DOCSLIB.ORG

The World of Suzie Wong

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The World of Suzie Wong The World of Suzie Wong The World of Suzie Wong began life road company of the play, under - gift for melody, starting with his stun - as a novel by British author Richard studying the title role. And so, filming ning main theme using a device he Mason. The book, published first in began all over again. From then on, and other film composers love – England and then in the United everything went smoothly and the re - using the syllables of the title to cre - States, proved very popular. It led to sulting film was a complete delight. ate their melody. In this case the syl - a stage adaptation by Paul Osborn, lables of “Suzie Wong” create a which opened on Broadway at the The plot revolves around an Ameri - delicious three-note motif that occurs Broadhurst Theater on October 14, can artist named Robert Lomax throughout the main theme and the 1958, and ran for over a year. The (William Holden), who puts his nine- score. James Van Heusen and play, produced by David Merrick and to-five job on hold and moves to Hong Sammy Cahn also wrote a song for directed by Joshua Logan, starred Kong, giving himself a year to see if the film called “Suzie Wong (The France Nuyen as Suzie and, opposite he has what it takes to actually make Cloud Song),” and Duning uses that her, an up-and-coming young actor a living as an artist. On the ferry, he as a secondary theme throughout the named William Shatner. Because of meets a beautiful young woman score. There is some source music, the success of both novel and play, named Mei Ling (Nancy Kwan) – a mostly heard coming from the bar in Paramount brought The World of “meet cute” if ever there was one. She the Namkok Hotel – a lot of those Suzie Wong to the screen in 1960, tells him she is a very proper young cues are Duning originals, but he starring William Holden and Nancy lady of high social status. Later, he sprinkles in some classic standards, Kwan. checks into the Namkok Hotel and too. The score has a lot of variety and there he catches sight of Mei Ling, perfectly blends the picturesque visu - The road to the screen started out a dressed in a slinky outfit and in the als with the human drama, capturing little rocky: France Nuyen was signed company of a sailor. She’s now calling every emotion and every scene per - to recreate her Broadway role, and herself Suzie Wong and she fectly. In a career filled with classic the director was Jean Negulesco. unashamedly admits to Lomax that scores, Suzie Wong is one of Dun - However, Nuyen fell ill during produc - she’s a prostitute. From there it’s the ing’s finest achievements. tion and the producers decided to re - usual mix of comedy and drama, filled place her rather than delay the film. with arguing, falling in love, arguing, The World of Suzie Wong had a The producers also replaced the di - more falling in love, painting, more ar - soundtrack release on RCA Records rector, hiring Richard Quine to guing, and finally more falling in love, back in 1960. Side A of the album ba - reshoot everything that had been shot with lovely performances from Holden sically had the main title and then a up to then. Quine had begun as an and newcomer Kwan, all set against lot of the Duning source music, while actor, but quickly graduated to the di - stunningly photographed locations Side B had some of the score cues – rector chair in 1951 with the film mu - (Geoffrey Unsworth was the camera - the album ran around thirty-five min - sical The Sunny Side of the Street . man) and played out against the gor - utes, which was a pretty standard He directed a terrific noir called geous musical score of George running time for LPs back then. For Pushover , the film musical My Sister Duning. this release, we have Duning’s entire Eileen, Full of Life, Operation Mad score, which we’ve put in film order Ball, Bell, Book and Candle, It Hap - Duning and Quine had already because it plays so beautifully that pened to Jane and, the same year as worked together several times – be - way. We’ve kept all the Duning source The World of Suzie Wong, Strangers ginning with Quine’s first film, The music cues in the film sequence be - When We Meet . The screenplay was Sunny Side of the Street, and contin - cause they’re really part of the fabric by John Patrick, who certainly knew uing with My Sister Eileen, Full of Life, of his score. In the bonus section, his way around Asian themes, having Operation Mad Ball, Bell, Book and we’ve put the source music cues that written the stage adaptation of Tea - Candle, It Happened to Jane and aren’t by Duning, along with the LP house of the August Moon (for which Strangers When We Meet . Duning version of the main title and a few he’d won a Pulitzer Prize for drama). had an innate musical sense of what other odds and ends. made Quine’s films tick, and their col - Nancy Kwan had read for the title role laboration together produced some — Bruce Kimmel in the film, and when she was tapped unique and wonderful film scores, of to replace France Nuyen she was, in which Suzie Wong is a classic exam - fact, touring the United States in the ple. It is filled with Duning’s incredible.
