'interior ballistics') and the arrow in flight (termed 'exterior ballistics') are somewhat complicated. In order to understand the mechanics of archery computer models are required. Models related to interior ballistics have been developed over the years becoming more realistic (and complex). A few related papers are listed below: Kooi, B.W. 1994. The Design of the Bow. Proc.Kon.Ned.Akad. v. Wetensch , 97(3), 283-309 The design and construction of various bow types is investigated and a mathematical model is used to assess the resulting effects on the (point mass) shot arrow. Kooi, B.W. & Bergman, C.A. 1997. An approach to the study of Ancient Archery using Mathematical Modelling. Antiquity, 71:124-134. Interesting comparison between the characteristics and performance of various historical and current bow designs. Kooi, B.W. & Sparenberg, J. A. 1997. On the Mechanics of the Arrow: Archer's Paradox. Journal of Engineering Mathematics 31(4):285-306 A mathematical model of the behaviour of the arrow when being shot from a bow including the effects of the pressure button and bow torsional rigidity. The string forces applied to the arrow are derived from the bow model referenced above. -
Manual Text LAWRENCE SCHICK LAWRENCE SCHICK Artistic Director with SANDY PETERSEN MICHAEL HAIRE Manual Editor Lead Programmer JEFFERY L
SWORD OF THE SAMURAI Computer Game MICROPROSE SOFTWARE INC. 180 Lakefront Drive, Hunt Valley, MD 2 1030 (410) 771-I 151 All rights reserved Copyright 0 I989 by MicroProse Software, inc. This bk may not be reproduced in whole or in part by any means without permission, except the quotation of brief passages for reviews. PRINTING HISTORY First printing 1989 Printing: 9 8 7 6 5 4 3 2 1 Sword of the Samurai is MicroProse Software’s trademark for its computer game of feudal Japan. SWORD OF THE SAMURAI Game Design/Project Leader Manual Text LAWRENCE SCHICK LAWRENCE SCHICK Artistic Director with SANDY PETERSEN MICHAEL HAIRE Manual Editor Lead Programmer JEFFERY L. BRIGGS JIM SYNOSKI Print Media Director Role-Playing Program IRIS IDOKOCI JIM SYNOSKI Full-Page Illustrations with SID MEIER RONNIE ORDANZA and MARCELL CIOLA Melee Program Spot Illustrations JOHN KENNEDY OSCAR RATTI* Battle Program Layout DAVID McKlBBlN MICHAEL HAIRE and MURRAY TAYLOR with DAN CHANG Paper Map Graphics Duel Program MARCELL CIOLA SID MEIER MURRAY TAYLOR and MICHAEL REIS Music and Sound Quality Assurance KEN LAGACE and JIM McCONKEY ALAN ROIREAU, CHRIS TAORMINO, Music by JEFFERY L. BRIGGS and RUSS COONEY Computer Graphics Packaging Design MICHAEL HAIRE MARK CIOLA and JOHN EMORY with JACKIE ROSS Type Fonts by BARBARA BENTS *(from Secrets of the Samurai by Oscar Ratti and Adele Westbrook; used by permission of the publisher, the Charles E. Tuttle Company, Inc.) CONTENTS INTRODUCTION THE LIFE OF A SAMURAI General Overview: Another Time, Another Culture 3 Quickstart: On the -
Judging Newsletter Edited by the World Archery Judge Committee
World Archery Judging Newsletter Edited by the World Archery Judge Committee JUDGING NEWSLETTER WORLD ARCHERY FEDERATION ISSUE #92 August 2016 Content 1. Editorial 7. Bylaw regarding how to handle pass throughs and boucers 2. Judges conference in Medellin, COL 8. License revoked 3. Upcoming judges conference 9. Pictures of recent judges commissions 4. Oustanding Judge Service Award 10. Reply to Case Studie 91 5. Application for duty in 2017 11. New case studies. 6. Bylaw related to scoring 1. Editorial by Morten Wilmann, Chairman Dear Judges, When writing this editorial we are just up front of the Olympics. For judges on duty for that event, it is starting to be a bit thrilling. Some athletes are saying that this “is only one event like other events”, and some may regard it as such (although I doubt if they manage). In spite of recent news about extensive doping in some sports and in some countries, I still think that the Olympics stands out as a very special event, well regarded and connected with “personal glory” for the winners. Archery in the Olympics 2016 – in Rio de Janeiro, Brazil – takes place in the famous street of the Sanbodromo where the carnival regularly takes place, again a rather iconic place for archery. These are surroundings that may add some thrill to the competition, and your committee is confident that our judges will perform at the same top level as the archers – in spite of the possible stress of the moments. Morten Issue No. 92 Page 1/17 August 2016 World Archery Judging Newsletter Edited by the World Archery Judge Committee 2. -
