DOCSLIB.ORG

1. Der Himmel Übber Berlin (Wings of Desire/ El Cielo Sobre Berlín) 2. In

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
1. Der Himmel Übber Berlin (Wings of Desire/ El Cielo Sobre Berlín) 2. In 1. Der Himmel übber Berlin (Wings of desire/ El cielo sobre Berlín) // (República Federal d’Alemanya, Franca1987), Wim Wenders. 35 mm, 128’, B/N i C, VOSE. Producció: Road Movies Filmproduktion(Berlin) , Argos Films(Paris) i Westdeutscher Rundfunk(WDR) (Colonia).Productor: Wim Wenders. Productor executiu: Ingrid Windisch. Productors associats: Joachim von Mengershausen, Pascale Dauman. Assesor de producció: Chris Slevernich. Cap de producció: Herbert Hertz. Fotografia: Henri Alekan. Muntatge: Peter Przygodda. Direcció artística: Heidi Lüdi. Música: Jürgen Knieper. Música de circ: Laurent Petitgand. Cancons: Angel fragments- Laurie Anderson, Les filies du Calvaire- Laurent Petitgand, Six bells chime – Crime and the city solution, The Carny, From here to eternity- Nick Cave and The Bad Seeds, When I go- Minimal compact. So: Jean Paul Mugel, Axel Arft.Ajudants de direcció: Claire Denis, Knut Winkler, Carola Hochgraf.Intèrprets: Bruno Ganz(Damiel), Solveig Dommartin(Marion), Otto Sander(Cassiel), Curt Bois(forner), Peter Falk (ell mateix), Hans Martin Stier (el moribund), Elmar Wilms(l’home trist), Sigurd Rachman(el suicida). Bibliografia: FERRO, MARC : Cine e Historia, Gustavo Gili, Barcelona, 1980. COOK, ROGER; Gemünden, Gert, The cinema of Wim Wenders. Image, Narrative and the Postmodern Condition, Wayne State University Press, Detroit Michigan, 1997; CALDWELL, DAVID; COOK, ROGER; Handke’s and Wenders’s Wings of Desire: Transcending Postmodernism, in The German Quarterly, vol. 64, no.1, 1991, visualised on http://www.jstor.org/stable/407304 ; ROGOWSKI , CHRISTIAN: „To Be Continued”. History in Wim Wenders’s Wings of Desire” and Thomas Brasch’s „Domino”, in German Studies Review, Vol. 15, No. 3 (Oct., 1992), visualised on http://www.jstor.org/stable/1430367. HAKE, SABINE: New German Cinema, in Monatshefte, Vol. 82, No. 3 (Fall, 1990), visualised on http://www.jstor.org/stable/30155281; GEIST, KATHE: The cinema of Wim Wenders. From Paris, France to Paris, Texas, U.M.I Research Press, Michigan, 1988 Cognoms, Nom: Gabriel, Cracană Assignatura: Historia de Cine Titulació: Grau en Comunicació i Periodisme Audiovisuals Curs: 2013-2014 2. In weiter Ferne, so nah! (Faraway, so close!/ Tan lejos, tan cerca!) // (Alemanya, 1993), Wim Wenders, 35 mm, 144’, B/N i C, VOSE Producció: Road Movies Filmproduktion(Berlin)/ Tobis Filmkunst. Productor: Wim Wenders. Productor executiu: Ulrich Felsberg. Guió: Wim Wenders, Ulrich Zieger, Richard Reitinger. Dialegs: Ulrich Zieger. Fotografia: Jürgen Jürges.Muntatge: Peter Przygodda. Música: Laurent Petitgand, David Darling, Irene Maas. Cancons: Faraway, so close!, Cassiel’s song- Nick Cave, Stay- U2, Why can’t I be good- Lou Reed, Chaos- Herbert Gronemeyer, Travellin’On, All God’s children- Simone Bonney, J.D.Foster, The wanderer- U2 amb Johnny Cash, Slow tango- Jane Siberry, Call me- The house of love, Tightrope, Speak my language- Laurie Anderson. So: Gunther Kortwich. Efectes especials: Ulrich Netzer, Michael Luppino. Intèrprets: Otto Sander(Cassiel), Horst Buchholz(Tony Baker), Nastassja Kinski(Raphaela), Heinz