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THE FOUNDATION OF THE MONASH LAW SCHOOL PETER BALMFORD* INTRODUCTION From 1853 to 1878, an Englishman named John Hughes Clayton practised as a solicitor in the City of Melbourne.' At the end of the working day, he was usually driven home by his coachman: a journey of about twelve miles to his property in a district known as "Old Dam~er".~In the course of time, the north-south road running past his property came to be called "Clayton's Road": the name was ultimately shortened to Clayton Road and from it derived the present name of the di~trict.~ Clayton had become a suburb of Melbourne long before 1958, when Mon- ash University was established by legislation of the Victorian Parliament.4 Nevertheless, the Interim Council of the new University was able to find there 250 acres of largely vacant land which it chose as the site on which to build.5 Sir John Monash (1865-1931), after whom the University was named, is celebrated as a soldier, as an engineer and as an administrator. He was a graduate of the University of Melbourne in Arts, Engineering and Law. He never practised as a barrister or solicitor, although, in the 1890s and the early years of the twentieth century, he appeared as an advocate in arbitrations on engineering disputes and frequently gave evidence as an expert witness in engineering and patent mattem6 This article gives an account of the foundation of the law school at Monash University, Clayton, in celebration of the twenty-five years of teaching which have now been completed. -
The Blot on the Landscape: Fred Williams and Australian Art History
The blot on the landscape: Fred Williams and Australian art history Keith Broadfoot There is a blot on the Australian landscape. It has been there for a long time, but its existence only really became apparent with a defining shift in Australian art historiography which occurred with Bernard Smith’s 1980 Boyer Lecture series, The Spectre of Truganini. Seeing the exclusion of an Aboriginal presence in Australian art through the ideas of Sigmund Freud, Smith proposed in his pivotal text that the history of Australian art was a history of repression. After Smith, contemporary art historian Ian McLean has developed the most detailed account of the history of Australian art according to this methodology. This essay examines the work of the modern Australian artist Fred Williams in relation to both Smith and McLean’s understanding of the history of Australian art but to expand on their work I argue that, rather than Freud alone, it is Jacques Lacan’s refiguring of Freud that offers us the most insight into Williams’s work. Further, insofar as I argue that the history of Australian art is the very subject matter of Williams’s work, his work stands in for a wider project, the writing of a history of Australian art according to Lacan’s proposal of a foundational split between the eye and the gaze. But first, to that blot. From colonial melancholy to a modern uncanny In a brilliant observation, Ian McLean, in drawing attention to emigrant artist John Glover’s attempt to control the disorderly dispersion of gums across the hillsides in the background of some of his paintings, suggests that therein could be found the origin to the art of Fred Williams. -
The La Trobe Journal No. 95 March 2015 End Matter
Notes 115 Notes Des Cowley, Robert Heather and Anna public – books, serials, pamphlets, music Welch: Editors’ introduction scores – but also works published in 1 Johanna Drucker, The Century of Artists’ other formats such as CD and DVD. The Books, New York: Granary Books, 1995, p. 1 Northern Territory, Tasmania and Western Australia include web-based publications. Helen Cole: Public collections of artists’ books 10 trove.nla.gov.au in Australia 11 Noreen Grahame was the first gallerist in Australia to actively promote artists’ 1 Any discussion of artists’ books is dogged books. Her first major exhibition of by the question of definition. This article artists’ books was in 1991 and, at this adopts a broad definition that includes time, she encouraged artists represented unique works, limited and commercial by the gallery to create their first artists’ editions, codexes, altered books, book books for the show. She organised five objects and everything in-between. It does Artists’ Books and