Oxonian Vandals Cause Chaos at Clare
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ELIZABETH E. TAVARES, PHD HUDSON STRODE PROGRAM IN RENAISSANCE STUDIES • UNIVERSITY OF ALABAMA 211 ROWAND -JOHNSON HALL TUSCALOOSA, AL 35487-0244 [email protected] elizabethetavares.com @ElizETavares PROFESSIONAL HISTORY APPOINTMENTS 2020– Assistant Professor & Associate Graduate Faculty, English, University of Alabama 2016–20 Assistant Professor & Associate Graduate Faculty, English, Pacific University EDUCATION 2016 PhD, English Literature, University of Illinois at Urbana-Champaign 2010 MA, English Literature, University of Illinois at Urbana-Champaign 2009 BA, English and History, magna cum laude, DePaul University CERTIFICATIONS 2020 Program External Reviewer, Association of Departments of English 2019 Early Modern English Paleography, Folger Shakespeare Library 2018 Professional Editing, University of Chicago 2016 Criticism and Interpretive Theory, University of Illinois at Urbana-Champaign PUBLICATIONS BOOKS Playing the Repertory in Early Modern England (in preparation) Tracing the effects of the repertory system on the formation of the 1580s English theatre industry, Playing the Stock Market demonstrates that it was dramaturgical features—such as blocking, cosmetics, sound, and props— rather than thematic commitments by which early playing companies distinguished themselves and shaped the industry in which Shakespeare would come to train. Playing Conditions: Climate and the Rise of Early Modern English Drama (in preparation) Examining climatological phenomena affecting Britain in the sixteenth century, from archaeological -
The Oxfordian Volume 21 October 2019 ISSN 1521-3641 the OXFORDIAN Volume 21 2019
The Oxfordian Volume 21 October 2019 ISSN 1521-3641 The OXFORDIAN Volume 21 2019 The Oxfordian is the peer-reviewed journal of the Shakespeare Oxford Fellowship, a non-profit educational organization that conducts research and publication on the Early Modern period, William Shakespeare and the authorship of Shakespeare’s works. Founded in 1998, the journal offers research articles, essays and book reviews by academicians and independent scholars, and is published annually during the autumn. Writers interested in being published in The Oxfordian should review our publication guidelines at the Shakespeare Oxford Fellowship website: https://shakespeareoxfordfellowship.org/the-oxfordian/ Our postal mailing address is: The Shakespeare Oxford Fellowship PO Box 66083 Auburndale, MA 02466 USA Queries may be directed to the editor, Gary Goldstein, at [email protected] Back issues of The Oxfordian may be obtained by writing to: [email protected] 2 The OXFORDIAN Volume 21 2019 The OXFORDIAN Volume 21 2019 Acknowledgements Editorial Board Justin Borrow Ramon Jiménez Don Rubin James Boyd Vanessa Lops Richard Waugaman Charles Boynton Robert Meyers Bryan Wildenthal Lucinda S. Foulke Christopher Pannell Wally Hurst Tom Regnier Editor: Gary Goldstein Proofreading: James Boyd, Charles Boynton, Vanessa Lops, Alex McNeil and Tom Regnier. Graphics Design & Image Production: Lucinda S. Foulke Permission Acknowledgements Illustrations used in this issue are in the public domain, unless otherwise noted. The article by Gary Goldstein was first published by the online journal Critical Stages (critical-stages.org) as part of a special issue on the Shakespeare authorship question in Winter 2018 (CS 18), edited by Don Rubin. It is reprinted in The Oxfordian with the permission of Critical Stages Journal. -
Elizabeth E. Tavares Department of English • Pacific University
ELIZABETH E. TAVARES DEPARTMENT OF ENGLISH • PACIFIC UNIVERSITY 2043 COLLEGE WAY, UC A142 FOREST GROVE OR 97116 [email protected] elizabethetavares.com @ElizETavares PROFESSIONAL HISTORY APPOINTMENTS 2016– Assistant Professor of Medieval and Renaissance Literature, Pacific University EDUCATION PhD English Literature, University of Illinois at Urbana-Champaign (2016) MA English Literature, University of Illinois at Urbana-Champaign (2010) BA English and History, summa cum laude, DePaul University (2009) CERTIFICATIONS 2018 Professional Editing, University of Chicago 2016 Criticism and Interpretive Theory, University of Illinois at Urbana-Champaign PUBLICATIONS