Load more

Recommended publications
  • 904 Doing It Great-Which Is What You Want-Takes All the Time I've
    q05 904 KOVACSLAND NET!(/ORK ROULETTE "There's television," Roger Gimbel says. The problem was that experimental TV Roger Gimbel. no way to keep the Tonight show going with- 'Oh, did not draw the sort of ratings expected from a network show. lVith out using talk. Every time we tried to get him to do that he'd say, uncomfortable regard not only to Eugene but to all of Ernie's comedy, "the general I'm with that.' It was the wrong spot for him. He wasn't feeling was that we had avery, very good show, but it wasn't catching interested in other people. He was interested in how to create things." on with the audience," remembers Gimbel. "The reaction in the theater Ernie hosted his last Tonight broadcast on Tuesday, lanuary 22, 1957. the preceding Saturday he had made special was a bumpy thing for us, because we felt that if people weren't com- Bu a appearance on ing, it wasn't what the Tonigbt show was supposed to be. Heavier TV that would redirect the course of his career. comedy, more stand-up material, sketch material worked great. Ernie's sketches were entertaining and wildly imaginative, but they didn't al- ways get big laughs." In 1946 a Catskills comic named Jerry Lewis and an Italian-Ameri- In the meantime, Steve Allen was becoming wearied by the effort can baritone named Dean Martin had decided to form a team and try of mounting his full-scale Sunday-night show every week while contin- to climb together out of the small time.
    [Show full text]
  • Historical Studies Journal Historical Studies
    Historical Studies University of Colorado Denver University of Journal Spring 2017 . Volume 34 Historical StudiesHistorical Journal OCCUPATION BABIES COME OF AGE Japanese War Brides and their Children Post-World War II A Gender History HISTORIC PRESERVATION Spring 2017 Spring IN AMERICA A Brief Overview . AMERICA’S FRONTIERS 34 Volume AND BORDERLANDS A Look into Manifest Destiny and Native American Sustainability and Religion DECONSTRUCTING INTERPRETATION An Exploration of Historical Methodology and Primary Sources THE TIVOLI A Historic Preservation Marvel Historical Studies Journal Spring 2017 . Volume 34 EDITOR: Erica Fontenot, Graduate Student ASSISTANT EDITORS: Glendon Butterfield, Graduate Student Laura Hogg, Graduate Student Brittany Huner, Graduate Student Emma Lane, Graduate Student Thomas James Trump, Graduate Student Evan West, Graduate Student Thomas J. Noel, Faculty Advisor DESIGNERS: Shannon Fluckey and Kristen Morrison Integrated Marketing & Communications Auraria Higher Education Center Department of History University of Colorado Denver Kariann Yokota, Ph.D., Brandon Mills, PH.D. Department Chair 19th Century U.S. History, The United Colonial and Early U.S., Pacific Rim States and the World, Imperialism, Racial Identity Christopher Agee, Ph.D. 20th Century U.S., Urban History, Thomas J. Noel, Ph.D. Social Movements, Crime and Policing American West, Art & Architecture, Public History & Preservation, Colorado Ryan Crewe, Ph.D. Latin America, Colonial Mexico, Kelly Palmer, Ph.D. Transpacific History Modern Europe and France James E. Fell, Jr., Ph.D. Stacey Pendleton, M.A. American West, Civil War, Cold War/US, Modern Britain Environmental, Film History Carl Pletsch, Ph.D. Gabriel Finkelstein, Ph.D. Intellectual History (European and Modern Europe, Germany, American), Modern Europe History of Science, Exploration Myra Rich, Ph.D., Emerita Mark Foster, Ph.D., Emeritus U.S.
