JOURNAL of Space and Humanities

Total Page:16

File Type:pdf, Size:1020Kb

JOURNAL of Space and Humanities TOPOS JOURNAL of Space and Humanities 14th Biennial Conference of the Hungarian Society for the Study of English 31 January – 2 February 2019 University of Pannonia Veszprém, Hungary 14th Biennial Conference of the Hungarian Society for the Study of English 31 January – 2 February 2019 University of Pannonia Veszprém, Hungary A Pannon Egyetem Angol-Amerikai Intézetének kiadványa A konferencia szervezői: Angol-Amerikai Intézet Pannon Egyetem Szabó F. Andrea, PhD Szentgyörgyi Szilárd, PhD Angol-Amerikai Intézet Pannon Egyetem 8200 Veszprém, Egyetem u. 10. E-mail: [email protected]; [email protected] Készült B5 formában, 10,5 ív terjedelemben, a Pannon Egyetem Nyomdájában. Műszaki vezető: Szabó László CONFERENCE PARTICIPANTS ABÁDI-NAGY, Zoltán BÚS, Éva ABU OROUQ, Ayham CZEGLÉDI, Sándor ABUSHALHA, Ziad CHATTOPADHYAY, Shrimoyee ADORJÁN, Mária CHENINI, Fatma AFSHAR, Naiemeh CZOTTNER, Katalin ALAMI, Soukayna CSATÓ, Péter ALMÁSI, Zsolt CSÉPES, Ildikó ALOUI, Amira CSER, András ANDOR, József CSERÉP, Attila ANDRÁS, Ferenc CSETÉNYI, Korinna AWALE, Rasha CSIKAI, Zsuzsanna BADRAN, Rashideh CSORBA, Eszter Zsuzsanna BAILEY, Ted DABIS, Melinda BAKTI, Mária DABÓCZY, Márta BÁLINT, Emma DATIRI, Blessing BALOGH, Máté Gergely DÁVID, Gergő BALOGNÉ BÉRCES, Katalin DE BOOT, Kees BÁNHEGYI, Mátyás DOLMÁNYOS, Péter BARANYI, Barnabás DOMBI, Judit BARCSÁK V., János DÖMÖTÖR, Ildikó BÁRDOS, Jenő FAJT, Balázs BENCZIK, Vera FARMASI, Lilla BÉNYEI, Tamás FEKETE, Tamás BERA, Shreya FELDMANN, Fanni BERETZKY, Ágnes FODOR, András BERNÁTH, András FODOR, Julia BERTHA, Csilla FÖLDVÁRY, Kinga BOJTI, Zsolt FORINTOS, Éva BORUS, György GAÁL-SZABÓ, Péter BOSS, Sarah GÁLLA, Edit BRANCZEIZ Anna GLANT, Tibor 3 GULA, Marianna MACZELKA, Csaba GYŐRI, Gábor MAJOR, Éva GYÖRKE, Ágnes MAROSI, Renáta GYURIS, Kata MATHEY, Éva GYURIS, Norbert MOGYORÓSI Zoltán HADDAD, Sami MOHÁCSI, Eszter Enikő HAJIGHASEMI, Mahdokht MOLNÁR, András HARASZTOS, Ágnes MOLNAR, Evgeniia HARTVIG, Gabriella MORSE, Donald HEGEDŰS, Irén MUKAHAL, Iyad HORTOBÁGYI, Ildikó NAGY, János HUDÁCSKÓ, Brigitta NAGY, Judit ITTZÉS, Gábor NÉMETH, Lenke JILLING, Krisztina NEMETHNÉ HOCK, Ildikó KARÁTH, Tamás NYIKOS, Daniel KASSAI, Gyöngyi OROSZLÁN, Anikó KÉRCHY, Anna ÖVEGES, Enikő KHEDHIR, Yesmina PALATINUS, Dávid Levente KISS, Attila PANKA, Dániel KOCIC-ZÁMBÓ, Larisa PAP, József KONTRA, Miklós PÉRI, Márton KOVÁCS, Györgyi PÉRI-NAGY, Zsuzsanna KOVÁCS, Ágnes Zsófia PETERECZ, Zoltan KRAUSZ, Katinka PÉTI, Miklós KURDI, Mária PINTÉR, Károly KVÉDER, Bence Gábor PINTÉR, Márta LACZKÓ, Tibor PIUKOVICS, Ágnes LEHMANN, Magdolna POÓR, Zoltán LÉNÁRT-MUSZKA, Zsuzsanna PŐDÖR, Dóra LEROY, Matthew PUGAR, Petra LÉVAI, Csaba RÁCZ, István LIMPÁR, Ildikó REICHMANN, Angelika 4 REUSS, Gabriella SZELE, Bálint RUBÓCZKI, Babett SZÉLPÁL, Lívia RUSVAI, Mónika SZENTGYÖRGYI, Szilárd SÁRI B., László SZŐKE, Dávid SÉLLEI, Nóra SZUJER, Orsolya SOHÁR, Anikó T. ESPÁK, Gabriella STRÓBL, Erzsébet TARNÓC, András SZABÓ, Éva TÓTA, Benedek Péter SZABÓ, Éva Eszter TÓTH, Andrea SZABÓ F., Andrea TÓTH, Zsófia Anna SZABÓ, Noémi TÓTH, Zsuzsanna SZATHMÁRI, Judit TURNBULL, Paul SZARVAS, Júlia TUTEK, Nikola SZARVAS, Réka URECZKY, Eszter SZÉKELYHIDI, Eszter VÉKÁSI, Adél VISNYEI, Petra VÖŐ Gabriella WEICHART, Gabriele ZSAMBA, Renáta 5 6 ABSTRACTS PLENARY LECTURES Kees DE BOT Recognizing English: Intonation and Gestures as Cues In this presentation the focus will be on language profiling, i.e. characteristics of a language that play a role in recognizing it. Two aspects will be discussed in more detail: intonation and gestures. In language production models like the Levelt ‘Speaking’model (1992) there is a link between the two, but how they are coordinated is not clear. In