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DOCUMENT RESUME RC 021 689 AUTHOR Many Nations
DOCUMENT RESUME ED 424 046 RC 021 689 AUTHOR Frazier, Patrick, Ed. TITLE Many Nations: A Library of Congress Resource Guide for the Study of Indian and Alaska Native Peoples of the United States. INSTITUTION Library of Congress, Washington, DC. ISBN ISBN-0-8444-0904-9 PUB DATE 1996-00-00 NOTE 357p.; Photographs and illustrations may not reproduce adequately. AVAILABLE FROM Superintendent of Documents, U.S. Government Printing Office, Washington, DC 20402. PUB TYPE Books (010) Guides Non-Classroom (055) -- Reference Materials Directories/Catalogs (132) EDRS PRICE MF01/PC15 Plus Postage. DESCRIPTORS *Alaska Natives; American Indian Culture; *American Indian History; American Indian Languages; *American Indian Studies; *American Indians; Annotated Bibliographies; Federal Indian Relationship; *Library Collections; *Resource Materials; Tribes; United States History IDENTIFIERS *Library of Congress ABSTRACT The Library of Congress has a wealth of information on North American Indian people but does not have a separate collection or section devoted to them. The nature of the Librarv's broad subject divisions, variety of formats, and methods of acquisition have dispersed relevant material among a number of divisions. This guide aims to help the researcher to encounter Indian people through the Library's collections and to enhance the Library staff's own ability to assist with that encounter. The guide is arranged by collections or divisions within the Library and focuses on American Indian and Alaska Native peoples within the United States. Each -
The Writings of James Fenimore Cooper •Fl an Essay Review
Studies in English, New Series Volume 5 Special American Literature Issue, 1984-1987 Article 15 1984 The Writings of James Fenimore Cooper — An Essay Review Hershel Parker The University of Delaware Follow this and additional works at: https://egrove.olemiss.edu/studies_eng_new Part of the American Literature Commons Recommended Citation Parker, Hershel (1984) "The Writings of James Fenimore Cooper — An Essay Review," Studies in English, New Series: Vol. 5 , Article 15. Available at: https://egrove.olemiss.edu/studies_eng_new/vol5/iss1/15 This Article is brought to you for free and open access by the Studies in English at eGrove. It has been accepted for inclusion in Studies in English, New Series by an authorized editor of eGrove. For more information, please contact [email protected]. Parker: The Writings of James Fenimore Cooper — An Essay Review THE WRITINGS OF JAMES FENIMORE COOPER - AN ESSAY REVIEW HERSHEL PARKER THE UNIVERSITY OF DELAWARE Of the nine volumes under review I have already reviewed two, The Pioneers and The Pathfinder, in the September 1981 Nineteenth- Century Fiction. I will not repeat myself much. Working from the outside in, I praise first the dust jackets. The cover illustrations are striking, even gorgeous reproductions of early illustrations of scenes from Cooper’s novels and of scenes he describes in his travel books: for The Pioneers, “Turkey Shoot” by Tompkins H. Matteson; for The Pathfinder, a depiction by F. O. C. Darley of Natty Bumppo and his friends hiding, in Natty’s case not very furtively, from the “accursed Mingos”; for Wyandotte, a depiction by Darley of Nick escorting Major Willoughby and Maud to the Hut; for The Last of the Mohicans a sumptuous reproduction of Thomas Cole’s “Cora Kneeling at the Feet of Tamenund”; for Lionel Lincoln an engraving by John Lodge of a drawing by Miller called “View of the Attack on Bunker’s Hill, with the Burning of Charles Town, June 17, 1775”; for Switzerland the Castle of Spietz, Lake of Thun, by W. -
A.Riadder Management the to Attend the Matinee When Their Risibilities Are Ticmea