    [Show full text]
  • David Walley Research Material About Ernie Kovacs, Ca
    http://oac.cdlib.org/findaid/ark:/13030/kt3v19s1fj No online items David Walley research material about Ernie Kovacs, ca. 1972-1975 Processed by Chris Marino in the Center for Primary Research and Training (CFPRT), with assistance from Megan Hahn Fraser, August 2011; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ © 2012 The Regents of the University of California. All rights reserved. David Walley research material 2107 1 about Ernie Kovacs, ca. 1972-1975 Descriptive Summary Title: David Walley research material about Ernie Kovacs Date (inclusive): ca. 1972-1975 Collection number: 2107 Creator: David Walley Extent: 1 boxes (0.5 linear ft.) Abstract: Research material collected by David Walley during the early 1970s for the writing of his biography on Ernie Kovacs. Language: Finding aid is written in English. Repository: University of California, Los Angeles. Library Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Access Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright.
    [Show full text]
  • BRIDGE BARRIER MISSING Cops Explain How 4 Teens Drove Into River
    LE 0? iManrfeatrr Krrali W Saturday, Nov. 19, 1988 Manchester, Conn. — A City of Village Charm 30 Cents j e r s / l ap- i 5 BRIDGE BARRIER MISSING Cops explain how 4 teens drove into river ... story on page 2 ijiS a tg a ers, }nd, tiO M l ■ r-‘ it* J*" J..- ■ i'- vw- * Pitrick Flynn/ManohMtsr Harald Pallbearers leave St. Brigid Church in West Hartford Friday after the funeral Solemn procession for Manchester resident Diane Vincent, who was strangled Tuesday in Hartford. More than 150 friends, co-workers and family members attended ^or^murder victim the funeral. Vincent, a security guard, was working at One Commercial Plaza when she was killed. Police have no leads or suspects in the casie. Story on page 2. t : Connecticiit Weather ‘ Bridge biamcade m REGIONAL WEATHER Aocu-Weather* forecast for Saturday in fatal crash of 4 teens bill signed Daytime Conditions artd High Temperatures By Larry Rosenthal starting today, were planned for officials said they were not sure The Associated Press Laura Lagrotteria, Jill Sawyer how big a gap existed at that time. IcLfcoularl and Miss Christy Stevens, all 19, The accident was the third at the by Reagan NEW HAVEN — Four young and Michael Gallo, 20. barriers since the bridge was people who died when their car Sawyer attended the Univer­ ciosed in August 1987. plunged into a river had driven sity of Rhode Island^ Gallo was a City officials said they are WASHINGTON (A P ) — Declaring the nation one through a gap left when concrete student at Southern Connecticut investigating why public works step closer to being drug-free.
    [Show full text]
  • Judy Holliday's Urban Working Girl Characters in 1950S Hollywood Film Judith E
    University of Massachusetts Boston ScholarWorks at UMass Boston American Studies Faculty Publication Series American Studies 2010 Judy Holliday's Urban Working Girl Characters in 1950s Hollywood Film Judith E. Smith University of Massachusetts Boston, [email protected] Follow this and additional works at: http://scholarworks.umb.edu/amst_faculty_pubs Part of the American Film Studies Commons, American Popular Culture Commons, Jewish Studies Commons, and the Women's Studies Commons Recommended Citation Smith, Judith E., "Judy Holliday's Urban Working Girl Characters in 1950s Hollywood Film" (2010). American Studies Faculty Publication Series. Paper 6. http://scholarworks.umb.edu/amst_faculty_pubs/6 This Article is brought to you for free and open access by the American Studies at ScholarWorks at UMass Boston. It has been accepted for inclusion in American Studies Faculty Publication Series by an authorized administrator of ScholarWorks at UMass Boston. For more information, please contact [email protected]. Judy Holliday's Urban Working Girl Characters in 1950s Hollywood Film Judith Smith. American Studies, University of Massachusetts Boston A Jewish-created urban and cosmopolitan working girl feminism persisted in the 1950s as a cultural alternative to the suburban, domestic consumerism critiqued so eloquently by Betty Friedan in The Feminine Mystique . The film persona of Jewish, Academy Award-winning actress Judy Holliday embodied this working girl feminism. Audiences viewed her portrayals of popular front working girl heroines in three films written by the Jewish writer and director Garson Kanin, sometimes in association with his wife, the actress Ruth Gordon, and directed by the Jewish director George Cukor in the early 1950s: Born Yesterday (1950), The Marrying Kind (1952), and It Should Happen to You (1954).
