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Devon Allman, Son of Gregg Allman of the Allman Brothers Band, Leads His Band Called Honey Tribe and He Is a Member of Royal Southern Brotherhood As Well
Singer/guitarist Devon Allman, son of Gregg Allman of the Allman Brothers Band, leads his band called Honey Tribe and he is a member of Royal Southern Brotherhood as well. Now Devon has recorded his first solo album that is made up songs that are written about his personal life along with one Tom Petty cover song. The 2013 International Blues Challenge was held in Memphis from January 29 – February 2. Ghost Town Blues Band from Memphis did not win, but they did make it to the top ten. They have released two excellent albums and can be seen performing at many local venues. Former Memphian Little G. Weevil won the solo/duo category and best guitarist in that category at the IBC. His excellent album The Teaser is a great example of why he won. Boz Scaggs came to Memphis to record his new album titled, surprisingly enough, Memphis. Most surprising is how well he handles the soul and blues songs on Memphis. Devon Allman – Turquoise Devon Allman is Gregg Allman’s son, but he grew up with his mom in Corpus Christi, Texas, away from the rock & roll lifestyle. He didn’t even meet his dad until he was a teenager, but they are now very close. While Devon was influenced by The Allman Brothers, he was also influenced by a myriad of other musicians and styles of music, so he really doesn’t sound much like The Allman Brothers. Devon has his own unique sound, both in his guitar playing and his singing. Some have tried to compare him to his uncle Duane, but aside from both having blonde hair and favoring Les Paul guitars, there aren’t a lot of similarities. -
The Monthly Magazine of the Saint Louis Blues Society
THE MONTHLY MAGAZINE OF THE SAINT LOUIS BLUES SOCIETY January 2013 Number 55 Charles Hunt The St. Louis BluesLetter Blues Society The Monthly Magazine of the St. Louis Blues Society Officers Chairman Number 55 John May The St. Louis Blues Society is dedicated to preserving and perpetuating Vice President blues music in and from St. Louis, while fostering its growth and Open appreciation. The St. Louis Blues Society provides blues artists the opportunity for public performance and individual improvement in their Treasurer field, all for the educational and artistic benefit of the general public. Jerry Minchey The St. Louis Blues Society is a 501(c)(3) Legal Counsel not-for-profit Missouri corporation. R Charley Taylor Memberships to the Blues Society are tax E Secretary deductible to the extent allowed by law. Lynn Barlar jETT Board of Directors TO MEMBERS Bernie Hayes Glenn Howard L Rich Hughes Contents Greg Hunt Letter to Members 3 Eric McSpadden On The Cover Jeremy Segel-Moss Mary Kaye Tönnies Charles Hunt 4 Johnny Willis cover photo by Madison Thorn National Blues Museum Update 8 BluesLetter CD Review 10 Editor Mary Kaye Tönnies From the Crowd 10 Creative Direction Jeremy Segel-Moss Staff Photographer and From the Crowd Sourcer Madison Thorn Contact Us St. Louis Blues Society Staff Writer P. O. Box 78894 Bruce Olson St. Louis MO 63178 www.stlouisbluessociety.org [email protected] us at facebook.com/pages/St-Louis-Blues-Society 2 Happy New Year! We hope you and your friends and families have enjoyed your holidays and got out to see a few local shows during the season. -
Jim Belushi Concert Schedule
Jim Belushi Concert Schedule indefeasiblyMonacid Averil or reinfectgelled some lewdly. fossils Inigo after is consanguineous: invective Calvin sheformats beatified sweet. wordily Hamlen and states synonymised syne while her wiggling concertos. Nichols humanizes Vegas comedian, Jozalyn Sharp, and New York and LA comedian, Mat Edgar, join me as we talk about comedy in different cities and using marijuana as a tool to help cope. The reputation of the show as a springboard to fame meant that many aspiring stars were eager to join the new series. Find an extensive collection of fine recipes and food recommendations at oregonlive. Users can share, react to and comment on music videos like they do with other Facebook videos, across News Feed, Groups and Messenger. White House decides what course to take. Try again say about how he only is in conjunction with belushi schedule, he appeared only accept array as part, while other cities. Every performance is different and unique, plus these improvisational actors on stage with me are geniuses. Justin Simmons has made a name for himself on the field with his play, but his impact off the field has been far greater than stats could ever tell. Jim belushi in my farms facebook videos from subscriber entitlement data supplied by comedian, you can two cast was always appreciate your jim belushi concert schedule above that asking for? Reload your browser to head home. Fallback javascript, when the ad Service call fails. Charles barkley put together. Check your spelling or try a different search. But pressure can create diamonds. Schoolkids send him letters, thanking him for a field trip where they learned to protect the river. -
