The Spartan Saga Gaia (Earth)

Total Page:16

File Type:pdf, Size:1020Kb

The Spartan Saga Gaia (Earth) The Spartan Saga Gaia (Earth) Uranus (Heaven) Oceanus = Tethys Iapetus (Titan) = Clymene Themis Pluto Epimetheus Prometheus Atlas = Pleione The Pleiades Atlas = Pleione Alcyone Merope Celaeno Electra Sterope Taygete Maia = Zeus Hermes • When the sisters died, they were placed amongst the stars • Visible in Greece from May to November • Signal the farming and sailing seasons Atlas = Pleione Eurotas Taygete = Zeus Sparta = Lacedaemon • Eurotas, grandson of Lelex, an autochthon. – Without a male heir, he was the last of his line. • Lacedaemon – Founded Sparta (named for his wife) • The people are called Lacedaemonians • The lambda Λ is always on their shields Sparta Sparta Sparta = Lacedaemon Diomede = Amylcas Eurydice = Acrisius Hyacinthus Cynortas • Amylcas was second king of Sparta • Hyacinthus was loved by Apollo • Apollo killed him accidentally • Turned him into a flower • Hyacinthus • Merry Joseph Blondel • (1781 – 1853) • la muerte de jacinto Sparta = Lacedaemon Diomede = Amylcas Eurydice = Acrisius Hyacinthus Cynortas Perseus Oebalus = Gorgophone Perieres = Gorgophone Leucippus Arsinoe = Apollo Aesculapius • Gorgophone was first married to Perieres, a son of Aeolus and Enarete. • This is an alternative genealogy! Asclepius (Aesculapius) • Alternative: Son of Apollo and Coronis • Raised by Cheiron, the centaur – Taught the art of healing • A snake, wound on a staff, brought Asclepius healing herbs • Zeus killed him so that humans would not escape death Asclepius Seeking a cure in the temple of Asclepius Oebalus = Gorgophone Tyndarius = Leda = Zeus Clytemnestra Castor Pollux Helen • Althernative: • Zeus raped Nemesis and she lay an egg • Leda found the egg and when Helen hatched Leda raised her as her own daughter • Helen and Theseus The Dioscuri • Rape of Helen: – Theseus abducted Helen when she was underage. – Castor and Pollux attacked Athens – Found Helen at Aphidnae – Revealed by Academus • His land was a mile north of Athens • A shrine to Academus was called the Academy • Plato built his school there. Dioscuri • Calydonian Boar Hunt • Voyage of the Argo – Stars over the heads of the Dioscuri • The Aphareidae – Idas and Lyncaeus: cheated the Dioscuri – In the war Castor was killed – Pollux asked Zeus that he might die with his brother. – Both elevated to the heavens Castor and Pollux Temple of the Dioscuri in Rome Gemini Gemini Agamemnon Rhea = Cronos = ? Zeus = Pluto Tantalus = Dione • Tantalus was king of Phrygia (or other) – But not Argos: although a more common version, it doesn’t work. • Tantalus was entrusted with Zeus’ secrets • Revealed the secrets and was cast into Hades Tantalus = Dione Pelops = Hippodameia • Pelops was expelled from Phrygia by Ilus • Moved to Elis, ruled by Oenomaus, father of Hippodameia • Pelops won Hippodameia in a chariot race • Became king of Elis • The Peloponnese is named for him Phrygia Pelops = Hippodameia Atreus Thyestes Nicippe = Sthenelus Aegisthus • Atreus and Thyestes fled Elis after they killed their half brother • Sthenelus of Mycenae took them in • After the death of Eurystheus, Atreus became king of Mycenae Pelops = Hippodameia Aerope = Atreus Thyestes Nicippe Clytemnestra = Agamemnon Menelaus = Helen • Atreus and Thyestes in a bloody rivalry • Atreus killed two sons of Thyestes • Finally, Aegisthus, son of Thyestes, killed Atreus and expelled Agamemnon and Menelaus • Both taken in by Tyndarius of Sparta Sins of the Fathers • Curse of the House of Atreus – Was it the sin of Tantalus? – The murder of Chrysippus by Atreus and Thyestes? – The murder of the sons of Thyestes by Atreus? Clytemnestra = Agamemnon Iphegeneia Chrysothemis Laodice Orestes • Returned to Mycenae… – ExpelledThyestes and banished Aegisthus • Consolidated power and became the ‘king of kings’ The Marriage of Helen • Suitors came from all of Greece • Tyndareus feared a war • Odysseus’ idea: • Each suitor to swear an oath to abide and defend the chosen one and the marriage • Menelaus, son of Atreus, was chosen • He succeeded Tyndareus as king of Sparta .
