Voltaire and Injustice
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Sauvignon Blanc
A note about our wine programme Wine lists evolve over time to compliment a restaurant’s style and tone, as well as the ever changing taste of the public at large. Our list here in West Restaurant is designed to mirror the restaurant’s dining menu - sophisticated yet accessible, as well as taking inspiration from around the world. As with our menu, we change our wine list monthly to reflect the season. Therefore, even our long-time friends may want to take a close look. For any taste, meal or mood, an array of possibilities awaits. If you would like assistance with your selection or care to have a Fine Vintage Port or Wine decanted prior to your arrival, please speak to me or any member of our knowledgeable team. Please use us to help you with a wine recommendation and introduce you to something new. Trust us and try a varietal you have not tasted before. The grape varietal is the DNA of the wine. This is where the fun begins with wine and it is where you will learn the most from your time with us. As one of Ireland’s first restaurants to begin using the Coravin wine preservation system, we are delighted to be able to offer you a glass of any of our premium wines. So you can now taste that bucket list! I hope I have created a wine list that is both enlightening and entertaining. I wish you memorable tasting pleasures. General Manager / Sommelier Dive into the blue with Canto 5, a Spanish blue wine, exclusive to The Twelve The Twelve, with its usual quirky and intriguing take on all things food and wine, is serving a new wine that drinks like a rosé, but looks like nothing you’ve ever seen. -
The Songs of the Beggar's Opera
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1966 The onS gs of The Beggar's Opera Carolyn Anfinson Eastern Illinois University This research is a product of the graduate program in Music at Eastern Illinois University. Find out more about the program. Recommended Citation Anfinson, Carolyn, "The onS gs of The Beggar's Opera" (1966). Masters Theses. 4265. https://thekeep.eiu.edu/theses/4265 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. PAPER CERTIFICATE #3 To: Graduate Degree Candidates who have written formal theses. Subject: Permission to reproduce theses. The University Library is receiving a number of requests from other institutions asking permission to reproduce dissertations for inclusion in their library holdings. Although no copyright laws are involved, we feel that professional courtesy demands that permission be obtained from the author before we allow theses to be copied. Please sign one of the following statements. Booth Library of Eastern Illinois University has my permission to lend my thesis to a reputable college or university for the purpose of copying it for inclusion in that institutionts library or research holdings. Date I respectfully request Booth Library of Eastern Illinois University not allow my thesis be reproduced because Date Author THE SONGS OF THE BEGGAR'S OPERA (TITLE) BY Carolyn Anfinson THESIS SUBMIITTD IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF M.S. -
The Absurd Author(S): Thomas Nagel Reviewed Work(S): Source: the Journal of Philosophy, Vol
Journal of Philosophy, Inc. The Absurd Author(s): Thomas Nagel Reviewed work(s): Source: The Journal of Philosophy, Vol. 68, No. 20, Sixty-Eighth Annual Meeting of the American Philosophical Association Eastern Division (Oct. 21, 1971), pp. 716-727 Published by: Journal of Philosophy, Inc. Stable URL: http://www.jstor.org/stable/2024942 . Accessed: 19/08/2012 01:08 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Journal of Philosophy, Inc. is collaborating with JSTOR to digitize, preserve and extend access to The Journal of Philosophy. http://www.jstor.org 7i6 THE JOURNAL OF PHILOSOPHY The formerstands as valid only if we can findcriteria for assigning a differentlogical formto 'allegedly' than to 'compulsively'.In this case, the criteriaexist: 'compulsively'is a predicate, 'allegedly' a sentenceadverb. But in countless other cases, counterexamplesare not so easily dismissed.Such an example, bearing on the inference in question, is Otto closed the door partway ThereforeOtto closed the door It seems clear to me that betterdata are needed beforeprogress can be made in this area; we need much more refinedlinguistic classificationsof adverbial constructionsthan are presentlyavail- able, ifour evidenceconcerning validity is to be good enough to per- mit a richerlogical theory.In the meantime,Montague's account stands: thereis no reason to thinka morerefined theory, if it can be produced, should not be obtainable within the frameworkhe has given us. -
Voltaire's Candide
