DOCSLIB.ORG

Emma Hollows Design

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Emma Hollows Design Emma Hollows [email protected] Website: www.emmahollows.co.uk Instagram: @emma.hollows.design UK: +44 791 689 6013 US: +1 (413) 341 0624 Profile I am a Costume Designer, Set Designer, Draper, Stitcher and Wardrobe Supervisor based between London, UK, and Massachusetts, USA, with experience in the theatre and film industries. I have a full UK driving license (which also permits me to drive in the US). Theatre Design Credits Fall Festival Tina Packer Playhouse, MA Costume Designer Shakespeare & Co, MA Nov 2020 Betrayal Bernstein Theatre, MA Shakespeare & Co, MA Assistant Costume Designer Sept-Oct 2020 Dir. Regge Life Much Ado About Nothing Shakespeare & Co, MA Roman Garden Theatre, MA Assistant Costume Designer Dir. Kelly Galvin Aug 2020 Sophiatown Augusta Savage Gallery, MA UMASS Amherst Costume Designer May 2020 Dir. Emma Hollows The Bacchae Curtain Theatre, MA UMASS Amherst Costume Designer Fall 2019 Dir. Judyie Al-Bilali She Loves Me Jorgensen Center for the Performing Arts, CT University of Connecticut Assistant Costume Designer Feb 2019 Dir. Michelle Hendrick Snowflakes Rand Theatre, MA UMASS Amherst Costume Designer Oct 2018 Dir. Gabriel Harrell Dream Play UMASS Amherst, MA Assistant Costume Designer / Assistant UMASS Amherst Feb 2018 Choreographer Dir. Corinne Miller Cadaver Exquisito UMASS Amherst UMASS Amherst, MA Costume Designer Choreo. Tom Vacanti and Leslie Nov-Dec 2017 Frye Pantomime Dame Dresses Commissioned by actor Philip Spring 2017 Costume Designer Day Force of Trump London Fringe Venues Neuron Costume Designer / Set Designer June/Aug/Oct 2016 Dir. Sami Ibrahim Can’t Stand Up For Falling Down N16 Theatre, London Costume Designer / Set Designer Dir. Marjam Lohne March 2016 If I Go Ye Olde Rose and Crown, London Proforҫa Costume Designer / Set Designer March 2016 Dir. David Brady The Taming of The Shrew ADC Theatre and US Tour Cambridge American Stage Tour Costume Designer / Set Designer Sept-Oct 2015 Dir. Kennedy Bloomer RENT ADC Theatre, Cambridge CUADC Costume Designer March 2015 Dir. Gabriella Bird Footlights: The Emperor’s New Clothes ADC Theatre, Cambridge CUADC / Cambridge Footlights Costume Designer Nov-Dec 2014 Dir. Kennedy Bloomer Copenhagen Corpus Playroom, Cambridge Pembroke Players Costume Designer Oct 2014 Dir. Pete Skidmore The Clouds Pembroke College, Cambridge Pembroke Players Costume Designer June 2014 Dir. Elias Wynshaw STIFF! Cambridge Footlights ADC Theatre, Cambridge Costume Designer Dir. Sam Grabiner & Jordan May 2014 Mitchell Footlights: The History of Everything Cambridge Footlights ADC Theatre, Cambridge Costume Designer Dir. Atri Banerjee March 2014 Reservoir Dogs Pembroke College, Cambridge Pembroke Players Costume Designer March 2014 Dir. Patrick Brooks The Pirates of Penzance Cambridge University Gilbert & West Road Concert Hall, Cambridge Costume Designer Sullivan Society Feb 2014 Dir. Dylan Morris Footlights: The Princess and The Pea CUADC/Cambridge Footlights ADC Theatre, Cambridge Costume Designer Dir. Sam Rayner Nov-Dec 2013 Pink! Homerton Amateur Theatrical Brainchild Festival, Kent Costume Designer / Set Designer Society July 2013 Dir. Tania Clarke Pink! Homerton Amateur Theatrical Homerton College, Cambridge Costume Designer Society May 2013 Dir. Tania Clarke Hollow Homerton Amateur Theatrical Homerton College, Cambridge Costume Designer Society Feb 2013 Dir. Louise Banable Princess Ida Cambridge University Gilbert & West Road Concert Hall, Cambridge Assistant Costume Designer Sullivan Society Nov 