addition to a discussion of some theoretical psycholinguistic aspects, data will be presented on an experiment in which we tried to find out whether language users can recognize languages on the basis of intonational and gestural information alone. In the experiment French, German British English, American English and Dutch native speakers had to guess the language of speakers who were retelling a Tweety cartoon to another person. To prevent recognition on the basis of mouthing, visible articulation, the faces were covered in the recognition experiment. In addition data are presented of an experiment in which advanced learners of English are compared with near natives in their use of gestures. In the last part the need to teach intonation and gesture will be addressed briefly. In the debate on the critical period and ultimate attainment the role of gestures is rarely taken into account while there is general agreement on their relevance. Cornelis L J (Kees) de Bot is Chair of Applied linguistics at the University of Groningen, Netherlands, and professor of linguistics at the University of Pannonia, Veszprém, Hungary. He is known for his work on second language development and the use of dynamical systems theory to study second language development. De Bot obtained his PhD degree in General Linguistics and Applied Linguistics in 1982 at the University of Nijmegen. His PhD research concerned the use of visualizations of intonation as a teaching aid. In May 1994 he became Chair of Applied Linguistics and head of department at the University of Nijmegen. In November 2002 he became Chair of Applied Linguistics at the University of Groningen. He is a trustee of the TESOL International Research Foundation and a member of the Program Committee of the Department of Modern Languages of Carnegie Mellon University. He is co-editor of a series “Studies in Bilingualism” from John Benjamins Publishing Company. He is one of the editors of the new Linguistic Minorities in Europe series with Mouton de Gruyter. He is part of the editorial board of the journals Applied Linguistics, Bilingualism: Language & Cognition, International Journal of Bilingualism, International Journal of Multilingualism, Journal in Multilingual and Multicultural Development, Annual Review of Applied Linguistics, Interpreting, Studies in Second Language learning and Teaching and Linguistic Approached to Bilingualism. He was guest editor of a special issue on language attrition of the journal 7 Studies in Bilingualism. He is an Associate Editor of The Modern Language Journal. He is a member of the advisory board of the institute for Multilingualism across the life-span in Oslo, Norway and the Institute for multilingualism in Reading, UK. He has published books and articles on various topics in the field of Applied Linguistics. He has published books and articles in the field of applied Linguistics. He is Chair of the Board of the School of Behavioral and Cognitive Neurosciences in Groningen. De Bot, K. (2015). A history of Applied Linguistics 1980-2010. New York: Routledge De Bot, K., Lowie, W., & Verspoor, M. (2005). Second language acquisition, an advanced resource book. London: Routledge. Verspoor, M., Lowie, W., & de Bot, K. (2011). A dynamic approach to second language development: Methods and techniques. Amsterdam/Philadelphia, John Benjamins 8 Nóra SÉLLEI A Symptomatic Reading of the Sensation Novel: The Case of Mary Elizabeth Braddon’s Lady Audley’s Secret A typical mid-nineteenth-century genre, the sensation novel can be read symptomatically: it reveals not only several aspects of the Victorian period, but also exposes the limits of realist representation and problematizes some contemporary modes of a gradually extending literacy. In this respect, the sensation novel