Deep Purple the Platinum Collection Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Deep Purple the Platinum Collection Mp3, Flac, Wma Deep Purple The Platinum Collection mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: The Platinum Collection Country: Australia Style: Hard Rock MP3 version RAR size: 1276 mb FLAC version RAR size: 1417 mb WMA version RAR size: 1237 mb Rating: 4.9 Votes: 387 Other Formats: RA AC3 MPC XM AU MOD MP4 Tracklist 1-1 Hush 1-2 Mandrake Root 1-3 Hey Joe 1-4 Kentucky Woman 1-5 Wring That Neck 1-6 Shield 1-7 Bird Has Flown 1-8 Emmaretta 1-9 Hallelujah 1-10 Black Night (Single Version) 1-11 Speed King 1-12 Flight Of The Rat 1-13 Child In Time 2-1 Fireball 2-2 Strange Kind Of Woman 2-3 Demon's Eye 2-4 No One Came (1996 Remix) 2-5 Highway Star (1997 Remix) 2-6 Smoke On The Water 2-7 When A Blind Man Cries (1997 Remix) 2-8 Space Truckin' (1997 Remix) 2-9 Lazy (Live) 2-10 Never Before (Live) 2-11 Woman From Tokyo 2-12 Smooth Dancer 2-13 Mary Long 2-14 Burn (Single Edit) 3-1 Might Just Take Your Life 3-2 Coronarias Redig 3-3 Stormbringer 3-4 Hold On 3-5 Soldier Of Fortune 3-6 Mistreated (Live) 3-7 You Keep On Moving 3-8 Love Child 3-9 Drifter 3-10 Perfect Strangers (Live) 3-11 Ted The Machine (Live) 3-12 Any Fule Kno That 3-13 Bludsucker 3-14 Sun Goes Down Other versions Category Artist Title (Format) Label Category Country Year The Platinum Collection 7243 873577 2 Deep 7243 873577 2 (3xCD, Comp, Copy Prot., EMI Europe 2005 3 Purple 3 Sli) 7243 578591 2 Deep The Platinum Collection 7243 578591 2 EMI Europe 2005 7 Purple (3xCD, Comp) 7 7243 578591 2 Deep The Platinum Collection 7243 578591 2 EMI Europe Unknown 7 Purple (3xCD, Comp, RP) 7 Related Music albums to The Platinum Collection by Deep Purple Deep Purple - MP3 Collection Deep Purple - Live At The Nec Deep Purple - Slaves And Masters Tour 1991 Deep Purple - Best Of Deep Purple Deep Purple - Live Deep Purple with Joe Satriani - The Battle Rages In Japan Deep Purple - The Anthology Deep Purple - 30: Very Best Of Deep Purple - Woman From Osaka Deep Purple - European Lights.
Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • The Deep Purple Tributes
    [% META title = 'The Deep Purple Discography' %] The Deep Purple Tributes Here we will try to keep a list of known Deep Purple tributes -- full CDs only. (Covers of individual tracks are listed elsewhere.) The list is still not complete, but hopefully it will be in the future. Funky Junction Plays a Tribute to Deep Purple UK 1973 Stereo Gold Award MER 373 [1LP] Purple Tracks Performed by Eric Bell (guitar), Brian Downey (drums), Dave Lennox (keyboards), Phil Lynott (bass) and Fireball Black Night Benny White (vocals). Strange Kind of Woman Hush Speed King The first known Purple tribute was recorded as early as 1972. An unknown, starving band named Thin Lizzy (which consisted of Bell, Downey & Lynott) were offered a lump sum of money to record some Deep Purple songs. (The album contains also a few non-DP tracks.) They did - with the help from two Irish guys. The album came out in early 1973. It wasn't a success. In February, Thin Lizzy had a top ten hit with a single of their own. Read more about it here. The Moscow Symphony Orchestra in Performance of the Music of Deep Purple Japan 1992 Zero Records XRCN-1022 [1CD] UK 1992 Cromwell Productions CPCD 018 [1CD] Purple Tracks Smoke on the Water Performed by the Moscow Symphony Orchestra, conducted by Constantine Krimets. Arranged by Stephen Space Truckin' Child in Time Reeve and Martin Riley. Produced by Bob Carruthers. Recorded live (in the studio with no audience) during Black Night April 1992. Lazy The Mule Pictures of Home No drums, no drum machine, no guitar - in fact, no rock instruments at all, just a symphony orchestra.
