1206-PT-A Section.Indd

Total Page:16

File Type:pdf, Size:1020Kb

1206-PT-A Section.Indd StowellStowe farewell YOUR ONLINE LOCAL GM’s plan OBT artisticartist director goes DAILY NEWS Neil Olshey analyzes out with “The“ Nutcracker” www.portlandtribune.com Trail Blazers’ start Portland— See LIFE, B1 Tribune— See SPORTS, B8 THURSDAY,THUR DECEMBER 6, 2012 • TWICE CHOSEN THE NATION’S BEST NONDAILY PAPER • WWW.PORTLANDTRIBUNE.COM • PUBLISHED THURSDAY City may toss sick pay issue to state Council support slips as fi rms try to avoid patchwork of rules By STEVE LAW The Tribune Starting in January, the wait staff and kitchen work- ers at Northeast Portland’s Grain & Gristle restaurant will get paid when they’re too sick to work. Since Portland But other Portlanders who Streetcar Offi cer Ticole lack paid sick leave — about 40 Waller began checking percent of the private sector for fares in September, workforce — will have to wait. streetcar riders have A coalition pushing a city been changing their ordinance requiring paid sick habits and paying up. leave by all Portland employ- ers hoped to get it passed before a new City Council takes offi ce in never used to pay before they got those paid a dollar for his short streetcar trip across January. But “ guys.” the Broadway Bridge. He doesn’t always. And, he that appears William Barnes, well-dressed in tie and admits, he never used to. unlikely, and STREETCAR I sport jacket this Thursday afternoon, is Barnes says he paid today because he’s in a there’s some pointing down the streetcar rush. Normally, he looks for who want to aisle toward Ticole Waller. Waller or another inspector SALTZMAN take the idea Waller is Portland’s first Story by Petetr Korn and if he sees one on board, to the Oregon streetcar offi cer. He’s check- Photos by Christopher Onstott he waits for the next street- Legislature fi rst, after voters FARE CHEATS ing fares. car. granted Democrats majorities Barnes says he’s down to “A dollar is still a dollar,” in both chambers. his last dollar; he’s spiffed up because of an im- says Barnes, noting that he sees a streetcar offi - City Commissioner Amanda portant meeting he has to attend. And yet Barnes cer about every third streetcar trip he takes. Fritz, who is leading the TAKE A HIKE Originally, the Portland Streetcar was intend- charge at City Hall for paid ed to be free all around its downtown, Pearl Dis- sick leave, says she hopes to trict, Portland State University loop. The North- have a proposed draft ready west Portland neighborhood association object- for public review early next ■ ed to the free rides through its section, so for 11 month and have a City Council Has ‘Portland nice’ years the streetcar was free except for North- vote by late January. west. And the city never hired fare inspectors But there still are two ways fi nally prevailed? Fare with the authority to fi ne or kick off those who to go, Fritz says. One is to rode without paying fares — about one in four pass a city or- riders. dinance, as inspectors say (almost) Portland’s streetcar system is owned by the “I’m willing done in San city and operated by Portland Streetcar Inc. It is to look at Francisco and separate from TriMet’s light-rail system. Seattle, two of everybody’s paying for This fall, TriMet agreed to drop its decades-old a citywide the cities lead- Fareless Square, requiring fares for all rides on solution ing the way some sections of MAX downtown. In September, nationally on their ride the streetcar expanded to the east side of the only (if) the the issue. The Willamette River. The expansion cost money, so statewide $1 streetcar fares and easier-to-use pay other option is stations have encouraged more payments, to pass a reso- approach streetcar offi cials say. See STREETCAR / Page 2 lution saying fails.” the city will — Dan Saltzman, act if the Leg- city commissioner islature doesn’t pass a statewide law in the 2013 session. A similar strategy was used when the city fi rst took up ban- PPS balancing act confuses parents ning large single-use plastic bags in grocery stores. Beach K-8, undergo the same PPS’ enrollment balancing Supporters of a paid sick Parents and District’s complicated dizzying process. process for nine Jefferson clus- leave mandate all agree there community options stir public He’d just as soon Portland ter schools, now under way, is should be a statewide law members packed Public Schools leave them alone. set to wrap up by January or eventually. “The question is themselves into the anger, resentment “We feel fi ne as we are,” says February and be implemented how we get there,” Fritz says. Beach K-8 School