MONOGRAPHS The Repertory System before Shakespeare: Playing the Stock Market (under contract) Tracing the effects of the repertory system on the formation of the 1580s English theatre industry, Playing the Stock Market demonstrates that it was dramaturgical features—such as blocking, cosmetics, sound, and props—rather than thematic commitments by which early playing companies distinguished themselves and shaped the industry in which Shakespeare would come to train. Playing Conditions: Climate and the Rise of Early Modern English Drama (in preparation) Examining climatological phenomena affecting Britain in the sixteenth century, from archaeological data of drainage around known playhouse sites to the North Atlantic Oscillation index, Playing Conditions demonstrates the role of climate in the emergence of professional playing companies and, by extension, the rise of the Shakespearean playhouses. With Laurie Johnson (University of Southern Queensland). Philip Henslowe’s Maths: Economy, Geography, Repertory (commissioned) Philip Henslowe’s Maths provides a detailed survey of playing company-based finances such as the difference between plays deemed a success or a flop, preferred days of the week and holidays, and the fiscal risks of collaboration—concretizing the economic lives of Renaissance players and playwrights through a range of digital tools. -
CAM RIVER MATTERS Preservation & Enhancement of the River Corridor As Cambridge Grows
CAM RIVER MATTERS Preservation & Enhancement of the River Corridor as Cambridge grows. Abstract “Green corridors are generally poorly quantified by local authorities, making their extent and condition difficult to assess.” Page 376. UK National Ecosystem Assessment Technical Report. 2011/2014 Mal Schofield [Email address][email protected] Reflections CAM RIVER MATTERS There are many Cambridge residents who care about the Cam. Some have “adopted” the adjacent green meadows of the river bank assuming riparian responsibilities in the apparent absence of concerned landowners. Some sections of the river in the city have required recent searches and agreements A VIEW OF THE ENDANGERED REACH FROM FEN DITTON to define ownership. ”Cambridge started as a simple crossing over the river and the Cam has From overcrowding to peaceful always been the life blood of our town and city. The more Cambridge solitude, the river is an enigma. It grows, the more essential is our green corridor to our quality of life and is picture postcard perfect other this is recognised in the new Local Plan. than when craft congestion The community and the many organisations with responsibilities for the occurs or where 20th century Cam need to work together to protect and enhance its habitat and bridges intrude and disturb the green spaces, and tackle water quality. City Council staff and tranquility, with the constant Councillors are determined to play a full part in this, as we have in throb of passing traffic. initiatives over the past year. Thank you to Mal Schofield and contributors for this thorough analysis The future threats are many as of challenges and priorities for the Cam, and to many others for their Cambridge strives to add more wider contributions to protecting our river. -
Michaelmas 2013 · No
CORPUS CHRISTI COLLEGE · CAMBRIDGE The Letter Michaelmas 2013 · No. 92 The endpapers show a detail of the weathered bronze on the Henry Moore figure at Leckhampton. The Letter (formerly Letter of the Corpus Association) Michaelmas 2013 No. 92 Corpus Christi College Cambridge Corpus Christi College The Letter michaelmas 2013 Editors The Master Oliver Rackham Peter Carolin assisted by John Sargant Contact The Editors The Letter Corpus Christi College Cambridge cb2 1rh [email protected] Production Designed by Dale Tomlinson ([email protected]) Typeset in Arno Pro and Cronos Pro Printed by Berforts Information Press (Berforts.co.uk) on 90gsm Claro Silk (Forest Stewardship Council certified) The Letter on the web www.corpus.cam.ac.uk/alumni News and Contributions Members of the College are asked to send to the Editors any news of themselves, or of each other, to be included in The Letter, and to send prompt notification of any change in their permanent address. Cover illustration: New Court. Photographed