THE TOPEKA DAILY STATE JOURNALSATURDAY EVENING, SEPTEMBER), 1922 17 Mexican Border. The subject Is filled with ture. There's a lot of adventure In bination comedy and athletic act. was. nnder prodnction. Mr. I,loyd beliercs in the FrencTt production, "I Accurse." seen in old adage, "Care will kill a cat," Is also a member of the Corned i possibilities and those who have the this picture, too which brings in the Kramer and Johnson follow with a the Joube finished prints declare that he has made police. O. singing.' dancing - sod is jnat as certain that smiles will Fraacalse in Paris. every - Northwest Mounted "F. B. talking and act. At new sprit into a When the most of opportunity. Africa," a comedy, is also scheduled. third base will be the Bobby Jackson something Stanley Goethals. who plays the really funny happens nobody Little A beautiful carved door with real antique Tom Mix will be . aeen in a part company hv a sketch they call "Eccen- else laugns as heartily as lie. boy in "The Trap," in which Lon Chaney to of in a part tricities," full of everything the vaude- makes his bow as a star, proves he Is one lock which coat fl.230 alone was battered the last half the week youngsters in picture" pieces in the interests of realism during such as has never played before ville fan likes best. North and Will- They Hit the Pipe. of the cleverest he today. His pathetic plea for "the love of the filming of the Cosmopolitan Production that of: a brawny young blacksmith ing appear as "Two Boys From Dixie,'.' "Wallace TSeid. -
The Picture Show Annual (1928)
Hid •v Digitized by the Internet Archive in 2015 https://archive.org/details/pictureshowannuaOOamal Corinne Griffith, " The Lady in Ermine," proves a shawl and a fan are just as becoming. Corinne is one of the long-established stars whose popularity shows no signs of declining and beauty no signs of fading. - Picture Show Annual 9 rkey Ktpt~ thcMouies Francis X. Bushman as Messala, the villain of the piece, and Ramon Novarro, the hero, in " Ben Hut." PICTURESQUE PERSONALITIES OF THE PICTURES—PAST AND PRESENT ALTHOUGH the cinema as we know it now—and by that I mean plays made by moving pictures—is only about eighteen years old (for it was in the Wallace spring of 1908 that D. W. Griffith started to direct for Reid, the old Biograph), its short history is packed with whose death romance and tragedy. robbed the screen ofa boyish charm Picture plays there had been before Griffith came on and breezy cheer the scene. The first movie that could really be called iness that have a picture play was " The Soldier's Courtship," made by never been replaced. an Englishman, Robert W. Paul, on the roof of the Alhambra Theatre in 18% ; but it was in the Biograph Studio that the real start was made with the film play. Here Mary Pickford started her screen career, to be followed later by Lillian and Dorothy Gish, and the three Talmadge sisters. Natalie Talmadge did not take as kindly to film acting as did her sisters, and when Norma and Constance had made a name and the family had gone from New York to Hollywood Natalie went into the business side of the films and held some big positions before she retired on her marriage with Buster Keaton. -
An Exploration of Environmental Issues Anjali
P: ISSN No. 0976-8602 RNI No. UPENG/2012/42622 VOL.-III, ISSUE-III, JULY-2014 E: ISSN No. 2349-9443 Asian Resonance Arcadian Wilderness in James Fenimore Cooper - An Exploration of Environmental Issues Abstract The paper examines the idea of Arcadian wilderness in the Leather stocking tales of James Fenimore Cooper in the light of eco- criticism. What exactly is eco-criticism? How can we define it? Eco- criticism is a study of literature that focuses on the relationship between humans and their natural world. It believes that humanity‘s disconnection from the natural world is the reason for the environmental crisis today. Eco-criticism believes that nature, non-human beings have been side- lined because of our anthropocentric biases, which tends to exploit the non-human as a resource for our personal gains and comforts. Eco- criticism also values bio-ethics above cultural ethics. It values tribal, aboriginal values as these