Ruhman(Konrad), Solveig Dommartin(Marion), Rudiger Vogler (Philip Winter), Wilhelm Dafoe(Emit Flesti), Peter Falk (el mateix), Lou Reed(el mateix), Mikhail Gorbatxov (el mateix). Bibliografia: FERRO, MARC : Cine e Historia, Gustavo Gili, Barcelona, 1980. COOK, ROGER; Gemünden, Gert: The cinema of Wim Wenders. Image, Narrative and the Postmodern Condition, Wayne State University Press, Detroit Michigan, 1997; GEIST, KATHE: The cinema of Wim Wenders. From Paris, France to Paris, Texas, U.M.I Research Press, Michigan, 1988; CALDWELL, DAVID; COOK, ROGER: Handke’s and Wenders’s Wings of Desire: Transcending Postmodernism, in The German Quarterly, vol. 64, no.1, 1991, visualised on http://www.jstor.org/stable/407304 ; HAKE, SABINE: New German Cinema, in Monatshefte, Vol. 82, No. 3 (Fall, 1990), visualised on http://www.jstor.org/stable/30155281. ROGOWSKI , CHRISTIAN: „To Be Continued”. History in Wim Wenders’s Wings of Desire” and Thomas Brasch’s „Domino”, in German Studies Review, Vol. 15, No. 3 (Oct., 1992), visualised on http://www.jstor.org/stable/1430367. 3. The end of violence ( El final de la violencia ) // (Alemanya, Franca, Estats Units 1997), Wim Wenders, 35 mm, 122’, C, VOSE Producció: Road Movies Filmproduktion(Berlin)/ Ciby Pictures/ Kintop Pictures. Productors: Wim Weners, Deepak Nayar i Nicholas Klein. Guio: Nicholas Klein. Fotografia: Pascal Rabaud. Muntatge: Peter Przygodda. Música: Ry Cooder. Direcció artistica: Patricia Norris. Intèrprets: Bill Pulman(Mike Max), Andie MacDowell(Paige Stockard), Gabriel Byrne(Ray Bering), Loren Dean(Doc Block), Traci Lind(Cat), Daniel Benzali (Brice Phelps), K.Todd Freeman(Six), John Diehl (Lowell Lewis), Pruitt Taylor- Vince(Frank Cray), Udo Kier (Zoltan Tibor), Frederic Forrest (Mac Dermont), Samuel Fuller(Louis Bering), Henry Silva (Juan Emilio). Bibliografia: FERRO, MARC : Cine e Historia, Gustavo Gili, Barcelona, 1980; QUINTANA, ÀNGEL: Fábulas de lo visible. El cine como creador de realidades, Acantilado, Barcelona, 2003; GEIST, KATHE: The cinema of Wim Wenders. From Paris, France to Paris, Texas, U.M.I Research Press, Michigan, 1988 Cognoms, Nom: Gabriel, Cracană Assignatura: Historia de Cine Titulació: Grau en Comunicació i Periodisme Audiovisuals Curs: 2013-2014 4. Landy of Plenty (Tierra de abundancia) // (Alemanya- Estats Units-Canada, 2004),Wim Wenders, 125’, C, VOSE Producció: Reverse Angle International, InDigEnt Pictures, IFC Films. Productors: In-Ah Lee, Samson Muecke, Gary Winik i Jane Abraham. Guió: Wim Wenders i Michael Meredith, segons un argument de Wim Wenders i Scott Derrickson. Fotografia: Franz Lustig. Muntatge: Moritz Laube. Música: Thomas Hanreich. Direcció artistica: Nathan Amondson. Intèrprets: Michelle Williams(Lana), John Diehl(Paul), Shaun Taub(Hassan), Richard Edson(Jimmy), Burt Young(Sherman), Bernard White(Youssef), Rhonda Stubbins White(Dee Dee), Jeris Poindexter(Charles), Gloria Stuart(anciana).Bibliografia: LOSILLA, CARLOS (ED.): En tránsito. Berlín-París-Hollywood. Más allá de la historia del cine. T&B, Festival Internacional de Cine de Las Palmas de Gran Canaria, Madrid, 2009. FERRO, MARC : Cine e Historia, Gustavo Gili, Barcelona, 1980; GEIST, KATHE: The cinema of Wim Wenders. From Paris, France to Paris, Texas, U.M.I Research Press, Michigan, 1988..
