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2019-2020 Season Overview JULY 2020
® 2019-2020 Season Overview JULY 2020 Report Summary The following is a report on the gender distribution of choreographers whose works were presented in the 2019-2020 seasons of the fifty largest ballet companies in the United States. Dance Data Project® separates metrics into subsections based on program, length of works (full-length, mixed bill), stage (main stage, non-main stage), company type (main company, second company), and premiere (non-premiere, world premiere). The final section of the report compares gender distributions from the 2018- 2019 Season Overview to the present findings. Sources, limitations, and company are detailed at the end of the report. Introduction The report contains three sections. Section I details the total distribution of male and female choreographic works for the 2019-2020 (or equivalent) season. It also discusses gender distribution within programs, defined as productions made up of full-length or mixed bill works, and within stage and company types. Section II examines the distribution of male and female-choreographed world premieres for the 2019-2020 season, as well as main stage and non-main stage world premieres. Section III compares the present findings to findings from DDP’s 2018-2019 Season Overview. © DDP 2019 Dance DATA 2019 - 2020 Season Overview Project] Primary Findings 2018-2019 2019-2020 Male Female n/a Male Female Both Programs 70% 4% 26% 62% 8% 30% All Works 81% 17% 2% 72% 26% 2% Full-Length Works 88% 8% 4% 83% 12% 5% Mixed Bill Works 79% 19% 2% 69% 30% 1% World Premieres 65% 34% 1% 55% 44% 1% Please note: This figure appears inSection III of the report. -
Idaho Aquarium, Inc., D/B/ a Aquarium of Boise
NCE G. WASDEN Idaho Attorney General Office of the Attorney General P.O. Box 83 720 Boise, ID 83720-0010 (208) 334-2424 .ag.idaho.gov IDAHO AQUARIUM, INC., D/B/A AQUARIUM OF BOISE FACTUAL FINDINGS, LEGAL CONCLUSIONS, AND RECOMMENDED CHANGES April 2, 2015 CONSUMER PROTECTION DMSION BREITT. DELANGE DIVISION CHIEF STEPHANIE GUYON DEPUTY ATTORNEY GENERAL PHONE: (208) 334-4135 [email protected] INTRODUCTION In September 2013, the Attorney General's Office ("Attorney General") received a referral from Dr. Jeff Rosenthal, Executive Director for the Idaho Humane Society ("the Society"), concerning the activities of the Idaho Aquarium, Inc. ("Idaho Aquarium"), an I.RC.§ 501(c)(3) nonprofit corporation in Boise, Idaho. Dr. Rosenthal reported to the Attorney General that, during the Society's investigation of animal welfare complaints, he spoke to Idaho Aquarium employees who expressed concerns with how the Idaho Aquarium's Board of Directors ("the Board") was governing the nonprofitcorporation and managing its charitable assets. Telephone calls and emails to the Attorney General fromconcerned Board members coincided with Dr. Rosenthal's referral. Board members reported to the Attorney General that the members had splintered into two factions, which prevented the Board from governing the Idaho Aquarium's affairs. The dominant faction was ruled by the Idaho Aquarium's President and Interim Executive Director who allegedly refused to provide the weaker faction with the Idaho Aquarium's complete financialrecords. Board members also alleged that, with the Board's knowledge and approval, the Idaho Aquarium's founders and former Board members-Ammon Covino ("Covino") and Christopher Conk ("Conk")-had misappropriated the Idaho Aquarium's charitable assets. -
Israel, PLO Agree to Cease-Fire the Flashing Exit Sign
r ^ ^ - f - t r r r 24 - THE HERALD. Thurs- July t t , IWl 1 Talking sign can saV0 your to their ’’profsaataial — from stamping exits. NEW HAVEN (UPI) — Tim O. English is like the The cost of each will range from $190 to $240, depen He experimented with taned messages, but the em)irik>pes to answering the phooe: man who invented the better mousetrap. ding on finish. He expects to market them within 90 tapM were vulnerable to fire whereas a synthesised Another associate U Bn^lsh’s jrtfe, Janice, a broadcast executive, whose mother, Thelma Robin- Exuberant. .. days. voice on $ silicon chip wasn’t to the same degree. Manchester, Conn. He has developed a Ulking sign that calls people / "The marketing thrust will be aimed at And he put them inside tbe sign rather than near the ion o f Stfatfdrd, tbooght of the oranpany name. Serving the to exits if fire breaks out in public buildings. architects and specifying engineers who want to exterior. BngUA Ikughed at first, but then bereaUxed it was Friday, July 24, 1981 “ I’m on a natural high,” he- says. creatively enhance the safety of la building,” he ’"rhe sign itself could take perhaps several hun a good idea. Manchester area . s His monitoring system first senses the emergen said. It’s also geared to the hotel and motel in dred degrees for some finite period on the outside “Exit-Us’ Is a fine word plw on the word M m l i 25 Cent8_ cy, and then an unruffled voice on a silicon chip dustry, and buildings accommodating the vision- of the skin before fire d e ^ y s the dectrical ‘exodus,’ which by dlctiteary definition means a for 100 years u y s , "Attention. -
