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11. Brahmotsavam
Our Sincere thanks to: 1. 'kaimkarya ratnam' Anbil Sri. Ramaswamy Swami, Editor of SrIRangaSrI e-magazine for his special report on the Brahmotsava Celebrations at Pomona, New York. 2. Sri. Murali Desikachari for compiling the source document 3. Sri.Lakshminarasimhan Sridhar, Sri.Malolan Cadambi, Sri. Murali BhaTTar of www.srirangapankajam.com. sadagopan.org sadagopan.org sadagopan.org www.ranganatha.org and Nedumtheru Sri.Mukund Srinivasan for contribution of images. 4. Smt. Jayashree Muralidharan for assembling the e-book. C O N T E N T S Introduction 1 Brahmotsava Ceremonies 5 Pre-Brahmotsavam 7 Ghanta Sevai 22 Bheri Taadanam 26 sadagopan.org sadagopan.org sadagopan.org Slokams used in Bheri Taadanam 31 Brahmotsavam at Pomona New York 73 Day 1 75 Day 2 80 Day 3 82 Final Day 84 In Conclusion 95 A special report by Sri. Anbil Ramaswamy 97 Just returned from Vaikuntham 99 sadagopan.org sadagopan.org sadagopan.org SrI ranganAtha with ubhaya nAcchiyArs during Brahmotsavam Pomona Temple, New York ïI> b INTRODUCTION Dear Sri RanganAyaki SamEtha Sri Ranganatha BhakthAs : The First BrahmOthsavam celebrations at Sri Ranganatha Temple have been sadagopan.org sadagopan.org sadagopan.org successfully concluded with the anugraham of Lord Ranganatha and the AchAaryAs. The details of each day's program is available at: http://www.Ranganatha.org A huge band of volunteers provided support for the various Kaimkaryams and including the Vaidhika events of the individual days from DhvajArOhaNam to DhvajAvarOhaNam. The daily alankArams, PuRappAdus, Live Naadhaswara Kaccheris, cultural events, Anna dhAnams, BhEri Taadanams et al during this BrahmOthsavam were a delight to enjoy. -
Particulars of Some Temples of Kerala Contents Particulars of Some
Particulars of some temples of Kerala Contents Particulars of some temples of Kerala .............................................. 1 Introduction ............................................................................................... 9 Temples of Kerala ................................................................................. 10 Temples of Kerala- an over view .................................................... 16 1. Achan Koil Dharma Sastha ...................................................... 23 2. Alathiyur Perumthiri(Hanuman) koil ................................. 24 3. Randu Moorthi temple of Alathur......................................... 27 4. Ambalappuzha Krishnan temple ........................................... 28 5. Amedha Saptha Mathruka Temple ....................................... 31 6. Ananteswar temple of Manjeswar ........................................ 35 7. Anchumana temple , Padivattam, Edapalli....................... 36 8. Aranmula Parthasarathy Temple ......................................... 38 9. Arathil Bhagawathi temple ..................................................... 41 10. Arpuda Narayana temple, Thirukodithaanam ................. 45 11. Aryankavu Dharma Sastha ...................................................... 47 12. Athingal Bhairavi temple ......................................................... 48 13. Attukkal BHagawathy Kshethram, Trivandrum ............. 50 14. Ayilur Akhileswaran (Shiva) and Sri Krishna temples ........................................................................................................... -
The Science Behind Sandhya Vandanam