2012 Dir. Dylan Morris A Dream Within a Dream: Purcell’s Fairy Queen Re-Imagined Cambridge Festival of Ideas Assistant Costume Designer West Road Concert Hall, Cambridge Dir. Sophie Rashbrook Nov 2012 Costume Fabrication Credits King Lear Tina Packer Playhouse, MA Shakespeare & Co, MA Stitcher Jun-Jul 2020 Dir. Nicole Ricciardi Mr Burns: A Post-Electric Play Curtain Theatre, MA UMASS Amherst Mask Maker April 2020 (Postponed) Dir. Michelle Hendrick Water Station Rand Theatre, MA UMASS Amherst Draper / Stitcher Feb 2020 Dir. Vishnu Barve The Bacchae Curtain Theatre, MA UMASS Amherst Draper / Stitcher Nov 2019 Dir. Judyie Al-Bilali Queer and Now NYPOP, NYC Stitcher / Performer Dir. Garrett Sager April 2019 Wild Thing Rand Theatre, MA UMASS Amherst Costume Draper / Stitcher Feb 2019 Dir. Gina Kaufmann What of the Night? Costume Draper / Stitcher UMASS Amherst Curtain Theatre, MA Dir. Vishnu Barve Nov 2018 The Tudor Tailor Worked in Ninya Mikhaila’s May 2018 Cutter / Stitcher studio The Lily's Revenge UMASS Amherst, MA UMASS Amherst Costume Draper / Stitcher April 2018 Dir. Jen Onopa Infants of the Spring Rand Theatre, MA UMASS Amherst Stitcher March 2018 Dir. Ifa Bayeza Dream Play UMASS Amherst, MA UMASS Amherst Stitcher / Crafts Feb 2018 Dir. Corinne Miller Pantomime Dame Dresses Commissioned by actor Philip Spring 2017 Draper / Stitcher Day James and The Giant Peach Sell A Door World Tour Stitcher Dir. Bronagh Lagan Spring - Summer 2016 Film Credits Morning Wood Autumn 2016 Production Designer Dir. Helen Simmons Voice Summer 2016 Production Designer Dir. Jamie Fraser Post Coital Production Designer Dir. Lowell Walker Summer 2016 Wardrobe Supervisor Credits Merry Wives of Windsor Roman Garden Theatre, MA Shakespeare & Co., MA Wardrobe Supervisor July-Sept 2019 Dir. Kevin Coleman Wild Thing Rand Theatre, MA UMASS Amherst Wardrobe Supervisor Feb 2019 Dir. Gina Kaufmann The Nutcracker Birmingham Royal Ballet Royal Albert Hall, London Dresser Choreo. Sir Peter Wright Dec 2018 As You Like It Roman Garden Theatre, MA Shakespeare & Co, MA Wardrobe Supervisor Aug - Sept 2018 Dir. Allyn Burrows Macbeth Shakespeare & Co, MA Tina Packer Playhouse, MA Wardrobe Supervisor Dir. Melia Bensussen July 2018 Birmingham Royal Ballet Polarity and Proximity Choreo. Twyla Tharp, Sadler’s Wells, London Dresser Alexander Whitley, George May 2018 Williamson Romeo and Juliet Sadler’s Wells, London Birmingham Royal Ballet Dresser May 2018 Choreo. Kenneth MacMillan Infants of the Spring Rand Theatre, MA UMASS Amherst Wardrobe Supervisor March 2018 Dir. Ifa Bayeza Gloria Hampstead Theatre, London Hampstead Theatre Assistant Wardrobe Supervisor June - July 2017 Dir. Michael Longhurst Death Takes a Holiday Charing Cross Theatre, London Danielle Tarento Assistant Wardrobe Supervisor Jan - March 2017 Dir. Thom Southerland Aladdin Millfield Arts Centre Millfield Theatre, London Wardrobe Supervisor Productions Nov - Dec 2016 Dir. Marc Day Cinderella Millfield Arts Centre Millfield Theatre, London Wardrobe Supervisor Productions Nov 2015 – Jan 2016 Dir. Marc Day The Taming of The Shrew Cambridge American Stage ADC Theatre and US Tour Wardrobe Supervisor Tour Sept 2015 Dir. Kennedy Bloomer Workshops • Stage and SFX make up – James Glavan • Face casting and mask making (thermoplastics and latex) - Yao Chen • Draping - Kristin Jensen • Millinery (felt, straw) 2018 and 2020 – Denise Wallace-Spriggs • The Tudor Tailor – Jane Malcolm-Davies and Ninya Mikhaila Education Costume Design, MFA UMASS Amherst 2017-2020 Social Anthropology, BA Hons. University of Cambridge 2012-2015 References upon request. .