people lived close to the soil. The American Indian despite all his violence was steeped in his environment in a way modern man never can be. As Cheryll Glotfelty has said in1994 that eco- criticism has one foot in literature and one in land (Glotfelty).Therefore, th Cooper, this 19 century novelist, said to be the father of American fiction, will be evaluated in the context of the current day environmental concerns. Keywords: Eco-criticism, Environment, Nature, non-human, animals, red Indians, wilderness Anjali Raman Introduction Assistant Professor Eco-criticism primarily examines the nature of our interaction with our Shivaji College, environment and its non-human inhabitants. -
Dw Griffith: American Film Master
he Museum of Modern Art 3/8/65 Vest 53 Street, New York, N.Y. 10019 Circle 5-8900 Cable: Modemart PROGRAM D. W. GRIFFITH: AMERICAN FILM MASTER The films listed are all directed by Griffith, except where otherwise noted. PART. I \ April 25-28: 1907 RESCUE) FROM AN EAGSUB'S NEST, Edison, directed by Edwin S. Porter; with D. W. Griffith. 1909 THE LONELY VILLA, Biograph; with Mary Pickford, Marion Leonard. 1911 THE LONEDALE OPERATOR, Biograph; with Blanche Sweet, Wilfred Lucas• 1912 THE GIRL AND HER TRUST, Biograph; with Dorothy Bernard, Wilfred Lucas. 1913 OLAF - AN ATOM, Biograph; with Harry Carey (director unknown, but probably D. W. Griffith). Biograph films: April 29- 1909 A DRUNKARD'S REFORMATION, with Linda Arvidson, Arthur Johnson. May 1: 1909 A CORNER IN WHEAT, with Frank Powell, Henry Walthall. 1910 THE USURER, with Grace Henderson, George Nichols. 1911 THE MISER'S HEART, with Edward Dillon, Wilfred Lucas. 1912 THE MUSKETEERS OF PIG ALLEY, with Dorothy and Lillian Gish. May 2-5: 1912 MAN'S GENESIS, Biograph; with Mae Marsh, Robert Harron. 1913-lil- JUDITH OF BETHULIA, Biograph; with Blanche Sweet, Henry Walthall. May 6-8; 1911 ENOCH ARDEN, Biograph; with Linda Arvidson, Wilfred Lucas. 1911* HOME, SWEET HOME, Mutual; with Lillian Gish, Henry Walthall, Mae Marsh, Robert Harron, Blanche Sweet, Owen Moore. May 9-12: 1912 THE GODDESS OF SAGEBRUSH GULCH, Biograph; with Blanche Sweet, Dorothy Bernard, Charles West. 19114. THE AVENGING CONSCIENCE, Mutual; with Blanche Sweet, Henry Walthall, Spottiswoode Aiken. May I3-I5: 1915 THE BIRTH OF A NATION, Epoch; with Lillian Gish, Mae Marsh, Henry Walthall, Robert Harron, Elmer Clifton, Ralph Lewis. -
Photoplay July 1920 – the Pickford-Fairbanks Wooing
— — \Vlien friendship turned to love. Mary and Doug doing their bit in the Liberty Loan Drive that brought them into close companionship. The Pickford-Fairbanks Wooing I The story of filmdom's greatest real By life romance with a moonlight fade-out. BILLY BATES 1 "Mrs. Charlotte Smith announces the wedding of her It is one of the great love stories of all time. I daughter, Mary, to Mr. Douglas Fairbanks at the home Well may the two of them—Mary and Doug—long for the of Rev. F. Whitcomb Brougher. The bride wore white pure rays of the moon to silver their romance. It is the moon- satin and tulle with a touch of apple green. The groom light they will seek when they go far away from everything was garbed in conventional black. Mr. and Mrs. Fair- just the two of them, alone. And it is high time the film of hanks will be at home following a honeymoon trip to Niagara Falls and other points of interest in the Fast." their narrative is tinted with the sentimental blue of eventide that so long has been lacking. Instead of that they have been forced to their love-making THAT'S the way they would have liked to see it in the papers. Just a quiet little ceremony, with the bride in the glare of the mid-day sun of publicity. To them it has smiling—and perhaps weeping a little, as brides do been as if their most intimate and personal moments were lived and the groom blushing and clumsy and nervous, as any under the harsh light of noon with the relentless eye of the plumber might be, facing the future and the installment plan camera recording their slightest gesture and a case-hardened collector with a high heart, a steady job and the woman of director criticising their action. -