|| 1 Sri Nrisimha Priya (Volume 8 – Issue 7) July 2020 Sri Vaidya Veeraraghavan – Nacchiyar Thirukkolam - Thiruevvul 2 Sri Nrisimha Priya (Volume 8 – Issue 7) July 2020 �ी:|| ||�ीमते ल�मीनृिस륍हपर��णे नमः || Sri Nrisimha Priya ------------------------------------------------------------------------------------------ AN AU T H O R I S E D PU B L I C A T I O N OF SR I AH O B I L A M A T H A M H. H. 45th Jiyar of Sri Ahobila Matham H.H. 46th Jiyar of Sri Ahobila Matham Founder Sri Nrisimhapriya (E) H.H. Sri Lakshminrisimha H.H. Srivan Sathakopa Divya Paduka Sevaka Srivan Sathakopa Sri Ranganatha Yatindra Mahadesikan Sri Narayana Yatindra Mahadesikan Ahobile Garudasaila madhye The English edition of Sri Nrisimhapriya not only krpavasat kalpita sannidhanam / brings to its readers the wisdom of Vaishnavite Lakshmya samalingita vama bhagam tenets every month, but also serves as a link LakshmiNrsimham Saranam prapadye // between Sri Matham and its disciples. We confer Narayana yatindrasya krpaya'ngilaraginam / our benediction upon Sri Nrisimhapriya (English) Sukhabodhaya tattvanam patrikeyam prakasyate // for achieving a spectacular increase in readership SriNrsimhapriya hyesha pratigeham sada vaset / and for its readers to acquire spiritual wisdom Pathithranam ca lokanam karotu Nrharirhitam // and enlightenment. It would give us pleasure to see all devotees patronize this spiritual journal by The English Monthly Edition of Sri Nrisimhapriya is becoming subscribers. being published for the benefit of those who are better placed to understand the Vedantic truths through the medium of English. May this magazine have a glorious growth and shine in the homes of the countless devotees of Lord Sri Lakshmi Nrisimha! May the Lord shower His benign blessings on all those who read it! 3 Sri Nrisimha Priya (Volume 8 – Issue 7) July 2020 4 Sri Nrisimha Priya (Volume 8 – Issue 7) July 2020 ी:|| ||�ीमते ल�मीनृिस륍हपर��णे नमः || CONTENTS Sri Nrisimha Priya Owner: Panchanga Sangraham 6 H.H. -
In the Kingdom of Nataraja, a Guide to the Temples, Beliefs and People of Tamil Nadu
* In the Kingdom of Nataraja, a guide to the temples, beliefs and people of Tamil Nadu The South India Saiva Siddhantha Works Publishing Society, Tinnevelly, Ltd, Madras, 1993. I.S.B.N.: 0-9661496-2-9 Copyright © 1993 Chantal Boulanger. All rights reserved. This book is in shareware. You may read it or print it for your personal use if you pay the contribution. This document may not be included in any for-profit compilation or bundled with any other for-profit package, except with prior written consent from the author, Chantal Boulanger. This document may be distributed freely on on-line services and by users groups, except where noted above, provided it is distributed unmodified. Except for what is specified above, no part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by an information storage and retrieval system - except by a reviewer who may quote brief passages in a review to be printed in a magazine or newspaper - without permission in writing from the author. It may not be sold for profit or included with other software, products, publications, or services which are sold for profit without the permission of the author. You expressly acknowledge and agree that use of this document is at your exclusive risk. It is provided “AS IS” and without any warranty of any kind, expressed or implied, including, but not limited to, the implied warranties of merchantability and fitness for a particular purpose. If you wish to include this book on a CD-ROM as part of a freeware/shareware collection, Web browser or book, I ask that you send me a complimentary copy of the product to my address. -
HŒ臬 A„簧綟糜恥sµ, Vw笑n® 22.12.2019 Š U拳 W
||Om Shri Manjunathaya Namah || Shri Kshethra Dhamasthala Rural Development Project B.C. Trust ® Head Office Dharmasthala HŒ¯å A„®ãtÁS®¢Sµ, vw¯ºN® 22.12.2019 Š®0u®± w®lµu® îµ±°ªæX¯Š®N®/ N®Zµ°‹ š®œ¯‡®±N®/w®S®u®± š®œ¯‡®±N® œ®±uµÛ‡®± wµ°Š® wµ°î®±N¯r‡®± ªRq® y®‹°£µ‡®± y®ªq¯ºý® D Nµ¡®w®ºruµ. Cu®Š®ªå 50 î®±q®±Ù 50 Oʺq® œµX®±Ï AºN® y®lµu®î®Š®w®±Ý (¬šµ¶g¬w®ªå r¢›Š®±î®ºqµ N®Zµ°‹/w®S®u®± š®œ¯‡®±N® œ®±uµÛSµ N®xÇ®Õ ïu¯ãœ®Áqµ y®u®ï î®±q®±Ù ®±š®±é 01.12.2019 NµÊ Aw®æ‡®±î¯S®±î®ºqµ 25 î®Ç®Á ï±°Š®u®ºqµ î®±q®±Ù îµ±ªæX¯Š®N® œ®±uµÛSµ N®xÇ®Õ Hš¬.Hš¬.HŒ¬.› /z.‡®±±.› ïu¯ãœ®Áqµ‡µ²ºvSµ 3 î®Ç®Áu® Nµ©š®u® Aw®±„Â®î® î®±q®±Ù ®±š®±é 01.12.2019 NµÊ Aw®æ‡®±î¯S®±î®ºqµ 30 î®Ç®Á ï±°Š®u®ºqµ ) î®±±ºvw® œ®ºq®u® š®ºu®ý®Áw®NµÊ B‡µ±Ê ¯l®Œ¯S®±î®¼u®±. š®ºu®ý®Áw®u® š®Ú¡® î®±q®±Ù vw¯ºN®î®w®±Ý y®äqµã°N®î¯T Hš¬.Hº.Hš¬ î®±²©N® ¯Ÿr x°l®Œ¯S®±î®¼u®±. œ¯cНu® HŒ¯å A„®ãtÁS®¢Sµ A†Ãw®ºu®wµS®¡®±. Written test Sl No Name Address Taluk District mark Exam Centre out off 100 11 th ward near police station 1 A Ashwini Hospete Bellary 33 Bellary kampli 2 Abbana Durugappa Nanyapura HB hally Bellary 53 Bellary 'Sri Devi Krupa ' B.S.N.L 2nd 3 Abha Shrutee stage, Near RTO, Satyamangala, Hassan Hassan 42 Hassan Hassan. -