Multiples fairs in not include zines, however, as institutions generally treat these separately. Brisbane, in 1994, 1996, 1998, 2001 and 2 Noreen Grahame, ‘The gallerist’s 2007, and presented Australian artists’ perspective’, paper presented at ‘The books at the Sydney Works on Paper Trouble with Artists’ Books’, Siganto Fair and the London Artists’ Books Foundation seminar, State Library of Fair. In 1994 Grahame extended into Queensland, 4 May 2013. A podcast of the publishing catalogues and artists’ books. seminar is available at: www.slq.qld.gov. Her catalogues for exhibitions and artists’ au/_slqmedia/video_and_audio_content/ books fairs constitute the most important art-and-design/siganto-seminar, accessed 21 sources of documentation of artists’ books November 2014 in Australia of this time. -
Our Cultural Collections a Guide to the Treasures Held by South Australia’S Collecting Institutions Art Gallery of South Australia
Our Cultural Collections A guide to the treasures held by South Australia’s collecting institutions Art Gallery of South Australia. South Australian Museum. State Library of South Australia. Car- rick Hill. History SA. Art Gallery of South Aus- tralia. South Australian Museum. State Library of South Australia. Carrick Hill. History SA. Art Gallery of South Australia. South Australian Museum. State Library of South Australia. Car- rick Hill. History SA. Art Gallery of South Aus- Published by Contents Arts South Australia Street Address: Our Cultural Collections: 30 Wakefield Street, A guide to the treasures held by Adelaide South Australia’s collecting institutions 3 Postal address: GPO Box 2308, South Australia’s Cultural Institutions 5 Adelaide SA 5001, AUSTRALIA Art Gallery of South Australia 6 Tel: +61 8 8463 5444 Fax: +61 8 8463 5420 South Australian Museum 11 [email protected] www.arts.sa.gov.au State Library of South Australia 17 Carrick Hill 23 History SA 27 Artlab Australia 43 Our Cultural Collections A guide to the treasures held by South Australia’s collecting institutions The South Australian Government, through Arts South Our Cultural Collections aims to Australia, oversees internationally significant cultural heritage ignite curiosity and awe about these collections comprising millions of items. The scope of these collections is substantial – spanning geological collections, which have been maintained, samples, locally significant artefacts, internationally interpreted and documented for the important art objects and much more. interest, enjoyment and education of These highly valuable collections are owned by the people all South Australians. of South Australia and held in trust for them by the State’s public institutions. -
Art Gallery of South Australia Major Achievements 2003
ANNUAL REPORT of the ART GALLERY OF SOUTH AUSTRALIA for the year 1 July 2003 – 30 June 2004 The Hon. Mike Rann MP, Minister for the Arts Sir, I have the honour to present the sixty-second Annual Report of the Art Gallery Board of South Australia for the Gallery’s 123rd year, ended 30 June 2004. Michael Abbott QC, Chairman Art Gallery Board 2003–2004 Chairman Michael Abbott QC Members Mr Max Carter AO (until 18 January 2004) Mrs Susan Cocks (until 18 January 2004) Mr David McKee (until 20 July 2003) Mrs Candy Bennett (until 18 January 2004) Mr Richard Cohen (until 18 January 2004) Ms Virginia Hickey Mrs Sue Tweddell Mr Adam Wynn Mr. Philip Speakman (commenced 20 August 2003) Mr Andrew Gwinnett (commenced 19 January 2004) Mr Peter Ward (commenced 19 January 2004) Ms Louise LeCornu (commenced 19 January 2004) 2 TABLE OF CONTENTS Principal Objectives 5 Major Achievements 2003-2004 6 Issues and Trends 9 Major Objectives 2004–2005 11 Resources and Administration 13 Collections 22 3 APPENDICES Appendix A Charter and Goals of the Art Gallery of South Australia 27 Appendix B1 Art Gallery Board 29 Appendix B2 Members of the Art Gallery of South Australia 29 Foundation Council and Friends of the Art Gallery of South Australia Committee Appendix B3 Art Gallery Organisational Chart 30 Appendix B4 Art Gallery Staff and Volunteers 31 Appendix C Staff Public Commitments 33 Appendix D Conservation 36 Appendix E Donors, Funds, Sponsorships 37 Appendix F Acquisitions 38 Appendix G Inward Loans 50 Appendix H Outward Loans 53 Appendix I Exhibitions and Public Programs 56 Appendix J Schools Support Services 61 Appendix K Gallery Guide Tour Services 61 Appendix L Gallery Publications 62 Appendix M Annual Attendances 63 Information Statement 64 Appendix N Financial Statements 65 4 PRINCIPAL OBJECTIVES The Art Gallery of South Australia’s objectives and functions are effectively prescribed by the Art Gallery Act, 1939 and can be described as follows: • To collect heritage and contemporary works of art of aesthetic excellence and art historical or regional significance. -