functions similarly to the Gothic novel (both in its classical, 18th-century version and in its later developments, including contemporary literature) because it can be interpreted as a literary code for expressing phenomena that are close to impossible to mediate within the framework of the realist novel. Focussing on various forms of criminality and using contingency as a key structural element, the stakes of the sensation novel are the questions of legitimacy related to the foundations of the established society and the (relative) certainty provided by the metonymical narration of the realist novel. Revolving around Lady Audley, who commits a series of crimes (fake identity, forgery, bigamy, arson, attempted murder), Braddon’s novel challenges notions of decency and propriety, explores the contemporary construction of femininity, and takes issue – and a gendered issue at that – with the Bildungsroman. Harking back to Defoe’s Moll Flanders, the text asks questions about the legitimacy and the legitimate narrative of a self-made woman. Nóra Séllei is Professor at the Department of British Studies at the Institute of English and American Studies, University of Debrecen, Hungary, and at the Department of English, Catholic University, Ruzomberok, Slovakia. She gained three postgraduate degrees: PhD, “habilitation”, and DSc. Her main teaching and research areas include gender studies, feminist literary theory, and 19th and 20th-century women’s literature, primarily novelists and autobiographers. Her publications include five monographs: Katherine Mansfield and Virginia Woolf: A Personal and Professional Bond (Peter Lang, 1996), and four monographs in Hungarian: one on 19th-century English women writers (1999), one on 20th-century women’s autobiographies (2001), one on Hungarian feminist theory and criticism (2007) and one on the cultural self-reflexivity in Woolf’s writings of the 1930s (2012). Apart from being also the author of about 130 articles, she was the series editor of the Hungarian feminist book series Artemis Books. She is the Hungarian translator of
Recommended publications
  • Christopher Priest
    ~®dl • Winter 2010 LL.~ Editors Karen Hellekson U) 16 Rolling Rdg. A publication of the-~· Science Fiction Research Association Jay, ME 04239 [email protected] [email protected] Craig Jacobsen SFRA Review Business English Department More Books, Please 2 Mesa Community College SFRA Business 1833 West Southern Ave. Ruling Metaphors 2 Mesa, AZ 85202 Call for Executive Committee Candidates [email protected] 3 Minutes of the SFRA Board Meeting, January 23, 2010 [email protected] 3 Report for the Year 2009 5 Call for New SFRA Review Editor 5 Managing Editor Start Fresh on the Frontier 5 Janice M. Bogstad Mcintyre Library-CO Features University of Wisconsin-Eau Claire New Weird 101 6 105 Garfield Ave. Christopher Priest 9 Eau Claire, WI 54702-5010 Nonfiction Reviews [email protected] Frankenstein: Icon of Modern Culture 13 Keep Watching the Skies! 14 Nonfiction Editor From Wollstonecraft: to Stoker 15 Ed McKnight 113 Cannon Lane Fiction Reviews Taylors, SC 29687 Elegy Beach 16 [email protected] Puttering About in a Small Land 17 Gardens of the Sun 18 Fiction Editor Leviathan 19 Edward Carmien Media Reviews 29 Sterling Rd. Prince Valiant Vol. 1: 1937-1938 20 Princeton, NJ 08540 The Twilight Saga: New Moon 21 [email protected] 9 22 Zombie/and 23 Media Editor Planet 51 23 Ritch Calvin Astro Boy 24 16A Erland Rd. Surrogates 25 Stony Brook, NY 11790-1114 The Melancholy of Haruhi Suzumiya 26 [email protected] Defying Gravity 27 The SFRA Review (ISSN 1068-39SX) is Warehouse 13 28 published four times a year by the Science The Book of Genesis Illustrated 29 Fiction Research Association (SFRA), and Planetary 30 distributed to SFRA members.