    [Show full text]
  • 4 Non Blondes What's up Abba Medley Mama
    4 Non Blondes What's Up Abba Medley Mama Mia, Waterloo Abba Does Your Mother Know Adam Lambert Soaked Adam Lambert What Do You Want From Me Adele Million Years Ago Adele Someone Like You Adele Skyfall Adele Turning Tables Adele Love Song Adele Make You Feel My Love Aladdin A Whole New World Alan Silvestri Forrest Gump Alanis Morissette Ironic Alex Clare I won't Let You Down Alice Cooper Poison Amy MacDonald This Is The Life Amy Winehouse Valerie Andreas Bourani Auf Uns Andreas Gabalier Amoi seng ma uns wieder AnnenMayKantenreit Barfuß am Klavier AnnenMayKantenreit Oft Gefragt Audrey Hepburn Moonriver Avicii Addicted To You Avicii The Nights Axwell Ingrosso More Than You Know Barry Manilow When Will I Hold You Again Bastille Pompeii Bastille Weight Of Living Pt2 BeeGees How Deep Is Your Love Beatles Lady Madonna Beatles Something Beatles Michelle Beatles Blackbird Beatles All My Loving Beatles Can't Buy Me Love Beatles Hey Jude Beatles Yesterday Beatles And I Love Her Beatles Help Beatles Let It Be Beatles You've Got To Hide Your Love Away Ben E King Stand By Me Bill Withers Just The Two Of Us Bill Withers Ain't No Sunshine Billy Joel Piano Man Billy Joel Honesty Billy Joel Souvenier Billy Joel She's Always A Woman Billy Joel She's Got a Way Billy Joel Captain Jack Billy Joel Vienna Billy Joel My Life Billy Joel Only The Good Die Young Billy Joel Just The Way You Are Billy Joel New York State Of Mind Birdy Skinny Love Birdy People Help The People Birdy Words as a Weapon Bob Marley Redemption Song Bob Dylan Knocking On Heaven's Door Bodo
    [Show full text]
  • Songs by Artist
    Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S.
    [Show full text]
  • Woman from Tokyo
    WOMAN FROM TOKYO As recorded by Deep Purple (From the 1973 Album WHO DO WE THINK WE ARE) Words and Music by Jon Lord,Ritchie Blackmore,Ian Gillan,Roger Glover,Ian Paice A Intro = 124 E P 4 1 g g j c k k c k c k c c k I g 4 k V k V V V k V k V V V V V V V V V V V u V u u V V Gtr I u T 2 2 1 2 1 A 2 2 2 2 2 0 B 2 2 0 2 0 0 0 P H 8va 8va c k V W V R 7 c P g g j k V W V V W V P I g j fV gV W z Gtr II Organ T 3 7 (7) 2 A 3 4 6 7 (7) 2 B sl. sl. sl. j c k c ggg U c I U k V k V V V V u V Gtr I u T [[[[[[[[[[[[[[[[[[[[[[[[[[[[ 2 2 1 1 A (0) 2 2 2 B 0 0 P Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org PDF created with FinePrint pdfFactory trial version www.pdffactory.com WOMAN FROM TOKYO - Deep Purple Page 2 of 16 8va 8va 8va 8va 8va 8va 8va c c c c 10 j k V V k V k k k c k c ggg P W fV fV fV V V I j z V V fV fV T 12 10 8 6 5 3 A 11 12 10 9 7 5 3 B sl.