on the first day of the 2013–14 academic year. 2 michaelmas 2013 The Letter Corpus Christi College Contents The Society Page 5 Domus 9 Addresses and reflections The College on the eve of war 13 Richard Rigby, 1722–88, Fellow Commoner 21 Discovering the ozone hole 27 Holy dying in the twenty-first century 32 The Wrest case 39 The beasts in I 10 41 Then and now 44 The Fellowship News of Fellows 46 Visiting and Teacher Fellowships 47 A Visiting Fellow’s ‘collegial, exciting and fulfilling’ stay 48 A Teacher Fellow ‘among the books of the wise’ 49 Fellows’ publications 51 The College Year Senior Tutor’s report 57 Leckhampton life 58 The Libraries 59 The Chapel 61 College Music and Choir 64 Bursary matters 65 Development and Communications Office 66 College staff 68 Post-graduates Venereal conundrums in late Victorian and Edwardian England 69 A Frenchman in Cambridge 72 Approved for Ph.Ds. -
8 DILLUNS.Indd
51 FESTIVAL INTERNACIONAL DE CINEMA FANTÀSTIC DE CATALUNYA DILLUNS 8 D’OCTUBRE DE 2018 NÚMERO 5 Alex Proyas “Jamás rodaré una franquicia. ¿Dónde está la diversión en eso?” Hace treinta años, Alex Proyas estrenaba su ópera prima Spirits of the Air, Gremlins of the Clouds, un relato postapocalíptico y minimalista en el que se cruzan las influencias de Jodorowsky y Leone. Para celebrar la efeméride de estas tres décadas de vida, el director australiano ha llevado a cabo una minuciosa restauración de la película, a la que finalmente ha podido dar el aspecto que siempre había deseado. Este proceso también parece haberle inspirado un deseo por volver a probarse en rodajes independientes, tomando distancia de ese Hollywood con el que lleva varias décadas manteniendo una relación tensa. Nos sentamos a hablar con el director antes de la proyección de la película, que ayer abrió con honores la sección Seven Chances. [PÀG. 8] Bart Layton “A American Animals, m’interessava molt retratar aquesta generació de joves privilegiats que viuen sota la pressió d’haver de ser excepcionals” Bart Layton va dirigir un documental que va revolucionar el documental. Eren uns anys abans que el true crime envaís les nostres pantalles, però aquella pel·lícula ja tenia trets de misteri barrejat amb investigació documental. A Sitges ha presentat American Animals, la seva última pel·lícula, que barreja les formes del documental i de la ficció per explicar-nos una història basada en un fet real: la d’un grup de joves que decideix robar un preuat llibre d’una biblioteca universitària i intentar fer-se d’or amb la seva venda. -
Elizabeth E.Tavares
ELIZABETH E. TAVARES HUDSON STRODE PROGRAM IN RENAISSANCE STUDIES • UNIVERSITY OF ALABAMA MORGAN HALL TUSCALOOSA, AL 35487-0244 [email protected] elizabethetavares.com @ElizETavares PROFESSIONAL HISTORY APPOINTMENTS 2020– Assistant Professor, Department of English, University of Alabama at Tuscaloosa 2019–20 Associate Graduate Faculty, College of Arts & Sciences, Pacific University Oregon 2016–20 Assistant Professor, School of Arts & Humanities, Pacific University Oregon EDUCATION 2016 PhD, English Literature, University of Illinois at Urbana-Champaign 2010 MA, English Literature, University of Illinois at Urbana-Champaign 2009 BA, English and History, summa cum laude, DePaul University CERTIFICATIONS 2020 Program External Reviewer, Association of Departments of English 2019 Early Modern English Paleography, Folger Shakespeare Library 2018 Professional Editing, University of Chicago 2016 Criticism and Interpretive Theory, University of Illinois at Urbana-Champaign PUBLICATIONS BOOKS The Repertory System before Shakespeare: Playing the Stock Market (under review) Tracing the effects of the repertory system on the formation of the 1580s English theatre industry, this book demonstrates that it was dramaturgical features—such as blocking, cosmetics, sound, and props—rather than thematic commitments by which early playing companies distinguished themselves and shaped the industry in which Shakespeare would come to train. Playing Conditions: Climate and the Rise of Early Modern English Drama (in preparation) Examining climatological phenomena -
20100726 Hydraulic Structure Locations.Xls 1 of 15 South Cambridgeshire DC and Cambridge City Council Level 1 SFRA Hydraulic Structure Locations and Details