    [Show full text]
  • The Tucker Issue Second Edition
    SF COMMENTARY 79 THE TUCKER ISSUE SECOND EDITION Bruce Gillespie Denny Lien Hank Luttrell Lesleigh Luttrell Philip Stephensen-Payne Wilson ‘Bob’ Tucker Paul Walker T. K. F. Weisskopf THANKS TONI WEISSKOPF, for her many years of work on the Tucker biography. The Second Edition really took off when Toni agreed to write a shortened version of her biography as the Introduction. Also thanks to Toni for the selection of Tucker photos she went me by email. Apologies in advance to the photographers — perhaps some of them will recognise their photos when they see them in print and can let me know. HELENA BINNS, who was the official photographer for Aussiecon I, Melbourne, 1975. She scanned and sent me a disk of the original colour photo of Tucker at the convention, as well as photos of other famous people looking impossibly young and hirsute. DITMAR (DICK JENSSEN), who says that the front cover of this issue, which combines a Tucker photo sent to me by Toni and a computer graphic, is the most difficult and time- consuming fanzine cover he’s produced. He points, in particular, to the wonderful glowing effect he’s given to the Great Ghod Tucker. Thanks also to Dick for computer-tweaking the photographs of several book covers in order to make them usable. BOB TUCKER, who, despite poor health, gave much help during the process of gathering together this issue. Bob alerted me to Toni’s biography and introduced me to her (by Internet), and also got in touch with . KEN KELLER, who sent me the copy of his 1975 fanzine, Nickelodeon No.
    [Show full text]
  • Fifteencon Programme Book
    2 FIFTEENCON Cs N S eee,CyWENeeoe YGPsi IRS reyrroresrim [er] ferrstels fSsorferraen|] SEETIE PULO at the HELIOS GALLERY, Moseley (by the Alcester Road / Salisbury Road traffic light), from 14 June to 19 July, Monday to Saturday, 9.4Sam to 6.86pm, @rganised to cofacide with the f5th A€naiversary of the BIRMINGHAM SEIZENEE FIETION SROUP Moseley ve" = Birmingham Sas for dataiis of the Group, efiag 777? £8023 Of the ExALoition, €4#9 2?FG2. ae 8JS a 3 Birmingham June IS71-Jdune 1986 Science Fiction Group Honorary Presidents: BRIAN W ALDISS and HARRY. HARRISON SS 15th ANNIVERSARY SOUVENIR BOOK ART CREDITS CONTENTS Chris Baker Cover WELCONE. .: =: Rog Peyton 200.8. a ee ae Qavid Hardy 918: : : THE CHAIRMAN'S BIT - Bernie Evans. .........9 fvar Latte 3 THE HISTORY OF THE BSFG - a selection of articles ;- Simon Neville 8, 28,29 SADO AND THE BSFG - Darroll Pardoe. ......,.9 YOU LOOK AWFUL! - Rog Peyton. ....,..... .11 ADVERTISERS REMINISCING — Paul Oldroyd «(js ssa a as ALLEN & UNWIN 27 1982 IMPRESSIONS - Vernon Brown. ....... .14 ANORONEDA BOOKSHOP 33 TIME CONSIDERED AS A DOWNHILL STARSHIP RACE - Peter Weston... Linen eget mice 1S ANS, 4, 1g : A POSITIVE ATTITUDE - Rog Peyton. .....,. .21 ARROW BOOKS l2 : i THE LORD MAYOR'S PROCESSION:- BRITISH FANTASY 80C, “2 oy bh t THE BSFG FLOAT - a selection of photos, ... .16 FANTASYCON ae . : KEY TO PHOTOS OF THE LORD MAYOR'S PROCESSION . .15 GOLLANEE 4 SHORT STORY COMPETITION WINNER: WHERE HAVE ALL THE GRAFTON BOOKS 6 ' GROUPIES GONE? - Helena Bowles . i. 2G GREENHILL BOOKS le THE TRUE HISTORY OF THE BSFG MEETS - Stan Eling.