Dearborn, who has a fourth next fall. “That decision has not been gymnasium to look By JENNIFER ANDERSON grader and kindergartener at Last week, PPS put six op- made.” over and comment The Tribune Beach, as well as a 2-year-old at tions on the table, all as compli- City Commissioner Dan on the different home. “Our middle school has cated as a game of chess. Saltzman, who had worked strategies for North Portland parent been getting stronger every Dearborn and about 200 other with Fritz on a potential city reorganizing the Bryn Dearborn has witnessed year. We’re getting crowded; parents who attended the Nov. ordinance, says he’s changed Jefferson cluster the changes to Jefferson High people have been busting their 13 “Jefferson PK-8 Enrollment his mind on the best way to ac- schools. School during the past de- asses to build a good middle Balancing Cross-Cluster Fo- complish the goal. TRIBUNE PHOTO: cade and is now seeing his school, but now they’re saying “My position at this point is CHRISTOPHER ONSTOTT own neighborhood school, that’s just going to all go away.” See SCHOOLS / Page 7 that with a newly Democratic House in Salem and a Demo- cratic Senate and Democratic governor, we ought to take a shot at having all 40 percent of workers who don’t have sick leave have a shot at it,” Homebuilding crawls out of doldrums Saltzman says. “I’m willing to look at a citywide solution only homebuilders heard more good we’re trying to crawl our way (if) the statewide approach Annual forecast sees news that things are defi nitely out of it. We’re doing it, but it’s fails.” slow but sure growth looking up for the local housing a slow pace going.” Saltzman also fears a city market, according to speakers Potiowsky was joined by Rob- measure might pose a disin- ahead for housing at the annual Home Builders of ert Denk, assistant vice presi- centive for a business to locate Metropolitan Portland Housing dent for forecasting and analy- in Portland, among other con- By JON BELL Forecast Breakfast. sis for the National Association cerns. for The Tribune “To climb steep hills requires of Home Builders; Ken Perry, One key player, Joe Gilliam, slow pace at fi rst,” said Tom Po- president and chief executive president of the Northwest In the tough past few tiowsky, director of the North- officer of Broker Knowledge Grocery Association, says his years, Portland-area home- west Economic Research Cen- Group, a mortgage consultancy organization expects a sick builders have gone from a ter at Portland State University, and training provider; and hun- pay rule to be approved, but it pessimistic could-be-worse quoting Shakespeare during dreds of building and housing would like a statewide ap- attitude to one laced with his presentation at the Oregon industry professionals. proach, not a patchwork of lo- more optimism as the re- Convention Center. “That’s a Denk brought with him the cal ordinances. gion’s housing market slowly nice way of taking a look at it, bigger national housing pic- TRIBUNE PHOTO: CHRISTOPHER ONSTOTT “I think it’s coming in some climbed out of the Great Re- because what we’re really do- ture, with a graph showing the A new single-family home is under construction on a divided lot in cession. ing is we’re in a very dark, Northeast Portland’s Alberta neighborhood. With a restricted urban See SICK PAY / Page 7 On Wednesday morning, deep, dank, horrible hole and See HOUSING / Page 6 growth boundary, urban density is becoming more important. “Pamplin Media Group’s pledge is to Portland Tribune City trash ■ Changes to Portland’s trash and recycling pickups led to a 38 percent drop in garbage deliver balanced news that refl ects the pickup falls with collected during the past year, according to a new city report. Search: Trash. stories of our communities. Thank you Online for reading our newspapers.” new rules Read it fi rst at portlandtribune.com — DR. ROBERT B. PAMPLIN JR. OWNER & NEIGHBOR A2 NEWS The Portland Tribune Thursday, December 6, 2012 Streetcar: Inspections keep riders on their toes him or her. The city could spend ■ From page 1 minimal resources on enforce- ment but nobody would take the early on it was decided that the chance. eastside line would have to be a That can’t be done, of course. pay zone. And because it didn’t Fairness has to enter the equa- seem fair that eastsiders would tion, which means less severe have to pay but westsiders penalties which can only be bal- wouldn’t, the city bid farewell to anced by more frequent inspec- free streetcar rides. tions. Now, everybody is supposed to Personally, Harbaugh favors a pay, and Waller’s primary job is fine of about $50.