Load more

Recommended publications
  • Fuller's Hill Cottages Access Statement
    Fuller’s Hill Cottages Access Statement CONTENTS: Contents page 2 Introduction 3 Accommodation: The Stables, The Tack Room & Garden 4 Useful, local telephone numbers 9 Local pubic transport 10 Visiting Cambridge 11 Parking in Cambridge 12 Other useful contacts 15 Restaurants, pubs and bars in Cambridge 19 Churches 33 Cinemas 37 Concert venues 40 Guided Tours 48 Museums & galleries in Cambridge 50 Parks & gardens 62 Places of interest outside Cambridge 65 Shopping in Cambridge 75 Sports centres 82 Theatres 85 Transport in Cambridge 91 University Colleges 94 For more information… 105 2 FULLER’S HILL COTTAGES’ ACCESS STATEMENT Fuller’s Hill Cottages is a large converted 1840 barn, made into four, luxury cottages, which were opened in 2012. Two of our cottages are disabled accessible; The Stables and The Tack Room. We have tried to provide as much information as possible in this statement but if you have any queries please do call Jenny Jefferies on 07544 208959. We look forward to welcoming you. Pre – Arrival Bookings/enquiries can be made via either website or by direct telephone to Jenny on 07544 208959. It is possible to do your grocery shopping through www.tesco.com or www.asda.co.uk or www.Sainsburys.co.uk. Delivery should be made after your arrival time. Alternatively we can arrange for a deluxe or standard breakfast hamper to be in your cottage for your arrival. We can also arrange for a personalised Supper Box to be delivered - please contact Jenny for further details. Arrival & Car Parking Facilities You may park your car directly in front of each apartment The Car Park is level and pebble-dashed, with space for around 12 cars The Car Park lighting at night is by remote sensors that come on automatically.
    [Show full text]
  • ANNUAL REPORT of the UNIVERSITY Docx
    ANNUAL REPORT OF THE UNIVERSITY THEATRE SYNDICATE, 2008 – 9 This year, as well as being one of celebration for the University, was also a year of celebration for the ADC Theatre, as it reflected on the completion of many long-term objectives. October 2008 saw the completion of the redevelopment that had started in 2003 and the beginning of a new set of opportunities for the Theatre. The last phase of the building work included the rebuilding of the workshop and dressing rooms, and the creation of a rehearsal and performance studio (The Larkum Studio, named for former Sidney Sussex Bursar and Chairman of the ADC Theatre Executive Committee Charles Larkum). It also saw the installation of a platform lift which allows disabled access to the stage area for the first time in the theatre’s history. The changes were evidently popular with the theatre’s audience, with audience figures breaking the momentous 50,000 mark for the first time in the theatre’s history, as it welcomed 53,000 visitors over 353 performances. Programme Review The Autumn season once again opened with a production from the Cambridge University American Stage Tour: Henry V , which claimed an unprecedented six stars from Varsity. Also back from tour was the Edinburgh sell-out, Devils , written and performed by the Cambridge Footlights. The redeveloped building was re-opened to a selection of alumni and current students with a performance of an exciting new musical written by Cambridge students called Hero , which had also enjoyed a successful run at the Edinburgh Festival. The gala evening was attended by Sir Peter Hall (guest of honour) and Sir Trevor Nunn, and a number of volunteers involved in the building project were invited.