Dance Theatre of Harlem
François Rousseau François DANCE THEATRE OF HARLEM Founders Arthur Mitchell and Karel Shook Artistic Director Virginia Johnson Executive Director Anna Glass Ballet Master Kellye A. Saunders Interim General Manager Melinda Bloom Dance Artists Lindsey Croop, Yinet Fernandez, Alicia Mae Holloway, Alexandra Hutchinson, Daphne Lee, Crystal Serrano, Ingrid Silva, Amanda Smith, Stephanie Rae Williams, Derek Brockington, Da’Von Doane, Dustin James, Choong Hoon Lee, Christopher Charles McDaniel, Anthony Santos, Dylan Santos, Anthony V. Spaulding II Artistic Director Emeritus Arthur Mitchell PROGRAM There will be two intermissions. Friday, March 1 @ 8 PM Saturday, March 2 @ 2 PM Saturday, March 2 @ 8 PM Zellerbach Theatre The 18/19 dance series is presented by Annenberg Center Live and NextMove Dance. Support for Dance Theatre of Harlem’s 2018/2019 professional Company and National Tour activities made possible in part by: Anonymous; The Arnhold Foundation; Bloomberg Philanthropies; The Dauray Fund; Doris Duke Charitable Foundation; Elephant Rock Foundation; Ford Foundation; Ann & Gordon Getty Foundation; Harkness Foundation for Dance; Howard Gilman Foundation; The Dubose & Dorothy Heyward Memorial Fund; The Klein Family Foundation; John L. McHugh Foundation; Margaret T. Morris Foundation; National Endowment for the Arts; New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature; New England Foundation for the Arts, National Dance Project; Tatiana Piankova Foundation; May and Samuel Rudin -
THE BANJO IS BACK It’S a Clanky Little Five-String Instrument with a Bluegrass History That Thompson Square Joins Was All but Extinct in Mainstream Country Music
BILLBOARD.BIZ/NEWSLETTER/EDITED BY TOM ROLAND, [email protected] APRIL 16, 2012 | PAGE 1 OF 17 INSIDE THE BANJO IS BACK It’s a clanky little five-string instrument with a bluegrass history that Thompson Square Joins was all but extinct in mainstream country music. But as Rascal Billboard Summit Flatts’ “Banjo” enters the top five on Hot Country Songs, it’s clear >page 4 that the banjo is once again relevant to contemporary country sound. Ilya Toshinsky has the distinct privilege of playing banjo on “Banjo,” though he’s hardly the only guy working it in Nashville studios. Producer Nathan Chapman plucked one on Taylor Keith Urban, Swift’s Jonathan Yudkin Vince Gill “Hall” Grammy Award-winning “Mean,” In $465k handles it on Big & Rich’s “Save a Horse (Ride a Cowboy),” and >page 6 Keith Urban plays the banjo — or, to be precise, a six-string Deer- ing ganjo—on a bundle of songs that get heavy recurrent attention on country radio. In fact, Urban’s “Somebody Like You,” which cel- Blake Shelton ebrates its 10th anniversary this summer, was a significant factor Has Cause For in the banjo’s return to prominence. Celebration >page 6 “He has an extremely unique take on it,” says Urban’s co-producer Dann Huff, who is also one of Nashville’s most accomplished gui- Rascal Flatts performs “Banjo” with Steve Martin at tarists. “He has a way of attacking it. His is a real reckless banjo the ACM Awards. From left are group member Joe Don playing, and it stems from his style as a guitar player. -
David Justin CV 2014 Pennsylvania Ballet
David Justin 4603 Charles Ave Austin TX 787846 Tel: 512-576-2609 Email: [email protected] Web site: http://www.davidjustin.net CURRICULUM VITAE ACADEMIC EDUCATION • University of Birmingham, United Kingdom, Master of Arts in Dance in Education and the Community, May 2000. Thesis: Exploring the collaboration of imagination, creativity, technique and people across art forms, Advisor: Tansin Benn • Royal Academy of Dramatic Arts, Edward Kemp, Artistic Director, London, United Kingdom, 2003. Certificate, 285 hours training, ‘Acting Shakespeare.’ • International Dance Course for Professional Choreographers and Composers, Robert Cohen, Director, Bretton College, United Kingdom, 1996, full scholarship DANCE EDUCATION • School of American Ballet, 1987, full scholarship • San Francisco Ballet School, 1986, full scholarship • Ballet West Summer Program, 1985, full scholarship • Dallas Metropolitan Ballet School, 1975 – 1985, full scholarship PROFESSIONAL EXPERIENCE Choreographer, 1991 to present See full list of choreographic works beginning on page 6. Artistic Director, American Repertory Ensemble, Founder and Artistic Director, 2005 to present $125,000 annual budget, 21 contract employees, 9 board members11 principal dancers from the major companies in the US, 7 chamber musicians, 16 performances a year. McCullough Theater, Austin, TX; Florence Gould Hall, New York, NY; Demarco Roxy Art House, Edinburgh, Scotland; Montenegrin National Theatre, Podgorica, Montenegro; Miller Outdoor Theatre, Houston, TX, Long Center for the Performing Arts, -