American Culture of Servitude: the Problem of Domestic Service in Antebellum Literature and Culture
University of Kentucky UKnowledge Theses and Dissertations--English English 2017 AMERICAN CULTURE OF SERVITUDE: THE PROBLEM OF DOMESTIC SERVICE IN ANTEBELLUM LITERATURE AND CULTURE Andrea Holliger University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/ETD.2017.391 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Holliger, Andrea, "AMERICAN CULTURE OF SERVITUDE: THE PROBLEM OF DOMESTIC SERVICE IN ANTEBELLUM LITERATURE AND CULTURE" (2017). Theses and Dissertations--English. 61. https://uknowledge.uky.edu/english_etds/61 This Doctoral Dissertation is brought to you for free and open access by the English at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--English by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
"Indian" Novels of Jose De Alencar
7 Nationality and the "Indian" Novels of Jose de Alencar Cooper's Leather-stocking series was read most attentively and fruitfully not in Europe but in other parts of the Americas, where a collection of Spanish colonies and the single Portuguese one were pupating into nations and, like the United States, creating national lit eratures. They too, looking for autochthonous subjects, found the opu lent scenery and the original inhabitants sanctioned by the European discourse of the exotic and began to fashion from them a way of repre senting a non-European identity. Cooper showed that it could be done and was admired for it.1 His works were aligned with European exam ples of how to use exotic materials and seen as patterns for adapting a discourse of the exotic to the production of an American literature of nationality. The Cooper with whom other American literatures of nationality es tablished an intertextual relationship was strictly the creator of the Leather-stocking. Neither his sea novels nor those in which he conducts an acerbic argument with his contemporaries were taken as models. Certainly the choice in Notions of the Americansto assert national identity by opposing exoticism, its assumption that the power relation on which 1 According to Doris Sommer Cooper's "Latin-American heirs . reread and rewrote him" (Foundational Fictions, p. 52). The Argentinian Domingo Faustino Sarmiento, indeed, "copied" Cooper (p. 65). 186 The "Indian" Novels of Alencar 187 the exotic rests can be renegotiated through a shortcut that avoids it, does not enter the repertoire of these other literatures of nationality. -
From Savage to Sublime (And Partway Back): Indians and Antiquity in Early Nineteenth-Century American Literature” Mark Niemeyer
“From Savage to Sublime (And Partway Back): Indians and Antiquity in Early Nineteenth-Century American Literature” Mark Niemeyer To cite this version: Mark Niemeyer. “From Savage to Sublime (And Partway Back): Indians and Antiquity in Early Nineteenth-Century American Literature”. Transatlantica. Revue d’études améri- caines/American Studies Journal, Association Française d’Études Américaines, 2016, 2015 (2), http://transatlantica.revues.org/7727. hal-01417834 HAL Id: hal-01417834 https://hal.archives-ouvertes.fr/hal-01417834 Submitted on 2 Jun 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Transatlantica Revue d’études américaines. American Studies Journal 2 | 2015 The Poetics and Politics of Antiquity in the Long Nineteenth-Century / Exploiting Exploitation Cinema From Savage to Sublime (And Partway Back): Indians and Antiquity in Early Nineteenth-Century American Literature Mark Niemeyer Electronic version URL: https://journals.openedition.org/transatlantica/7727 DOI: 10.4000/transatlantica.7727 ISSN: 1765-2766 Publisher Association française d'Etudes Américaines (AFEA) Brought to you by Centre national de la recherche scientifique (CNRS) Electronic reference Mark Niemeyer, “From Savage to Sublime (And Partway Back): Indians and Antiquity in Early Nineteenth-Century American Literature”, Transatlantica [Online], 2 | 2015, Online since 01 June 2016, connection on 01 June 2021. -