Recommended publications
  • 2019-2020 Season Overview JULY 2020
    ® 2019-2020 Season Overview JULY 2020 Report Summary The following is a report on the gender distribution of choreographers whose works were presented in the 2019-2020 seasons of the fifty largest ballet companies in the United States. Dance Data Project® separates metrics into subsections based on program, length of works (full-length, mixed bill), stage (main stage, non-main stage), company type (main company, second company), and premiere (non-premiere, world premiere). The final section of the report compares gender distributions from the 2018- 2019 Season Overview to the present findings. Sources, limitations, and company are detailed at the end of the report. Introduction The report contains three sections. Section I details the total distribution of male and female choreographic works for the 2019-2020 (or equivalent) season. It also discusses gender distribution within programs, defined as productions made up of full-length or mixed bill works, and within stage and company types. Section II examines the distribution of male and female-choreographed world premieres for the 2019-2020 season, as well as main stage and non-main stage world premieres. Section III compares the present findings to findings from DDP’s 2018-2019 Season Overview. © DDP 2019 Dance DATA 2019 - 2020 Season Overview Project] Primary Findings 2018-2019 2019-2020 Male Female n/a Male Female Both Programs 70% 4% 26% 62% 8% 30% All Works 81% 17% 2% 72% 26% 2% Full-Length Works 88% 8% 4% 83% 12% 5% Mixed Bill Works 79% 19% 2% 69% 30% 1% World Premieres 65% 34% 1% 55% 44% 1% Please note: This figure appears inSection III of the report.
    [Show full text]
  • Idaho Aquarium, Inc., D/B/ a Aquarium of Boise
    NCE G. WASDEN Idaho Attorney General Office of the Attorney General P.O. Box 83 720 Boise, ID 83720-0010 (208) 334-2424 .ag.idaho.gov IDAHO AQUARIUM, INC., D/B/A AQUARIUM OF BOISE FACTUAL FINDINGS, LEGAL CONCLUSIONS, AND RECOMMENDED CHANGES April 2, 2015 CONSUMER PROTECTION DMSION BREITT. DELANGE DIVISION CHIEF STEPHANIE GUYON DEPUTY ATTORNEY GENERAL PHONE: (208) 334-4135 [email protected] INTRODUCTION In September 2013, the Attorney General's Office ("Attorney General") received a referral from Dr. Jeff Rosenthal, Executive Director for the Idaho Humane Society ("the Society"), concerning the activities of the Idaho Aquarium, Inc. ("Idaho Aquarium"), an I.RC.§ 501(c)(3) nonprofit corporation in Boise, Idaho. Dr. Rosenthal reported to the Attorney General that, during the Society's investigation of animal welfare complaints, he spoke to Idaho Aquarium employees who expressed concerns with how the Idaho Aquarium's Board of Directors ("the Board") was governing the nonprofitcorporation and managing its charitable assets. Telephone calls and emails to the Attorney General fromconcerned Board members coincided with Dr. Rosenthal's referral. Board members reported to the Attorney General that the members had splintered into two factions, which prevented the Board from governing the Idaho Aquarium's affairs. The dominant faction was ruled by the Idaho Aquarium's President and Interim Executive Director who allegedly refused to provide the weaker faction with the Idaho Aquarium's complete financialrecords. Board members also alleged that, with the Board's knowledge and approval, the Idaho Aquarium's founders and former Board members-Ammon Covino ("Covino") and Christopher Conk ("Conk")-had misappropriated the Idaho Aquarium's charitable assets.