Schubert and Liszt SIMONE YOUNG’S VISIONS of VIENNA
Schubert and Liszt SIMONE YOUNG’S VISIONS OF VIENNA 21 – 24 AUGUST SYDNEY OPERA HOUSE CONCERT DIARY NEW SEASON AUGUST Beethoven and Brahms Cocktail Hour Fri 23 Aug, 6pm BEETHOVEN String Quartet in E minor, Sat 24 Aug, 6pm Op.59 No.2 (Razumovsky No.2) Sydney Opera House, BRAHMS String Quintet No.2 Utzon Room Musicians of the Sydney Symphony Orchestra Abercrombie & Kent Shostakovich Symphony No.4 Masters Series JAMES EHNES PLAYS KHACHATURIAN Wed 28 Aug, 8pm KHACHATURIAN Violin Concerto Fri 30 Aug, 8pm SHOSTAKOVICH Symphony No.4 Sat 31 Aug, 8pm Sydney Opera House Mark Wigglesworth conductor James Ehnes violin SEPTEMBER Geoffrey Lancaster in Recital Mon 2 Sep, 7pm City Recital Hall MOZART ON THE FORTEPIANO MOZART Piano Sonata in B flat, K570 MOZART Piano Sonata in E flat, K282 MOZART Rondo in A minor, K511 MOZART Piano Sonata in B flat, K333 Geoffrey Lancaster fortepiano Music from Swan Lake Wed 4 Sep, 7pm Thu 5 Sep, 7pm BEAUTY AND MAGIC Concourse Concert Hall, ROSSINI The Thieving Magpie: Overture Chatswood RAVEL Mother Goose: Suite TCHAIKOVSKY Swan Lake: Suite Umberto Clerici conductor Star Wars: The Force Awakens Sydney Symphony Presents Thu 12 Sep, 8pm in Concert Fri 13 Sep, 8pm Watch Wednesdays 8.30pm Set 30 years after the defeat of the Empire, Sat 14 Sep, 2pm this instalment of the Star Wars saga sees original Sat 14 Sep, 8pm or catch up On Demand cast members Carrie Fisher, Mark Hamill and Sydney Opera House Harrison Ford reunited on the big-screen, with the Orchestra playing live to film. -
1976 Monash University Calendar Part 1
MARIST COLLEGE ORMANBY ROAD MONASH Jp~ UNIVERSITY C'.S.I.R.O. SCALE IN METRES 0 21i liO 71i 100 121i 150 171i 200 HAllS OF RESIDENCE 30 ANIMAL KEY TO PLAN • HOUSES •• I. University club - 2. Religious centre MARSHAll RESERVE 3. Robert Blackwood Hall ENGINEERING 4. Main library 5. Krongold child training centre 6. The Alexander Theatre 7. Rotunda 8. Biomedical library 9. Biochemistry laboratories 10. Central science block SPORTS AREA II. Senior zoology 12. First year chemistry 13. Zoology lecture theatres 14. First year biology laboratory SPORTS AREA 15. Senior chemistry 16. Western science lecture theatres UJ :Jz 17. Eastern science lecture theatres UJ > 18. First year physics < UJ 19. Senior physics 8 0 20. Hargrave Library UJ = 21. Northern science lecture theatres 22. Mathematics and computer centre 23. Engineering lecture theatres 24. 25. 26. 27. Engineering school 28. Boiler-house 29. Botany experimental area VICE-CHANCEllOR'S RESIDENCE,.,. 30. Zoology environmental laboratories EDUCATION ,, ERECTED NON-COLlEGIATE HOUSING UNDER CONSTRUCTION MANNIX COLLEGE MONASH UNIVERSITY CALENDAR 1976 Published by Monash University Wellington Road, Clayton Victoria, Australia 3168 Telephone: 541 0811 Telegrams: Monashuni Melbourne Telex: Monlib AA31729 Printed and bound by Brown Prior Anderson Pty Ltd Melbourne CONTENTS (The contents of the Calendar have been brought up to date as at 5 January 1976 with the exception of the statutes and regulations which were those in force at 13 October 1975) PREFACE 9 SIR JOHN MONASH 11 COAT OF ARMS 13 DONATIONS -
House Programme
13.11.2018 JC Cube Rare and Important Piano Collection HOUSE PROGRAMME House Rules 1 The performance will last for approximately 1 hour 20 minutes with one intermission. 2 Latecomers may only be admitted at a suitable break. 3 Recommended for ages 6 and above. 