CANDIDE Voltaire 1759 © 1998, Electronic Scholarly Publishing Project http://www.esp.org This electronic edition is made freely available for scholarly or educational purposes, provided that this copyright notice is included. The manuscript may not be reprinted or redistributed for commercial purposes without permission. TABLE OF CONTENTS CHAPTER 1.....................................................................................1 How Candide Was Brought Up in a Magnificent Castle and How He Was Driven Thence CHAPTER 2.....................................................................................3 What Befell Candide among the Bulgarians CHAPTER 3.....................................................................................6 How Candide Escaped from the Bulgarians and What Befell Him Afterward CHAPTER 4.....................................................................................8 How Candide Found His Old Master Pangloss Again and What CHAPTER 5...................................................................................11 A Tempest, a Shipwreck, an Earthquake, and What Else Befell Dr. Pangloss, Candide, and James, the Anabaptist CHAPTER 6...................................................................................14 How the Portuguese Made a Superb Auto-De-Fe to Prevent Any Future Earthquakes, and How Candide Underwent Public Flagellation CHAPTER 7...................................................................................16 How the Old Woman Took Care Of Candide, and How He Found the Object of -
Download the Itinerary
1. Hôtel de Bernuy 3. Hôtel d’Astorg 5. Hôtel de Nupces – Saint-Germain The Remarkable Heritage Site The historic centre of Toulouse is classified as a Remarkable Heritage Site (formerly known as a protected area) since 21st The home of businessman Jean de Bernuy Jean Delcros in the 1530s, Jean Astorg At n°15 Rue de la Bourse, parliamentarian August 1986. It extends across retains many of its original features despite around 1570, Guillaume de Saint-Germain Jean-Georges de Nupces had this monumental continuous remodelling works. Constructed around 1600… Successive owners modified mansion house built in 1716, the only one in 254 hectares, with 230 ha that fall in two stages between the 1500's and this mansion house according to a complex the neighbourhood to sit between a courtyard under the city and 24 ha that form 1530's, this mansion house stretches across blueprint. Open the doors to 16 Rue des and gardens. Once you have stepped through part of the Garonne. In 2016, the a substantial estate that comprised outbuil- Changes, which is accessible during the week. the doorway flanked by imposing carriage Conservation and Development wheels, you discover the courtyard of honour dings, kitchens, offices, storage rooms, Beforehand, take a look at the façade that plan was launched, outlining initia- stables… Only the main elements remain dates to the time of merchant Jean Delcros, bordered by two wings set at right angles that to this day : two courtyards around which and its windows with fluted pilasters. Once housed the stables and storage rooms to the tives for promoting the site. -
Heresy Proceedings in Languedoc, 1500-1560 Author(S): Raymond A
Heresy Proceedings in Languedoc, 1500-1560 Author(s): Raymond A. Mentzer, Jr. Source: Transactions of the American Philosophical Society, New Series, Vol. 74, No. 5 (1984), pp. 1-183 Published by: American Philosophical Society Stable URL: http://www.jstor.org/stable/1006391 . Accessed: 17/12/2013 10:14 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. American Philosophical Society is collaborating with JSTOR to digitize, preserve and extend access to Transactions of the American Philosophical Society. http://www.jstor.org This content downloaded from 142.58.129.109 on Tue, 17 Dec 2013 10:14:05 AM All use subject to JSTOR Terms and Conditions TRANSACTIONS ofthe AmericanPhilosophical Society Held at Philadelphiafor Promoting Useful Knowledge VOLUME 74, Part 5, 1984 Heresy Proceedingsin Languedoc, 1500-1560 RAYMOND A. MENTZER,JR. Associate Professorof History, Montana State University THE AMERICAN PHILOSOPHICAL SOCIETY Independence Square, Philadelphia 1984 This content downloaded from 142.58.129.109 on Tue, 17 Dec 2013 10:14:05 AM All use subject to JSTOR Terms and Conditions Copyright? 1984 by The AmericanPhilosophical Society Libraryof Congress Catalog Card Number 83-73280 IntemationalStandard Book Number 0-87169-745-9 US ISSN 0065-9746 This content downloaded from 142.58.129.109 on Tue, 17 Dec 2013 10:14:05 AM All use subject to JSTOR Terms and Conditions CONTENTS Page Introduction......................................... -
The Persuasive Power of Ridicule: a Critical Rhetorical Analysis