South Cambridgeshire DC and Cambridge City Council Level 1 SFRA Hydraulic Structure Locations and Details NFCDD Asset Asset ID Asset Reference Asset Type Maintainer Protection Asset Description Asset Location Asset Comments Height Easting Northing 1 0520121360301L03036 Non-Flood Defence Structure Private Fluvial Ditch Connection Bet Ford & Wier 556467 246548 2 0520121360201R01053 Flood Defence Structure Private Fluvial Weir River Granta - Reach 3D/S Of Mill Pond Fdms Id - 47571 Original Asset Id - 0520121360201B01053 0 556465 246552 3 0520121360301R05033 Non-Flood Defence Structure Private Fluvial Ditch Connection D/S Foot Bridge 556368 246593 4 0520121360201R01052 Non-Flood Defence Structure Private Fluvial Footbridge River Granta - Reach 3D/S Of Road Bridge Fdms Id - 47569 Original Asset Id - 0520121360201B01052 0 556379 246577 5 0520121360201R01054 Flood Defence Structure Private Fluvial Linton Mill Irish Ford River Granta - Reach 3D/S Mill Fdms Id - 47590 Original Asset Id - 0520121360201B01054Numerous Culverts D/S Of Mill 0 556461 246548 6 0520121360301L03030 Non-Flood Defence Structure Private Fluvial Ditch Connection D/S Of Foot Bridge 556190 246607 7 0520121360201R01051 Non-Flood Defence Structure Private Fluvial Footbridge River Granta - Reach 3In Church Grounds Fdms Id - 47568 Original Asset Id - 0520121360201B01051 0 556194 246610 8 0520121360301R05032 Non-Flood Defence Structure Private Fluvial Outfall Under Fot Bridge 556194 246615 9 0520121360301L01013 Non-Flood Defence Structure Private Fluvial Outfall D/S Road Bridge In -
Newsletter of Pembroke College Cambridge Issue 24 Spring 2020 Challenges and Developments the Master, Lord Smith of Finsbury
Martlet Newsletter of Pembroke College Cambridge Issue 24 Spring 2020 Challenges and Developments The Master, Lord Smith of Finsbury Contents s our Director of Development Matthew Mellor always reminds me, within a year or so of 3 Community in APembroke’s foundation in 1347 we survived the Lockdown Black Death. And we’re still here, and flourishing, more 4 Pembroke’s Medieval than 670 years on. So for all the challenges that Manuscripts coronavirus and the traumas of Brexit and all sorts of other difficulty throw at us, we will carry on steadily doing 5 Snapshots of an what we are here to do: provide the very best education Aquaintance with for some of the brightest and best students. And to do so Clive James within a nurturing and supportive community that helps 6 Why Investors Might to welcome and sustain everyone. be Climate Allies: I started writing this before the full lockdown response to Covid-19 occurred, and since then our lives and our The Third Stage of students’ lives have been fundamentally (though we hope Corporate temporarily) changed. This term all teaching and all exams Governance is being done remotely, and the writing-up of dissertations 7 Re-evaluating our and preparation for exams will be rather different from Approach to the norm. But we will come through it all. And we can reflect on how, during the past term, our students have Treating Dementia been doing extraordinary things beyond the academic. 8 Pembroke Societies Our women’s first football team have won Cuppers for the before 1939 second time in a row – and appropriately, did so on the 9 Keep Faith day before International Women’s Day. -
Managing the City's Green Spaces - a Report from Midsummer Common and Jesus Green
Managing the City's Green Spaces - a report from Midsummer Common and Jesus Green Purpose. This short paper gives a local perspective on the condition and management of Midsummer Common and Jesus Green. Historically they were as one but they are now distinctly different - Midsummer Common remains a traditional Common with grazing cattle and host to fairs and other events whilst Jesus Green has become an urban park with tennis courts, swimming pool, skate park, playground and café. Although they are both "common land", their management needs are different and this is recognised by the Friends of Midsummer Common and the Jesus Green Association in drafting this joint paper. The paper reflects the views of their respective members and others living around the two green spaces. It tries to identify problems and present a way