4 To avoid undue disturbance to the performers and other members of the audience, please switch off your mobile phones and any other sound and light emitting devices before the performance. Eating, drinking, audio or video recording and unauthorised photography are strictly prohibited in the auditorium. Thank you for your co-operation. All About Mozart Fortepiano | Geoffrey Lancaster Sonata in B-flat major KV 570 (Vienna 1789) | Allegro | Adagio | Allegretto Sonata in E-flat major KV 282 (Munich early-1775) | Adagio | Menuet I / Menuet II | Allegro – intermission – Rondo in A minor KV 511 (Vienna 1787) | Andante Sonata in B-flat major KV 333 (Linz 1783–4) | Allegro | Andante cantabile | Allegretto grazioso Learn more about the programme and the instruments in the programme notes written by Professor Lancaster: Photo by Kathy Wheatley-2 Geoffrey Lancaster Geoffrey Lancaster has been at the forefront of the historically-informed performance practice movement for 40 years. He was the first Australian to win a major international keyboard competition, receiving First Prize in the 23rd Festival van Vlaanderen International Fortepiano Competition, Brugge. He is Artistic Director with Ensemble of the Classic Era and a member of the Council of the Australian Youth Orchestra, and was Director of the Tasmanian Symphony Chamber Players, and Chief Conductor and Artistic Director of La Cetra Barockorchester Basel. -
C 1 Cembalomusik in Der Stadt Basel Bischofshof· Münstersaal
r Ein gutes Zusammenspiel ist entscheidend für gute Resultate. Fragen Sie uns! c 1 Cembalomusik in der Stadt Basel Bischofshof· Münstersaal Konzerte 2000/2001 30.11. Andrea Scherer Beratung und Ausführung 8.1. GeoffreyLancaster Kommunikations-Lösungen Visualisierungen 19.3. Thomas Ragossnig Grafik und Design 26.4. Bob van Asperen Satz, Lithos, Druck, Digital und Offset Datenbank-Lösungen Digitale Animationen und Video-Spots Versandlogistik Abonnemente und Vorverkauf: Musik Wyler Schneidergasse 24 , 40 51 Basel Telefon 061-261 90 25 Telefon 205 93 33 Fax 205 93 30 Linsenmann AG , Eulerstrasse 73 eMail [email protected] Postfach , 4009 Basel internet http ://www .linsenmann .ch Sehr geehrte Damen und Herren Liebe Musikfreunde Mit dem Generalprogramm 2000 /2001 möchten wir Ihnen die Konzerte der 11. Sai son vorstellen und hoffen, dass es uns auch in diesem Jahr gelungen ist, ein ab wechslungsreich es Programm mit vier inter essanten Konzertabenden zusammenzu stellen. Wir würd en uns freuen , Sie auch diese Saison als regelmässige Besuch er bei CIS begrüssen zu dürfen. Wir danken für die finanzielle Unterstützung - allen privaten Gönnern - Atelier Baumgartn er, Innenarchit ektur , Basel - Bree, Lederwaren, Basel - Haecky Drink AG, Reinach • Lott eriefondSj - Linsenmann AG, Druckerei, Basel -Olymp & Hades, Buchhand lung, Basel ~ Basel-Stadt \ - Schweizer Radio DRS 2, Studio Basel 1..\Kult ur __, - Stoffler, Orgeln und Pianos, Basel 1 und der Stadt Basel, die mit einem Beitrag der Abteilung Kultur des Lotteriefonds Basel-Stadt unterstü tzt. ATELIER lady top II. Damenhandtasche. Rindnappaleder . BAUMGARTNER INNENARCHITEKTUR B A E L s & WOHNBERATUNG MÖ BEL HEIMTEXTILIEN TEPPICHE LAMPEN OBJEKTPLANUNG WOHNA CCESSOIRES I BREE BASEL I RÜMELINSPLATZ 7 1 SPALENBERG 8 4051 BASEL TEL 061 2610843 FAX 261 08 63 4001 BASEL I TELEFON 061/261 II 26 1 Gunther Lambert-Collection bei Atelier Baumgartner Donnerstag, 30. -
Download LOOK. LOOK AGAIN Brochure
LOOK. LOOK AGAIN CAMPUS PARTNER LOOK. OUTSKIRTS Outskirts: feminisms along the edge is a feminist cultural studies journal produced through the discipline of Gender Studies at UWA. Published LOOK AGAIN twice yearly, the journal presents new and challenging critical material from a range of disciplinary perspectives and feminist topics, to discuss and contest contemporary and historical issues involving women and feminisms. An initiative of postgraduate students at UWA, Outskirts began as a printed magazine in 1996 before going online in 1998 under the editorship of Delys Bird and then Alison Bartlett since 2006. Outskirts will be publishing selected papers from the symposium Are we there yet? in 2013. GENDER STUDIES Gender Studies is an interdisciplinary area that examines the history and politics of gender relations. Academic staff teach units about the history of ideas of gender, intersections with race, class and sexuality, and the operations of social power. They are also engaged in a range of scholarly research activities around the history and politics of gender relations, sexualities, cinema, maternity, witchcraft, masculinities, activism, intersections of race, class and gender, feminist theory and the body. While some graduates have gone on to specialise in gender- related areas such as equity and diversity, policy