sign in sign up
<<
Home , And You and I, Into the Lens, Keystudio, The Gates of Delirium, We Can Fly

yes discography torrent download Yes discography torrent download. I had no idea that my decision to stop offering the shows would cause such an impact among Yes fans, so I decided that I will keep Stack at least until the end of this year. I can offer an audio MP3 HDD for €100 excl. shipping costs (Europe: €15,50, UK: €21,00, other: €31,80). Note: Transferring via PayPal will cost a few euros more because PayPal charges extra commission fees. However: only now and then I will upload some shows to this website , but only: - shows from completely new dates (dates that are not on this website yet) - new 'old shows' that have a significant better sound quality than shows from that date already on the site - new 'old shows' that are more complete than shows from that date already on the site. This website will be available for at least a few years. Due to ending the Stack clouds I don't know yet how/whether I will offer any new shows in the future. To upload new material you open the first empty folder . Use the UPLOAD button or simply drag the files into that empty Stack folder. Note : your uploads or messages can be seen by others as well. Yes discography torrent download. 01 - Beyond and Before 02 - I See You 03 - Yesterday and Today 04 - Looking Around 05 - Harold Land 06 - Every Little Thing 07 - Sweetness 08 - Survival 09 - Everydays (Single Version) 10 - Dear Father (Early Version #2) 11 - Something's Coming 12 - Everydays (Early Version) 13 - Dear Father (Early Version #1) 14 - Something's Coming (Early Version) Time and A Word (1970) 01 - No Opportunity Necessary, No Experience Needed 02 - Then 03 - Everydays 04 - Sweet Dreams 05 - The Prophet 06 - Clear Days 07 - Astral Traveller 08 - Time and A Word 09 - Dear Father 10 - No Opportunity Necessary, No Experience Needed (Original Mix) 11 - Sweet Dreams (Original Mix) 12 - The Prophet (Single Version) The Yes Album (1971) 01 - Yours Is No Disgrace 02 - The Clap 03 - : Life Seeker/Disillusion/Würm 04 - I've Seen All Good People: Your Move/All Good People 05 - A Venture 06 - Perpetual Change 07 - Your Move (Single Version) 08 - Starship Trooper/Life Seeker (Single Version) 09 - Clap (Studio Version) 01 - Roundabout 02 - Cans and Brahms 03 - We Have Heaven 04 - 05 - Five Per Cent For Nothing 06 - 07 - The Fish (Shindleria Praematurus) 08 - Mood For A Day 09 - . (1972) 01 - Close To The Edge 02 - 03 - 04 - America (Bonus Track) 05 - Total Mass Retain (Bonus Track - Single Version) 06 - And You and I (Alternative Version) 07 - Siberia. (Live) (1973) CD 1: 01 - Opening (Excerpt From 'Firebird Suite') 02 - Siberian Khatru 03 - Heart of The Sunrise 04 - Perpetual Change 05 - And You and I 06 - Mood For A Day 07 - Excerpts From 'The Six Wives of Henry VIII' 08 - Roundabout. CD 2: 01 - Your Move/All Good People 02 - Long Distance Runaround/The Fish 03 - Close To The Edge 04 - Yours Is No Disgrace 05 - Starship Trooper. Tales From Topographic Oceans (1974) 01 - The Revealing Science of God (Dance of The Dawn) 02 - The Remembering (High The Memory) 03 - 'The Ancient' (Giants Under The Sun) 04 - Ritual (Nous Sommes du Soleil) 01 - 02 - Sound Chaser 03 - To Be Over 04 - Soon (Single Version) 05 - Sound Chaser (Single Version) 06 - The Gates of Delirium (Studio Run-Through) Yesterdays (Compilation) (1975) 01 - America 02 - Looking Around 03 - Time and A Word 04 - Sweet Dreams 05 - Then 06 - Survival 07 - Astral Traveller 08 - Dear Father. Going For The One (1977) 01 - Going For The One 02 - Turn of The Century 03 - Parallels 04 - 05 - Awaken. 01 - Future Times/Rejoice 02 - Don't Kill The Whale 03 - Madrigal 04 - Release, Release 05 - Arriving UFO 06 - Circus of Heaven 07 - Onward 08 - On The Silent Wings of Freedom 09 - Abilene (Bonus Track) 10 - Money (Bonus Track) 11 - Picasso (Bonus Track) 12 - Some Are Born (Bonus Track) 13 - You Can Be Saved (Bonus Track) 14 - High (Bonus Track) 15 - Days (Demo - Bonus Track) 16 - Countryside (Bonus Track) 17 - Everybody's (Early Demo of 'Does It Really Happen?' - Bonus Track) 18 - Onward (Hidden Track - Bonus Track) 01 - Machine Messiah 02 - White Car 03 - Does It Really Happen? 