THE PERSUASIVE POWER OF RIDICULE: A CRITICAL RHETORICAL ANALYSIS OF GENDER AND HUMOR IN U.S. SITCOMS Leah E. Waters Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS May 2017 APPROVED: Koji Fuse, Committee Chair Megan Morrissey, Committee Member James Mueller, Committee Member Dorothy Bland, Director of the Frank W. Mayborn Graduate Institute of Journalism and Dean of the Frank W. and Sue Mayborn School of Journalism Victor Prybutok, Vice Provost of the Toulouse Graduate School Waters, Leah E. The Persuasive Power of Ridicule: A Critical Rhetorical Analysis of Gender and Humor in U.S. Sitcoms. Master of Arts (Journalism), May 2017, 92 pp., 4 tables, references, 75 titles. The serious investigation of humor’s function in society is an emerging area of research in critical humor studies, a “negative” subsect of the extensive and “positive” research that assumes humor’s goodness. Using Michael Billig’s theory of ridicule as a framework, this study explored how humor operated to discipline characters who broke social norms or allowed characters to rebel against those norms. Layering this with gender performative theory, the study also investigated how different male and female characters used ridicule and were subject to it themselves. After examining ridicule in The Big Bang Theory, 2 Broke Girls, and The Odd Couple using a critical rhetorical analysis, the findings revealed that disciplinary ridicule was used more overtly throughout all three programs, while potentially rebellious ridicule emerged in only a few scenes. In addition, men were overwhelmingly the subjects of disciplinary ridicule, although women found themselves as subjects throughout all three programs as well. -
PERHAPS the Sentiments Contained in the Following Pages Are Not Yet Sufficiently Fashionable to Procure Them General Favor
LESSON: THOMAS PAINE, COMMON SENSE, 1776 FULL TEXT “for God’s sake, let us come New York Public Library to a final separation” Thomas Paine COMMON SENSE *January 1776 Presented here is the full text of Common Sense from the third edition (published a month after the initial pamphlet), plus the edition Appendix, now considered an integral part of the pamphlet’s impact. INTRODUCTION 1 PERHAPS the sentiments contained in the following pages are not yet sufficiently fashionable to procure them general favor. A long habit of not thinking a thing wrong gives it a superficial appearance of being right, and raises at first a formidable outcry in defense of custom. But the tumult soon subsides. Time makes more converts than reason. 2 As a long and violent abuse of power is generally the Means of calling the right of it in question (and in Matters too Thomas Paine which might never have been thought of, had not the American Antiquarian Society Sufferers been aggravated into the inquiry), and as the King of England hath undertaken in his own Right to support the Parliament in what he calls Theirs, and as the good people of this country are grievously oppressed by the combination, they have an undoubted privilege to inquire into the preten- sions of both, and equally to reject the usurpation of either. 3 In the following sheets, the author hath studiously avoided everything which is personal among ourselves. Compliments as well as censure to individuals make no part thereof. The wise and the worthy need not the triumph of a pamphlet; and those whose sentiments are injudicious or unfriendly will cease of themselves unless too much pains are bestowed upon their conversion. -
Thomas Paine
I THE WRITINGS OF THOMAS PAINE COLLECTED AND EDITED BY MONCURE DANIEL CONWAY AUTHOR OF L_THE LIFR OF THOMAS PAINE_ y_ _ OMITTED CHAPTERS OF HISTOIY DI_LOSED IN TH I_"LIFE AND PAPERS OF EDMUND RANDOLPH_ tt _GEORGE W_HINGTON AND MOUNT VERNON_ _P ETC. VOLUME I. I774-I779 G. P. Pumam's Sons New York and London _b¢ "lkntckcrbo¢#¢_ I_¢ee COPYRIGHT, i8g 4 BY G. P. PUTNAM'S SONS Entered at Stationers' Hall, London BY G. P. PUTNAM'S SONS G. P. PUTNAM'S SONS CONTENTS. PAGB INTRODUCTION V PREFATORY NOTE TO PAINE'S FIRST ESSAY , I I._AFRICAN SLAVERY IN AMERICA 4 II.--A DIALOGUE BETWEEN GENERAL WOLFE AND GENERAL GAGE IN A WOOD NEAR BOSTON IO III.--THE MAGAZINE IN AMERICA. I4 IV.--USEFUL AND ENTERTAINING HINTS 20 V._NEw ANECDOTES OF ALEXANDER THE GREAT 26 VI.--REFLECTIONS ON THE LIFE AND DEATH OF LORD CLIVE 29 VII._CUPID AND HYMEN 36 VIII._DUELLING 40 IX._REFLECTIONS ON TITLES 46 X._THE DREAM INTERPRETED 48 XI._REFLECTIONS ON UNHAPPY MARRIAGES _I XII._THOUGHTS ON DEFENSIVE WAR 55 XIII.--AN OCCASIONAL LETTER ON THE FEMALE SEX 59 XIV._A SERIOUS THOUGHT 65 XV._COMMON SENSE 57 XVI._EPISTLE TO QUAKERS . I2I XVII.--THE FORESTER'SLETTERS • I27 iii _v CONTENTS. PAGE XVIII.mA DIALOGUE. I6I XIX.--THE AMERICAN CRISIS . I68 XX._RETREAT ACROSS THE DELAWARE 38I XXI.--LETTER TO FRANKLIN, IN PARIS . 384 XXII.--THE AFFAIR OF SILAS DEANE 39S XXIII.--To THE PUBLm ON MR. DEANE'S A_FAIR 409 XXIV.mMEssRs. DEANS, JAY, AND G_RARD 438 INTRODUCTION. -
Musical Style and Historical Culture: Handel's London | Goldsmiths, University of London