September 4, 2014 Kansas City Ballet New Artistic Staff and Company
Devon Carney, Artistic Director FOR IMMEDIATE RELEASE CONTACT: Ellen McDonald 816.444.0052 [email protected] For Tickets: 816.931.2232 or www.kcballet.org Kansas City Ballet Announces New Artistic Staff and Company Members Grace Holmes Appointed New School Director, Kristi Capps Joins KCB as New Ballet Master, and Anthony Krutzkamp is New Manager for KCB II Eleven Additions to Company, Four to KCB II and Creation of New Trainee Program with five members Company Now Stands at 29 Members KANSAS CITY, MO (Sept. 4, 2014) — Kansas City Ballet Artistic Director Devon Carney today announced the appointment of three new members of the artistic staff: Grace Holmes as the new Director of Kansas City Ballet School, Kristi Capps as the new Ballet Master and Anthony Krutzkamp as newly created position of Manager of KCB II. Carney also announced eleven new members of the Company, increasing the Company from 28 to 29 members for the 2014-2015 season. He also announced the appointment of four new KCB II dancers, which stands at six members. Carney also announced the creation of a Trainee Program with five students, two selected from Kansas City Ballet School. High resolution photos can be downloaded here. Carney stated, “With the support of the community, we were able to develop and grow the Company as well as expand the scope of our training programs. We are pleased to welcome these exceptional dancers to Kansas City Ballet and Kansas City. I know our audiences will enjoy the talent and diversity that these artists will add to our existing roster of highly professional world class performers that grace our stage throughout the season ahead. -
International Center Host to Woes
r The Weather Local news Arts Sports Partly cloudy, highs 55 to 60 pages 15, 16 TODAY Rain likely tomorrow. pages 4, 5, 13 pages 10, 11 (Emmectiait Sa% (Eampua Serving Storrs Since 1896 w VOL. LXXXI NO. Afr- J30RRS, CONNECTICUT WEDNESDAY. NOVEMBER 16. 1977 —A special report International Center host to woes By VIVIAN B. MARTIN Copyright, 1977, The Connecticut Dally Campos The International Center and the University's foreign student program are suffering from problems that have caused many students to boycott the center, and have prompted others to question how dedicated I'Conn is in its commitment to the International community. The Daily Campus has learned that the 11-year-old center is having problems defining the status of a foreign student advisor who by job title and description does not exist, as well as handling factional differences and low morale that some have blamed on unrespon- siveness of the center's director and a lack of support by the University. Very few people can pinpoint when exactly foreign students' problems started. However, most of the major problems began to surface three to four years ago. Four years ago, Vivian Putnam, who is now employed in the Registrar's Office, was the International Center's foreign student advisor, as well as the director of the Robert B. Knapp center. Putnam, who says she now tries to keep her distance International Center. from the situation because she doesn't want to interfer, Until about two years ago, the Graduate Center had a advised students with problems that were other than position titled Director of Foreign Students and academic, and was also familiar with visa and Minority Affairs. -
Diversity Resource Guide Table of Contents
OHSU Center for Diversity & Inclusion Diversity Resource Guide Table of Contents Welcome . 1 . .About This Guide OHSU’s Center for Diversity & Center for Diversity & Inclusion . 2 Inclusion (CDI) offers this Diversity Resource Guide for general Oregon & Portland Information . 3. information only. CDI is not endorsing or warranting any of the Community Organizations . 4. services or service providers listed in this guide. Chambers & Commissions . 6. Churches & Congregations . 7 Contributors Surya Joshi Resources for Parents . 10 CDI Intern Dessa Salavedra Restaurants . 12 . CDI Intern Cultural Grocery Stores . 15. Editors Maileen Hamto Beauticians, Barbers & Supplies . .16 . Diversity Communications Manager Jillian Toda Cultural Institutions . 17 Communications Assistant Cultural Festivals . .18 . Creative Production Native American Tribes . 