Hosting a Hunting- Based Outdoor Skills Event in Your Community
Learning to Hunt Hosting a hunting- based outdoor skills event in your community Mary Kay Salwey, Ph.D. Wisconsin Department of Natural Resources 2004 Station Learning to HuntCredits 15Project Director With Stick and StringMary Kay Salwey, Ph.D. Wisconsin DNR Bureau of Wildlife Management Box 7921 Madison, WI 53707-7921 Editorial Assistance Nancy Williams Carrie L. Armus Artwork Eric DeBoer Mary Kay Salwey Dynamic Graphics Cindie Brunner Photos Robert Queen Mary Kay Salwey Mike Roach Design Concept Blue Raven Graphics Electronic Layout Mary Kay Salwey, Wisconsin DNR Published by Wisconsin Department of Natural Resources. Copyright 2004 by Wisconsin Department of Natural Resources Madison, Wisconsin. All original illustrations copyrighted. This book is educational in nature and not-for-profit. It is intended to inspire organizations to pass the tradition of hunting down to younger generations. However, all rights are reserved, including the right to reproduce this book or any part thereof in any form except brief quotations for reviews, without the written permission of the publisher. 184 Station Hosting an Outdoor Skills Clinic in Your Community 15 With Stick & With Stick and String String Participants learn the basic Bowhunting basics parts of bows and arrows. They try their hand at shooting a recurve or compound bow and learn some techniques for hunting deer. 185 Station Learning to Hunt 15 Objectives Equipment With Stick and String Participants shall: Bows– recurve, longbow, compound, in various describe the difference weights between a recurve bow, Arrows of various types longbow and compound bow. Arm guards, finger tabs or finger gloves, quivers demonstrate the safe and Hunting arrowheads – blunt, accurate use of a recurve or target, broadhead, fixed and compound bow. -
Discussing Draw Length
Discussing Draw Length The "Perfect" Draw Length Your own "perfect draw length" is the draw length setting at which you are the most comfortable and the most accurate. There is no right and wrong, no absolutes. But it is unlikely that a 5'10" guy will be successful with a 30" draw length, and similarly unlikely that a 6'3" guy will shoot well with a 28" draw length.......not impossible - just unlikely. For some, a "perfect draw length" may be ultimately determined by feel (and some trial and error) rather than by calculation. However, we still recommend a common-sense approach here. If you're new to the sport, you'll have better luck if you just play the averages and choose an initial draw length that's similar to others of your same size and stature. Fortunately, on most bows, making a minor draw length change is pretty simple. So it's not quite a life or death decision to start. However, as you become more immersed in the sport and begin to "fine-tune" your game, you may wish to experiment a little with your draw length. Why Draw Length Matters More Draw Length = More Power The longer your draw length, the longer your bow's power stroke will be - and the faster your bow will shoot. As a general rule, 1" of draw length is worth about 10 fps of arrow velocity. Bows are predominantly IBO Speed* rated at 30" draw length. So if your particular bow has an IBO speed of 300 fps, and you intend to shoot the bow at 27" draw length - you should expect an approximate 30 fps loss in speed. -
Days & Hours for Social Distance Walking Visitor Guidelines Lynden