04 - 05 - Run Through The Light 06 - Tempus Fugit. (Compilation) (1981) 01 - Heart of The Sunrise 02 - Wonderous Stories 03 - Yours Is No Disgrace 04 - Starship Trooper: Life Seeker/Disillusion/Würm 05 - Long Distance Runaround 06 - The Fish (Schindleria Praematurus) 07 - And You and I: Cord of Life/Eclipse/The Preacher, The Teacher/Apocalypse 08 - Roundabout 09 - I've Seen All Good People: Your Move/All Good People. 01 - 02 - Hold On 03 - 04 - Changes 05 - Cinema 06 - 07 - Our Song 08 - City of Love 09 - Hearts. 9012Live: The Solos (1985) 01 - Hold On 02 - Si 03 - Solly's Beard 04 - Soon 05 - Changes 06 - Amazing Grace 07 - Whitefish. (1987) 01 - Rhythm of Love 02 - Big Generator 03 - Shoot High Aim Low 04 - Almost Like Love 05 - Love Will Find A Way 06 - Final Eyes 07 - I'm Running 08 - Holy Lamb (Song For Harmonic Convergence) Anderson Bruford Wakeman Howe (ABWH) (1989) 01 - Themes 02 - Fist of Fire 03 - Brother of Mine 04 - Birthright 05 - The Meeting 06 - Quartet 07 - Teakbois 08 - Order of The Universe 09 - Let's Pretend. 01 - I Would Have Waited Forever 02 - Shock To The System 03 - Masquerade 04 - Lift Me Up 05 - Without Hope You Cannot Start The Day 06 - Saving My Heart 07 - Miracle of Life 08 - Silent Talking 09 - The More We Live/Let Go 10 - Angkor Wat 11 - Dangerous (Look In The Light of What You're Searching For) 12 - Holding On 13 - Evensong 14 - Take The Water To The Mountain 15 - Give & Take (Bonus Track) Yesstory (Compilation) (1992) CD 1: 01 - Something's Coming (Originally released as the B-Side to Sweetness in July 1969) 02 - Survival 03 - Every Little Thing 04 - No Opportunity Necessary, No Experience Needed 05 - Time and A Word 06 - Starship Trooper: Life Seeker/Disillusion/Würm 07 - Yours Is No Disgrace 08 - I've Seen All Good People: Your Move/All Good People 09 - Roundabout 10 - Heart of The Sunrise. CD 2: 01 - Long Distance Runaround 02 - America (Single Edit) 03 - Close To The Edge: The Solid Time of Change/Total Mass Retain/I Get Up, I Get Down/Seasons of Man 04 - Ritual (Nous Sommes du Soleil) 05 - Soon (Single Edit) 06 - Wonderous Stories 07 - Going For The One 08 - Don't Kill The Whale 09 - Owner of A Lonely Heart 10 - Rhythm of Love. Highlights: The Very Best of Yes (Compilation) (1993) 01 - Survival 02 - Time and A Word 03 - Starship Trooper: Life Seeker/Disillusion/Würm 04 - I've Seen All Good People: Your Move/All Good People 05 - Roundabout 06 - Long Distance Runaround 07 - Soon (Single Edit) 08 - Wonderous Stories 09 - Going For The One 10 - Owner of A Lonely Heart 11 - Leave It 12 - Rhythm of Love. An Evening of Music Plus (Live) (1994) CD 1: 01 - Benjamin Britten's Young Person's Guide To The Orchestra 02 - Time and A Word 03 - The Clap/Mood For A Day 04 - Gone But Not Forgotten 05 - Long Distance Runaround 06 - Birthright 07 - And You and I. CD 2: 01 - Close To The Edge 02 - Themes: Sound/Second Attention/Soul Warrior 03 - Brother of Mine 04 - Heart of The Sunrise 05 - Order of The Universe 06 - Roundabout. 01 - The Calling 02 - I Am Waiting 03 - Real Love 04 - State of Play 05 - Walls 06 - Where Will You Be? 07 - Endless Dream 08 - The Calling (Special Version) Keys To Ascension (1996) CD 1: 01 - Siberian Khatru 02 - The Revealing Science of God 03 - America 04 - Onward 05 - Awaken. CD 2: 01 - Roundabout 02 - Starship Trooper Life: Seeker/Disillusion/Würm 03 - Be The One 04 - That, That Is. Keys To Ascension 2 (1997) CD 1: 01 - I've Seen All Good People: Your Move/All Good People 02 - Going For The One 03 - Time and A Word 04 - Close To The Edge: The Solid Time of Change/Total Mass Retain/I Get Up, I Get Down/Seasons of Man 05 - Turn of Century 06 - And You and I: Cord of Life/Eclipse/The Preacher, The Teacher/Apocalypse. CD 2: 01 - Mind Drive 02 - Foot Prints 03 - Bring Me To The Power 04 - Children of Light: Children of Light/Lifeline 05 - Sign Language. Something's Coming: The BBC Recordings 1969-1970 (Compilation) (1997) CD 1: 01 - Something's Coming 02 - Everydays 03 - Sweetness 04 - Dear Father 05 - Every Little Thing 06 - Looking Around 07 - Sweet Dreams 08 - Then 09 - No Opportunity Necessary, No Experience Needed. CD 2: 01 - Astral Traveller 02 - Then 03 - Every Little Thing 04 - Everydays 05 - For Everyone 06 - Sweetness 07 - Something's Coming 08 - Sweet Dreams 09 - Beyond & Before. Open Your Eyes (1997) 01 - New State of Mind 02 - Open Your Eyes 03 - Universal Garden 04 - No Way We Can Lose 05 - Fortune Seller 06 - Man In The Moon 07 - Wonderlove 08 - From The Balcony 09 - Love Shine 10 - Somehow, Someday 11 - The Solution. Yes, Friends and Relatives (Compilation) (1998) CD 1: 01 - Owner of A Lonely Heart 02 - Ice 03 - Red and White 04 - Zone of O 05 - Up North 06 - The Pyramids of Egypt 07 - Roundabout 08 - Sync Or Swim 09 - Arthur 10 - Close To The Edge. CD 2: 01 - No Expense Spared 02 - Say 03 - Walk Don't Run 04 - Tron Thomi 05 - 10 Million 06 - Excerpts From Tales From Topographic Oceans 07 - The More You Know 08 - Journey 09 - America. The Ladder (1999) 01 - Homeworld (The Ladder) 02 - It Will Be A Good Day (The River) 03 - Lightning Strikes 04 - Can I? 05 - Face To Face 06 - If Only You Knew 07 - To Be Alive (Hep Yadda) 08 - Finally 09 - The Messenger 10 - New Language. House of Yes: Live From House of Blues (Live) (2000) CD 1: 01 - Yours Is No Disgrace 02 - Time and A Word 03 - Homeworld (The Ladder) 04 - Perpetual Change 05 - Lightning Strikes 06 - The Messenger 07 - Ritual: Nous Sommes du Soleil 08 - And You and I: Cord of Life/Eclipse/The Preacher, The Teacher/Apocalypse. CD 2: 01 - It Will Be A Good Day (The River) 02 - Face To Face 03 - Awaken 04 - I've Seen All Good People: Your Move/All Good People 05 - Cinema 06 - Owner of A Lonely Heart 07 - Roundabout. (Compilation) (2001) 01 - Foot Prints 02 - Be The One: The One/Humankind/Skates 03 - Mind Drive 04 - Bring Me To The Power 05 - Sign Language 06 - That, That Is: Togetherness/Crossfire/The Giving Things/That Is/All In 07 - Children of Light: Lightning/Children of Light/Lifeline. 01 - Magnification 02 - Spirit of Survival 03 - Don't Go 04 - Give Love Each Day 05 - Can You Imagine? 06 - We Agree 07 - Soft As A Dove 08 - Dreamtime 09 - In The Presence of 10 - Time Is Time. The Ultimate Yes: 35th Anniversary Collection (American Edition) (2003) CD 1: 01 - Time and A Word 02 - Starship Trooper: Life Seeker/Disillusion/Würm 03 - Yours Is No Disgrace 04 - I've Seen All Good People: Your Move/All Good People 05 - Roundabout 06 - Long Distance Runaround 07 - Heart of The Sunrise 08 - South Side of The Sky 09 - And You and I: Cord of Life/Eclipse/The Preacher, The Teacher/Apocalypse 10 - America (Single Edit) 11 - Wonderous Stories. CD 2: 01 - Siberian Khatru 02 - Soon (New Edit) 03 - Going For The One 04 - Don't Kill The Whale 05 - Tempus Fugit 06 - Owner of A Lonely Heart 07 - Leave It 08 - It Can Happen (Single Edit) 09 - Rhythm of Love 10 - Big Generator (Remix) 11 - Lift Me Up 12 - The Calling (Single Edit) 13 - Open Your Eyes 14 - Homeworld (The Ladder) (Radio Edit) 15 - Magnification. CD 3: 01 - Roundabout (Acoustic Version) 02 - Show Me 03 - South Side of The Sky (Acoustic Version) 04 - Australia (Solo Acoustic) 05 - New World Symphony. The Word Is Live (Live) (2005) CD 1: 01 - Then (BBC 1970) 02 - For Everyone (BBC 1970) 03 - Astral Traveller (Gothenburg 1971) 04 - Everydays (Gothenburg 1971) 05 - Yours Is No Disgrace (London 1971) 06 - I've Seen All Good People (London 1971) 07 - America (London 1971) 08 - It's Love (London 1971) CD 2: 01 - Apocalypse (Cobo Hall, Detroit 17 Aug 76) 02 - Siberian (Khatru Cobo Hall, Detroit 17 Aug 76) 03 - Sound Chaser (Cobo Hall, Detroit 17 Aug 76) 04 - Sweet Dreams (QPR Football Ground, London 10 May 75) 05 - Future Times/Rejoice (Oakland Coliseum, Ca 8 Oct 78) 06 - Circus of Heaven (Forum, Inglewood, Ca 5 Oct 78) 07 - The Big Medley (Forum, Inglewood, Ca 5 Oct 78) 08 - Hello Chicago (Chicago Int Amphitheatre, 9 Jun 79) 09 - Roundabout (Chicago Int Amphitheatre, 10 Jun 79) CD 3: 01 - Heart of The Sunrise (Oakland 1978) 02 - Awaken (Chicago 1979) 03 - Go Through This (New York 1980) 04 - From Here (New York 1980) 05 - Tempus Fugit (New York 1980) 06 - Rhythm of Love (Houston 1988) 07 - Hold On (Houston 1988) 08 - Shoot High, Aim Low (Houston 1988) 09 - /Owner of A Lonely Heart (Houston 1988) Live At Montreux 2003 (Live) (2007) CD 1: 01 - Siberian Khatru 02 - Magnification 03 - Don't Kill The Whale 04 - In The Presence of: Deeper/Death of Ego/True Beginner/Turn Around and Remember 05 - We Have Heaven 06 - South Side of The Sky 07 - And You and I: Cord of Life/Eclipse/The Preacher, The Teacher/Apocalypse 08 - To Be Over 09 - Clap. CD 2: 01 - Show Me 02 - : Solo Catherine of Aragon/Celtic Jig/Jane Seymour 03 - Heart of The Sunrise 04 - Long Distance Runaround 05 - The Fish (Schindleria Praematurus) 06 - Awaken 07 - I've Seen All Good People: Your Move/All Good People 08 - Roundabout. (2009) CD 1: 01 - Overture 02 - Close