Load more

Recommended publications
  • The Goalie's Anxiety at the Penalty Kick
    THE GOALIE’S ANXIETY AT THE PENALTY KICK Arthur Brauss and Erica Pluhar in The Goalie’s Anxiety at the Penalty Kick (West Germany/Austria 1971) by Wim Wenders © Wim Wenders Stiftung 2014 Having remained commercially unavailable for over three decades, the new 4K restored and remastered version of Wim Wenders’ 1972 classic THE GOALIE’S ANXIETY AT THE PENALTY KICK receives its UK premiere at the historic Regent Street Cinema, London on 31st October 2017. Commissioned by the Wim Wenders Foundation and supervised by director Wim Wenders, this long-awaited remastered release comes to UK cinemas from January 2017 and will then be available on dual-format Blu-ray and DVD from 26th February with a comprehensive array of extras including an exclusive interview by Wim Wenders. The goalkeeper Josef Bloch (Arthur Brauss) is sent off after committing a foul during an away game. This causes him to completely lose his bearings. He wanders aimlessly through the unfamiliar town, spends the night with the box-office attendant of a movie theatre (Erika Pluhar) and strangles her the next morning. But instead of turning himself in or fleeing, Bloch then goes to his ex-girlfriend’s (Kai Fischer) place in the country and passively waits there for the police to come and arrest him. As Wenders himself has stated, the visual idiom of Hitchcock’s films provided the model for his debut film. He adheres minutely to the thoroughly “cinematic” source, a novella by Peter Handke. With his cameraman Robby Müller and his editor Peter Przygodda - both of whom had already worked with him on his film thesis at the HFF (Munich University of Television and Film) - in THE GOALIE’S ANXIETY AT THE PENALTY KICK, Wenders set forth a collaboration that would weld this team together for years.
    [Show full text]
  • Until the End of the World Music Credits
    (Below are the credits for the music in the English version, followed by the credits, in German, for the extended restored version): English-language music credits: Musical Score Graeme Revell Musical Score Graeme Revell Solo Cello and Additional Improvisation David Darling Music Supervision Gary Goetzman and Sharon Boyle Picture and Music Editor Peter Przygodda MUSIC Music Coordinators Barklie K. Griggs Jennifer Quinn-Richardson Dana K. Sano Music Recording and Mixing Studios Tritonus Studios, Berlin Music Editor (Synch) Dick Bernstein (Offbeat Systems) Music Mixing Engineer Gareth Jones 2nd Sound Engineer Gerd Krüger Assistant Maro Birkner Additional Music Recordings Hansa Tonstudios, Berlin MUSIC TITLES IN ORDER OF APPEARANCE: "GALKAN" Appears on "Les Aborigènes, Chants et Danses de l'Australie du Nord" Phonogramme ARN 64056 Courtesy of Arion "SAX & VIOLINS" Performed by Talking Heads Lyrics and Music by David Byrne Music by Chris Frantz, Jerry Harrison, Tina Weymouth Producer Steve Lillywhite and Talking Heads Mixed by Kevin Killen Publisher Bleu Disque Music Co. Inc./ Index Music admin. by WB Music Corp./ASCAP Courtesy of Warner Bros. Records Inc./Sire Records Company/FLY Talking Heads Appear Courtesy of EMI Records Ltd. "SUMMER KISSES, WINTER TEARS" Performed by Elvis Presley Writers Jack Lloyd, Ben Weissman, Fred Wise Publisher WB Music Corp./Erica Music/ ASCAP Courtesy of RCA Records Label of BMG Music "MOVE WITH ME" Performed by Neneh Cherry Writers Neneh Cherry/Cameron Mcvey Producer Booga Bear/Jonny Dollar Publisher Virgin Music Ltd/Copyright Control/ BMI/PRS Courtesy of Circa Records, Ltd. "IT TAKES TIME" Performed by Patti Smith and Fred Smith Writers Fred Smith and Patti Smith Producer Fred Smith Publisher Druse Music Inc/Stratium Music, Inc./ASCAP Courtesy of Arista Records, Inc.