    [Show full text]
  • BUDGET-WISE \" to Make Mr
    r > . •,. '•'•• •;."••*•.:.'• ; '/.V«.V:-/" :>:- •, ...v.v '"-' ••••'•••?•• - "V • ,-, '•• . $$> orderly person charge by Lt. John ••IV \ •>'.' '• , J ' . Waterson and Patrolman David .'•' Donahue. According: to police, the two officers attempted, to arrest Mr. R J. :Albans~ oflTJuly--"2S~afterrthe""de:y fendant was reported as being loud,"disorderly, drunk and using Air-Conditioned \\x profane language in Dawn drive, GOERKE Clark. + Mr. Albans abused the police- Entered' as lecend eba mall matter at Jtf No. 30. 3 Sections; 18 Pages CRANFORD, NEW JERSEY, THURSDAY, AUGUST 18.1960 men and started swinging at Lt. The Post Offic* at Cranlord. N. TEN CENTS • /, Waterson, police said. When they GO. took him to headquarters, police said Mr. Albans flammed a tray of food to the cell floor. "When pa- Ei-IZASfH (arge Turnout for Special Events Circulating \ tr61matt Donahue entered the cell 'Mystery'Petition on School BUDGET-WISE \" to make Mr. Albans pick up the tray," Mr* Albans struck at the pa- Bingo, Raffle trolman, police said. if Summer Playground Program The MX'foot, two-inch model, An average of 400 teen-agers' Vote PetitionsStirs Controversy at Board Medtiiig who weighs about 190 pounds, \\,-u<: attended each Wednesday cve.- Petitions .to have the bingo and DRUG AND SUNDRY BUYS visiting a relative in Dawn drivo. ning's Recreation Open House at Charges and counter- tiff between two member^ of( Tuesday night in Lincoln coom and were present fbir the police said. He had been free''in • t "<: Walk into the Walnut Avenue School, it wasraffles question placed before local $500 bail. charges regarding a "mystery" 1 the Board of Education were I School.
    [Show full text]
  • NYE BILLEDER Ved A- Planet Aros
    NYE BILLEDER Ved A- Planet aros Leonard Wibberleys roman „The Mouse That Roared“ skal nu filmes for „Columbia“. Jack Arnold sk a l iscenesætte, og Alan Gifford, fean Seberg o g Pe­ ter Sellers får de ledende roller. Manuskriptet er udarbejdet af Roger MacDougall og Stanley Mann. Philip Leacock arbejder for „United Artists" („Canon Productions") på „The Rabbit Trap", en skildring af en mands kamp for at passe både sin familie og det krævende forretningsliv. Ernest Borgnine har hovedrollen, og i andre roller ser man David Brian, Berthel Leslie o g June Biair. Reginald Rose har skrevet manuskriptet til „The Man in the Net", en psykologisk thriller efter en roman a f Patrick Quentin. Michael Curtiz iscenesætter for „United Artists", og Alan Ladd o g Carolyn Jones har hovedrollerne. „Alias Jesse James" skal mane myten om „vestens Ro­ bin Hood" i jorden. Norman McLeod iscenesætter for „Hope Enterprises Inc.“, og Bob Hope, Rhonda Fleming o g Wendeli Corey medvirker. Frank Tashlin er i gang med at iscenesætte „Say One For Me“ med Bing Crosby, Debbie Reynolds og Robert Wagner i de ledende roller. Tashlin pro­ ducerer selv for „20th Century-Fox“. Nunnally Johnson skal iscenesætte noget så enestående som „The Man W ho Understood Women" ! Det er Henry Fonda, der forstår kvinderne, af hvilke man nævner Leslie Caron, Myron McCormick og Nina Shipman. Richard Quine har for „Columbia" afsluttet optagel­ serne af „It Happened to Jane" efter et manuskript a f Norman Kat ko v o g Max Wilk. Doris Day, Jack Lemmon o g Ernie Kovacs har hovedrollerne. Efter „No Trees in the Street" er ].