Recommended publications
  • The Hellenic Saga Gaia (Earth)
    The Hellenic Saga Gaia (Earth) Uranus (Heaven) Oceanus = Tethys Iapetus (Titan) = Clymene Themis Atlas Menoetius Prometheus Epimetheus = Pandora Prometheus • “Prometheus made humans out of earth and water, and he also gave them fire…” (Apollodorus Library 1.7.1) • … “and scatter-brained Epimetheus from the first was a mischief to men who eat bread; for it was he who first took of Zeus the woman, the maiden whom he had formed” (Hesiod Theogony ca. 509) Prometheus and Zeus • Zeus concealed the secret of life • Trick of the meat and fat • Zeus concealed fire • Prometheus stole it and gave it to man • Freidrich H. Fuger, 1751 - 1818 • Zeus ordered the creation of Pandora • Zeus chained Prometheus to a mountain • The accounts here are many and confused Maxfield Parish Prometheus 1919 Prometheus Chained Dirck van Baburen 1594 - 1624 Prometheus Nicolas-Sébastien Adam 1705 - 1778 Frankenstein: The Modern Prometheus • Novel by Mary Shelly • First published in 1818. • The first true Science Fiction novel • Victor Frankenstein is Prometheus • As with the story of Prometheus, the novel asks about cause and effect, and about responsibility. • Is man accountable for his creations? • Is God? • Are there moral, ethical constraints on man’s creative urges? Mary Shelly • “I saw the pale student of unhallowed arts kneeling beside the thing he had put together. I saw the hideous phantasm of a man stretched out, and then, on the working of some powerful engine, show signs of life, and stir with an uneasy, half vital motion. Frightful must it be; for supremely frightful would be the effect of any human endeavour to mock the stupendous mechanism of the Creator of the world” (Introduction to the 1831 edition) Did I request thee, from my clay To mould me man? Did I solicit thee From darkness to promote me? John Milton, Paradise Lost 10.
    [Show full text]
  • The Evolution of Power and Politics in the Mycenaean World and Its Reflection in the Homeric Epic: the Iliad
    Near East University (NEU) Faculty of Economics and Administrative Sciences Department of International Relations The Evolution of Power and Politics in the Mycenaean World and its Reflection in the Homeric Epic: the Iliad By: Nicolaie A. Şorodoc We certify that the thesis is satisfactory for the award of the Degree of Master of International Relations Examining committee: Prof. Dr. Levent Köker Faculty of Law, Department of Law, NEU Prof. Dr. Jouni Suistola Faculty of Economics and Administrative Sciences, Department of International Relations, NEU Assoc. Prof. Dr. Ali Efdal Özkul Faculty of Education, Department of History Teaching, NEU Approval of the Graduate School of Social Sciences Prof. Dr. Aykut Polatoğlu 1 Jury Report June, 2010 Student Info: Full Name Nicolaie Alin Şorodoc Faculty Economics and Administrative Sciences Institution Near East University Department International Relations Thesis Info: Title: The Evolution of Power and Politics in the Mycenaean World and its Reflection in the Homeric Epic the Iliad Abstract: This study tries to go beyond the boundaries of present day issues and examine the evolution of power and politics of the Mycenaean people during the Bronze Age. At each stage, be it big-man leadership, chiefdom or state based society I examine how power and social complexity increases and what were the reasons behind such a phenomenon. I start with some few considerations regarding developments during the Neolithic and Early Bronze Age and then I jump to the question of the “coming of the Greeks.” I argue that any explanation of the political life shall start from early stages; it is only then that we might get a measured insight in respect to the workings of political and social institutions.