development, social justice and workplace relations, most apply their skills in the broader fields of communications, education, public service, research occupations and professional practice. Gender Studies staff are participating in the public programs and symposium associated with this exhibition. LOOK. LOOK AGAIN Above: Sangeeta Sandrasegar, Untitled (Self portrait of Prudence), 2009 felt, glass beads, sequins, cotton, 88 x 60 cm ACKNOWLEDGEMENTS Courtesy of the artist The Lawrence Wilson Art Gallery would like to extend sincere thanks to Cover: Nora Heysen, Gladioli, 1933, oil on canvas, 63 x 48.5 cm all the artists whose work is included in this exhibition. -
Edith Cowan University
Edith Cowan University Western Australian Academy of Performing Arts Dr Geoffrey Lancaster – Publications Listing 2011 Lancaster, G 2011, 'Joseph Haydn Complete Keyboard Sonatas', Vol. 3, Booklet Notes, Tall Poppies, Sydney, Australia, pp. 1-34. ISBN 9399001002160. Lancaster, G 2011, Joseph Haydn Complete Keyboard Sonatas, Vol. 3, CD, TP 216, Tall Poppies, Sydney, Australia, pp. 64 min 37 sec. Lancaster, G 2011, 'Sonata quasi una fantasia: genre and performance in Beethoven's Moonlight Sonata', Henry Wood Lecture Recital, David Josefowitz Recital Hall, Royal Academy of Music, London, United Kingdom. Lancaster, G & Hart, D 2011, 'Williams and Haydn: Hidden Meanings', National Gallery of Australia Public Programs, Lecture Recital, James O Fairfax Theatre, National Gallery of Australia, Canberra, Australia. Lancaster, G & Pereira, D 2011, Complete Cello Sonatas by Ludwig van Beethoven, Bundanon Trust, Riversdale, Nowra, Australia. Lancaster, G & Pereira, D 2011, Complete Cello Sonatas by Ludwig van Beethoven, Embassy of the Republic of Finland, Yarralumla, Australia. Lancaster, G & Pereira, D 2011, Complete Cello Sonatas by Ludwig van Beethoven, Woodworks Gallery, Bungendore, Australia. Lancaster, G & Pereira, D 2011, Complete Cello Sonatas by Ludwig van Beethoven, Wesley Music Centre, Forrest, Australia. Lancaster, G 2011, 'Keyboards', TV feature interview, The Collectors, Episode 19, ABC Television, Friday 9 September, Hobart, Australia, pp. 2 min 45 sec. Web. http://www.abc.net.au/tv/collectors/segments/s3314396.htm Lancaster, G 2011, 'Australia's precious ivories', Trust News Australia, vol. 3, no. 5, May, pp. 14-15. ISSN 1835-2316. Lancaster, G 2011, Sonata No. 60 in C, Hob. XVI:50 by Joseph Haydn, (World Premiere performance on Joseph Haydn's restored Longman and Broderip piano), The Cobbe Collection, National Trust, Hatchlands Park, Surrey, United Kingdom Lancaster, G 2011, Sonata No. -
Call for 'New Blood' Among Academics
REPORTER DAY AMAGAZINE FOR THE UNIVERSITY Registered by Australia Post - publication No. VBG0435 NUMBER 3-B6 MAY 7, 1 10·30AM-4·30PM • Open Day will be "three limes bigger" this year says Deputy Registrar, Jim Lei cester, who is involved In organising the University's jubilee celebrations. "Depart ments have made an extra effort to provide events of interest to the public . for this bumper, 25th anniversary event." Pictured left are models from the Hargrave library which will feature in an Open Day display_ (See page 7 for more details.) Other activities have been previewed in the centre pages of this issue, and full programs will be available from the Information Office in the preceding wee~, and from outlets at the University on Open Day. Call for 'new blood' among academics Monash administrators are looking at a 'new blood' scheme which could In a submission to the committee of be possible at a junior level. 1P Professor regulate the wildly fluctuating retirement patterns of academic staff. deans , Professor Muntz said: Muntz said. .. Although there appears no chance of a "Simply to go on as we are doing at About half the professorial staff will visits universities in the United government-funded new blood scheme present is going to result in continuing retire in the nexl 10 years. in a flood of Kingdom . being introduced in Australia, as it has problems of age structure in the future, senior vacancies which will coincide with He believes the "overall ageing of the in the United Kingdom, it should be and almost certainly a worsening in the similar vacancies at other universities, Monash stafr' presents some problems possible for individual universities to quality of academic staff.