    [Show full text]
  • Israel, PLO Agree to Cease-Fire the Flashing Exit Sign
    r ^ ^ - f - t r r r 24 - THE HERALD. Thurs- July t t , IWl 1 Talking sign can saV0 your to their ’’profsaataial — from stamping exits. NEW HAVEN (UPI) — Tim O. English is like the The cost of each will range from $190 to $240, depen­ He experimented with taned messages, but the em)irik>pes to answering the phooe: man who invented the better mousetrap. ding on finish. He expects to market them within 90 tapM were vulnerable to fire whereas a synthesised Another associate U Bn^lsh’s jrtfe, Janice, a broadcast executive, whose mother, Thelma Robin- Exuberant. .. days. voice on $ silicon chip wasn’t to the same degree. Manchester, Conn. He has developed a Ulking sign that calls people / "The marketing thrust will be aimed at And he put them inside tbe sign rather than near the ion o f Stfatfdrd, tbooght of the oranpany name. Serving the to exits if fire breaks out in public buildings. architects and specifying engineers who want to exterior. BngUA Ikughed at first, but then bereaUxed it was Friday, July 24, 1981 “ I’m on a natural high,” he- says. creatively enhance the safety of la building,” he ’"rhe sign itself could take perhaps several hun­ a good idea. Manchester area . s His monitoring system first senses the emergen­ said. It’s also geared to the hotel and motel in­ dred degrees for some finite period on the outside “Exit-Us’ Is a fine word plw on the word M m l i 25 Cent8_ cy, and then an unruffled voice on a silicon chip dustry, and buildings accommodating the vision- of the skin before fire d e ^ y s the dectrical ‘exodus,’ which by dlctiteary definition means a for 100 years u y s , "Attention.
    [Show full text]
  • Dance Theatre of Harlem
    François Rousseau François DANCE THEATRE OF HARLEM Founders Arthur Mitchell and Karel Shook Artistic Director Virginia Johnson Executive Director Anna Glass Ballet Master Kellye A. Saunders Interim General Manager Melinda Bloom Dance Artists Lindsey Croop, Yinet Fernandez, Alicia Mae Holloway, Alexandra Hutchinson, Daphne Lee, Crystal Serrano, Ingrid Silva, Amanda Smith, Stephanie Rae Williams, Derek Brockington, Da’Von Doane, Dustin James, Choong Hoon Lee, Christopher Charles McDaniel, Anthony Santos, Dylan Santos, Anthony V. Spaulding II Artistic Director Emeritus Arthur Mitchell PROGRAM There will be two intermissions. Friday, March 1 @ 8 PM Saturday, March 2 @ 2 PM Saturday, March 2 @ 8 PM Zellerbach Theatre The 18/19 dance series is presented by Annenberg Center Live and NextMove Dance. Support for Dance Theatre of Harlem’s 2018/2019 professional Company and National Tour activities made possible in part by: Anonymous; The Arnhold Foundation; Bloomberg Philanthropies; The Dauray Fund; Doris Duke Charitable Foundation; Elephant Rock Foundation; Ford Foundation; Ann & Gordon Getty Foundation; Harkness Foundation for Dance; Howard Gilman Foundation; The Dubose & Dorothy Heyward Memorial Fund; The Klein Family Foundation; John L. McHugh Foundation; Margaret T. Morris Foundation; National Endowment for the Arts; New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature; New England Foundation for the Arts, National Dance Project; Tatiana Piankova Foundation; May and Samuel Rudin
    [Show full text]
  • THE BANJO IS BACK It’S a Clanky Little Five-String Instrument with a Bluegrass History That Thompson Square Joins Was All but Extinct in Mainstream Country Music
    BILLBOARD.BIZ/NEWSLETTER/EDITED BY TOM ROLAND, [email protected] APRIL 16, 2012 | PAGE 1 OF 17 INSIDE THE BANJO IS BACK It’s a clanky little five-string instrument with a bluegrass history that Thompson Square Joins was all but extinct in mainstream country music. But as Rascal Billboard Summit Flatts’ “Banjo” enters the top five on Hot Country Songs, it’s clear >page 4 that the banjo is once again relevant to contemporary country sound. Ilya Toshinsky has the distinct privilege of playing banjo on “Banjo,” though he’s hardly the only guy working it in Nashville studios. Producer Nathan Chapman plucked one on Taylor Keith Urban, Swift’s Jonathan Yudkin Vince Gill “Hall” Grammy Award-winning “Mean,” In $465k handles it on Big & Rich’s “Save a Horse (Ride a Cowboy),” and >page 6 Keith Urban plays the banjo — or, to be precise, a six-string Deer- ing ganjo—on a bundle of songs that get heavy recurrent attention on country radio. In fact, Urban’s “Somebody Like You,” which cel- Blake Shelton ebrates its 10th anniversary this summer, was a significant factor Has Cause For in the banjo’s return to prominence. Celebration >page 6 “He has an extremely unique take on it,” says Urban’s co-producer Dann Huff, who is also one of Nashville’s most accomplished gui- Rascal Flatts performs “Banjo” with Steve Martin at tarists. “He has a way of attacking it. His is a real reckless banjo the ACM Awards. From left are group member Joe Don playing, and it stems from his style as a guitar player.