forward. Background. Over the last two decades the Government has enacted legislation 1 and issued guidance2 to local authorities on the management of their green spaces. Cambridge has enacted its own legislation 3 but has still to finalise a Parks and Open Spaces Strategy for the City4. To be successful, any such Strategy must have full Council commitment. What does this mean for Midsummer Common and Jesus Green? In 2001 the Council published its Conservation Plan for Midsummer Common. Most of its recommendations were ignored. In 2008 the Council engaged the Wildlife Trust to prepare a Management Plan for Midsummer Common. The Friends of Midsummer Common want to see the 7 main objectives in this Plan5 fully implemented and is working with the Council to achieve this. -
October – December 2018
oplifters Sh A Star Is Born HIGHLIGHTS A STAR IS BORN Dir: Bradley Cooper I USA I 2018 I 136mins I (15) Oscar-nominee Bradley Cooper makes his directorial debut and stars as Jackson Maine, a seasoned musician who falls in love with struggling artist Ally (Lady Gaga). After her career begins to take off, Jackson starts to realise that his best days may be behind him. HHHHH “OUTRAGEOUSLY WATCHABLE” The Guardian THE HATE U GIVE Dir: George Tillman Jr. I USA I 2018 I 133mins I (12A) Based on the bestselling young adult novel by Angie Thomas, The Hate U Give tells the story of Starr (Amandla Stenberg), a teenage girl who witnesses the fatal shooting of her childhood best friend at the hands of a police officer. “DEEPLY MOVING” Variety JULIET, NAKED Dir: Jesse Peretz I 2018 I 105mins I (Cert. TBC) Based on the novel by Nick Hornby, Rose Byrne stars as Annie, stuck in a long-term relationship with Duncan (Chris O’Dowd), an obsessive fan of obscure rocker Tucker Crowe (Ethan Hawke). When a demo of Tucker’s hit record from 25 years ago surfaces, it leads to a life- changing encounter with the elusive rocker himself. PETERLOO Dir: Mike Leigh I UK I 2018 I 154mins I (12A) From director Mike Leigh (Mr. Turner) comes the story of the 1819 Peterloo Massacre, where British forces attacked a peaceful pro- democracy rally in Manchester. A nominee for the Golden Lion at Venice Film Festival, the film starsRory Kinnear and Maxine Peake. HHHHH “BRILLIANCE” The Guardian DOGMAN Dir: Matteo Garrone I Italy/France I 2018 I 102mins I (15) In Italian with English subtitles Marcello Fonte won Best Actor at the Cannes Film Festival for his portrayal of Marcello, a dog groomer trying to prevent a former violent boxer from terrorising the neighbourhood. -
Section Two - Your Park
Extracts from: Jesus Green – Parks for People bid (Stage one) Submitted August 2011 Section Two - Your Park Our Priorities 2a Describe your park, and where it is located. Jesus Green is an urban open space of 11 hectares just north of Cambridge city centre, within a few minutes walk of the main shopping area and close to visitor attractions and riverside recreation. It takes its name from Jesus College to its south, which began as a Benedictine Nunnery in the twelfth century but was closed in1496 to become a college of the university. Together with Midsummer Common to its east, the Green once formed part of a water- meadow known as Greencroft, in the ownership of the Corporation of the city; in 1890 the construction of Victoria bridge and avenue divided the meadow in two, since then the characters of the two areas have diverged. Jesus Green is an important piece of urban open space that provides several significant facilities for citywide residents and for visitors. The river Cam flowing east forms the northern boundary, and Jesus Lock and the lock keeper's Cottage are notable features. Jesus ditch separates the green from Jesus College on the southern side; the Victorian houses of Park Parade overlook it on the west. The river Cam to the north provides moorings for residential and visiting watercraft. On the east, the horse chestnut trees, which frame Victoria Avenue, maintain the link between Jesus Green and Midsummer Common. The park can be entered from a number of locations, but the main public access points are by footpaths entering at the north-east, northwest, and south-western corners, and a footbridge crossing the river into the park on its northern edge.