CENTRES of the GOLDEN RATIO ARCHIMEDEAN TWIN CIRCLES 1. Introduction for Points X and Y in the Plane and a Positive Real Number
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Golden Ratio: a Subtle Regulator in Our Body and Cardiovascular System?
See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/306051060 Golden Ratio: A subtle regulator in our body and cardiovascular system? Article in International journal of cardiology · August 2016 DOI: 10.1016/j.ijcard.2016.08.147 CITATIONS READS 8 266 3 authors, including: Selcuk Ozturk Ertan Yetkin Ankara University Istinye University, LIV Hospital 56 PUBLICATIONS 121 CITATIONS 227 PUBLICATIONS 3,259 CITATIONS SEE PROFILE SEE PROFILE Some of the authors of this publication are also working on these related projects: microbiology View project golden ratio View project All content following this page was uploaded by Ertan Yetkin on 23 August 2019. The user has requested enhancement of the downloaded file. International Journal of Cardiology 223 (2016) 143–145 Contents lists available at ScienceDirect International Journal of Cardiology journal homepage: www.elsevier.com/locate/ijcard Review Golden ratio: A subtle regulator in our body and cardiovascular system? Selcuk Ozturk a, Kenan Yalta b, Ertan Yetkin c,⁎ a Abant Izzet Baysal University, Faculty of Medicine, Department of Cardiology, Bolu, Turkey b Trakya University, Faculty of Medicine, Department of Cardiology, Edirne, Turkey c Yenisehir Hospital, Division of Cardiology, Mersin, Turkey article info abstract Article history: Golden ratio, which is an irrational number and also named as the Greek letter Phi (φ), is defined as the ratio be- Received 13 July 2016 tween two lines of unequal length, where the ratio of the lengths of the shorter to the longer is the same as the Accepted 7 August 2016 ratio between the lengths of the longer and the sum of the lengths. -
The Golden Ratio and the Diagonal of the Square
Bridges Finland Conference Proceedings The Golden Ratio and the Diagonal of the Square Gabriele Gelatti Genoa, Italy [email protected] www.mosaicidiciottoli.it Abstract An elegant geometric 4-step construction of the Golden Ratio from the diagonals of the square has inspired the pattern for an artwork applying a general property of nested rotated squares to the Golden Ratio. A 4-step Construction of the Golden Ratio from the Diagonals of the Square For convenience, we work with the reciprocal of the Golden Ratio that we define as: φ = √(5/4) – (1/2). Let ABCD be a unit square, O being the intersection of its diagonals. We obtain O' by symmetry, reflecting O on the line segment CD. Let C' be the point on BD such that |C'D| = |CD|. We now consider the circle centred at O' and having radius |C'O'|. Let C" denote the intersection of this circle with the line segment AD. We claim that C" cuts AD in the Golden Ratio. B C' C' O O' O' A C'' C'' E Figure 1: Construction of φ from the diagonals of the square and demonstration. Demonstration In Figure 1 since |CD| = 1, we have |C'D| = 1 and |O'D| = √(1/2). By the Pythagorean Theorem: |C'O'| = √(3/2) = |C''O'|, and |O'E| = 1/2 = |ED|, so that |DC''| = √(5/4) – (1/2) = φ. Golden Ratio Pattern from the Diagonals of Nested Squares The construction of the Golden Ratio from the diagonal of the square has inspired the research of a pattern of squares where the Golden Ratio is generated only by the diagonals. -
Chapter 6 the Arbelos
Chapter 6 The arbelos 6.1 Archimedes’ theorems on the arbelos Theorem 6.1 (Archimedes 1). The two circles touching CP on different sides and AC CB each touching two of the semicircles have equal diameters AB· . P W1 W2 A O1 O C O2 B A O1 O C O2 B Theorem 6.2 (Archimedes 2). The diameter of the circle tangent to all three semi- circles is AC CB AB · · . AC2 + AC CB + CB2 · We shall consider Theorem ?? in ?? later, and for now examine Archimedes’ wonderful proofs of the more remarkable§ Theorems 6.1 and 6.2. By synthetic reasoning, he computed the radii of these circles. 1Book of Lemmas, Proposition 5. 2Book of Lemmas, Proposition 6. 602 The arbelos 6.1.1 Archimedes’ proof of the twin circles theorem In the beginning of the Book of Lemmas, Archimedes has established a basic proposition 3 on parallel diameters of two tangent circles. If two circles are tangent to each other (internally or externally) at a point P , and if AB, XY are two parallel diameters of the circles, then the lines AX and BY intersect at P . D F I W1 E H W2 G A O C B Figure 6.1: Consider the circle tangent to CP at E, and to the semicircle on AC at G, to that on AB at F . If EH is the diameter through E, then AH and BE intersect at F . Also, AE and CH intersect at G. Let I be the intersection of AE with the outer semicircle. Extend AF and BI to intersect at D. -
Examples of the Golden Ratio You Can Find in Nature