    [Show full text]
  • MGM 70 YEARS: REDISCOVERIES and CLASSICS June 24 - September 30, 1994
    The Museum of Modern Art For Immediate Release May 1994 MGM 70 YEARS: REDISCOVERIES AND CLASSICS June 24 - September 30, 1994 A retrospective celebrating the seventieth anniversary of Metro-Goldwyn- Mayer, the legendary Hollywood studio that defined screen glamour and elegance for the world, opens at The Museum of Modern Art on June 24, 1994. MGM 70 YEARS: REDISCOVERIES AND CLASSICS comprises 112 feature films produced by MGM from the 1920s to the present, including musicals, thrillers, comedies, and melodramas. On view through September 30, the exhibition highlights a number of classics, as well as lesser-known films by directors who deserve wider recognition. MGM's films are distinguished by a high artistic level, with a consistent polish and technical virtuosity unseen anywhere, and by a roster of the most famous stars in the world -- Joan Crawford, Clark Gable, Judy Garland, Greta Garbo, and Spencer Tracy. MGM also had under contract some of Hollywood's most talented directors, including Clarence Brown, George Cukor, Vincente Minnelli, and King Vidor, as well as outstanding cinematographers, production designers, costume designers, and editors. Exhibition highlights include Erich von Stroheim's Greed (1925), Victor Fleming's Gone Hith the Hind and The Wizard of Oz (both 1939), Stanley Kubrick's 2001: A Space Odyssey (1968), and Ridley Scott's Thelma & Louise (1991). Less familiar titles are Monta Bell's Pretty Ladies and Lights of Old Broadway (both 1925), Rex Ingram's The Garden of Allah (1927) and The Prisoner - more - 11 West 53 Street, New York, N.Y. 10019-5498 Tel: 212-708-9400 Cable: MODERNART Telex: 62370 MODART 2 of Zenda (1929), Fred Zinnemann's Eyes in the Night (1942) and Act of Violence (1949), and Anthony Mann's Border Incident (1949) and The Naked Spur (1953).
    [Show full text]
  • Ernie Kovacs Dovetonsils” Is Just by Linda Penney 28F Clicks Away
    Vizcaya November 2016 Volume 1, Issue 7 Vizion “Supermoon” The side of the moon’s orbit that’s closest to the earth is Attend a Special Town Hall called the perigee. The next lunar perigee will November 15 at 3 pm happen again very soon — November 14. Join your Vizcaya neighbors in the clubhouse for a special focus Town Hall. Mark DeMasi, strategic The one pictured left account executive for Bright House Networks, will intro- (front entrance) and duce everyone to the new cable contract. below (clubhouse) V happened last month, October 16. This month’s supermoon will be the biggest in 70 years. Read pressing our new fictional more about the viewing Reflections avatar into service — opportunity here. Might Andrew Penney created by one of our be worth losing a little 941 281-2577 artists-in-residence [Joan sleep over! [email protected] Schnuerch 6B] to help V convey some tips and An early Thanksgiving ideas about unit memory is when I asked maintenance.* my mom if the turkey This month you’ll also was supposed to be on learn about a storied life fire. Don’t worry. That in our Resident-of-the- won’t happen at this Month Spotlight. And do year’s “Vizcaya Thanks- you remember Ernie giving Family Feast!” Kovacs? We do. As a way Sign-up sheet is on the to (sort of) acknowledge clubhouse bulletin the beginning of our new board. cable TV contract, we Lots to be thankful for thought a snapshot of a about our Vizcaya life. television pioneer was in Read about some in order.