10/02/21 Musical Style and Historical Culture: Handel's London | Goldsmiths, University of London Musical Style and Historical Culture: View Online Handel's London Aspden, S. (1997). Ballads and Britons: Imagined Community and the Continuity of ‘English’ Opera. Journal of the Royal Musical Association, 122(1), 24–51. https://doi.org/10.1093/jrma/122.1.24 Ballad Operas Online. (n.d.). http://www.odl.ox.ac.uk/balladoperas/ Fiske, Roger. (1973). English theatre music in the eighteenth century. Oxford University Press. Gagey, Edmond McAdoo. (1965). Ballad opera: Vol. Columbia University studies in English and comparative literature. B. Blom. Gay, John, Miller, Jonathan, Daltrey, Roger, Hoskins, Bob, Johns, Stratford, Routledge, Patricia, Hall, Carol, Bayliss, Peter, Ashe, Rosemary, Crowden, Graham, Tibbs, Gary, Gardiner, John Eliot, Barlow, Jeremy, Pepusch, John Christopher, & English Baroque Soloists. (1983). The beggar’s opera. BBC in association with RM Arts. Handel, George Frideric, Ozmo, Zak, Bevan, Mary, Tassell, Greg, & L’Avventura. (2009). Handel in the Playhouse. Opella Nova. John, G. (n.d.). The music of John Gay’s The Beggars Opera: edited and arranged from eighteenth-century sources by Jeremy Barlow (J. Barlow (Ed.)). Oxford University Press. Joncus, B. (n.d.). TIMELINE FOR BALLAD OPERA: TOWARDS A HISTORY. https://learn.gold.ac.uk/mod/resource/view.php?id=193801 Joncus, B. (2006). Handel at Drury Lane: Ballad Opera and the Production of Kitty Clive. Journal of the Royal Musical Association, 131(2), 179–226. https://doi.org/10.1093/jrma/fkl013 Joncus, B. (2012). "The Assemblage of every female Folly”: Lavinia Fenton, Kitty Clive and the Genesis of Ballad Opera. -
A Little Tour in France
A LITTLE TOUR IN FRANCE with ninety-four illustrations by JOSEPH PENNELL LONDON WILLIAM HEINEMANN 1900 Preface Preface The notes presented in this volume were gathered, as will easily be perceived, a number of years ago and on an expectation not at that time answered by the event, and were then published in the United States. The expectation had been that they should accompany a series of drawings, and they themselves were altogether governed by the pictorial spirit. They made, and they make in appearing now, after a considerable interval and for the first time, in England, no pretension to any other; they are impressions, immediate, easy, and consciously limited; if the written word may ever play the part of brush or pencil, they are sketches on "drawing-paper" and nothing more. From the moment the principle of selection and expression, with a tourist, is not the delight of the eyes and the play of fancy, it should be an energy in every way much larger; there is no happy mean, in other words, I hold, between the sense and the quest of the picture, and the surrender to it, and the sense and the quest of the constitution, the inner springs of the subject—springs and connections social, economic, historic. One must really choose, in other words, between the benefits of the perception of surface—a perception, when fine, perhaps none of the most frequent—and those of the perception of very complex underlying matters. If these latter had had, for me, to be taken into account, my pages would not have been collected. -
FREEDOM of EXPRESSION and the ENLIGHTENMENT by Alison
FREEDOM OF EXPRESSION AND THE ENLIGHTENMENT by Alison Guider A thesis submitted to the faculty of The University of Mississippi in partial fulfillment of the requirements of the Sally McDonnell Barksdale Honors College. Oxford May 2015 Approved by _________________________________ Adviser: Professor Jeffrey Watt _________________________________ Reader: Professor Marc Lerner _________________________________ Reader: Professor Molly Pasco-Pranger ©2015 Alison Guider ALL RIGHTS RESERVED ii ABSTRACT ALISON GUIDER: Freedom of Expression and the Enlightenment (Under the direction of Jeffrey Watt) This thesis concerns Enlightenment and pre-Enlightenment views of freedom of expression, including topics such as toleration, freedom of religion, freedom of speech, and freedom of the press. It then looks at how these views shaped some of the ideas that emerged from the American and French Revolution. The conclusions drawn here are drawn from document-based research, both primary and secondary sources. The Enlightenment, although primarily concentrated in the eighteenth century, actually had what one might call precursors in the seventeenth century, including John Locke, Benedict de Spinoza, and Pierre Bayle. These thinkers helped set the stage for Enlightenment thinkers such as Voltaire, Charles de Secondat, Baron de Montesquieu, and Karl Friedrich Bahrdt. All of these thinkers wrote on freedom of expression, but they did not always agree on how far this freedom should be extended, which represented a division between moderate and Radical Enlightenment. Both strains of the Enlightenment, however, were read by both the American and French Revolutionaries and shaped the ideas of freedom of expression that came out of these two revolutions, including protections of free press. Although the Enlightenment does have a bit of a complicated legacy, modern day protections of freedom of expression would not exist without it; therefore, an in-depth study of the origins of these protections is worthwhile.