Theater Playbills and Programs Collection, 1875-1972
Guide to the Brooklyn Theater Playbills and Programs Collection, 1875-1972 Brooklyn Public Library Grand Army Plaza Brooklyn, NY 11238 Contact: Brooklyn Collection Phone: 718.230.2762 Fax: 718.857.2245 Email: [email protected] www.brooklynpubliclibrary.org Processed by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier. Finding aid created in 2006. Revised and expanded in 2008. Copyright © 2006-2008 Brooklyn Public Library. All rights reserved. Descriptive Summary Creator: Various Title: Brooklyn Theater Playbills and Programs Collection Date Span: 1875-1972 Abstract: The Brooklyn Theater Playbills and Programs Collection consists of 800 playbills and programs for motion pictures, musical concerts, high school commencement exercises, lectures, photoplays, vaudeville, and burlesque, as well as the more traditional offerings such as plays and operas, all from Brooklyn theaters. Quantity: 2.25 linear feet Location: Brooklyn Collection Map Room, cabinet 11 Repository: Brooklyn Public Library – Brooklyn Collection Reference Code: BC0071 Scope and Content Note The 800 items in the Brooklyn Theater Playbills and Programs Collection, which occupies 2.25 cubic feet, easily refute the stereotypes of Brooklyn as provincial and insular. From the late 1880s until the 1940s, the period covered by the bulk of these materials, the performing arts thrived in Brooklyn and were available to residents right at their doorsteps. At one point, there were over 200 theaters in Brooklyn. Frequented by the rich, the middle class and the working poor, they enjoyed mass popularity. With materials from 115 different theaters, the collection spans almost a century, from 1875 to 1972. The highest concentration is in the years 1890 to 1909, with approximately 450 items. -
The Irish in American Cinema 1910 – 1930: Recurring Narratives and Characters
The Irish in American Cinema 1910 – 1930: Recurring Narratives and Characters THOMAS JAMES SCOTT, University of Ulster ABSTRACT This paper will consider cinematic depictions of the Irish between 1910 and 1930. American cinema during these years, like those that preceded them, contained a range of stereotypical Irish characters. However, as cinema began to move away from short sketches and produce longer films, more complex plots and refined Irish characters began to appear. The onscreen Irish became vehicles for recurring themes, the majority of which had uplifting narratives. This paper will discuss common character types, such as the Irish cop and domestic servant, and subjects such as the migration narrative, the social reform narrative and the inter-ethnic comedy. It will also briefly consider how Irish depictions in the 1910s and 1920s compared to earlier representations. While the emphasis will be on films viewed at archives, including the University of California, Los Angeles Film and Television Archive, or acquired through private and commercial sellers, the paper will also reflect on some films that are currently considered lost. KEYWORDS Irish, cinema, representation, stereotypes, migrants. Introduction Feature Productions’ early ‘talkie’ Irish Fantasy (Orville O. Dull, 1929) should be considered important for two reasons. One, it is one of the earliest Irish-themed musicals to survive in its entirety. Two, it was produced by William Cameron Menzies, who would go on to win an Academy Award for his production design on MGM’s Gone With the Wind (Victor Fleming, 1939). The film centres on an old Irish man explaining the meaning of the three leaves of the shamrock to his uninformed grandson, who remarks ‘sure they’re only weeds.’ The first leaf signifies what the Irish are, ‘happy-go-lucky with warm blood in our hearts.’ The second symbolises the big hearts of the Irish who were forced to migrate to America.