    [Show full text]
  • 1948-04-09, [P ]
    Friday, April 9, 1948 fOLEDO UNION JOURNAL Page Five Gab Fetd! Van Votes Story of Radio Bing Shares Scene Industry to Be i With Canine Star Brought to Screen HOLLYWOOD—A whistler and his dog turned a bend on “Radio Cavalcade,” the story the road to Mt. Edith Cavell in Jasper National Park, Alberta, of the growth of the nation’s Canada, and although the whistler is perhaps the most famous radio industry from its crystal­ man in the show world, at least half the 300 spectators had their ------------- I eyes on the dog. set beginning to its present vital Gloria Henry to Plav ' status, will be brought to the J • the dog Buttons, a seven-year- screen by Columbia Pictures In ‘Texas Sandman’ Lead . movie veteran, half fox- association with Jerrold T. terrier and half undetermined. Brandt. A film treatment la in Gloria Henry, soon to be seen It was a location scene in the as Gene Autry’s leading lady in Canadian Rockies for Para­ preparation y Emmet Lavery. the Western star’s first color pic­ mount’s "The Emperor Waltz,” The four chief networks leading ture, "The Strawberry Roam,” their cooperation to the film will continue her Western career produced by Charles Brackett as the feminine lead in “Texas and directed by Billy Wilder, have formed an advisory com­ Sandman,” Columbia action and supposed to take place in mittee headed by Justin Miller, musical which headlines the! Vienna and the Tyrol of 1901. president to the National As­ Hoosier Hot Shots. The Texas Jasper was the closest the Oscar- sociation of Broadcasters.
    [Show full text]
  • Liner Notes for the FSM Box Set Said the Mayehoff, Claire Trevor, Sidney Blackmer and a an Immediate Box-Office and Critical Flop
    natural that Hefti would score How To Murder Your Soundtrack Treasury. That set, a limited edition of Wife , and he would go on to score two more Quine 1200 copies, sold out immediately, and those who HOW TO MURDERYOUR WIFE films – Synanon and Oh, Dad, Poor Dad, Mama’s either missed it, or only wanted one or two of its Hung You In The Closet And I’m Feeling So Sad . twenty -some-odd scores were basically out of luck. LORD LOVE A DUCK For Wife , Hefti provided a brilliant score, one that So, it’s a particular pleasure to be able to release a perfectly captures the tone of the film and its visuals. couple of these as single issues. In the box set, Wife When you hear that music and see the Richard Syl - was coupled with Hefti’s Duel At Diablo , but I thought “Hey, Hey, Hey!” bert-designed bachelor pad of Lemmon, you are im - two Hefti scores to two George Axelrod-written films mediately put into the world of the film, and from was perhaps more apt. then on Hefti provides one memorable theme and The soundtrack album for How To MurderYour Wife tune after another – the score is chock full of in - was, in fact, a re-recording, much in the style of what The times they were a changin’ although you would - credibly catchy melodies. Hefti, born in 1922, was a Henry Mancini was doing at the time – rearrange - n’t have known it by How To MurderYour Wife . If one master melodist and composer, a great trumpet ments of the themes from the film, but in more pop- were to show this film today the PC people would player (he played with the Woody Herman band), as sounding versions.
    [Show full text]
  • TCM CFF 2012 Kim Novak Announcement
    For Release: March 6, 2012 2012 TCM Classic Film Festival to Honor Kim Novak The 2012 TCM Classic Film Festival will honor actress Kim Novak with a multi-tiered celebration of her extraordinary career. Among the events, Novak will have her hand and footprints enshrined in concrete in front of Grauman's Chinese Theater. She will also join TCM host Robert Osborne for an in-depth conversation to be taped in front of a live audience for airing on TCM later. And she will introduce a screening of Alfred Hitchcock's suspenseful classic Vertigo (1958). The TCM Classic Film Festival takes place Thursday, April 12 – Sunday, April 15, in Hollywood. "From thrillers like Hitchcock's Vertigo, to romantic dramas such as Picnic, noirish classics like The Man with the Golden Arm, comedies such as Bell, Book and Candle and musicals like Pal Joey, Kim Novak has made us fall in love with her time and time again,” Osborne said. "Our celebration of Kim Novak and her career is certain to be one of the highlights of the 2012 TCM Classic Film Festival.” Novak and Osborne's conversation will air on TCM next year as an original special entitled Kim Novak: Live from the TCM Classic Film Festival. The chat will be taped Friday, April 13, at The Avalon, the latest venue to join the festival lineup. Built in 1927, the historic landmark has hosted the likes of Bob Hope, Jerry Lewis, Judy Garland, Bing Crosby, The Beatles, Fred Astaire, Jimmy Durant and Merv Griffin's iconic talk show. Kim Novak: Live at the TCM Classic Film Festival follows in the footsteps of previous Live from the TCM Classic Film Festival specials.
    [Show full text]