Examples Of The Golden Ratio You Can Find In Nature It is often said that math contains the answers to most of universe’s questions. Math manifests itself everywhere. One such example is the Golden Ratio. This famous Fibonacci sequence has fascinated mathematicians, scientist and artists for many hundreds of years. The Golden Ratio manifests itself in many places across the universe, including right here on Earth, it is part of Earth’s nature and it is part of us. In mathematics, the Fibonacci sequence is the ordering of numbers in the following integer sequence: 0, 1, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144… and so on forever. Each number is the sum of the two numbers that precede it. The Fibonacci sequence is seen all around us. Let’s explore how your body and various items, like seashells and flowers, demonstrate the sequence in the real world. As you probably know by now, the Fibonacci sequence shows up in the most unexpected places. Here are some of them: 1. Flower petals number of petals in a flower is often one of the following numbers: 3, 5, 8, 13, 21, 34 or 55. For example, the lily has three petals, buttercups have five of them, the chicory has 21 of them, the daisy has often 34 or 55 petals, etc. 2. Faces Faces, both human and nonhuman, abound with examples of the Golden Ratio. The mouth and nose are each positioned at golden sections of the distance between the eyes and the bottom of the chin. -
The Golden Relationships: an Exploration of Fibonacci Numbers and Phi
The Golden Relationships: An Exploration of Fibonacci Numbers and Phi Anthony Rayvon Watson Faculty Advisor: Paul Manos Duke University Biology Department April, 2017 This project was submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Graduate Liberal Studies Program in the Graduate School of Duke University. Copyright by Anthony Rayvon Watson 2017 Abstract The Greek letter Ø (Phi), represents one of the most mysterious numbers (1.618…) known to humankind. Historical reverence for Ø led to the monikers “The Golden Number” or “The Devine Proportion”. This simple, yet enigmatic number, is inseparably linked to the recursive mathematical sequence that produces Fibonacci numbers. Fibonacci numbers have fascinated and perplexed scholars, scientists, and the general public since they were first identified by Leonardo Fibonacci in his seminal work Liber Abacci in 1202. These transcendent numbers which are inextricably bound to the Golden Number, seemingly touch every aspect of plant, animal, and human existence. The most puzzling aspect of these numbers resides in their universal nature and our inability to explain their pervasiveness. An understanding of these numbers is often clouded by those who seemingly find Fibonacci or Golden Number associations in everything that exists. Indeed, undeniable relationships do exist; however, some represent aspirant thinking from the observer’s perspective. My work explores a number of cases where these relationships appear to exist and offers scholarly sources that either support or refute the claims. By analyzing research relating to biology, art, architecture, and other contrasting subject areas, I paint a broad picture illustrating the extensive nature of these numbers. -
The Glorious Golden Ratio
Published 2012 by Prometheus Books The Glorious Golden Ratio. Copyright © 2012 Alfred S. Posamentier and Ingmar Lehmann. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, digital, electronic, mechanical, photocopying, recording, or otherwise, or conveyed via the Internet or a website without prior written permission of the publisher, except in the case of brief quotations embodied in critical articles and reviews. Inquiries should be addressed to Prometheus Books 59 John Glenn Drive Amherst, New York 14228–2119 VOICE: 716–691–0133 FAX: 716–691–0137 WWW.PROMETHEUSBOOKS.COM 16 15 14 13 12 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Posamentier, Alfred S. The glorious golden ratio / by Alfred S. Posamentier and Ingmar Lehmann. p. cm. ISBN 978–1–61614–423–4 (cloth : alk. paper) ISBN 978–1–61614–424–1 (ebook) 1. Golden Section. 2. Lehmann, Ingmar II. Title. QA466.P67 2011 516.2'04--dc22 2011004920 Contents Acknowledgments Introduction Chapter 1: Defining and Constructing the Golden Ratio Chapter 2: The Golden Ratio in History Chapter 3: The Numerical Value of the Golden Ratio and Its Properties Chapter 4: Golden Geometric Figures Chapter 5: Unexpected Appearances of the Golden Ratio Chapter 6: The Golden Ratio in the Plant Kingdom Chapter 7: The Golden Ratio and Fractals Concluding Thoughts Appendix: Proofs and Justifications of Selected Relationships Notes Index Acknowledgments he authors wish to extend sincere thanks for proofreading and useful suggestions to Dr. Michael Engber, professor emeritus of mathematics at the City College of the City University of New York; Dr. -