To The Edge 03 - Long Distance Runaround 04 - Don't Go 05 - In The Presence of 06 - Gates of Delirium 07 - Guitar Solo (Mood For A Day) CD 2: 01 - Starship Trooper 02 - Magnification 03 - And You and I 04 - Ritual 05 - I've Seen All Good People 06 - Owner of A Lonely Heart 07 - Roundabout. Tales From Yesterday (Tribute Album) (1995) 01 - Robert Berry : Roundabout 02 - Stanley Snail : Siberian Khatru 03 - Steve Morse : Mood For A Day 04 - Magellan : Don't Kill The Whale 05 - Steve Howe & Annie Haslam : Turn of The Century 06 - Shadow Gallery : Release, Release 07 - World Trade : Wonderous Stories 08 - Cairo : South Side of The Sky 09 - : Soon 10 - Enchant : Changes 11 - : Astral Traveler 12 - Steve Morse : The Clap 13 - Jeronimo Road : Starship Trooper. Roger Dean. Roger Dean (born August 31, 1944) is a visual artist who has been responsible for the majority of Yes album covers and stage designs. Designing for Yes [ edit | edit source ] The first Yes album that Dean designed was Fragile (1971). The year after that, he also designed Close To The Edge. The beautiful green textured cover with the new Yes logo contrasted so starkly with the inside picture where everything was literally "close to the edge". Then in May 1973 Yessongs was released with the four Roger Dean paintings that continued the story commenced on Fragile. It was around the period of Yessongs that Roger Dean felt that he had developed a good relationship with the band. He joined them for a period on the Close to the Edge tour and was with them in Japan when the early seeds for the Tales From Topographic Oceans album were sown. The design of the cover involved a lot of consultation with the band, particularly . As Roger has stated, "With Tales From Topographic Oceans [cover], we talked for hours about it." This closeness to Yes led to Roger’s first stage-set design for the Topographic Oceans tour that commenced in England in November 1973. As noted in Dean’s book, "Views", the initial stage used on the English tour was incomplete, in part due to the smallness of the English theatres. Also, the sculptural forms used were only the patterns from which the molds were cast for the final stage used in the American tour that commenced in February 1974. In looking at the reviews of this English tour on Peter Whipple’s Forgotten Yesterdays website, it is notable that the only mention of the stage-set is a quote from Chris Welch where he mentions the "elaborate drum rostrum", so clearly it was in rudimentary form at this point. Indeed, it was the Tales tour of North America in 1974 that really announced Roger Dean’s broader involvement with the group. Roger commented on this, "We did a lot of stuff on that tour that had never been done before and I mean the stage was one obvious thing. My brother (Martyn) did most of that. He supervised a lot of design and building of that stage. I think the band was very willing and very interested in experimenting and I went and talked to them about wouldn’t it be good to do it. They thought it would be great, so we did." The final castings used on the American tour were composed of thin translucent fibreglass that was lit inside and out. Martyn designed and built the drum rostrum that was the centre of the stage, while Roger designed the doorway, the backcloth and organ pipes. On Forgotten Yesterdays, the first mention of the stage-set is from the Roanoke concert on February 12 where Edward Kyle reports, "The fiberglass set pieces were jewel-like and beautiful but I was surprised to see 'idiot cards' with handwritten lyrics to the Tales suites taped to all the green 'rocks' at the front of the stage." Another comment taken from Forgotten Yesterdays from the second Madison Square Gardens concert on February 20th ‘The stage was done in huge chunks of floating "earth" (papier machete) like the album cover art. Wakeman was inside a huge dinosaur skeleton rib cage that glowed orange! White was on a rotating drum platform that spun around during his solo!’ Bill Pate, also reporting on Forgotten Yesterdays, describes the Pittsburgh show. ‘….Yes emerged from a huge pink conch shell onto a fog-shrouded "underwater" stage. Monitors covered to look like mossy rocks pulsed an eerie green. Manta ray wings in the canopy above White's Ludwigs flapped back and forth. Smoke issued from the spine of a whale's rib cage guarding Rick's Moogs, mellos, RMIs, Hammonds and grand piano.’ Another dramatic report from the March 5th Bloomington, Minnesota concert by Kevin. ‘At the climax of Ritual, White began the frenetic percussion, joined by Steve, Chris, and Jon on other percussive instruments (John played timpani if I remember correctly). As the pace built, the set "came alive". The "tentacles" of lights began to writhe up and down. the lights within the set pieces began to strobe, flash, and move in a swirl of greens, reds, and blues. Smoke (dry ice) began to pour forth out onto the stage from behind White's kit. There were (sic) a pair of "pods" over White's kit that began to "unfold" like wings and began to "flutter" amid the lights and smoke. The entire set seemed alive and breathing with movement as the percussion pounded.’ But the stage-set was only a part of the Roger Dean contribution to that tour. As Roger commented, ‘we also did something afterwards, that’d not been done before. We organised tour merchandising across the whole of the United States. Up to that date, all of the different promoters organised their own tour merchandising and sometimes it would look awful and sometimes it would look absolutely bloody awful. It rarely looked good. And we did it not so much for commercial reasons but more for an aesthetic reason, you know, to help identify the band and give consistency to that. But, in fact, it turned out to work incredibly well commercially as well. We designed everything. You know, T- shirts, posters, tour books. Prior to that, all kinds of different people had produced different things and it was random and appalling.’ He went on to say ‘I organised a lot of the shipping. We flew out two tons of paper at one point. We were sending out shipments by air every other day. This was not only commercially successful, but it set a standard for future rock tours. In addition, Roger noted that ‘the two guys who went over there and did the actual selling.….were the core that became Brockum which became a $400 million company. That was their first foray into the States and went on to become a huge merchandising giant.’ After the Topographic Oceans tour and the departure of Rick Wakeman from the group, the sets were modified to accommodate Patrick Moraz for the first leg of the North American tour that commenced in November 1974 and for the spring tour of the UK in 1975. These can be seen on the Live at QPR DVD. The second leg of the North American tour in 1975 had a new stage-set designed by Martyn Dean and built by him and Cliff Richardson in just three weeks. Roger Dean designed the backdrop, which featured sharp black rocks in silhouette with a tree in green and scarlet that was made by Felicity Youette. Many Yesfans are unaware that two different stage-sets were used during the Relayer tour and a number of reviewers on ‘Forgotten Yesterdays’ have clearly got their tours mixed up. The 1975 stage-set has been described as the ‘barnacle stage’ with huge immobile shapes spread across the back of the stage that had colours that ran and changed from reds to greens to resemble marine life. Some have commented that they looked more like tulips than barnacles. Indeed, the construction team noted this just before the tour started and they tried to rectify it at the last minute. According to Roger Dean, the backdrop from the Relayer tour is still being stored in a barn in England. He joked that maybe it could be cut into small pieces and sold to Yesfans, though he says ‘I think nature has probably already had a go at redesigning it.’ Although the actual stage-set is not existent, Roger says ‘we have all the tools, all the molds. We don’t have the actual stage. I think had it and then he left it behind when he sold his house, and I don’t know where it is now. We could make it again.’ The final Dean stage-set for the 1970’s was for the 1976 solo tour. Again, Martyn designed the stage and Roger the backdrop. This is known as the ‘Crab Nebula stage’ and had the ‘three-headed crab’ described as follows on Forgotten Yesterdays ‘I was blown away by the three-headed monster they had that spit out a fan of green laser light. It looked great piercing the mist that filled the air. When it started to spin like a rotating hand, the music and the lights combined to lift us out of our chairs.’ Another description states ‘the set was fantastic. Steve, Jon, and Chris each had his own spotlight in an arm that came out from a central section. I remember Steve blazing away at a solo when the arm came down and the spotlight got so intense everything just became white brilliance.’ The sets were embellished by multi-coloured laser lighting, long since banned in the United States due to concerns about radiation. A third vivid description from the Jersey City show by Michael Kennedy on Forgotten Yesterdays states ‘I especially remember the visual interpretation of Relayer, how during the battle sequence, "the devil’s sermon", the outer-worldly bio mechanical crabshell-like spaceship, which was around 20 feet wide with 3 long cartilage like necks with some kind of featureless heads at the ends and hovering over the drum kit, was blasting out lazerbeams all over the stadium, into the outstretched hands of all the concert goers.’ The next Dean stage-set was for the British leg of the Drama tour in 1980. Martyn Dean designed the ‘crystal stage’ that again was built and delivered within a three-week deadline. The crystal shapes were put in two clusters behind the keyboards and drums. The crystals were lit from inside and the lighting sequences went in every direction. A lightning bolt was on the backdrop. Like the barnacle stage, the set was immobile. On the ABWH tour of 1989 there was a minimalist Roger Dean stage-set. ’s drum set was mounted upon a 1½ metre high rostrum with narrow rectangular gold edged shapes that were lit. Stairs curved around either side of the drums, on one side leading to a platform for Tony Levin located behind Rick Wakeman. Fanning out behind the drum kit were numerous trapeziform shapes upon which the lights were directed. The backdrop was also of much larger trapeziform shapes that spread out like the outer layers of a fan. Rick’s keyboards were fronted by narrow vertical triangular shapes upon which various lighting effects were used. All of this can be seen to good effect on the ABWH video/DVD ‘An evening of Yes music plus’. These Dean stage-sets lived in Yes memory and for years many fans hoped that it might all happen again. So when rumours started to appear that there would be a Roger Dean stage set for the 2004 35th Anniversary tour, excitement mounted everywhere. I asked Roger about how it came about and he said ‘I first talked to the band about that in Sydney and Melbourne (on the 2003 Full Circle tour). I talked to them in much more detail in Hawaii in September (the following week). The band has been very enthusiastic and supportive and apparently so have the management’. The US$ 4million dollar set consisted of five stage-based white inflatable structures colloquially known by the crew as the dog, the rooster, the chicken, the toupe, and the lilo, with a further inflatable (‘the crab’) flown above the stage. Various multicoloured shapes were painted on the inflatables that appeared with UV lighting. In addition they were equipped to have internal lights. I asked Roger what had been the inspiration for the design. ‘So much stuff, as a matter of fact, and going back so far too. The shapes really, in a way, are much more obvious than they seem. A lot of people think that these things are really abstract and they give them names, for example, the contracts with the manufacturers for the pipes for the things behind Rick, they call them ferns because they think it looks like a fern. In fact they really are just sort of wildly enthusiastic organ pipes, if you like organic organ pipes, you know the kind of inspiration from the instruments themselves. The shapes behind Steve kind of evolved from way, way back. If you go and look at Yessongs, which was the first album cover I did for the band playing live, there is a kind of giant city structure in the background and it is a shape that I have played with. It appeared in Yesshows and again in a different version in the Yesyears packages. I should say that it would be cool to build something like that. I played with a lot of other shapes and ideas and sculptural forms, and this is not meant to be a city, it is meant to be, I don’t know, somewhere between a desert rose, a cactus and coral in its form. The idea really was to, and I’ve done it before, make shapes of things that look like something. You look at it and think ‘Oh yeah, that’s like whatever it is’, but it doesn’t look abstract, it doesn’t look unintentional. It looks like it has a right to be, but it isn’t actually anything that you can pin down. According to Roger Dean, the Alan White piece was conceived as ‘a giant robotic entity playing bass drums so they’re digitally slaves to Alan’s foot. So what he plays with his feet, they play. Otherwise they kind of look like robotic drum kits.’ The robo drums were translucent fibreglass that had internal lighting. Four drums were mounted either side of the actual drum kit on an armature. Chris and Jon did not have any designs behind them. As Roger explained ‘Well basically the very pragmatic way of looking at the stage is that Alan and Rick are fixed. Wherever they are they are. Their equipment ties them down. They can get up and walk about but they can’t get up and walk about with their equipment. The other three are very free on the stage. They can go anywhere they like and the shape behind Steve isn’t really connected to Steve. It’s just that it’s balancing the stage. So the only two that I have designed something specifically for them are Alan and Rick, as I say they are in a fixed position on the stage. They don’t perform at the front edge of the stage. They are hidden by their equipment to a large degree. So I just decided to make much more of that space they were in and evolve shapes and forms from their equipment. But the other three are free as it were, they move around. So really the rest of the stage is making an environment where they can all be and perform. It is like going from a Yes stage to a Yes world.’ Unfortunately, when the first North American leg of the tour commenced in Seattle in April 2004, the stage-set was incomplete. Much of the internal lighting was missing so that the lighting effects were muted. There were mixed reviews from fans but one comment frequently made was that it was much more effective further back in the audience. Up close, the inflatables simply looked like inflatables. I first saw the set at Wembley on the second leg of the tour. The stage was shrouded with a curtain that only lifted during the Firebird Suite and then we caught our first glimpse of the stage set. We were quite away back and from a distance it was extremely impressive with the different lighting effects The stage-set had been further refined since the US tour. At the climax of each half of the show – during ‘Yours is no disgrace’ and ‘Ritual’ – large ‘flames’ appear around the stage – a really incredible appearance seen to best effect at the drum/percussion section of Ritual with deep red/orange lighting. The ‘flameboys’ were a metal box with an internal fan that blew silken flames of 2-3 metres in height. Two of them were located in ornamental pots on the front of the stage, the rest were at the backline. I was then fortunate to see their last two shows in the US at Concord and Universal on the second North American leg. The stage set further evolved from the European leg with large signs about the height of the stage and on either side of the stage with the word PEACE written vertically in a typical Roger Dean blue script. As the show progressed the other major change was in the lighting where more lights have clearly been placed inside of the blow-up shapes and Alan's drum kit. Now the shapes and Alan's bass drum glowed from the inside and changed colour with the mood of the music - much more effective than before. Thus, by the end of the 35th Anniversary tour the stage-set had evolved to being close to Roger Dean’s original vision. Now we have to wait and find out whether this was the last Yes show with a Roger Dean stage! Yes announce 50th anniversary tour dates. Veteran prog-rock outfit Yes will mark their 50th anniversary by embarking on a US tour this summer. The 34-date outing kicks off in early June with a pair of dates in St. Charles, Illinois. The band also plays shows in cities such as Los Angeles, Detroit, Pittsburgh, Philadelphia, and Orlando before wrapping up the tour in Atlanta on July 28th. Tickets go on sale beginning Friday, March 30th. You can also grab them here. The current Yes lineup consists of longtime guitarist Steve Howe and drummer Alan White, along with keyboardist , bassist , and vocalist Jon Davidson. They’re not to be confused with the other live incarnation of Yes featuring Jon Anderson, , Rick Wakeman, who are currently performing together under the