    [Show full text]
  • Macedonian Kings, Egyptian Pharaohs the Ptolemaic Family In
    Department of World Cultures University of Helsinki Helsinki Macedonian Kings, Egyptian Pharaohs The Ptolemaic Family in the Encomiastic Poems of Callimachus Iiro Laukola ACADEMIC DISSERTATION To be publicly discussed, by due permission of the Faculty of Arts at the University of Helsinki in auditorium XV, University Main Building, on the 23rd of September, 2016 at 12 o’clock. Helsinki 2016 © Iiro Laukola 2016 ISBN 978-951-51-2383-1 (paperback.) ISBN 978-951-51-2384-8 (PDF) Unigrafia Helsinki 2016 Abstract The interaction between Greek and Egyptian cultural concepts has been an intense yet controversial topic in studies about Ptolemaic Egypt. The present study partakes in this discussion with an analysis of the encomiastic poems of Callimachus of Cyrene (c. 305 – c. 240 BC). The success of the Ptolemaic Dynasty is crystallized in the juxtaposing of the different roles of a Greek ǴdzȅǻǽǷȏȄ and of an Egyptian Pharaoh, and this study gives a glimpse of this political and ideological endeavour through the poetry of Callimachus. The contribution of the present work is to situate Callimachus in the core of the Ptolemaic court. Callimachus was a proponent of the Ptolemaic rule. By reappraising the traditional Greek beliefs, he examined the bicultural rule of the Ptolemies in his encomiastic poems. This work critically examines six Callimachean hymns, namely to Zeus, to Apollo, to Artemis, to Delos, to Athena and to Demeter together with the Victory of Berenice, the Lock of Berenice and the Ektheosis of Arsinoe. Characterized by ambiguous imagery, the hymns inspect the ruptures in Greek thought during the Hellenistic age.
    [Show full text]
  • Early Mycenaean Arkadia: Space and Place(S) of an Inland and Mountainous Region
    Early Mycenaean Arkadia: Space and Place(s) of an Inland and Mountainous Region Eleni Salavoura1 Abstract: The concept of space is an abstract and sometimes a conventional term, but places – where people dwell, (inter)act and gain experiences – contribute decisively to the formation of the main characteristics and the identity of its residents. Arkadia, in the heart of the Peloponnese, is a landlocked country with small valleys and basins surrounded by high mountains, which, according to the ancient literature, offered to its inhabitants a hard and laborious life. Its rough terrain made Arkadia always a less attractive area for archaeological investigation. However, due to its position in the centre of the Peloponnese, Arkadia is an inevitable passage for anyone moving along or across the peninsula. The long life of small and medium-sized agrarian communities undoubtedly owes more to their foundation at crossroads connecting the inland with the Peloponnesian coast, than to their potential for economic growth based on the resources of the land. However, sites such as Analipsis, on its east-southeastern borders, the cemetery at Palaiokastro and the ash altar on Mount Lykaion, both in the southwest part of Arkadia, indicate that the area had a Bronze Age past, and raise many new questions. In this paper, I discuss the role of Arkadia in early Mycenaean times based on settlement patterns and excavation data, and I investigate the relation of these inland communities with high-ranking central places. In other words, this is an attempt to set place(s) into space, supporting the idea that the central region of the Peloponnese was a separated, but not isolated part of it, comprising regions that are also diversified among themselves.
    [Show full text]
  • Iphigenia in Aulis by Euripides Translated by Nicholas Rudall Directed by Charles Newell
    STUDY GUIDE Photo of Mark L. Montgomery, Stephanie Andrea Barron, and Sandra Marquez by joe mazza/brave lux, inc Sponsored by Iphigenia in Aulis by Euripides Translated by Nicholas Rudall Directed by Charles Newell SETTING The action takes place in east-central Greece at the port of Aulis, on the Euripus Strait. The time is approximately 1200 BCE. CHARACTERS Agamemnon father of Iphigenia, husband of Clytemnestra and King of Mycenae Menelaus brother of Agamemnon Clytemnestra mother of Iphigenia, wife of Agamemnon Iphigenia daughter of Agamemnon and Clytemnestra Achilles son of Peleus Chorus women of Chalcis who came to Aulis to see the Greek army Old Man servant of Agamemnon, was given as part of Clytemnestra’s dowry Messenger ABOUT THE PLAY Iphigenia in Aulis is the last existing work of the playwright Euripides. Written between 408 and 406 BCE, the year of Euripides’ death, the play was first produced the following year in a trilogy with The Bacchaeand Alcmaeon in Corinth by his son, Euripides the Younger, and won the first place at the Athenian City Dionysia festival. Agamemnon Costume rendering by Jacqueline Firkins. 2 SYNOPSIS At the start of the play, Agamemnon reveals to the Old Man that his army and warships are stranded in Aulis due to a lack of sailing winds. The winds have died because Agamemnon is being punished by the goddess Artemis, whom he offended. The only way to remedy this situation is for Agamemnon to sacrifice his daughter, Iphigenia, to the goddess Artemis. Agamemnon then admits that he has sent for Iphigenia to be brought to Aulis but he has changed his mind.