REFLECTIONS on the ARBELOS Written in Block Capitals
REFLECTIONS ON THE ARBELOS HAROLD P. BOAS Written in block capitals on lined paper, the letter bore a postmark from a Northeastern seaport. \I have a problem that I would like to solve," the letter began, \but unfortunately I cannot. I dropped out from 2nd year high school, and this problem is too tough for me." There followed the diagram shown in Figure 1 along with the statement of the problem: to prove that the line segment DE has the same length as the line segment AB. Figure 1. A correspondent's hand-drawn puzzle \I tried this and went even to the library for information about mathematics," the letter continued, \but I have not succeeded. Would you be so kind to give me a full explanation?" Mindful of the romantic story [18] of G. H. Hardy's discovery of the Indian genius Ramanujan, a mathematician who receives such a letter wants ¯rst to rule out the remote possibility that the writer is some great unknown talent. Next, the question arises of whether the correspondent falls into the category of eccentrics whom Underwood Dudley terms mathematical cranks [14], for one ought not to encourage cranks. Date: October 26, 2004. This article is based on a lecture delivered at the nineteenth annual Rose-Hulman Undergraduate Mathematics Conference, March 15, 2002. 1 2 HAROLD P. BOAS Since this letter claimed no great discovery, but rather asked politely for help, I judged it to come from an enthusiastic mathematical am- ateur. Rather than ¯le such letters in the oubliette, or fob them o® on junior colleagues, I try to reply in a friendly way to communica- tions from coherent amateurs. -
And the Golden Ratio
Chapter 15 p Q( 5) and the golden ratio p 15.1 The field Q( 5 Recall that the quadratic field p p Q( 5) = fx + y 5 : x; y 2 Qg: Recall too that the conjugate and norm of p z = x + y 5 are p z¯ = x − y 5; N (z) = zz¯ = x2 − 5y2: We will be particularly interested in one element of this field. Definition 15.1. The golden ratio is the number p 1 + 5 φ = : 2 The Greek letter φ (phi) is used for this number after the ancient Greek sculptor Phidias, who is said to have used the ratio in his work. Leonardo da Vinci explicitly used φ in analysing the human figure. Evidently p Q( 5) = Q(φ); ie each element of the field can be written z = x + yφ (x; y 2 Q): The following results are immediate: 88 p ¯ 1− 5 Proposition 15.1. 1. φ = 2 ; 2. φ + φ¯ = 1; φφ¯ = −1; 3. N (x + yφ) = x2 + xy − y2; 4. φ, φ¯ are the roots of the equation x2 − x − 1 = 0: 15.2 The number ring Z[φ] As we saw in the last Chapter, since 5 ≡ 1 mod 4 the associated number ring p p Z(Q( 5)) = Q( 5) \ Z¯ consists of the numbers p m + n 5 ; 2 where m ≡ n mod 2, ie m; n are both even or both odd. And we saw that this is equivalent to p Proposition 15.2. The number ring associated to the quadratic field Q( 5) is Z[φ] = fm + nφ : m; n 2 Zg: 15.3 Unique Factorisation Theorem 15.1. -
The Golden Ratio
IOSR Journal Of Applied Physics (IOSR-JAP) e-ISSN: 2278-4861.Volume 12, Issue 2 Ser. II (Mar. – Apr. 2020), PP 36-57 www.Iosrjournals.Org The Golden Ratio Nafish Sarwar Islam Abstract:This paper is all about golden ratio Phi = 1.61803398874989484820458683436563811772030917980576286213544862270526046281890 244970720720418939113748475408807538689175212663386222353693179318006076672635 443338908659593958290563832266131992829026788067520876689250171169620703222104 321626954862629631361443814975870122034080588795445474924618569536486444924104 432077134494704956584678850987433944221254487706647809158846074998871240076521 705751797883416625624940758906970400028121042762177111777805315317141011704666 599146697987317613560067087480710131795236894275219484353056783002287856997829 778347845878228911097625003026961561700250464338243776486102838312683303724292 675263116533924731671112115881863851331620384005222165791286675294654906811317 159934323597349498509040947621322298101726107059611645629909816290555208524790 352406020172799747175342777592778625619432082750513121815628551222480939471234 145170223735805772786160086883829523045926478780178899219902707769038953219681 986151437803149974110692608867429622675756052317277752035361393621076738937645 560606059216589466759551900400555908950229530942312482355212212415444006470340 565734797663972394949946584578873039623090375033993856210242369025138680414577 995698122445747178034173126453220416397232134044449487302315417676893752103068 737880344170093954409627955898678723209512426893557309704509595684401755519881 -
Mathematics Extended Essay