    [Show full text]
  • Wenders Has Had Monumental Influence on Cinema
    “WENDERS HAS HAD MONUMENTAL INFLUENCE ON CINEMA. THE TIME IS RIPE FOR A CELEBRATION OF HIS WORK.” —FORBES WIM WENDERS PORTRAITS ALONG THE ROAD A RETROSPECTIVE THE GOALIE’S ANXIETY AT THE PENALTY KICK / ALICE IN THE CITIES / WRONG MOVE / KINGS OF THE ROAD THE AMERICAN FRIEND / THE STATE OF THINGS / PARIS, TEXAS / TOKYO-GA / WINGS OF DESIRE DIRECTOR’S NOTEBOOK ON CITIES AND CLOTHES / UNTIL THE END OF THE WORLD ( CUT ) / BUENA VISTA SOCIAL CLUB JANUSFILMS.COM/WENDERS THE GOALIE’S ANXIETY AT THE PENALTY KICK PARIS, TEXAS ALICE IN THE CITIES TOKYO-GA WRONG MOVE WINGS OF DESIRE KINGS OF THE ROAD NOTEBOOK ON CITIES AND CLOTHES THE AMERICAN FRIEND UNTIL THE END OF THE WORLD (DIRECTOR’S CUT) THE STATE OF THINGS BUENA VISTA SOCIAL CLUB Wim Wenders is cinema’s preeminent poet of the open road, soulfully following the journeys of people as they search for themselves. During his over-forty-year career, Wenders has directed films in his native Germany and around the globe, making dramas both intense and whimsical, mysteries, fantasies, and documentaries. With this retrospective of twelve of his films—from early works of the New German Cinema Alice( in the Cities, Kings of the Road) to the art-house 1980s blockbusters that made him a household name (Paris, Texas; Wings of Desire) to inquisitive nonfiction looks at world culture (Tokyo-ga, Buena Vista Social Club)—audiences can rediscover Wenders’s vast cinematic world. Booking: [email protected] / Publicity: [email protected] janusfilms.com/wenders BIOGRAPHY Wim Wenders (born 1945) came to international prominence as one of the pioneers of the New German Cinema in the 1970s and is considered to be one of the most important figures in contemporary German film.
    [Show full text]
  • 180917 BIFF Katalog Klein V15.Pdf
    BRAUNSCHWEIG 05. – 11. NOVEMBER 2018 INTERNATIONAL FILM FESTIVAL 8 www.filmfest-braunschweig.de 1 0 2 L A V I T S E F M L I F L A N O I T A N R E T N I G I E W H C S BRAUNSCHWEIG N U A INTERNATIONAL R B 32 FILM FESTIVAL 32 Alfred Hitchcock 2001 M Marlene M Dietrich 2006 2006 ClintC EastwoodC 2011 2011 Whoopi Goldberg 2016 Audrey 2002Tautou 2002 Sean S Connery 2007 2007 2007 Isabella IRossellini 2012 2012 Nina Hoss 2017 C Charly Chaplin 2003 A Audrey A Hepburn 2008 2008 Michael CaineM 2013 2013 Sandrine Bonnaire 2018 Catherine Deneuve 2004 2004 2004 P Paul Newman 2009 2009 2009 NatalieN Portman 2014 2014 J J Johnny 2005 Depp 2005 2005 R Romy R Schneider 2010 2010 2010 Daniel Craig 2015 2 2 1 1 19:29 BRAUNSCHWEIG INTERNATIONAL FILMFESTIVAL INHALT CONTENT 4 Dank / Acknowledgements Vorstand Internationales Filmfestival Braunschweig e.V. Edgar Merkel (1. Vorsitzender), Thorsten Rinke (2. Vorsitzender), Rayk Fenske (Kassenwart), Beate Neigenfind (Schriftführerin), Florence Houdin (Beisitzerin), Evelyn Drewes (Beisitzerin) 5 Unsere Sponsoren / Our Sponsors Festivaldirektor Michael P. Aust Assistenz der Festivaldirektion/Programm Management Karina Gauerhof 6 Grußworte / Greetings Leitung Festivalorganisation Imke Poeschel 9 Die „Europa” für Sandrine Bonnaire / European Actors Award for Sandrine Bonnaire Guestmanagement India von Löwis of Menar 14 Preise des Braunschweig International Film Festival / Prices of the Braunschweig International Film Festival Finanzen Anja Hinderer, Angelika Hoffmann (Mitarbeit) Sponsorenbetreuung Frank Terhorst, Edgar Merkel, Thorsten Rinke, Marc-Aurel Jensen 15 Jurys / Juries Leitung Presse- und Öffentlichkeitsarbeit Frank Terhorst 19 Wettbewerb „Der Heinrich” / Competition “Der Heinrich” Assistenz Presse- und Öffentlichkeitsarbeit Julia Rutkovska 27 Neues Internationales Kino / New International Cinema Filmvermittlung Kristina Schippling Ticketing Sarah Schygulla 35 Prime Time PraktikantInnen Clara Hense, Jessica Gotschlich, Marlene Kaiser, Viktoria Maillard 39 Beyond: No Surrender.