    [Show full text]
  • David Justin CV 2014 Pennsylvania Ballet
    David Justin 4603 Charles Ave Austin TX 787846 Tel: 512-576-2609 Email: [email protected] Web site: http://www.davidjustin.net CURRICULUM VITAE ACADEMIC EDUCATION • University of Birmingham, United Kingdom, Master of Arts in Dance in Education and the Community, May 2000. Thesis: Exploring the collaboration of imagination, creativity, technique and people across art forms, Advisor: Tansin Benn • Royal Academy of Dramatic Arts, Edward Kemp, Artistic Director, London, United Kingdom, 2003. Certificate, 285 hours training, ‘Acting Shakespeare.’ • International Dance Course for Professional Choreographers and Composers, Robert Cohen, Director, Bretton College, United Kingdom, 1996, full scholarship DANCE EDUCATION • School of American Ballet, 1987, full scholarship • San Francisco Ballet School, 1986, full scholarship • Ballet West Summer Program, 1985, full scholarship • Dallas Metropolitan Ballet School, 1975 – 1985, full scholarship PROFESSIONAL EXPERIENCE Choreographer, 1991 to present See full list of choreographic works beginning on page 6. Artistic Director, American Repertory Ensemble, Founder and Artistic Director, 2005 to present $125,000 annual budget, 21 contract employees, 9 board members11 principal dancers from the major companies in the US, 7 chamber musicians, 16 performances a year. McCullough Theater, Austin, TX; Florence Gould Hall, New York, NY; Demarco Roxy Art House, Edinburgh, Scotland; Montenegrin National Theatre, Podgorica, Montenegro; Miller Outdoor Theatre, Houston, TX, Long Center for the Performing Arts,
    [Show full text]
  • September 4, 2014 Kansas City Ballet New Artistic Staff and Company
    Devon Carney, Artistic Director FOR IMMEDIATE RELEASE CONTACT: Ellen McDonald 816.444.0052 [email protected] For Tickets: 816.931.2232 or www.kcballet.org Kansas City Ballet Announces New Artistic Staff and Company Members Grace Holmes Appointed New School Director, Kristi Capps Joins KCB as New Ballet Master, and Anthony Krutzkamp is New Manager for KCB II Eleven Additions to Company, Four to KCB II and Creation of New Trainee Program with five members Company Now Stands at 29 Members KANSAS CITY, MO (Sept. 4, 2014) — Kansas City Ballet Artistic Director Devon Carney today announced the appointment of three new members of the artistic staff: Grace Holmes as the new Director of Kansas City Ballet School, Kristi Capps as the new Ballet Master and Anthony Krutzkamp as newly created position of Manager of KCB II. Carney also announced eleven new members of the Company, increasing the Company from 28 to 29 members for the 2014-2015 season. He also announced the appointment of four new KCB II dancers, which stands at six members. Carney also announced the creation of a Trainee Program with five students, two selected from Kansas City Ballet School. High resolution photos can be downloaded here. Carney stated, “With the support of the community, we were able to develop and grow the Company as well as expand the scope of our training programs. We are pleased to welcome these exceptional dancers to Kansas City Ballet and Kansas City. I know our audiences will enjoy the talent and diversity that these artists will add to our existing roster of highly professional world class performers that grace our stage throughout the season ahead.
    [Show full text]
  • International Center Host to Woes
    r The Weather Local news Arts Sports Partly cloudy, highs 55 to 60 pages 15, 16 TODAY Rain likely tomorrow. pages 4, 5, 13 pages 10, 11 (Emmectiait Sa% (Eampua Serving Storrs Since 1896 w VOL. LXXXI NO. Afr- J30RRS, CONNECTICUT WEDNESDAY. NOVEMBER 16. 1977 —A special report International Center host to woes By VIVIAN B. MARTIN Copyright, 1977, The Connecticut Dally Campos The International Center and the University's foreign student program are suffering from problems that have caused many students to boycott the center, and have prompted others to question how dedicated I'Conn is in its commitment to the International community. The Daily Campus has learned that the 11-year-old center is having problems defining the status of a foreign student advisor who by job title and description does not exist, as well as handling factional differences and low morale that some have blamed on unrespon- siveness of the center's director and a lack of support by the University. Very few people can pinpoint when exactly foreign students' problems started. However, most of the major problems began to surface three to four years ago. Four years ago, Vivian Putnam, who is now employed in the Registrar's Office, was the International Center's foreign student advisor, as well as the director of the Robert B. Knapp center. Putnam, who says she now tries to keep her distance International Center. from the situation because she doesn't want to interfer, Until about two years ago, the Graduate Center had a advised students with problems that were other than position titled Director of Foreign Students and academic, and was also familiar with visa and Minority Affairs.