    [Show full text]
  • To Download Rupert Christiansen's Interview
    Collection title: Behind the scenes: saving and sharing Cambridge Arts Theatre’s Archive Interviewee’s surname: Christiansen Title: Mr Interviewee’s forename(s): Rupert Date(s) of recording, tracks (from-to): 9.12.2019 Location of interview: Cambridge Arts Theatre, Meeting Room Name of interviewer: Dale Copley Type of recorder: Zoom H4N Recording format: WAV Total no. of tracks: 1 Total duration (HH:MM:SS): 00:31:25 Mono/Stereo: Stereo Additional material: None Copyright/Clearance: Assigned to Cambridge Arts Theatre. Interviewer’s comments: None Abstract: Opera critic/writer and Theatre board member, Rupert Christiansen first came the Theatre in 1972. He was a regular audience member whilst a student at Kings College, Cambridge and shares memories of the Theatre in the 1970s. Christiansen’s association was rekindled in the 1990s when he was employed to author a commemorative book about the Theatre. He talks about the research process and reflects on the redevelopment that took place at this time. He concludes by explaining how he came to join the Theatre’s board. Key words: Oxford and Cambridge Shakespeare Company, Elijah Moshinsky, Sir Ian McKellen, Felicity Kendall, Contemporary Dance Theatre, Andrew Blackwood, Judy Birdwood, costume, Emma Thompson, Hugh Laurie, Stephen Fry, Peggy Ashcroft and Alec Guinness, Cambridge Footlights, restaurant, The Greek Play, ETO, Kent Opera and Opera 80, Festival Theatre, Sir Ian McKellen, Eleanor Bron. Picturehouse Cinema, File 00.00 Christiansen introduces himself. His memories of the Theatre range from 1972 to present, he is now on the Theatre’s board of trustees. Christiansen describes his first experience of the Theatre seeing a production of ‘As You Like It’ featuring his school friend Sophie Cox as Celia, by the Oxford and Cambridge Shakespeare Company and directed by Elijah Moshinsky [b.
    [Show full text]
  • Curriculum Vitae
    ELIZABETH E. TAVARES, PHD HUDSON STRODE PROGRAM IN RENAISSANCE STUDIES • UNIVERSITY OF ALABAMA 211 ROWAND -JOHNSON HALL TUSCALOOSA, AL 35487-0244 [email protected] elizabethetavares.com @ElizETavares PROFESSIONAL HISTORY APPOINTMENTS 2020– Assistant Professor & Associate Graduate Faculty, English, University of Alabama 2016–20 Assistant Professor & Associate Graduate Faculty, English, Pacific University EDUCATION 2016 PhD, English Literature, University of Illinois at Urbana-Champaign 2010 MA, English Literature, University of Illinois at Urbana-Champaign 2009 BA, English and History, magna cum laude, DePaul University CERTIFICATIONS 2020 Program External Reviewer, Association of Departments of English 2019 Early Modern English Paleography, Folger Shakespeare Library 2018 Professional Editing, University of Chicago 2016 Criticism and Interpretive Theory, University of Illinois at Urbana-Champaign PUBLICATIONS BOOKS Playing the Repertory in Early Modern England (in preparation) Tracing the effects of the repertory system on the formation of the 1580s English theatre industry, Playing the Stock Market demonstrates that it was dramaturgical features—such as blocking, cosmetics, sound, and props— rather than thematic commitments by which early playing companies distinguished themselves and shaped the industry in which Shakespeare would come to train. Playing Conditions: Climate and the Rise of Early Modern English Drama (in preparation) Examining climatological phenomena affecting Britain in the sixteenth century, from archaeological
    [Show full text]
  • PLANNING COMMITTEE 10 January 2018 Application Number 17/1541
    PLANNING COMMITTEE 10th January 2018 Application 17/1541/FUL Agenda Number Item Date Received 5th October 2017 Officer Michael Hammond Target Date 4th January 2018 Ward Market Site Cambridge Union Society 9A Bridge Street Cambridge CB2 1UB Proposal Demolition of ancillary buildings and removal of 1930's facade at the Grade II listed Cambridge Union Society. Construction of replacement facade, reinstatement and refurbishment of historic features and internal and external access and refurbishment works including enlargement of existing cafe (Use Class A3) and reopening of 'footlight's' entertainment space (sui generis). Demolition of squash courts and un-listed 3-5 Round Church Street in the conservation area. Construction of new link building for access and ancillary uses for the Union Society. Construction of adjacent new building with ground floor restaurant (Use Class A3) with 45 room post-graduate student accommodation above (Use Class C2) together with basement storage and services. Applicant Cambridge Union Society and Trinity College SUMMARY The development accords with the Development Plan for the following reasons: The principle of demolition and development has been established under the previously permitted application (16/0673/FUL). In comparison with the previously permitted plans (16/0673/FUL) the proposal is not considered to exacerbate the level of harm caused to heritage assets. The proposed changes compared to the previously approved development would not impact on the accessibility of the building. RECOMMENDATION APPROVAL 1.0 SITE DESCRIPTION/AREA CONTEXT 1.1 The Cambridge Union Society is located in the historic core of the City Centre. It occupies a large site on the south-west corner of Park Street and Round Church Street.