    [Show full text]
  • Die SWR1 Hitparade 2014
    Rockig mit gelegentlichem Schlager Die SWR1 Hitparade 2014 Platz Titel Interpret 1 Stairway to heaven Led Zeppelin 2 Bohemian rhapsody Queen 3 Child in time Deep Purple 4 Atemlos durch die Nacht Fischer, Helene 5 Brothers in arms Dire Straits 6 Wish you were here Pink Floyd 7 Tage wie diese Toten Hosen 8 Nothing else matters Metallica 9 Music Miles, John 10 Auf uns Bourani, Andreas 11 Hells bells AC/DC 12 Summer of '69 Adams, Bryan 13 The carpet crawlers Genesis 14 Hotel California Eagles 15 Smoke on the water Deep Purple 16 Highway to hell AC/DC 17 Am Fenster City 18 Shine on you crazy diamond Pink Floyd 19 April Deep Purple 20 Hallelujah Cohen, Leonard 21 November rain (Long Version) Guns n'Roses 22 Let it be Beatles 23 Hymn Barclay James Harvest 24 Imagine Lennon, John 25 Comfortably numb Pink Floyd 26 Hotel California (unplugged) Eagles 27 Der Hafer- und Bananenblues Pferdle & Äffle 28 Sultans of swing Dire Straits 29 Barcelona Mercury, Freddie & Montserrat Caballé 30 Thunderstruck AC/DC 31 The rose Midler, Bette 32 Happy Williams, Pharrell 33 Locomotive breath Jethro Tull 34 Kashmir Led Zeppelin 35 One Cash, Johnny 36 Echoes (edit) Pink Floyd 37 Another brick in the wall, Part 2 Pink Floyd 38 Weit, weit weg von Goisern, Hubert 39 Satisfaction Rolling Stones 40 One Metallica 41 Someone like you Adele 42 Loch Lomond (live) Runrig 43 Oinr isch emmr dr Arsch Schwoißfuaß 44 Geboren um zu leben Unheilig Seite 1 von 41 SWR1 Hitparade 2014 Platz Titel Interpret 45 Ich war noch niemals in New York Jürgens, Udo 46 Lady in black Uriah Heep 47 Yesterday Beatles 48 Whole lotta love Led Zeppelin 49 Hey Jude Beatles 50 In the air tonight Collins, Phil 51 Wind of change Scorpions 52 Somewhere over the rainbow/What a..
    [Show full text]
  • "Man-Patron" Relationship in Contemporary Northeast Brazil" (1972)
    Portland State University PDXScholar Dissertations and Theses Dissertations and Theses 1972 Continuity of a traditional social pattern: the "man- patron" relationship in contemporary northeast Brazil Patricia Ellen Thorpe Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/open_access_etds Part of the Family, Life Course, and Society Commons, Nature and Society Relations Commons, and the Social and Cultural Anthropology Commons Let us know how access to this document benefits ou.y Recommended Citation Thorpe, Patricia Ellen, "Continuity of a traditional social pattern: the "man-patron" relationship in contemporary northeast Brazil" (1972). Dissertations and Theses. Paper 958. https://doi.org/10.15760/etd.958 This Thesis is brought to you for free and open access. It has been accepted for inclusion in Dissertations and Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. AN A3ST?~CT OF THE THESIS OF Patricia Ellen Thorpe for the Master of Arts in Anthropology presented October 24, 1972. Title: Continuity of A Traditional Social Pattern: The "Man-Patronlt Relationship in Contemporary Northeast Brazil .. APPROVED BY MEMBERS OF THE THESIS COMMITTEE: zr~COb Fried, Chairman Daniel/Scheans Tom Ne\-nnan Northeast Brazil is a region characterized by economic poverty and human misery. Poor ecological conditions con­ tribute to the nature of the dilemma, but another factor in the apparent cultural stagnation of the Northeast, may be the persistence of values and social practices traditiona.lly alig!1ed with the colonial sugar plantation system. Thus, this thesis represents e~ examination of the continuity of a given pattern, the man/patron relationship.