53 22 D 4 21 8 48 9 38 NORTH 41 3 C 33 34 E 32 46 47 24 45 26 28 14 52 37 12 25 11 19 7 36 20 10 35 2 PARKING 40 39 50 6 5 51 15 17 27 1 44 13 30 18 G 29 16 43 23 PARKING F GARDEN 31 EXIT ENTRANCE BROWN DEER ROAD Lynden Sculpture Garden Visitor Guidelines NO CLIMBING ON SCULPTURE 2145 W. Brown Deer Rd. Do not climb on the sculptures. They are works of art, just as you would find in an indoor art Milwaukee, WI 53217 museum, and are subject to the same issues of deterioration – and they endure the vagaries of our harsh climate. Many of the works have already spent nearly half a century outdoors 414-446-8794 and are quite fragile. Please be gentle with our art. LAKES & POND There is no wading, swimming or fishing allowed in the lakes or pond. Please do not throw For virtual tours of the anything into these bodies of water. VEGETATION & WILDLIFE sculpture collection and Please do not pick our flowers, fruits, or grasses, or climb the trees. We want every visitor to be able to enjoy the same views you have experienced. Protect our wildlife: do not feed, temporary installations, chase or touch fish, ducks, geese, frogs, turtles or other wildlife. visit: lynden.tours WEATHER All visitors must come inside immediately if there is any sign of lightning. PETS Pets are not allowed in the Lynden Sculpture Garden except on designated dog days. -
Blazer Vanes How to Remove Arrow Wraps Cleaning Arrow Shafts
Here are the answers to the most commonly-asked questions about Bohning Archery products, including information about fletching arrows, fletching Blazer vanes, the Bohning Blazer jig, arrow wraps, quiver topics, and more. If you have a question that isn't answered here, please contact us for assistance. Blazer Vanes Do Blazer vanes work with broadheads? Blazer vanes are designed to be used with fixed and mechanical broadheads. They also work very well with field points and can be used for target shooting. How should Blazer vanes be fletched? Blazer vanes should be fletched in the same location as any other vane. We recommend a three-degree right helical, using our Blazer Helix Jig or Helix Tower Fletching Jig ™; or a two-degree offset, using our Pro-Class Fletching Jig. How to Remove Arrow Wraps What are the best ways to remove ArroWraps brand arrow wraps from a shaft? There are different options for removing ArroWraps: • Soak the ArroWrap in hot tap water for 5 minutes, and then peel it off. • Heat the ArroWrap with a hair dryer and then peel it off. • Scrape the ArroWrap off the shaft using Bohning's Stripper tool. Always clean the shaft well after removing an ArroWrap. How can vanes or feathers be replaced without damaging a shaft that has an ArroWrap brand arrow wrap or crest? Unfortunately, vanes or feathers cannot easily be replaced without damaging the crest. Cleaning Arrow Shafts What is the best method for cleaning arrow shafts? Clean arrow shafts by scrubbing with an abrasive pad (such as Scotch Brite®), using water and a good degreasing soap, such as Bohning SSR Arrow Shaft Surface Cleaner. -
2020 Catalog
2020 Product CATALOG BLACK EAGLE ARROWS A house divided AgAinst itself will not stAnd • we ARe united ARound the WORld B lACKe AGLEARROWS .com BLACKEAGLEARROWS.com Black eAgle ARRows IS THE ONLY pRo shop EXCLUSIVE ARRow CompAny on eARth. Our business model is simple, we provide our Black Eagle Arrows Authorized Retailers the opportunity to MAXIMIZE VALUE AND CUSTOMER servICE BY ELIMINATING BIG-BOX STORE COMPETITION. This gives every retailer in our network the best product pricing instead of pricing models which require pro shops to subsidize their competition. We are the only arrow company in the industry who sustains these values. We have worked to build and maintain a trusted network of only independently owned and operated pro shops. With no minimums and superior customer service we give every pro shop large and small the opportunity to thrive. We work hard at producing quality products and just as hard at building quality relationships with our partners. WHY PARTNER WITH BLACK EAGLE ARROWS? lAncasteR ARCheRy supply, inc. Leola, PA “We have been a Black Eagle Arrow distributor since 2012 as it was a natural fit with their commitment to innovating and building the best arrows for both 3D target and bow hunting. Lancaster Archery Supply offers the world’s largest selection of archery equipment and is dedicated to providing archery equip- ment to dealers, organizations and individual archers as a leading worldwide archery distributor. We enjoy working with Randy Kitts, Dan McCarthy and Jason Wilkins at Black Eagle because they are men of faith with the highest ethical standards and commitment to their customers.