    [Show full text]
  • Sat 22 Jul – Wed 23 Aug
    home box office mcr. 0161 200 1500 org home road movies Sat 22 Jul – Wed 23 Aug Vanishing Point1 , 1971 ROAD MOVIES . From the earliest days of American cinema, the road movie has been synonymous with American culture and the image America has presented to the world. In its most basic form, the charting of a journey by an individual or group as they seek out some form of adventure, redemption or escape, is a sub-genre that ranks amongst American cinema’s most enduring gifts to contemporary film culture. homemcr.com/road-movies 2 3 CONTENTS Road Movie + ROAD ........................................................................................6 The Last Detail ..................................................................................................8 The Wizard of Oz ...........................................................................................10 Candy Mountain ............................................................................................. 12 The Motorcycle Diaries .................................................................................14 Wim Wenders Road Trilogy ..........................................................................16 Vanishing Point ................................................................................................18 Landscape in the Mist .................................................................................. 20 Leningrad Cowboys Go America ...............................................................22 4 5 A HARD ROAD TO TRAVEL: ROAD MOVIE (CTBA)
    [Show full text]
  • 27 of October 2020
    II ed. 7th of September - 27th of October 2020 Cinema teatro Garden Guardiagrele Initiative carried out within the National Cinema Plan for the School promoted by Organized by In partnership with Balkan Cinema Express is an initiative created as part of the Cinema National Plan for Schools, sponsored by MiBAC and MIUR within the context of Artinvita - International Festival of the Abruzzi and organised in collaboration with the Théâtre de Léthé à Paris - Collectif 2 Plus, Balkan Film Food Festival, the network of movie theatres Ciackcity Cinema and the Biennale MArteLive. Balkan Cinema Express is a festival of Balkan short films bringing young students close to cinema, allowing them not only to engage with the selected works, but with Balkan culture at large - so closely linked with our contemporary history and yet widely unexplored and not nearly known enough in both the artistic and socio/cultural fields. The competing short films will be screened for 200 young students. Then the students will be prepared to become part of the jury, alongside the jury of experts, through a detailed workshop led by competent professionals. Project overview Project The project is made up of five main events and activities: a workshop, the creation of an audio-visual project, the screening of the selected shorts, the award ceremony and Balkan Cinema Express A/R. The project was conceived within a reflection on the historical and social context of the region of Abruzzo - a reflection that cannot but embrace most of the Italian territory. In the nineties a great number of Balkan immigrants fled their countries (Albania, Croatia, Romania, Slovenia…), crossed the Adriatic and headed for the Italian regions along the coasts, such as Abruzzo, where the number of Balkan nationals is particularly high to this day.