    [Show full text]
  • TRINITY COLLEGE Cambridge Trinity College Cambridge College Trinity Annual Record Annual
    2016 TRINITY COLLEGE cambridge trinity college cambridge annual record annual record 2016 Trinity College Cambridge Annual Record 2015–2016 Trinity College Cambridge CB2 1TQ Telephone: 01223 338400 e-mail: [email protected] website: www.trin.cam.ac.uk Contents 5 Editorial 11 Commemoration 12 Chapel Address 15 The Health of the College 18 The Master’s Response on Behalf of the College 25 Alumni Relations & Development 26 Alumni Relations and Associations 37 Dining Privileges 38 Annual Gatherings 39 Alumni Achievements CONTENTS 44 Donations to the College Library 47 College Activities 48 First & Third Trinity Boat Club 53 Field Clubs 71 Students’ Union and Societies 80 College Choir 83 Features 84 Hermes 86 Inside a Pirate’s Cookbook 93 “… Through a Glass Darkly…” 102 Robert Smith, John Harrison, and a College Clock 109 ‘We need to talk about Erskine’ 117 My time as advisor to the BBC’s War and Peace TRINITY ANNUAL RECORD 2016 | 3 123 Fellows, Staff, and Students 124 The Master and Fellows 139 Appointments and Distinctions 141 In Memoriam 155 A Ninetieth Birthday Speech 158 An Eightieth Birthday Speech 167 College Notes 181 The Register 182 In Memoriam 186 Addresses wanted CONTENTS TRINITY ANNUAL RECORD 2016 | 4 Editorial It is with some trepidation that I step into Boyd Hilton’s shoes and take on the editorship of this journal. He managed the transition to ‘glossy’ with flair and panache. As historian of the College and sometime holder of many of its working offices, he also brought a knowledge of its past and an understanding of its mysteries that I am unable to match.
    [Show full text]
  • Aaa Worldwise
    AAA FALL 2017 WORLDWISE Route 66 Revival p. 32 Dressing for Access p. 38 South Africa: A Tale of Two Cities p. 48 TWO OF A KIND: THE ORIGINAL COLLEGE TOWNS Cambridge MASSACHUSETTS Just north of Boston and home to Harvard University and the Massachusetts Institute of Technology, this city oozes intellectualism and college spirit. COURTESY OF HARVARD UNIVERSITY HARVARD OF COURTESY Harvard and the Charles River STAY SEE When celebs come to Harvard, they’re put up at Harvard University’s three venerable art the AAA Four Diamond Charles Hotel. Just museums were brought under one roof in minutes from Harvard Yard, The Charles has a 2014 and collectively dubbed the Harvard well-stocked in-house library and one of the best Art Museums. Their collections include some breakfasts in town at Henrietta’s Table. The 250,000 art works dating from ancient times to 31-room luxury Hotel Veritas—described by the present and spanning the globe. The MIT a GQ magazine review as “a classic Victorian Museum, not surprisingly, focuses on science and mansion that went to Art Deco finishing technology. It includes the Polaroid Historical school”—boasts 24-hour concierge service Collection of cameras and photographs, the COURTESY OF HOTEL VERITAS HOTEL OF COURTESY and a location in Harvard Square. Those who MIT Robotics Collection and the world’s Hotel Veritas prefer to bed down near the Massachusetts most comprehensive holography collection. Institute of Technology (MIT) should check in Beyond the universities, visit the Longfellow at The Kendall Hotel, which brings boutique House–Washington’s Headquarters, the accommodations to a converted 19th-century preserved, furnished home of 19th-century poet firehouse.
