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    The Barbarossa Cave is located in the Kyffhäuser region of which they experienced both their studio being demolished Germany, and takes its name from a local legend. According to and a takeover of their previous label, and in which Alex nearly such lore, Frederick Barbarossa – former German monarch quit music altogether. “Music didn't mean anything to me and Roman Emperor of the twelſth century – slumbers within anymore,” he reflects. “I started to escape on my self-built bike, these caverns in a palace beneath the Kyffhäuser hills, his cycling into the woods around Oslo and doing long rides to beard growing in circles around the table at which he rests, other cities, discovering the satisfaction of being alone and in until either he reigns once more over a unified Germany, or the motion through the landscape. Just fast enough and far end of the world; whichever arrives first. enough to discover real adventure.” However, it wasn’t long before he was coaxed back into action, initially with stu- “I was and still am obsessed with caves,” relates Alexander dio-based jams with Bez Farazollahi and frequent Ulver Kloster-Jensen (Alex K), main source of the creative vision collaborator Anders Møller. “It was relaxed and free floating behind Norway’s enigmatic Kitchie Kitchie Ki Me O (KKKMO), without any meaning and purpose,” notes Alex. “It reminded who was inspired by a visit to this mythic location during the me of cycling … just getting from A to B”. cathartic period that led to their new and long-awaited album Are You Land or Water on House of Mythology.
  • The History of Rock Music - the Nineties

    The History of Rock Music - the Nineties

    The History of Rock Music - The Nineties The History of Rock Music: 1995-2001 Drum'n'bass, trip-hop, glitch music History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) Post-post-rock (These are excerpts from my book "A History of Rock and Dance Music") The Louisville alumni 1995-97 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. The Squirrel Bait and Rodan genealogies continued to dominate Kentucky's and Chicago's post-rock scene during the 1990s. Half of Rodan, i.e. Tara Jane O'Neil (now on vocals and guitar) and Kevin Coultas, formed Sonora Pine with keyboardist and guitarist Sean Meadows, violinist Samara Lubelski and pianist Rachel Grimes. Their debut album, Sonora Pine (1996), basically applied Rodan's aesthetics to the format of the folk lullaby. Another member of Rodan, guitarist Jeff Mueller, formed June Of 44 (11), a sort of supergroup comprising Sonora Pine's guitarist Sean Meadows, Codeine's drummer and keyboardist Doug Scharin, and bassist and trumpet player Fred Erskine. Engine Takes To The Water (1995) signaled the evolution of "slo-core" towards a coldly neurotic form, which achieved a hypnotic and catatonic tone, besides a classic austerity, on the mini-album Tropics And Meridians (1996). Sustained by abrasive and inconclusive guitar doodling, mutant rhythm and off-key counterpoint of violin and trumpet, Four Great Points (1998) metabolized dub, raga, jazz, pop in a theater of calculated gestures.
  • Felix Issue 1131, 1999

    Felix Issue 1131, 1999

    The Student Newspaper of Imperial College 15 December 1999: Issue 1161 The Chemical Brothers live from Brixton Elite admissions oust the lower classes FELIX NEWSTEAM Dr Hassard explained: "We do our best with open days and summer Imperial has continually reinforced schools, but we get a smaller per• its position amongst the countries centage of respondents from state elite institutions - and a new report schools than we'd like...We give has revealed this can be largely UCAS seminars - but we find some attributed to an elite intake. private schools decline since they Rankings placed IC second run their own extensive and inten• worst in teh UK for bias against sive interview training, workshops state schools, with only 53 per cent on filling in forms, guidance on of its intake coming from compre- what counts.... which are probably hensives, just one percent more denied most to state sector pupils". than Cambridge. The ranking was Dr Eastwood, Director of Plan• based an a projected figure which ning and Management Information was correlated to the A-Level Systems, who is involved with the requirements of the intake. The College's admissions, stated cate• College fared no better in the class gorically that Imperial College cer• stakes, ranking as the seventh most tainly does not make it policy to socially exclusive higher education exclude anybody; it is open to all institution with just 5.1% of its who wish to come here and satisfy intake coming from the poorest the minimum scholastic require• neighbourhoods. However, as the ments. He pointed out "The one Government formulates its strategy thing we will never do is lower our to tackle high drop-out rates, Impe• admissions criteria.
  • Cult of Luna På Europaturnén Somewhere Along the Highway Tour

    Cult of Luna På Europaturnén Somewhere Along the Highway Tour

    2015-12-04 16:12 CET Cult of Luna på Europaturnén Somewhere Along the Highway Tour Nästa år är det tio år sedan Cult of Luna släppte det klassiska och prisbelönta albumet "Somewhere Along the Highway”. Det firar det hyllade livebandet med en unik Europaturné där de spelar skivan i sin helhet, blandat med både gamla och nya låtar. På turnén gör Cult of Luna två exklusiva Sverigespelningar när "Somewhere Along the Highway Tour” kommer till Pustervik i Göteborg den 12 maj och Cirkus i Stockholm den 15 maj. Biljetterna släpps imorgon vid 09:00. Postrockbandet Cult of Lunas "Somewhere Along the Highway” är ett banbrytande album som släpptes 2006. Det placerade sig på topplistor över årets bästa album, hyllades i media och vann dessutom P3 Guld för Årets rock/metal. Nu baserar Cult of Luna sin kommande Europaturné på det tioårsjubilerande albumet som betytt så mycket både för bandet och dess fans. – Som fan älskar jag när band spelar skivor rakt igenom. Vi får ständigt höra hur mycket skivan har betytt för folk och det var det som avgjorde att vi skulle göra "Somewhere Along the Highway Tour”. Men framför allt betyder skivan väldigt mycket för oss, säger Johannes Persson, sångare och gitarrist i Cult of Luna. Cult of Luna är ett erkänt skickligt liveband vars konserter beskrivits som "Achingly beautiful, Cult of Luna are worthy of devotion” (Kerrang), ”Ett magnifikt liveepos” (Gaffa) och ”En mäktig upplevelse” (Västerbottens- Kuriren). På "Somewhere Along the Highway Tour” kommer bandet förutom albumet i sin helhet även ge publiken en del oväntade inslag.