Guide to 275 SIVA STHALAMS Glorified by Thevaram Hymns (Pathigams) of Nayanmars
Guide to 275 SIVA STHALAMS Glorified by Thevaram Hymns (Pathigams) of Nayanmars -****- by Tamarapu Sampath Kumaran About the Author: Mr T Sampath Kumaran is a freelance writer. He regularly contributes articles on Management, Business, Ancient Temples and Temple Architecture to many leading Dailies and Magazines. His articles for the young is very popular in “The Young World section” of THE HINDU. He was associated in the production of two Documentary films on Nava Tirupathi Temples, and Tirukkurungudi Temple in Tamilnadu. His book on “The Path of Ramanuja”, and “The Guide to 108 Divya Desams” in book form on the CD, has been well received in the religious circle. Preface: Tirth Yatras or pilgrimages have been an integral part of Hinduism. Pilgrimages are considered quite important by the ritualistic followers of Sanathana dharma. There are a few centers of sacredness, which are held at high esteem by the ardent devotees who dream to travel and worship God in these holy places. All these holy sites have some mythological significance attached to them. When people go to a temple, they say they go for Darsan – of the image of the presiding deity. The pinnacle act of Hindu worship is to stand in the presence of the deity and to look upon the image so as to see and be seen by the deity and to gain the blessings. There are thousands of Siva sthalams- pilgrimage sites - renowned for their divine images. And it is for the Darsan of these divine images as well the pilgrimage places themselves - which are believed to be the natural places where Gods have dwelled - the pilgrimage is made. -
List of Empanelled Artist
INDIAN COUNCIL FOR CULTURAL RELATIONS EMPANELMENT ARTISTS S.No. Name of Artist/Group State Date of Genre Contact Details Year of Current Last Cooling off Social Media Presence Birth Empanelment Category/ Sponsorsred Over Level by ICCR Yes/No 1 Ananda Shankar Jayant Telangana 27-09-1961 Bharatanatyam Tel: +91-40-23548384 2007 Outstanding Yes https://www.youtube.com/watch?v=vwH8YJH4iVY Cell: +91-9848016039 September 2004- https://www.youtube.com/watch?v=Vrts4yX0NOQ [email protected] San Jose, Panama, https://www.youtube.com/watch?v=YDwKHb4F4tk [email protected] Tegucigalpa, https://www.youtube.com/watch?v=SIh4lOqFa7o Guatemala City, https://www.youtube.com/watch?v=MiOhl5brqYc Quito & Argentina https://www.youtube.com/watch?v=COv7medCkW8 2 Bali Vyjayantimala Tamilnadu 13-08-1936 Bharatanatyam Tel: +91-44-24993433 Outstanding No Yes https://www.youtube.com/watch?v=wbT7vkbpkx4 +91-44-24992667 https://www.youtube.com/watch?v=zKvILzX5mX4 [email protected] https://www.youtube.com/watch?v=kyQAisJKlVs https://www.youtube.com/watch?v=q6S7GLiZtYQ https://www.youtube.com/watch?v=WBPKiWdEtHI 3 Sucheta Bhide Maharashtra 06-12-1948 Bharatanatyam Cell: +91-8605953615 Outstanding 24 June – 18 July, Yes https://www.youtube.com/watch?v=WTj_D-q-oGM suchetachapekar@hotmail 2015 Brazil (TG) https://www.youtube.com/watch?v=UOhzx_npilY .com https://www.youtube.com/watch?v=SgXsRIOFIQ0 https://www.youtube.com/watch?v=lSepFLNVelI 4 C.V.Chandershekar Tamilnadu 12-05-1935 Bharatanatyam Tel: +91-44- 24522797 1998 Outstanding 13 – 17 July 2017- No https://www.youtube.com/watch?v=Ec4OrzIwnWQ -
South-Indian Images of Gods and Goddesses