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by TED Ankara College IB Thesis MATHEMATICS EXTENDED ESSAY “Relationship Between Mathematics and Art” Candidate Name: Zeynep AYGAR Candidate Number: 1129-018 Session: MAY 2013 Supervisor: Mehmet Emin ÖZER TED Ankara College Foundation High School ZEYNEP AYGAR D1129018 ABSTRACT For most of the people, mathematics is a school course with symbols and rules, which they suffer understanding and find difficult throughout their educational life, and even they find it useless in their daily life. Mathematics and arts, in general, are considered and put apart from each other. Mathematics represents truth, while art represents beauty. Mathematics has theories and proofs, but art depends on personal thought. Even though mathematics is a combination of symbols and rules, it has strong effects on daily life and art. It is obvious that those people dealing with strict rules of positive sciences only but nothing else suffer from the lack of emotion. Art has no meaning for them. On the other hand, artists unaware of the rules controlling the whole universe are living in a utopic world. However, a man should be aware both of the real world and emotional world in order to become happy in his life. In order to achieve that he needs two things: mathematics and art. Mathematics is the reflection of the physical world in human mind. Art is a mirror of human spirit. While mathematics showing physical world, art reveals inner world. Then it is not wrong to say that they have strong relations since they both have great effects on human beings. -
Arxiv:1906.01911V1 [Math.DS] 5 Jun 2019 5 Conclusion and Outlook 12
Playing a game of billiard with Fibonacci Daniel Jaud Abstract By making use of the greatest common divisor's (gcd) properties we can highlight some connections between playing billiard inside a unit square and the Fibonacci sequence as well as the Euclidean algorithm. In particular by defining two maps τ and σ corresponding to translations and mirroring we are able to rederive Lam´e'stheorem and to equip it with a geometric interpretation realizing a new way to construct the golden ratio. Further we discuss distributions of the numbers p; q 2 N with gcd(q; p) = 1 and show that these also relate to the Fibonacci sequence. Contents 1 Introduction and setup 2 2 The gcd, maps and Fibonacci numbers 3 3 Distribution of words with minimal/maximal number of Nσ 6 4 Word lengths and Fibonacci numbers 9 arXiv:1906.01911v1 [math.DS] 5 Jun 2019 5 Conclusion and Outlook 12 1 1 Introduction and setup The mathematical description of playing pool inside a square has been known for some time. In particular it is known that rational multiples of the angle π lead to closed orbits. In this paper we consider the set-up of a quadratic pool table of unit length1 with the four edges labelled A; B; C and D (see figure 1). D C A B Figure 1: Quadratic billiard table with four corners labelled as A; B; C and D. Assuming that our billiard ball is initially placed in corner A, we are interested in straight paths to another corner, where we allow the ball to scatter elastically when hitting one of the four boundaries. -
The Ubiquity of Phi in Human Culture & the Natural World
John Carroll University Carroll Collected Masters Essays Master's Theses and Essays 2020 THE UBIQUITY OF PHI IN HUMAN CULTURE & THE NATURAL WORLD Jennifer Bressler Follow this and additional works at: https://collected.jcu.edu/mastersessays Part of the Mathematics Commons THE UBIQUITY OF PHI IN HUMAN CULTURE & THE NATURAL WORLD An Essay Submitted to the Office of Graduate Studies College of Arts & Sciences of John Carroll University In Partial Fulfillment of the Requirements For the Degree of Master of Arts By Jennifer L. Bressler 2020 Table of Contents I. Introduction…………………………………………………………………………. 2 II. The Early Greeks…………………………………………………………………… 4 III. Algebraic Properties of the Golden Ratio………………………………………….. 11 IV. The Golden Rectangle…………………………………………………….……….. 20 V. Architecture & Design……………………………………………………………… 22 VI. Art………………………………………………………………………………….. 30 VII. Music……………………………………………………………………………….. 38 VIII. The Natural World………………………………………………………………….. 43 IX. Human Anatomy…………………………………………………………………… 52 X. Geometry…………………………………………………………………………… 56 XI. Conclusion……………………………………………………………………………65 1 I. INTRODUCTION What do rabbit breeding, tornadoes, the Chambered Nautilus, a pentagram, the rhythm of a heartbeat, apple seeds, the shape of a credit card, a pinecone, the human ear, DaVinci’s Last Supper, the structure of DNA, a light switch cover, and the structure of galaxies all have in common? Each relates to an extraordinary ratio that is highly efficient in nature, profoundly attractive to the human eye, and some claim, even divinely inspired. This special ratio is referred to as the “Golden Ratio” and is also known as the divine proportion, golden section, and golden mean. The Golden Ratio has a constant numeric value called “phi” (pronounced “FEE,” or “FI”) which is thought to be the most beautiful and astounding of all numbers.