    [Show full text]
  • Ancient History Sourcebook: 11Th Brittanica: Sparta SPARTA an Ancient City in Greece, the Capital of Laconia and the Most Powerful State of the Peloponnese
    Ancient History Sourcebook: 11th Brittanica: Sparta SPARTA AN ancient city in Greece, the capital of Laconia and the most powerful state of the Peloponnese. The city lay at the northern end of the central Laconian plain, on the right bank of the river Eurotas, a little south of the point where it is joined by its largest tributary, the Oenus (mount Kelefina). The site is admirably fitted by nature to guard the only routes by which an army can penetrate Laconia from the land side, the Oenus and Eurotas valleys leading from Arcadia, its northern neighbour, and the Langada Pass over Mt Taygetus connecting Laconia and Messenia. At the same time its distance from the sea-Sparta is 27 m. from its seaport, Gythium, made it invulnerable to a maritime attack. I.-HISTORY Prehistoric Period.-Tradition relates that Sparta was founded by Lacedaemon, son of Zeus and Taygete, who called the city after the name of his wife, the daughter of Eurotas. But Amyclae and Therapne (Therapnae) seem to have been in early times of greater importance than Sparta, the former a Minyan foundation a few miles to the south of Sparta, the latter probably the Achaean capital of Laconia and the seat of Menelaus, Agamemnon's younger brother. Eighty years after the Trojan War, according to the traditional chronology, the Dorian migration took place. A band of Dorians united with a body of Aetolians to cross the Corinthian Gulf and invade the Peloponnese from the northwest. The Aetolians settled in Elis, the Dorians pushed up to the headwaters of the Alpheus, where they divided into two forces, one of which under Cresphontes invaded and later subdued Messenia, while the other, led by Aristodemus or, according to another version, by his twin sons Eurysthenes and Procles, made its way down the Eurotas were new settlements were formed and gained Sparta, which became the Dorian capital of Laconia.
    [Show full text]
  • Queen Arsinoë II, the Maritime Aphrodite and Early Ptolemaic Ruler Cult
    ΑΡΣΙΝΟΗ ΕΥΠΛΟΙΑ Queen Arsinoë II, the Maritime Aphrodite and Early Ptolemaic Ruler Cult Carlos Francis Robinson Bachelor of Arts (Hons. 1) A thesis submitted for the degree of Master of Philosophy at The University of Queensland in 2019 Historical and Philosophical Inquiry Abstract Queen Arsinoë II, the Maritime Aphrodite and Early Ptolemaic Ruler Cult By the early Hellenistic period a trend was emerging in which royal women were deified as Aphrodite. In a unique innovation, Queen Arsinoë II of Egypt (c. 316 – 270 BC) was deified as the maritime Aphrodite, and was associated with the cult titles Euploia, Akraia, and Galenaië. It was the important study of Robert (1966) which identified that the poets Posidippus and Callimachus were honouring Arsinoë II as the maritime Aphrodite. This thesis examines how this new third-century BC cult of ‘Arsinoë Aphrodite’ adopted aspects of Greek cults of the maritime Aphrodite, creating a new derivative cult. The main historical sources for this cult are the epigrams of Posidippus and Callimachus, including a relatively new epigram (Posidippus AB 39) published in 2001. This thesis demonstrates that the new cult of Arsinoë Aphrodite utilised existing traditions, such as: Aphrodite’s role as patron of fleets, the practice of dedications to Aphrodite by admirals, the use of invocations before sailing, and the practice of marine dedications such as shells. In this way the Ptolemies incorporated existing religious traditions into a new form of ruler cult. This study is the first attempt to trace the direct relationship between Ptolemaic ruler cult and existing traditions of the maritime Aphrodite, and deepens our understanding of the strategies of ruler cult adopted in the early Hellenistic period.