ASIA II MB- • ! 00/ CORNELL UNIVERSITY* LIBRARY Date Due >Sf{JviVre > -&h—2 RftPP )9 -Af v^r- tjy J A j£ **'lr *7 i !! in ^_ fc-£r Pg&diJBii'* Cornell University Library NB 1001.K92 South-indian images of gods and goddesse 3 1924 022 943 447 AGENTS FOR THE SALE OF MADRAS GOVERNMENT PUBLICATIONS. IN INDIA. A. G. Barraud & Co. (Late A. J. Combridge & Co.)> Madras. R. Cambrav & Co., Calcutta. E. M. Gopalakrishna Kone, Pudumantapam, Madura. Higginbothams (Ltd.), Mount Road, Madras. V. Kalyanarama Iyer & Co., Esplanade, Madras. G. C. Loganatham Brothers, Madras. S. Murthv & Co., Madras. G. A. Natesan & Co., Madras. The Superintendent, Nazair Kanun Hind Press, Allahabad. P. R. Rama Iyer & Co., Madras. D. B. Taraporevala Sons & Co., Bombay. Thacker & Co. (Ltd.), Bombay. Thacker, Spink & Co., Calcutta. S. Vas & Co., Madras. S.P.C.K. Press, Madras. IN THE UNITED KINGDOM. B. H. Blackwell, 50 and 51, Broad Street, Oxford. Constable & Co., 10, Orange Street, Leicester Square, London, W.C. Deighton, Bell & Co. (Ltd.), Cambridge. \ T. Fisher Unwin (Ltd.), j, Adelphi Terrace, London, W.C. Grindlay & Co., 54, Parliament Street, London, S.W. Kegan Paul, Trench, Trubner & Co. (Ltd.), 68—74, iCarter Lane, London, E.C. and 25, Museum Street, London, W.C. Henry S. King & Co., 65, Cornhill, London, E.C. X P. S. King & Son, 2 and 4, Great Smith Street, Westminster, London, S.W.- Luzac & Co., 46, Great Russell Street, London, W.C. B. Quaritch, 11, Grafton Street, New Bond Street, London, W. W. Thacker & Co.^f*Cre<d Lane, London, E.O? *' Oliver and Boyd, Tweeddale Court, Edinburgh. -
Carnatic Music Theory Year I
CARNATIC MUSIC THEORY YEAR I BASED ON THE SYLLABUS FOLLOWED BY GOVERNMENT MUSIC COLLEGES IN ANDHRA PRADESH AND TELANGANA FOR CERTIFICATE EXAMS HELD BY POTTI SRIRAMULU TELUGU UNIVERSITY ANANTH PATTABIRAMAN EDITION: 2.6 Latest edition can be downloaded from https://beautifulnote.com/theory Preface This text covers topics on Carnatic music required to clear the first year exams in Government music colleges in Andhra Pradesh and Telangana. Also, this is the first of four modules of theory as per Certificate in Music (Carnatic) examinations conducted by Potti Sriramulu Telugu University. So, if you are a music student from one of the above mentioned colleges, or preparing to appear for the university exam as a private candidate, you’ll find this useful. Though attempts are made to keep this text up-to-date with changes in the syllabus, students are strongly advised to consult the college or univer- sity and make sure all necessary topics are covered. This might also serve as an easy-to-follow introduction to Carnatic music for those who are generally interested in the system but not appearing for any particular examination. I’m grateful to my late guru, veteran violinist, Vidwan. Peri Srirama- murthy, for his guidance in preparing this document. Ananth Pattabiraman Editions First published in 2009, editions 2–2.2 in 2017, 2.3–2.5 in 2018, 2.6 in 2019. Latest edition available at https://beautifulnote.com/theory Copyright This work is copyrighted and is distributed under Creative Commons BY-NC-ND 4.0 license. You can make copies and share freely. -
One and Three Bhairavas: the Hypocrisy of Iconographic Mediation Gregory Price Grieve
Revista de Estudos da Religião Nº 4 / 2005 / pp. 63-79 ISSN 1677-1222 One and Three Bhairavas: The Hypocrisy of Iconographic Mediation Gregory Price Grieve The artist-as-anthropologist, as a student of culture, has as his job to articulate a model of art, the purpose of which is to understand culture by making its implicit nature explicit. [T]his is not simply circular because the agents are continually interacting and socio-historically located. It is a non-static, in-the-world model. Joseph Kosuth1, “The Artist as Anthropologist” (1991[1975]) Iconography is a hypocritical term. On the face of it, “iconography” simply denotes the critical study of images (Panofsky 1939; 1955). Yet, one must readily admit that iconography stems from the fear of images (Mitchell 1987). In fact, iconography can be defined as a strategy for writing over images. But why fear images? Iconography’s zealotry—from idols made in the likeness of God to fetishes made in the image of capital—stems from the terror of the