    [Show full text]
  • Diversity Resource Guide Table of Contents
    OHSU Center for Diversity & Inclusion Diversity Resource Guide Table of Contents Welcome . 1 . .About This Guide OHSU’s Center for Diversity & Center for Diversity & Inclusion . 2 Inclusion (CDI) offers this Diversity Resource Guide for general Oregon & Portland Information . 3. information only. CDI is not endorsing or warranting any of the Community Organizations . 4. services or service providers listed in this guide. Chambers & Commissions . 6. Churches & Congregations . 7 Contributors Surya Joshi Resources for Parents . 10 CDI Intern Dessa Salavedra Restaurants . 12 . CDI Intern Cultural Grocery Stores . 15. Editors Maileen Hamto Beauticians, Barbers & Supplies . .16 . Diversity Communications Manager Jillian Toda Cultural Institutions . 17 Communications Assistant Cultural Festivals . .18 . Creative Production Native American Tribes . 21. GoodWorks Design Studio Diversity Media . 22 Consulates . .23 . Sports & Outdoors . 24. OHSU Contacts . .25 . WELCOME OHSU’s Center for Diversity and Inclusion created this guide as part DIVERSITY AT OHSU of our warm welcome to everyone within OHSU’s diverse community At OHSU, we embrace the full spectrum of of students, staff and faculty. diversity, including age, color, culture, disability, ethnicity, gender identity or expression, marital We hope you’ll use it to build relationships, connect with new people, status, national origin, race, religion, sex, sexual organizations and networks, and explore the places that make the orientation, and socioeconomic status. We respect Portland-area and Oregon special. and support diversity of thought, ideas and more. If you’re new to Portland or the OHSU community, the guide will help you COMMITMENT TO INCLUSION get your bearings, connect with a diverse array of resources, and discover To fully leverage the richness of our diversity at the many services and opportunities available throughout the area.
    [Show full text]
  • Oregon Historic Theaters : Statewide Survey And
    Oregon Historic Theaters : Statewide Survey and Needs Assessment Prepared by: Community Planning Workshop A Program of the Community Service Center September 2015 Oregon Historic Theater Needs Assessment Prepared by: Community Planning Workshop Community Service Center 1209 University of Oregon Eugene, OR 97403-1209 Email: [email protected] http://csc.uoregon.edu/cpw September 2015 This project was made possible by a grant from the Oregon Tourism Commission (OTC) and by a grant from the U.S. Department of Commerce Economic Development Administration (EDA). The information presented in this report does not necessarily represent the perspectives of the funders. Cover Photo: Courtesy of Cascade Center of Photography Acknowledgements We wish to acknowledge and extend our thanks to all theater owners, operators, and volunteers who contributed to this project. We would also like to thank the following organizations and individuals: Travel Oregon Special thanks to Carole Astley and Kendra Perry Oregon Main Street Special thanks to Sheri Stuart Pacific Power Special thanks to Erik Andersson Community Planning Workshop (CPW) Staff Research Team: Rodney Bohner John Jackson Dana Nichols Craig Wiroll Project Coordinator: Aniko Drlik-Muehleck Program Director: Robert Parker, AICP About the Community Planning Workshop Community Planning Workshop (CPW) is one of the core programs of the University of Oregon’s Community Service Center (CSC) (csc.uoregon.edu). Established in 1977, CPW provides students the opportunity to address planning and public policy problems for clients throughout Oregon. Students work in teams under the direction of faculty to conduct research, analyze and evaluate alternatives, and make recommendations for possible solutions to planning problems in Oregon communities.