    [Show full text]
  • Nick's Film – Lightning Over Water
    NICK’S FILM – LIGHTNING OVER WATER LIGHTNING OVER WATER is a film about the last months in the life of american director Nicholas Ray, who is probably best known for his cult film “Rebel Without a Cause”. Wenders and Ray got to know each other at the set of “The American Friend” and became friends. LIGHTNING OVER WATER was made in just a few weeks at a time when Wenders was free from his studio film HAMMETT. “Nick told me about his cancer. He knew he was terminally ill. He wanted to die working. Our collective film was a try to counter the cancer with something, a form of terminal care, which also resulted in a film. But all of us who made this last journey together with Nick would also have done this without film in the camera” says Wenders. For the first time Wenders and Ray also used Video for filming. (Ray had already experimented with all perceivable forms filming in “We Can’t Go Home Again”.) “But it was devastating to see how much more merciless and in the end more truthful these ugly and shaky VHS images showed the truth as opposed to our well lit 35mm shots.” The film finishes after Nick’s death. A chinese junk sails on the Hudson river towards the open sea. On board is an urn with Nick’s ashes and an old Moviola with waving film. Below deck the film crew says goodbye to Nick. In the tradition of an irish wake, stories about the deceased are being told and everybody gets drunk.
    [Show full text]
  • Quarterly 4 · 2004
    German Films Quarterly 4 · 2004 DOWNFALL by Oliver Hirschbiegel Competes for the OSCAR DIRECTORS’ PORTRAITS Dagmar Knoepfel & Oskar Roehler PRODUCERS' PORTRAIT Moneypenny Fosters New Talents SPECIAL REPORT German Films: Redefining the Role of Film Promotion Abroad german films quarterly 4/2004 focus on 4 GERMAN FILMS directors’ portraits 10 TRILOGY OF FEMININE STRENGTH A portrait of Dagmar Knoepfel 12 LEARNING TO LOVE LIFE A portrait of Oskar Roehler producers’ portrait 14 FOSTERING NEW TALENTS A portrait of Moneypenny Film actress’ portrait 16 TYPICAL GEMINI A portrait of Sibel Kekilli 18 news in production 22 CROSSING THE BRIDGE Fatih Akin 22 ERKAN & STEFAN III, FETTES MERCI FUER DIE LEICHE Michael Karen 23 GISELA Isabelle Stever 24 DIE HEXEN VOM PRENZLAUER BERG Diethard Kuester 24 ICH BIN EIN MOERDER Bernd Boehlich 25 KEIN HIMMEL UEBER AFRIKA Roland Suso Richter 26 MAX UND MORITZ Thomas Frydetzki 26 NVA Leander Haussmann 27 DER ROTE KAKADU Dominik Graf 28 DER SCHATZ DER WEISSEN FALKEN Christian Zuebert 28 SEHNSUCHT Valeska Grisebach 29 DIE WILDEN KERLE 2 Joachim Masannek new german films 30 24-7-365 Roland Reber 31 AUS DER TIEFE DES RAUMES Gil Mehmert 32 BERGKRISTALL ROCK CRYSTAL Joseph Vilsmaier 33 BIBI BLOCKSBERG UND DAS GEHEIMNIS DER BLAUEN EULEN BIBI BLOCKSBERG AND THE SECRET OF THE BLUE OWLS Franziska Buch 34 COWGIRL Mark Schlichter 35 ERBSEN AUF HALB 6 PEAS ON HALF PAST FIVE Lars Buechel 36 GOODBYE Steve Hudson 37 JENA PARADIES Marco Mittelstaedt 38 KAETHCHENS TRAUM Juergen Flimm 39 KATZE IM SACK LET THE CAT OUT OF THE BAG Florian
    [Show full text]
  • XXI:11) Wim Wenders, WINGS of DESIRE/DER HIMMEL ÜBER BERLIN (1987, 128 Min