    [Show full text]
  • Why Are There Seven Sisters?
    Why are there Seven Sisters? Ray P. Norris1,2 & Barnaby R. M. Norris3,4,5 1 Western Sydney University, Locked Bag 1797, Penrith South, NSW 1797, Australia 2 CSIRO Astronomy & Space Science, PO Box 76, Epping, NSW 1710, Australia 3 Sydney Institute for Astronomy, School of Physics, Physics Road, University of Sydney, NSW 2006, Australia 4 Sydney Astrophotonic Instrumentation Laboratories, Physics Road, University of Sydney, NSW 2006, Australia 5 AAO-USyd, School of Physics, University of Sydney, NSW 2006, Australia Abstract of six stars arranged symmetrically around a seventh, and is There are two puzzles surrounding the therefore probably symbolic rather than a literal picture of Pleiades, or Seven Sisters. First, why are the Pleiades. the mythological stories surrounding them, In Greek mythology, the Seven Sisters are named after typically involving seven young girls be- the Pleiades, who were the daughters of Atlas and Pleione. ing chased by a man associated with the Their father, Atlas, was forced to hold up the sky, and was constellation Orion, so similar in vastly sep- therefore unable to protect his daughters. But to save them arated cultures, such as the Australian Abo- from being raped by Orion the hunter, Zeus transformed them riginal cultures and Greek mythology? Sec- into stars. Orion was the son of Poseidon, the King of the sea, ond, why do most cultures call them “Seven and a Cretan princess. Orion first appears in ancient Greek Sisters" even though most people with good calendars (e.g. Planeaux , 2006), but by the late eighth to eyesight see only six stars? Here we show that both these puzzles may be explained by early seventh centuries BC, he is said to be making unwanted a combination of the great antiquity of the advances on the Pleiades (Hesiod, Works and Days, 618-623).
    [Show full text]
  • Massachusetts​ ​Senior​ ​Classical​ ​League
    MASSACHUSETTS SENIOR CLASSICAL LEAGUE ​ ​ ​ ​ ​ ​ BOSTON ELITE CERTAMEN 2017 ​ ​ ​ ​ ​ ​ ROUND 1 ​ ​ 1. Congratulations to all teams for making it to Round 1 of the 2017 Boston Elite Certamen ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Invitational. Let’s get right into it with everybody’s favorite: Dramatic Interpretation. With a ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ teammate, act out the following passage, which I will read twice, that is based on a film the ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Romans might have called Istud: Dum pluit, puer lintrī chartāceā lūdēns in viā sōlus ​ ​ ​ ​ ​ ​ ​ ​​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ currēbat et rīdēbat. Capite in signō ob neglegentiam ictō, puer lapsus est in sēmitā lūbricā ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ et lintrem āmīsit. Linter chartācea in cloācam cecidit, sed ā scurrā terribilī capta est. ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Scurra nōmen Pennywise eī esse dīxit et fierī amīcus puerī simulāvit. Cōnāns lintrem ​ ​ ​ ​ ​ ​​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ recipere, puer ā scurrā prehensus est. Bracchiō morsō, puer in cloācam tractus est ut ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ omnīnō vorārētur. ​ ​ BOY IS RUNNING ON THE ROAD PLAYING WITH A PAPER BOAT AND LAUGHING. ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ BOY HITS HIS HEAD ON A SIGN, FALLS DOWN, AND LOSES THE BOAT. THE BOAT ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ FALLS INTO THE SEWER BUT A CLOWN IN
    [Show full text]
  • The Iliad Book 1 Lines 1-487
    The Iliad Book 1 lines 1-487. Homer. The Iliad with an English Translation by A.T. Murray, Ph.D. in two volumes. Cambridge, MA., Harvard University Press; London, William Heinemann, Ltd. 1924. https://www.perseus.tufts.edu/hopper/text?doc=Perseus:text:1999.01.0134:book=1:card=1 [1] The wrath sing, goddess, of Peleus' son, Achilles, that destructive wrath which brought countless woes upon the Achaeans, and sent forth to Hades many valiant souls of heroes, and made them themselves spoil for dogs and every bird; thus the plan of Zeus came to fulfillment, from the time when first they parted in strife Atreus' son, king of men, and brilliant Achilles. [8] Who then of the gods was it that brought these two together to contend? The son of Leto and Zeus; for he in anger against the king roused throughout the host an evil pestilence, and the people began to perish, because upon the priest Chryses the son of Atreus had wrought dishonour. For he had come to the swift ships of the Achaeans to free his daughter, bearing ransom past counting; and in his hands he held the wreaths of Apollo who strikes from afar, on a staff of gold; and he implored all the Achaeans, but most of all the two sons of Atreus, the marshallers of the people: Sons of Atreus, and other well-greaved Achaeans, to you may the gods who have homes upon Olympus grant that you sack the city of Priam, and return safe to your homes; but my dear child release to me, and accept the ransom out of reverence for the son of Zeus, Apollo who strikes from afar.