    [Show full text]
  • Zallen Gsas.Harvard 0084L 11460.Pdf (8.379Mb)
    American Lucifers: Makers and Masters of the Means of Light, 1750-1900 The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Zallen, Jeremy Benjamin. 2014. American Lucifers: Makers and Masters of the Means of Light, 1750-1900. Doctoral dissertation, Harvard University. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:12274111 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA American Lucifers: Makers and Masters of the Means of Light, 1750-1900 A dissertation presented by Jeremy Benjamin Zallen to The Department of History in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of History Harvard University Cambridge, Massachusetts April 2014 ©2014—Jeremy Benjamin Zallen All rights reserved. American Lucifers: Makers and Masters of the Means of Light, 1750-1900 Abstract This dissertation examines the social history of Atlantic and American free and unfree labor by focusing on the production and consumption of the means of light from the colonial period to the end of the nineteenth century. Drawing from archives across the country, I reconstruct the ground-level experiences and struggles of the living (and dying) bringers of lights—those American lucifers—and the worlds they made in the process. I begin by arguing that colonial American deep-sea whaling voyages triggered an Atlantic street lighting revolution radiating from London, while a New England run candles-for-slave(ry) trade helped illuminate and circulate processes caught up in colonial transatlantic sugar slavery.
    [Show full text]
  • Central African Identities and Religiosity in Colonial Minas Gerais 2012
    Kalle Kananoja Central African Identities and Religiosity in Colonial Minas and Religiosity Identities African in Colonial Gerais Central Kalle Kananoja Central African Identities and Religiosity in Colonial Minas Gerais 2012 Åbo Akademi University | ISBN 978-952-93-0489-9 Central African Identities and Religiosity in Colonial Minas Gerais Kalle Kananoja Åbo Akademi University / 2012 © Kalle Kananoja Author’s address: Department of History Åbo Akademi University Fabriksgatan 2 FI-20500 Åbo Finland e-mail: [email protected] ISBN 978-952-93-0489-9 (paperback) ISBN 978-952-93-0490-5 (PDF) Printed by Uniprint, Turku Table of Contents Maps ����������������������������������������������������������������������������������������������������������������� i Acknowledgments ������������������������������������������������������������������������������������������iii 1 Introduction ������������������������������������������������������������������������������������������������� 1 1.1 Main Issues and Aims of the Study ....................................................... 1 1.2 Overview of the Literature �������������������������������������������������������������������� 4 1.2.1 The Slave Trade between Angola and Brazil and its Cultural Implications ......................................................... 4 1.2.2 Africans and Their Descendants in Mineiro Society ..................... 8 1.3 African Identities in Colonial Brazil.....................................................11 1.4 Creolization and Syncretism in the Southern Atlantic
    [Show full text]
  • Großbritannien 1994
    Kieler Beiträge zur Filmmusikforschung, 5.3, 2010 // 407 COME HELL OR HIGH WATER Großbritannien 1994 R: Hugh Symonds. P: Heinz Henn, Lana Topham. K: David Amphlett. S: Niven Howie. T: Chris McDermott. Beteiligte Bands: Deep Purple. DVD-/Video-Vertrieb: BMG Video. Video-Auslieferung: Oktober 1994 (Großbritannien). DVD-Auslieferung: 29.05.2001 (Großbritannien). 124min, 1,33:1, Farbe, Dolby Digital 2.0 Stereo/Dolby Digital 5.1. „Es würde mehr Spaß machen, mit Saddam Hussein auf der Bühne zu stehen als mit Ian Gillan,“ erklärte Ritchie Blackmore nach seinem zweiten und endgültigen Abschied von Deep Purple im Jahr 1993 [1]. Die Spannungen zwischen dem Sänger Gillan und dem Gitarristen Blackmore sorgten immer wieder für Probleme in der Band, förderten gleichzeitig aber auch die Kreativität der Mark II genannten Besetzung Ian Gillan (Gesang), Ritchie Blackmore (Gitarre), Jon Lord (Orgel/Keyboard), Roger Glover (Bass) und Ian Paice (Schlagzeug), die von 1969 bis 1973, 1984 bis 1989 sowie 1992 bis 1993 gemeinsam aktiv war. Insgesamt existierten von der Bandgründung im Jahr 1968 bis heute zehn verschiedene Line-Ups, betitelt mit Mark I bis Mark X. Der größte Erfolg war dabei, gemessen an Platten- und Ticketverkäufen, stets Mark II beschieden. Auch die großen Hits der Band wie Highway Star, Perfect Strangers oder das weltbekannte Smoke On The Water stammen von dieser Besetzung, in anderen Konstellationen war die Gruppe verhältnismäßig unproduktiv. Die Rivalitäten zwischen Gillan und Blackmore führten immer wieder dazu, dass einer von beiden Deep Purple verließ – in der Regel der Sänger Gillan (so geschehen 1973 und 1989), den Blackmore – er war Gründungsmitglied der Formation – weniger als vollwertiges Bandmitglied, sondern vielmehr als bezahlten Sänger betrachtete, den man nach Belieben ersetzen konnte.