    [Show full text]
  • Central Cambridge: a Guide to the University and Colleges: Second Edition Kevin Taylor Frontmatter More Information
    Cambridge University Press 978-0-521-88876-9 - Central Cambridge: A Guide to the University and Colleges: Second Edition Kevin Taylor Frontmatter More information Central Cambridge A Guide to the University and Colleges SECOND EDITION Kevin Taylor © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-88876-9 - Central Cambridge: A Guide to the University and Colleges: Second Edition Kevin Taylor Frontmatter More information University Printing House, Cambridge CB2 8BS, United Kingdom Published in the United States of America by Cambridge University Press, New York Cambridge University Press is part of the University of Cambridge. It furthers the University’s mission by disseminating knowledge in the pursuit of education, learning and research at the highest international levels of excellence. www.cambridge.org Information on this title: www.cambridge.org/9780521717182 © Cambridge University Press 2008 This publication is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First edition published 1994 (reprinted 1996, 1997, 1999, 2003, 2004) Second edition published 2008 (reprinted 2011) 5th printing 2015 Printed in the United Kingdom by Bell and Bain Ltd, Glasgow A catalogue record for this publication is available from the British Library ISBN 978-0-521-88876-9 hardback ISBN 978-0-521-71718-2 paperback II © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-88876-9 - Central Cambridge: A Guide to the University and Colleges: Second Edition Kevin Taylor Frontmatter More information Contents General map of Cambridge Inside front cover Foreword by H.R.H.
    [Show full text]
  • Expenditure by Institution (Summary)
    18 January 2011 CAMBRIDGE UNIVERSITY REPORTER 17 Section C: Expenditure by Institution (summary) Note that this analysis takes into account financial accounting adjustments in respect of: the elimination of internal charges; capital expenditure; and depreciation. Costs by activity 2009–10 (£000) Costs by type 2009–10 (£000) Research Adminis- grants tration and Other Total costs Academic Academic and Other central Staff operating Deprec- Interest Total costs 2008–09 departments services contracts activities services Premises costs expenses iation payable 2009–10 (£000) ACADEMIC DEPARTMENTS SCHOOL OF ARTS AND HUMANITIES 231 – – – 7 (13) 197 28 – – 225 277 Anglo-Saxon, Norse and Celtic 634 6 79 10 20 – 669 80 – – 749 763 Architecture 1,309 1 1,547 87 (8) 5 1,725 1,216 – – 2,941 2,933 Architecture and History of Art 458 62 2 16 – 88 417 182 27 – 626 727 Classics and Classical Archaeology 2,927 183 526 83 250 38 3,386 621 – – 4,007 3,808 Divinity 2,319 130 717 29 184 70 2,562 887 – – 3,449 3,305 East Asian Studies 1,266 – – 16 8 – 1,101 189 – – 1,290 1,297 English 3,239 203 240 23 89 78 3,509 351 12 – 3,872 3,726 French 1,302 – 162 8 2 – 1,411 63 – – 1,474 1,438 German 852 3 38 – 5 – 873 25 – – 898 908 History of Art 517 – 29 17 7 – 528 42 – – 570 496 Italian 544 – 44 2 – – 574 16 – – 590 549 Linguistics 508 – 304 31 – – 719 124 – – 843 810 Middle Eastern Studies 961 1 – 1 78 – 840 201 – – 1,041 983 Modern and Medieval Languages 674 188 – 18 77 2 733 226 – – 959 889 Music 1,438 114 134 134 36 67 1,527 372 24 – 1,923 1,619 Oriental Studies
    [Show full text]
  • FOI Ref 6871 Response Sent 17 March Can You Please Provide The
    FOI Ref 6871 Response sent 17 March Can you please provide the following details from the most recent records which you hold under The Licensing Act 2003: On-trade alcohol licensed premises, including: Premises Licence Number Date Issued Premises Licence Status (active, expired etc.) Premises Name Premises Address Premises Postcode Premises Telephone Number Premises on-trade Category (e.g. Cafe, Bar, Theatre, Nightclub etc.) Premises Licence Holder Name Premises Licence Holder Address Premises Licence Holder Postcode Designated Premises Supervisor Name Designated Premises Supervisor Address Designated Premises Supervisor Postcode The information you have requested is held and in the attached. However the personal information relating to Designated Premises Supervisors you have requested is refused under the exemption to disclosure at Section 40(2) of the