    [Show full text]
  • GODDESS of LOVE and MISTRESS of the SEA P. Goodspeed 101 Is
    GODDESS OF LOVE AND MISTRESS OF THE SEA NOTES ON A HELLENISTIC HYMN TO ARSINOE-APHRODITE (P. LIT. GOODSP. 2, I-IV)* Abstract: This article analyses one of the hexametric poems copied on a 2nd-century AD papyrus, possibly from Hermupolis, P. Lit. Good- speed 2: a Hellenistic hymn to Aphrodite celebrated as a patroness of the sea and of wedded love. This portrayal of the goddess perfectly fits with Ptolemaic royal propaganda in the 3rd century BC. The address to ’Arsinóa Ptolema[ì] (II 5) reveals that the goddess is here worshipped as a divine image of a queen Arsinoe, most probably Arsinoe II Phila- delphos, who had strong links with key figures of the Ptolemaic navy. The hymn is compared with contemporary Alexandrian poetry, such as the epigrams of the Milan papyrus P. Mil. Vogl. VIII 309. Some hypo- theses are also presented on the context of the composition and the per- formance of the hymn (a Cypriot cult of Arsinoe Philadelphos?). THE PAPYRUS P. Goodspeed 101 is a fragment of a papyrus roll composed by a series of II AD documents pasted together1. On the verso, on twelve fragmentary * This article is an expanded and modified version of a short paper I presented at the conference La cultura ellenistica: il libro, l’opera letteraria e l’esegesi antica, Università di Roma, Tor Vergata, 22-24 September 2003. I wish to thank the anonymous readers and the editors of Ancient Society for useful comments and suggestions. Abbreviations: CA = J.U. POWELL, Collectanea Alexandrina. Reliquiae minores poetarum Graecorum aetatis Ptolemaicae 323-146 a.C.
    [Show full text]
  • Studies in Pausanias' Periegesis Akujärvi, Johanna
    Researcher, Traveller, Narrator : Studies in Pausanias' Periegesis Akujärvi, Johanna 2005 Link to publication Citation for published version (APA): Akujärvi, J. (2005). Researcher, Traveller, Narrator : Studies in Pausanias' Periegesis. Almqvist & Wiksell International. Total number of authors: 1 General rights Unless other specific re-use rights are stated the following general rights apply: Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Read more about Creative commons licenses: https://creativecommons.org/licenses/ Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. LUND UNIVERSITY PO Box 117 221 00 Lund +46 46-222 00 00 Studia Graeca et Latina Lundensia 12 Researcher, Traveller, Narrator Studies in Pausanias’ Periegesis Johanna Akujärvi Lund 2005 Almqvist & Wiksell International Stockholm/Sweden © 2005 Johanna Akujärvi Distributed by Almqvist & Wiksell International P.O. Box 7634 S-103 94 Stockholm Sweden Phone: + 46 8 790 38 00 Fax: + 46 8 790 38 05 E-mail: [email protected] ISSN 1100-7931 ISBN 91-22-02134-5 Printed in Sweden Media-Tryck, Lund University Lund 2005 To Daniel Acknowledgements There are a number of people to whom I wish to express my gratitude.
    [Show full text]