    [Show full text]
  • A Critical Study of the Novels of Iain Banks Being a Thesis Submitted In
    THE UNIVERSITY OF HULL Bridging Fantasies: A Critical Study of the Novels of Iain Banks being a Thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy in the University of Hull by Martyn James Colebrook, BA, MA (February 2012) 2 Introduction Fear and Loathing in Midlothian 6 Chapter 1 “These Things of Darkness I Acknowledge Mine”: The Wasp Factory, Gender Performance and The Gothic 29 1.1 Gothic and Mental Disorder. 48 Chapter 2 The Player of Games? 66 2.1 Games and Fictionality. 67 2.2 The Player of Games and The Magus: A Comparative Study 81 2.3 Playing Games with Identity? 85 Chapter 3 Journeys into the Silent Land: The Bridge and Lanark: A Life in Four Books. 98 3.1 The Bridge and Lanark: Narrating Scotland as a Post-industrial Space. 102 3.2 The Bridge and the Contemporary Gothic. 123 Chapter 4 Moving out of the comfort ‘Zone’: Canal Dreams. 132 4.1 Not Playing by the Rules of the games: Canal Dreams and Genre. 136 4.2 “Maestro Please”: Memory and Performance. 146 4.3 Troubles with Banks: A political writer or a writer of political fiction? 158 Chapter 5 The Questions of Scotland: The Crow Road. 168 5.1 Landscape and Fiction. 170 5.2 The Crow Road and the Postmodern Gothic. 183 Chapter 6 ‘Mad Lad Lit’: Iain Banks’ Complicity. 192 6.1 Three Writers Who Go Down into the Darkness: The Games of Contemporary Scottish Crime Fiction. 195 3 6.2 Complicity and Terror. 222 6.3 Complicity, Sheepshagger and Violence.
    [Show full text]
  • New Space Opera and Neoliberal Globalism a Dissertation Submitted In
    UNIVERSITY OF CALIFORNIA RIVERSIDE Nostalgia for Infinity: New Space Opera and Neoliberal Globalism A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Jerome Dale Winter June 2015 Dissertation Committee: Dr. Sherryl Vint, Chairperson Dr. Weihsin Gui Dr. Steven Axelrod Copyright by Jerome Dale Winter 2015 The Dissertation of Jerome Dale Winter is approved: _______________________________________________________ _______________________________________________________ _______________________________________________________ Committee Chairperson University of California, Riverside Acknowledgements I would like to acknowledge the irredeemable debt I owe to my committee members Sherryl Vint, Weihsin Gui, and Steven Axelrod whose guidance and support contributed to all the virtues of this dissertation and none of its flaws. A version of part of Chapter 1 was published in the November 2013 issue of The Eaton Journal of Archival Research ; and the journal Extrapolations published Chapter 3 in their December 2014 issue. I would like to thank the editorial staff at Extrapolations for their copious feedback and faith in the project. I also wish to acknowledge The Los Angeles Review of Books , under the editorial leadership of Tom Lutz and Johnathan Hahn, and for the speculative- fiction page, under the diligent attention of Rob Latham, for allowing me to publish interviews with major SF writers who directly contributed to the contentions of this project. These writers — Norman Spinrad, Michael Moorcock, Alastair Reynolds, and Ken MacLeod — were all gracious with their precious time in fielding my questions. A special thanks to Steven Axelrod for magnanimously agreeing to serve on my committee at such short notice. Thanks as well to Rob Latham for all his vital contibutions to this dissertation.
    [Show full text]
  • The a to Z of Fantasy Literature by Brian Stableford, 2009
    OTHER A TO Z GUIDES FROM THE SCARECROW PRESS, INC. 1. The A to Z of Buddhism by Charles S. Prebish, 2001. 2. The A to Z of Catholicism by William J. Collinge, 2001. 3. The A to Z of Hinduism by Bruce M. Sullivan, 2001. 4. The A to Z of Islam by Ludwig W. Adamec, 2002. 5. The A to Z of Slavery and Abolition by Martin A. Klein, 2002. 6. Terrorism: Assassins to Zealots by Sean Kendall Anderson and Stephen Sloan, 2003. 7. The A to Z of the Korean War by Paul M. Edwards, 2005. 8. The A to Z of the Cold War by Joseph Smith and Simon Davis, 2005. 9. The A to Z of the Vietnam War by Edwin E. Moise, 2005. 10. The A to Z of Science Fiction Literature by Brian Stableford, 2005. 11. The A to Z of the Holocaust by Jack R. Fischel, 2005. 12. The A to Z of Washington, D.C. by Robert Benedetto, Jane Donovan, and Kathleen DuVall, 2005. 13. The A to Z of Taoism by Julian F. Pas, 2006. 14. The A to Z of the Renaissance by Charles G. Nauert, 2006. 15. The A to Z of Shinto by Stuart D. B. Picken, 2006. 16. The A to Z of Byzantium by John H. Rosser, 2006. 17. The A to Z of the Civil War by Terry L. Jones, 2006. 18. The A to Z of the Friends (Quakers) by Margery Post Abbott, Mary Ellen Chijioke, Pink Dandelion, and John William Oliver Jr., 2006.