    November 9, 2010 (XXI:11) Wim Wenders, WINGS OF DESIRE/DER HIMMEL ÜBER BERLIN (1987, 128 min) Directed by Wim Wenders Written by Wim Wenders, Peter Handke and Richard Reitinger Produced by Anatole Dauman and Wim Wenders Music by Laurie Anderson, Jürgen Knieper, Laurent Petitgand, Nick Cave Cinematography by Henri Alekan Film Editing by Peter Przygodda Dedicatees: Yasujiro Ozu, François Truffaut, and Andrzei Tarkovsky as Andrzej Bruno Ganz....Damiel Solveig Dommartin....Marion Otto Sander....Cassiel Curt Bois....Homer, the aged poet Peter Falk....Der Filmstar WIM WENDERS (14 August 1945,Düsseldorf, North Rhine- Westphalia, Germany) has directed 45 films, among them Don't Come Knocking 2005, Land of Plenty 2004, “The Soul of a Man” Maudits/The Damned 1947, La Belle et la bête/Beauty and the episode in the PBS series “The Blues” 2003, Buena Vista Social Beast 1946, Vénus aveugle/Blind Venus 1941 and La Vie est à Club 1999, Willie Nelson at the Teatro 1998, The End of nous/The People of France. Violence 1997, Lumière et compagnie/Lumière and Company 1996, Lisbon Story 1994, Bis ans Ende der Welt/Until the End of BRUNO GANZ (22 March 1941, Zürich-Seebach, Switzerland) the World 1991, Wings of Desire/Hummel über Berlin (1987), has acted in 86 films, the most recent of them The Great Farrell Paris, Texas 1984, Hammett 1982, Lightning Over Water/Nick’s 2006 (in production). Some of the others are Der Untergang Film 1980, Der Amerikanische Freund/The American Friend 2004, The Manchurian Candidate 2004, Mia aioniotita kai mia 1977, Der Scharlachrote Buchstabe/The Scarlet Letter 1973, Die mera/Eternity and a Day 1998, Prague 1992, Strapless 1989, Angst des Tormanns beim Elfmeter/The Goalie's Anxiety at the The Legendary Life of Ernest Hemingway 1988, Killer aus Penalty Kick 1972, Alabama: 2000 Light Years from Home 1969, Forida 1983, Rece do gory/Hands Up! 1981, Nosferatu: and Schauplätze 1967.
    [Show full text]
  • PALERMO SHOOTING a WIM WENDERS Film Starring CAMPINO GIOVANNA MEZZOGIORNO and DENNIS HOPPER
    HanWay Films presents PALERMO SHOOTING A WIM WENDERS film Starring CAMPINO GIOVANNA MEZZOGIORNO and DENNIS HOPPER A Neue Road Movies production in coproduction with P.O.R. Sicilia – REGIONE SICILIANA, AAPIT - Provincia Regionale di Palermo ARTE France Cinéma, ZDF/ARTE in association with Pictorion Pictures, Rectangle, Reverse Angle and Deutscher Filmförderfonds, German Federal Film Board, Filmstiftung Nordrhein-Westfalen, Medienboard Berlin-Brandenburg, MEDIA Program Cast Finn Campino Flavia Giovanna Mezzogiorno Frank Dennis Hopper (in order of apperance) Carla Inga Busch Student Jana Pallaske Hans Axel Sichrovsky Gerhard Gerhard Gutberlet Manager Sebastian Blomberg Erwin Wolfgang Michael Lou Reed lui-même Banker Udo Samel Giovanni Sollima Giovanni Sollima Doctor Alessandro Dieli Crew Written, directed and Wim Wenders produced by Producer Gian-Piero Ringel Executive Producers Jeremy Thomas Peter Schwartzkopff Line Producers Marco Mehlitz Gianfranco Barbagallo Director of Photography Franz Lustig Production Designer Sebastian Soukup Editors Peter Przygodda Oli Weiss Costume Designer Sabina Maglia Original Filmscore by Irmin Schmidt Music Supervisors Milena Fessmann & Beckmann Screenplay co-written by Norman Ohler PALERMO SHOOTING is Wim Wenders most personal film for a long time. Intimate, adventurous and full of surprises. A road movie starring Campino, Giovanna Mezzogiorno and Dennis Hopper. A roman- tic thriller dealing with life and death and the ultimate salvation through love. After 12 years in which Wim Wenders made all his feature