material. Accordingly, to proceed in an analysis of iconography, one must make explicit what most religious discursive systems must by necessity leave implict religion is never just “spirit.” Whether iconophobia or iconophilia, whether iconoclastic or idolatry, what all religions have in common is that they rely on matter for their dissemination. Even speech, the most reified communication, relies on air and the physicality of the human body. Accordingly, to write about, rather than write over, religious images, we need to return to the material. Stop and take a look at the god-image of Bhairava, a fierce form of Shiva from the Nepalese city of Bhaktapur2. -
Shiva, the Destroyer and the Restorer
Shiva, The Destroyer and the Restorer DR.RUPNATHJI( DR.RUPAK NATH ) 7 SHIV TATTVA In Me the universe had its origin, In Me alone the whole subsists; In Me it is lost-Siva, The Timeless, it is I Myself, Sivoham! Sivoham! Sivoham! Salutations to Lord Shiva, the vanquisher of Cupid, the bestower of eternal bliss and Immortality, the protector of all beings, destroyer of sins, the Lord of the gods, who wears a tiger-skin, the best among objects of worship, through whose matted hair the Ganga flows. Lord Shiva is the pure, changeless, attributeless, all-pervading transcendental consciousness. He is the inactive (Nishkriya) Purusha (Man). Prakriti is dancing on His breast and performing the creative, preservative and destructive processes. When there is neither light nor darkness, neither form nor energy, neither sound nor matter, when there is no manifestation of phenomenal existence, Shiva alone exists in Himself. He is timeless, spaceless, birthless, deathless, decayless. He is beyond the pairs of opposites. He is the Impersonal Absolute Brahman. He is untouched by pleasure and pain, good and evil. He cannot be seen by the eyes but He can be realised within the heart through devotion and meditation. Shiva is also the Supreme personal God when He is identified with His power. He is then omnipotent, omniscient active God. He dances in supreme joy and creates, sustains and destroys with the rhythm of His dancing movements. DR.RUPNATHJI( DR.RUPAK NATH ) He destroys all bondage, limitation and sorrow of His devotees. He is the giver of Mukti or the final emancipation. -
State of Conservation Report Regarding Progress So Far Made with Regard to the Recommendations of the World Heritage Committee in Decision 37COMB.61
Name of the Property: Group of Monuments at Hampi (India) (C 241) State of Conservation report regarding progress so far made with regard to the recommendations of the World Heritage Committee in Decision 37COMB.61. 1. Response from the State Party to the World Heritage Committee’s Decision, 37 COM 7B.61 , paragraph by paragraph A. Removal of debris of the collapsed bridge and the relocation of the vehicular bridge outside of the property; The Public Works Department of Government of Karnataka, has resumed the work of removing the remaining part of the collapsed bridge viz., debris, columns and carriageway, without disturbing the nearby cultural resources, by adopting state of the art technology and the work is almost complete. As regards the relocation of the vehicular bridge, cultural impact assessment study has been completed and location of the vehicular bridge as recommended in the impact assessment study has been identified. B. Completed Integrated Management Plan together with a synthesis and a prioritisation of existing recommendations and intentions, for review by the World Heritage Centre and the Advisory Bodies - The Integrated Management Plan (draft already submitted to the WHC in 2006) gives an overall framework for the Management & protection of Hampi World Heritage Site. It is reiterated that as per the draft IMP recommendations the following actions have been implemented since January 2006 by Government of Karnataka and Archaeological Survey of India. Sno IMP recommendation Agency 1 Preparing a official Base Map HWHAMA