21. GoodWorks Design Studio Diversity Media . 22 Consulates . .23 . Sports & Outdoors . 24. OHSU Contacts . .25 . WELCOME OHSU’s Center for Diversity and Inclusion created this guide as part DIVERSITY AT OHSU of our warm welcome to everyone within OHSU’s diverse community At OHSU, we embrace the full spectrum of of students, staff and faculty. diversity, including age, color, culture, disability, ethnicity, gender identity or expression, marital We hope you’ll use it to build relationships, connect with new people, status, national origin, race, religion, sex, sexual organizations and networks, and explore the places that make the orientation, and socioeconomic status. We respect Portland-area and Oregon special. and support diversity of thought, ideas and more. If you’re new to Portland or the OHSU community, the guide will help you COMMITMENT TO INCLUSION get your bearings, connect with a diverse array of resources, and discover To fully leverage the richness of our diversity at the many services and opportunities available throughout the area. -
Oregon Historic Theaters : Statewide Survey And
Oregon Historic Theaters : Statewide Survey and Needs Assessment Prepared by: Community Planning Workshop A Program of the Community Service Center September 2015 Oregon Historic Theater Needs Assessment Prepared by: Community Planning Workshop Community Service Center 1209 University of Oregon Eugene, OR 97403-1209 Email: [email protected] http://csc.uoregon.edu/cpw September 2015 This project was made possible by a grant from the Oregon Tourism Commission (OTC) and by a grant from the U.S. Department of Commerce Economic Development Administration (EDA). The information presented in this report does not necessarily represent the perspectives of the funders. Cover Photo: Courtesy of Cascade Center of Photography Acknowledgements We wish to acknowledge and extend our thanks to all theater owners, operators, and volunteers who contributed to this project. We would also like to thank the following organizations and individuals: Travel Oregon Special thanks to Carole Astley and Kendra Perry Oregon Main Street Special thanks to Sheri Stuart Pacific Power Special thanks to Erik Andersson Community Planning Workshop (CPW) Staff Research Team: Rodney Bohner John Jackson Dana Nichols Craig Wiroll Project Coordinator: Aniko Drlik-Muehleck Program Director: Robert Parker, AICP About the Community Planning Workshop Community Planning Workshop (CPW) is one of the core programs of the University of Oregon’s Community Service Center (CSC) (csc.uoregon.edu). Established in 1977, CPW provides students the opportunity to address planning and public policy problems for clients throughout Oregon. Students work in teams under the direction of faculty to conduct research, analyze and evaluate alternatives, and make recommendations for possible solutions to planning problems in Oregon communities. -
GUANTANAMO BAY, CUBA to a Member of the Guantanamo Community Who Has Best Exhib- Ited the Spirit of Christmas Throughout the Past Year
PLANNING COMMITTEE S ANNUAL X-MAS AWARD The 1974 Christmas Planning Committee announces the third IU.S. NAVAL BASE annual award to be presented GUANTANAMO BAY, CUBA to a member of the Guantanamo Community who has best exhib- ited the spirit of Christmas throughout the past year. Everyone on the base is el- igible, and nominations must be submitted in writing to LCdr. Jim Lois at Public Af- fairs/AFRTS no later than Mon- day afternoon, Dec. 23. A judging committee will se- lect the one winner which will LITTLE FREDELYN ABUTIN mails her be announced on Channel 8 TV list of toys to Santa in Santa's on Christmas Eve. Mailbox at the Child Day Care Cen- So, whom do you know that ter. Santa's Mailboxes are located deserves such recognition. in the Navy Exchange Toyland, Marine it could be your mother or Exchange and at the Leeward Point father, shipmate, boss, or Exchange. Children can write let- Tuesday, December 17, 1974 just about anyone. ters to Santa and deposit them in A specially engraved silver the conveniently located boxes. tray will be awarded to the winner along with the Christ- mas Spirit certificate. BOSTON SCHOOL COMMITTEE REJECTS BUSING PLAN TO INTERGRATE FORD VETOS SENATE MINING BILL BOSTON (AP)--The Boston School Com- However, after the vote, John Mir- WASHINGTON (AP)--The Senate ap- mittee defied a federal court dead- rick, the school committee's attor- proved a controversial strip mining line yesterday when it did not sub- ney, turned the 300-page plan over control bill yesterday, sending it mit a proposed plan to intergrate to the court anyway. -
OREGON LIQUOR CONTROL COMMISSION Page 1 of 683 Licensed Businesses As of 8/12/2018 4:10A.M
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