    [Show full text]
  • “Portal to the Fantastic” Style Guide
    ALiEN (Alternative Lives in Experimental Narratives) “Portal to the Fantastic” Style Guide The following style guide is designed for those wishing to contribute to the “Portal to the Fantastic” online project. In order to ensure that all contributions are uploaded speedily and accurately, it would be greatly appreciated if contributors could adhere to the format outlined below. No specific programme is required: we merely ask that you submit your paper using the headings and structure provided. A sample contribution has been attached at the end of this guide. All contributions go through an editing process and the editors retain the right to make changes where necessary. Overview This should contain a short description, or blurb, of the novel in question, including the dates of publication and the principle storylines. About the Author A brief history of the author should be included here (in full prose), including important publications and an overview of the critical reception. A bibliography of primary works should also include the creative reception (films, radio plays, musical settings, exhibitions, museums and museum‐type venues, events, and the like). Main Characters All main characters should be listed with a description of their role within the novel and their relationships to the other characters. Setting A short description of where the principal events of the novel occur. Summary A complete summary of the major and minor plots and storylines should be included within this section. Special Categories These will vary from text to text but they should come within the general themes of the ALiEN project. The categories employed in the individual entries form an online index and are listed in alphabetical order on the Portal.
    [Show full text]
  • Science Fiction Collections in ARL Academic Libraries
    Science Fiction Collections in ARL Academic Libraries Kevin P. Mulcahy This study assesses the extent to which ARL academic libraries collect science fiction novels. A core list of 200 novels, published between 1950 and 2000, that have either won science fiction awards or been cited on “best” lists were checked against the holdings of 112 ARL libraries. Findings suggest that science fiction is not extensively collected at most libraries studied. The study also assesses differences in how novels are collected by date and by nationality and gender of author. To support in-depth and serious research in a field of increasing scholarly interest, libraries may need to reconsider their collecting practices. ike a number of popular lit- Contributions to the Study of Science Fiction erature genres, science fiction and Fantasy from Greenwood Press and has a�racted increasing a�en- Liverpool Science Fiction Texts and Studies tion from academic scholars from Liverpool University Press) and and critics over the past three decades. a number of scholarly series reprinting Academic interest in science fiction has classics of science fiction literature (for increased because of a general interest in example, Wesleyan Early Classics of Sci- popular culture, but also because of the ence Fiction from Wesleyan University enormous popularity of science fiction Press and Bison Frontiers of Imagination films and the pervasive impact on our from the University of Nebraska Press). society of technological advances once The Science Fiction Research Association restricted to the imagination of science fic- (founded in 1970) is just one of several tion writers, including personal comput- scholarly associations with a specific in- ers, the Internet, cloning, and high-tech terest in the field.
    [Show full text]
  • Interaction Souvenir Book 1
    The 63rd World Science Fiction Convention Glasgow, United Kingdom 4-8 August 2005 SPLITTING INFINITY Guests of Honour Greg Pickersgill Christopher Priest Robert Sheckley Lars-Olov Strandberg Jane Yolen Special Guests Alan Lee Professor David Southwood Splitting Infinity 2 Interaction View From The Helm Vincent Docherty with many items inspired by themes and dreams from Glasgow and Scotland: exploration, Science Fiction is often invention, politics, myth and ancient landscapes. described as evoking our Wider British influences are covered through our ‘sense of wonder’ – a term academic conference on ‘The Matter of Britain’ and coined many years ago, the contribution of many fans and professionals, some say by Hugo including two of our Guests of Honour, Greg Gernsback of Hugo Pickersgill and Chris Priest. We are also the 2005 Awards fame. Trying to Eurocon, and are delighted to have the first Nordic evoke that sense of wonder Guest of Honour at a Worldcon, Lars-Olov through an SF convention is Strandberg. We are, finally, the Worldcon, and the an ambitious goal, but one that we are attempting. world is represented in full, with people from By applying a bit of imagination and through the dozens of countries, including Japan, which hosts use of a unifying theme – Spaceport Glasgow – we its first Worldcon in two years’ time, and the USA, hope we will induce an additional ‘wow factor’. home for our remaining Guests of Honour, Robert To increase the impact, the theme – inspired by Sheckley and Jane Yolen. Adding to the Glasgow’s shipbuilding past and the city’s international flavour, both Robert and Jane spend renewal, especially of the riverside areas – has much of their time outside their homeland – in always been intended as a surprise to the Jane’s case, her summers in Scotland.