Act Further queries on this matter should be directed to [email protected] Full address Telephone number Licence type Status Date issued Licence holder 1 and 1 Rougamo Ltd, 84 Regent Street, Cambridge, 07730029914 Premises Licence Current Licence 10/03/2020 Yao Qin Cambridgeshire, CB2 1DP 2648 Cambridge, 14A Trinity Street, Cambridge, 01223 506090 Premises Licence Current Registration 03/10/2005 The New Vaults Limited Cambridgeshire, CB2 1TB 2nd View Cafe - Waterstones, 20-22 Sidney Street, Premises Licence Current Registration 17/09/2010 Waterstones Booksellers Ltd Cambridge, Cambridgeshire, CB2 3HG ADC Theatre, Park Street, Cambridge, Cambridgeshire, CB5 01223 359547 Premises Licence
    [Show full text]
  • Annual Report 2005–2006 Cambridge University Library Annual Report 2005–2006 Highlights
    cambridge university library annual report 2005–2006 cambridge university library annual report 2005–2006 highlights 2 The year was a highly successful one, with a number of major initiatives that allowed the Library to improve the range of service it is able to offer its users in all disciplines. For scientists, the development of the journals co- ordination scheme started to bear fruit. Following an extensive survey of users’ needs, the scheme’s Steering Committee took out subscriptions to a number of new, urgently needed journals, funded title page from savings made by the cancellation of titles for Reuben Ramble’s which there was no demand. Participants in the map of Cambridgeshire, scheme now include the Schools of Biological produced for Sciences and Clinical Medicine, as well as a majority children in 1845. of departments in the School of Physical Sciences. From the Map Department’s Discussion took place during the year with all the collections. Schools, with a view to extending the scheme to become a University-wide one. right Grammar in rhyme The Library bought the digitised back-sets in the (London 1854). One Elsevier ScienceDirect database and this, together of the books being with the Library’s subscription to current Science re-catalogued online as part of the Direct titles, means that the scientist now has online Tower Project. access at his or her desktop to the full content, from the first issue to the most recent, of more than 2,000 journals – some seven million articles – in a range of The DSpace@Cambridge Project, which has subjects.
    [Show full text]
  • Arts and Recreation Grant and Discretionary Rate Relief (DRR) Applications 2013-14 Appendix 2
    Arts and Recreation Grant and Discretionary Rate Relief (DRR) Applications 2013-14 Appendix 2 The following recommendations are subject to confirmation of the Council’s 2013-14 budget in February 2013 and, in some cases, to the receipt and verification of further information from applicant organisations (this could include projects, programmes, finances, governance etc). § The recommendation is for the purpose unless otherwise stated § Figures in brackets are numbers of beneficiaries § No offer is generally due to not meeting the funding priorities and/or eligibility criteria § DRR = Discretionary Rate Relief (actual amounts still to be confirmed) Ref Group 2013-14 Application Purpose 2013- Offer Year 2012-13 Notes 14 Bid Funding 1 30 Bird MUD 12-month intergenerational, participatory, 10,000 5,000 1 0 £5k bid to Visual arts theatre company creating partnership project. Outdoor "Creative Laboratory" East AC site specific performance and at St Matthews School with public access - a installation projects working with permanent physical structure encouraging practitioners from a range of disciplines creativity, play, exploration - past, present and future. Workshops around this structure linking to Cambridge Film Festival, Festival of Ideas, Wordfest, Cambridge Music Festival; 3 free performances of MUD. (2736 all city) 2 Academy of Ancient Music Professional Seed funding for 20 pupils from a Cambridge 3,500 1,500 3 0 period instrument orchestra playing based school to each concert at West Road historically informed baroque & classical concert hall series in 2013-14; 14-15; 15-16 music via concerts, recordings and seasons. (300 children attending 15 concerts 225 educational work. World tours. city 75%) Orchestra in residence at Cambridge University.
    [Show full text]