    [Show full text]
  • GUANTANAMO BAY, CUBA to a Member of the Guantanamo Community Who Has Best Exhib- Ited the Spirit of Christmas Throughout the Past Year
    PLANNING COMMITTEE S ANNUAL X-MAS AWARD The 1974 Christmas Planning Committee announces the third IU.S. NAVAL BASE annual award to be presented GUANTANAMO BAY, CUBA to a member of the Guantanamo Community who has best exhib- ited the spirit of Christmas throughout the past year. Everyone on the base is el- igible, and nominations must be submitted in writing to LCdr. Jim Lois at Public Af- fairs/AFRTS no later than Mon- day afternoon, Dec. 23. A judging committee will se- lect the one winner which will LITTLE FREDELYN ABUTIN mails her be announced on Channel 8 TV list of toys to Santa in Santa's on Christmas Eve. Mailbox at the Child Day Care Cen- So, whom do you know that ter. Santa's Mailboxes are located deserves such recognition. in the Navy Exchange Toyland, Marine it could be your mother or Exchange and at the Leeward Point father, shipmate, boss, or Exchange. Children can write let- Tuesday, December 17, 1974 just about anyone. ters to Santa and deposit them in A specially engraved silver the conveniently located boxes. tray will be awarded to the winner along with the Christ- mas Spirit certificate. BOSTON SCHOOL COMMITTEE REJECTS BUSING PLAN TO INTERGRATE FORD VETOS SENATE MINING BILL BOSTON (AP)--The Boston School Com- However, after the vote, John Mir- WASHINGTON (AP)--The Senate ap- mittee defied a federal court dead- rick, the school committee's attor- proved a controversial strip mining line yesterday when it did not sub- ney, turned the 300-page plan over control bill yesterday, sending it mit a proposed plan to intergrate to the court anyway.
    [Show full text]
  • OREGON LIQUOR CONTROL COMMISSION Page 1 of 683 Licensed Businesses As of 8/12/2018 4:10A.M
    OREGON LIQUOR CONTROL COMMISSION Page 1 of 683 Licensed Businesses As of 8/12/2018 4:10A.M. License License Secondary Location Tradename Licensee Name Type Mailing Address Premises Address Premises No. License No. Expires County To License # #1 FOOD 4 MART FUN 4 U INC O PO BOX 5026 729 SW 185TH 28426 271408 03/31/2019 WASHINGTON BEAVERTON, OR 97006 ALOHA, OR 97006 Phone: 503-502-9271 00 WINES 00 OREGON LLC WY 937 NW GLISAN ST #1037 801 N SCOTT ST 58406 272542 03/31/2019 YAMHILL PORTLAND, OR 97209 CARLTON, OR 97111 Phone: 503-852-6100 1 800 WINESHOP.COM 1 800 WINESHOP.COM INC DS 525 AIRPARK RD 51973 267742 12/31/2018 OUTSIDE OR NAPA, CA 94558 Phone: 800-946-3746 1 AM MARKET 1 AM MARKET INC O PO BOX 46 320 N MAIN ST 4346 275587 06/30/2019 DOUGLAS RIDDLE, OR 97469 RIDDLE, OR 97469 Phone: 541-874-2722 1 AM MARKET 1 AM MARKET INC O PO BOX 46 1931 NE STEPHENS 4379 275588 06/30/2019 DOUGLAS RIDDLE, OR 97469 ROSEBURG, OR 97470 Phone: 541-673-0554 10 BARREL BREWING COMPANY 10 BARREL BREWING LLC WY ONE BUSCH PLACE / 202-1 1135 NW GALVESTON AVE SUITE A 46579 260298 09/30/2018 DESCHUTES 260297 ST LOUIS, MO 63118 BEND, OR 97703 Phone: 541-678-5228 10 BARREL BREWING COMPANY 10 BARREL BREWING LLC F-COM ONE BUSCH PLACE / 202-1 62950 & 62970 NE 18TH ST 49506 259722 09/30/2018 DESCHUTES ST LOUIS, MO 63118 BEND, OR 97701 Phone: 541-585-1007 10 BARREL BREWING COMPANY 10 BARREL BREWING LLC F-COM ONE BUSCH PLACE / 202-1 1135 NW GALVESTON AVE SUITE A 57088 259724 09/30/2018 DESCHUTES ST LOUIS, MO 63118 BEND, OR 97703 Phone: 541-678-5228 10 BARREL BREWING COMPANY
    [Show full text]