    [Show full text]
  • Juliette Binoche
    II ED. 26 APRILE - 12 MAGGIO 2019 MADRINA Juliette Binoche «L’arte è importante. Rievoca le stagioni dell’anima o di un avvenimento particolare, qualche volta tragico, del viaggio dell’anima. L’arte non serve soltanto a se stessa, non è soltanto un segno che ci aiuta a comprendere la sua evoluzione, ma è anche una mappa che indica la strada a chi verrà dopo di noi!» (Clarisse Pinkola Estés, Femmes qui Courent avec les loups) I LUOGHI DEL FESTIVAL ORSOGNA Mar Adriatico Teatro Comunale "Camillo De Nardis", Piazza Mazzini ORTONA Galleria Dama di Annamaria D'Ancona, Piazza Mazzini, 51 Foyer Teatro Comunale "Camillo De Nardis", Piazza Mazzini CRECCHIO Auditorium "Santa Maria da Piedi", Corso Umberto I ORTONA CRECCHIO Teatro Comunale "Francesco Paolo Tosti", Corso Garibaldi 7 ORSOGNA una produzione Comune di con il sostegno di Orsogna Comune di in collaborazione con Comune di Majella Crecchio Ortona STAFF INDICE DIREZIONE ARTISTICA 07 ARTINVITA–DECLINAZIONE ARTISTICA E Amahí Camilla Saraceni CONTENUTI Marco Cicolini 08 ARTINVITA FESTIVAL SOCIALE RESPONSABILE RELAZIONI PUBBLICHE Viviana Agretti 10 LA SECONDA EDIZIONE COMUNICAZIONE 13 PROGRAMMA 2019 Ufficio Stampa / Alessandra Farias Graphic Designer / Francesca Carullo 28 GLI ARTISTI OSPITI Video Making / Noemi Verrina Web Marketing / Fabio Salerno 38 LO STAFF Fotografia / Roberta Verzella Stampa / Art Nouveau Studio 44 CONTATTI RESPONSABILE TECNICO Renato Baratucci ASSISTENTI ALLA TECNICA Riccardo Taraborrelli Nicola Bucci RESPONSABILE ESPOSIZIONI Sofia Ciancio AMMINISTRAZIONE Nicla Ciancio ARTINVITA di location per spettacoli dal vivo (non solo teatri, ma piuttosto spazi DECLINAZIONE ARTISTICA E CONTENUTI non teatrali, magari marginali: piazze, cortili, castelli di piccoli villaggi, luoghi “vergini” e poco visitati dal turismo abruzzese).
    [Show full text]
  • Wings of Desire by Wim Wenders, Ingrid Windisch and Peter Handke Review By: Adam Bingham Source: Cinéaste, Vol
    Review Reviewed Work(s): Wings of Desire by Wim Wenders, Ingrid Windisch and Peter Handke Review by: Adam Bingham Source: Cinéaste, Vol. 35, No. 2 (SPRING 2010), pp. 68-69 Published by: Cineaste Publishers, Inc. Stable URL: https://www.jstor.org/stable/41690890 Accessed: 03-05-2019 18:52 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms Cineaste Publishers, Inc. is collaborating with JSTOR to digitize, preserve and extend access to Cinéaste This content downloaded from 95.183.180.42 on Fri, 03 May 2019 18:52:04 UTC All use subject to https://about.jstor.org/terms DVD REVIEWS the comfortably prescribed inference andof aCassiel: two protagonists who, like their Wings of Desire narrative framework - of beginning, middle, twinned traveling companion progenitors in Directed by Wim Wenders; produced by Ingrid end; order, conflict, closure - provides Alice the in the Cities (1972), Kings of the Road Windisch; screenplay by Wim Wenders and perfect means whereby the ambiguous ghost and Paris, Texas (1984), move through and Peter Handke; cinematography by Henri of personal fulfilment or redemption for haunt his a particular landscape without being Alekan; edited by Peter Przygodda; art alienated loners may at least appear more able to really connect with it.
    [Show full text]