banner Yes featuring ARW. Yes 2018 Tour Dates: 06/05 – St. Charles, IL @ Arcada Theatre 06/06 – St. Charles, IL @ Arcada Theatre 06/08 – New Buffalo, MI @ Four Winds Casino Ballroom 06/10 – Kansas City, MO @ Midland Theatre 06/11 – Denver, CO @ Paramount Theatre 06/13 – Boise, ID @ CenturyLink Arena 06/14 – Woodinville, WA @ Chateau Ste. Michelle Winery 06/16 – Bakersfield, CA @ Spectrum Amphitheater 06/17 – Anaheim, CA @ City National Grove of Anaheim 06/19 – Los Angeles, CA @ Ford Theatre 06/20 – San Jose, CA @ City National Civic 06/22 – Wendover, NV @ Peppermill Casino Hall 06/23 – Laughlin, NV @ Edgewater Hotel & Casino 06/24 – Temecula, CA @ Pechanga Resort & Casino 06/28 – Interlochen, MI @ Kresge Auditorium 06/29 – Grand Rapids, MI @ 20 Monroe Live 06/30 – Detroit, MI @ Fox Theatre 07/02 – Cincinnati, OH @ PNC Pavilion at Riverbend Music Center 07/05 – Pittsburgh, PA @ Carnegie of Homestead Music Hall 07/06 – Jim Thorpe, PA @ Penn’s Peak 07/07 – Montclair, NJ @ The Wellmont Theater 07/10 – Boston, MA @ The Wilbur Theatre 07/11 – Hampton Beach, NH @ Hampton Beach Casino Ballroom 07/14 – Atlanta City, NJ @ Tropicana Casino 07/15 – Staten Island, NY @ St. George Theatre 07/17 – Peekskill, NY @ Paramount Hudson Valley 07/18 – Westbury, NY @ Theatre at Westbury 07/20 – Philadelphia, PA @ The Fillmore 07/21 – Philadelphia, PA @ The Fillmore 07/23 – Washington, DC @ Warner Theatre 07/26 – Clearwater, FL @ Capitol Theatre 07/27 – Orlando, FL @ The Plaza Live 07/28 – Atlanta, GA @ Atlanta Symphony Hall. (Symphonic Prog) Yes - Дискография/ Discography (158 релизов, 237 CD) - 1969-2019, MP3, 320 kbps. Soon (22:41) Line-up / Musicians : - Jon Anderson / lead vocals, MIDI guitar, acoustic guitar - Steve Howe / acoustic & electric guitars, steel, mandolin, vocals - / bass guitars, vocals, lead vocal on "Can You Imagine" - Alan White / drums, percussion, piano, vocals. Скачать раздачу по magnet-ссылке 37.36 GB. Стаж: 12 лет 2 месяца. Monju35 · 16-Мар-13 23:08 (спустя 2 мин., ред. 24-Мар-20 18:50) I've Seen All Good People (7:05) 05. Long Distance Runaround. The Fish (Schindleria Praematurus) (13:32) CD3 : 01. Close To The Edge (18:10) 02. Yours Is No Disgrace (14:17) 03. Starship Trooper (10:13) Line-up / Musicians : - Jon Anderson / vocals - Chris Squire / bass and vocals - Rick Wakeman / keyboards - Bill Bruford / drums on 4 and 10 - Alan White / drums on everything else - Steve Howe / guitars and vocals. UPOROFFF · 16-Мар-13 23:36 (спустя 28 мин., ред. 16-Мар-13 23:36) Стаж: 12 лет 2 месяца. Стаж: 12 лет 9 месяцев. g.y.m. · 17-Мар-13 00:40 (спустя 57 мин., ред. 17-Мар-13 00:40) Стаж: 11 лет 7 месяцев. valvi1966 · 17-Мар-13 01:08 (спустя 27 мин., ред. 17-Мар-13 01:08) Стаж: 10 лет 6 месяцев. Imaginos · 17-Мар-13 05:48 (спустя 4 часа, ред. 12-Фев-14 03:21) van der graaf generator. van der graaf generator · 17-Мар-13 16:03 (спустя 10 часов, ред. 17-Мар-13 18:04) Alex Che Rogers. Стаж: 11 лет 3 месяца. Alex Che Rogers · 17-Мар-13 18:49 (спустя 2 часа 46 мин.) Alex Che Rogers. Стаж: 11 лет 3 месяца. Alex Che Rogers · 17-Мар-13 21:04 (спустя 2 часа 14 мин.) Стаж: 12 лет 1 месяц. Стаж: 11 лет 6 месяцев. valerrich · 18-Мар-13 08:16 (спустя 11 мин., ред. 18-Мар-13 13:52) Стаж: 12 лет 2 месяца. van der graaf generator. van der graaf generator · 18-Мар-13 14:14 (спустя 24 мин.) Alex Che Rogers. Стаж: 11 лет 3 месяца. Alex Che Rogers · 18-Мар-13 17:40 (спустя 3 часа) van der graaf generator. van der graaf generator · 18-Мар-13 17:46 (спустя 5 мин., ред. 18-Мар-13 17:46) Стаж: 12 лет 9 месяцев. Alex Che Rogers. Стаж: 11 лет 3 месяца. Alex Che Rogers · 18-Мар-13 23:38 (спустя 5 часов, ред. 18-Мар-13 23:38) Стаж: 12 лет 9 месяцев. g.y.m. · 19-Мар-13 00:19 (спустя 40 мин., ред. 19-Мар-13 00:19) Стаж: 12 лет 2 месяца. Monju35 · 19-Мар-13 06:55 (спустя 6 часов, ред. 19-Мар-13 06:55) Alex Che Rogers. Стаж: 11 лет 3 месяца. Alex Che Rogers · 19-Мар-13 09:27 (спустя 2 часа 32 мин.) van der graaf generator. van der graaf generator · 19-Мар-13 15:11 (спустя 5 часов) Стаж: 9 лет 7 месяцев. Dan Everon · 19-Мар-13 15:53 (спустя 42 мин.) Стаж: 9 лет 7 месяцев. Guell · 19-Мар-13 18:31 (спустя 2 часа 37 мин.) Стаж: 12 лет 2 месяца. Monju35 · 22-Мар-13 04:20 (спустя 2 дня 9 часов) Стаж: 9 лет 4 месяца. vlk1265 · 24-Мар-13 17:56 (спустя 2 дня 13 часов) Стаж: 12 лет 5 месяцев. dbibi · 26-Мар-13 13:19 (спустя 1 день 19 часов, ред. 27-Мар-13 09:24)