    [Show full text]
  • History in the Making 2013
    HISTORY IN THE MAKING California State University, San Bernardino Journal of History Volume Six 2013 Alpha Delta Nu Chapter, Phi Alpha Theta National History Honor Society History in the Making is an annual publication of the California State University, San Bernardino (CSUSB) Alpha Delta Nu Chapter of the Phi Alpha Theta National History Honor Society, and is sponsored by the History Department and the Instructionally Related Programs at CSUSB. Issues are published at the end of the spring quarter of each academic year. Phi Alpha Theta’s mission is to promote the study of history through the encouragement of research, good teaching, publication and the exchange of learning and ideas among historians. The organization seeks to bring students, teachers and writers of history together for intellectual and social exchanges, which promote and assist historical research and publication by our members in a variety of ways. Copyright © 2013 Alpha Delta Nu, California State University, San Bernardino. Original cover art by Caitlin Barber, Copyright © 2013 History in the Making History in the Making Table of Contents Introduction _________________________________________ v Acknowledgements ____________________________________ ix Editorial Staff ________________________________________ xi Articles A Historiography of Fascism by Glenn-Iain Steinbeck ________________________________ 1 Black Stand-Up Comedy of the 1960s by Claudia Mariscal __________________________________ 27 Shared Spaces, Separate Lives: Community Formation in the California Citrus Industry during the Great Depression by David Shanta _____________________________________ 57 California and Unfree Labor: Assessing the Intent of the 1850 “An Act for the Government and Protection of Indians” by Aaron Beitzel ____________________________________ 101 Imagining Margaret Garner: The Tragic Life of an American Woman by Cecelia M.
    [Show full text]
  • Cartouche Issue 1
    The Free Online Ritchie Blackmore Fanzine Editorial Contents Pages Hello Blackmore fans, Blackmore’s Night News Roundup……….. 3, 4 Blackmore’s Night Tour Dates……………. 5 Our idea is to produce a free Ritchie Blackmore Shadow of the Moon – First Impressions…. 6 fanzine, which involves putting the resultant Club de Official de BN Fans en Espana…… 7 JPEG fanzine pages onto certain fan forum boards, so Blackmore’s Night Polish Street Team……. 8 that fans can read them and /or copy the pages to their An Interview with Candice Night…………. 9 – 15 own computers and thus print out the pages at home. 10 Years of Blackmore’s Night……………. 16 We thus present to you, a trial issue to see if the idea Blackmore’s Night: A Personal Perspective. 17, 18 works. Blackmore’s Night: 1999 – 2008………….. 19 Blackmore’s Night is running out of Ideas? 20 Thank you so much, to the fans that have contributed to 10 Anni di Blackmore’s Night…………….. 21 this project already and also especially, to Candice “Paris Moon” Reviewed…………………… 22 Night who gave us some brilliant and comprehensive A Trip to Paris……………………………... 23 interview answers! “The Next Stage” Reviewed………………. 25 2007 UK Tour Diary………………………. 26 – 34 Editor: Mike Garrett Morning Star - BN Tribute Band ………… 36, 37 [email protected] An Interview with LA ZAG……………… 38, 39 “Still I’m Sad” – A Tribute to Cozy Powell. 40 – 43 Deputy Editor: Kevin Dixon What if RJD had joined Deep Purple?…….. 44 [email protected] “Ritchie Blackmore’s Rainbow” retrospect.. 45, 46 Deep Purple – Is the colour fading?……….
    [Show full text]