    [Show full text]
  • Peter S. Beagle 204 Books and Films of 1998 the Critical Journal of SF and Classical Music the BSFA Vector » the Critical Journal of the BSFA
    March/April 1999 £2.25 Peter S. Beagle 204 Books and Films of 1998 The Critical Journal of SF and Classical Music the BSFA Vector » The Critical Journal of the BSFA Contents 3 Editorial by Cary Dalkin 3 TO letters to Vector 5 1998 - Cinemartyr sf movie review by Colin Odell & Mitch Le Blanc 8 Films of 1998 An Annotated Checklist, mostly by |The British Science Fiction Association Ltd. Andrew M. Butler Limited by guarantee. Company No. 921500. Registered Address: 10 Unicorns, Werewolves, Ghosts & 60 Bournemouth Road, Folkestone, Kent. CT19 5AZ Rhinoceroses The BSFA is a non-profitmaking organisation, staffed by unpaid Maureen Kincaid Speller on the Worlds of volunteers. Peter S. Beagle |BSFA Membership 11 Love in the Graveyard Dave M. Roberts on Peter S. Beagle's UK Residents: £19 or £12 (unwaged) per year. Please A Fine and Private Place enquire for overseas rates. 12 Books of the Year Renewalsand New Members - Paul Billinger , 1 Long Row compiled by Paul Kincaid Close , Everdon, Daventry, Northants NN11 3BE 19 The Music of the Spheres - Part Two USA Enquiries - Cy Chauvin, 14248 Wilfred Street, Detroit, Ml Tanya Brown on Classical Music and 48213 USA Science Fiction | BSFA Officials 23 A Man Out of Time: The Timeliner Trilogy by Richard C. Meredith Administrator - Maureen Kincaid Speller, 60 Bournemouth Road, Folkestone, Kent CT 19 5AZ a Retrospective by Cary S. Dalkin EMail: [email protected] 24 First Impressions Treasurer - Elizabeth Billinger, 1 Long Row Close, Everdon, Daventry, book reviews edited by Paul Kincaid Northants NN11 3BE EMail: [email protected] Publications Manager - Paul Billinger, 1 Long Row Close, Everdon, Daventry, Northants NN11 3BE EMail: [email protected] Cover: Detail from the cover, by Michael Dashow, of Peter Orbiters - Kat Patrick, 44 Ticknell Piece, Charlbury, Oxon OX7 3TW S.
    [Show full text]
  • Encyclopedia of Fantasy and Horror Fiction
    Encyclopedia of Fantasy and Horror Fiction DON D’AMMASSA Encyclopedia of Fantasy and Horror Fiction Copyright © 2006 by Don D’Ammassa All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For information contact: Facts On File, Inc. An imprint of Infobase Publishing 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data D’Ammassa, Don, 1946– Encyclopedia of fantasy and horror fiction / Don D’Ammassa. p. cm. Includes bibliographical references and index. ISBN 0-8160-6192-0 (acid-free paper) 1. Fantasy fiction, English—Encyclopedias. 2. Fantasy fiction, American— Encyclopedias. 3. Horror tales, American—Encyclopedias. 4. Horror tales, English—Encyclopedias. I. Title. PR830.F3D36 2006 809.3’8738’03—dc22 2005009375 Facts On File books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions, or sales promotions. Please call our Special Sales Department in New York at (212) 967-8800 or (800) 322-8755. You can find Facts On File on the World Wide Web at http://www.factsonfile.com Text design by Joan M. McEvoy Cover design by Semadar Megged Printed in the United States of America VB Hermitage 10 9 8 7 6 5 4 3 2 1 This book is printed on acid-free paper. CONTENTS Introduction v A-to-Z Entries 1 Glossary 401 Award Winners 403 Bibliography of Fantasy and Horror Fiction 408 Selected Bibliography of Secondary Sources 472 Index 473 INTRODUCTION elcome to the world of elves, dragons, uni- ics have taken to using the term dark fantasy to Wcorns, vampires, werewolves, ghosts, and indicate those works that could be plausibly includ- magic.
    [Show full text]