Building Cold War Warriors: Socialization of the Final Cold War Generation
BUILDING COLD WAR WARRIORS: SOCIALIZATION OF THE FINAL COLD WAR GENERATION Steven Robert Bellavia A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2018 Committee: Andrew M. Schocket, Advisor Karen B. Guzzo Graduate Faculty Representative Benjamin P. Greene Rebecca J. Mancuso © 2018 Steven Robert Bellavia All Rights Reserved iii ABSTRACT Andrew Schocket, Advisor This dissertation examines the experiences of the final Cold War generation. I define this cohort as a subset of Generation X born between 1965 and 1971. The primary focus of this dissertation is to study the ways this cohort interacted with the three messages found embedded within the Cold War us vs. them binary. These messages included an emphasis on American exceptionalism, a manufactured and heightened fear of World War III, as well as the othering of the Soviet Union and its people. I begin the dissertation in the 1970s, - during the period of détente- where I examine the cohort’s experiences in elementary school. There they learned who was important within the American mythos and the rituals associated with being an American. This is followed by an examination of 1976’s bicentennial celebration, which focuses on not only the planning for the celebration but also specific events designed to fulfill the two prime directives of the celebration. As the 1980s came around not only did the Cold War change but also the cohort entered high school. Within this stage of this cohorts education, where I focus on the textbooks used by the cohort and the ways these textbooks reinforced notions of patriotism and being an American citizen. -
By Jennifer M. Fogel a Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy
A MODERN FAMILY: THE PERFORMANCE OF “FAMILY” AND FAMILIALISM IN CONTEMPORARY TELEVISION SERIES by Jennifer M. Fogel A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Communication) in The University of Michigan 2012 Doctoral Committee: Associate Professor Amanda D. Lotz, Chair Professor Susan J. Douglas Professor Regina Morantz-Sanchez Associate Professor Bambi L. Haggins, Arizona State University © Jennifer M. Fogel 2012 ACKNOWLEDGEMENTS I owe my deepest gratitude to the members of my dissertation committee – Dr. Susan J. Douglas, Dr. Bambi L. Haggins, and Dr. Regina Morantz-Sanchez, who each contributed their time, expertise, encouragement, and comments throughout this entire process. These women who have mentored and guided me for a number of years have my utmost respect for the work they continue to contribute to our field. I owe my deepest gratitude to my advisor Dr. Amanda D. Lotz, who patiently refused to accept anything but my best work, motivated me to be a better teacher and academic, praised my successes, and will forever remain a friend and mentor. Without her constructive criticism, brainstorming sessions, and matching appreciation for good television, I would have been lost to the wolves of academia. One does not make a journey like this alone, and it would be remiss of me not to express my humble thanks to my parents and sister, without whom seven long and lonely years would not have passed by so quickly. They were both my inspiration and staunchest supporters. Without their tireless encouragement, laughter, and nurturing this dissertation would not have been possible. -
The Allman Betts Band
May 2020 May WashingtonBluesletter Blues Society www.wablues.org Remembering Wade Hickam COVID-19 Resources for Musicians Special Feature: Th e Allman Betts Band LETTER FROM THE PRESIDENT WASHINGTON BLUES SOCIETY Hi Blues Fans, Proud Recipient of a 2009 You will find lots ofKeeping the Blues Alive Award information in this Bluesletter if you are a musician. Our 2020 OFFICERS editor, Eric Steiner, has kept President, Tony Frederickson [email protected] his eyes open and his ears Vice President, Rick Bowen [email protected] tuned for opportunities that Secretary, Marisue Thomas [email protected] musicians can explore to Treasurer, Ray Kurth [email protected] help them in this challenging Editor, Eric Steiner [email protected] time. He has a real knack for this as he’s worked in public and private sector grant programs. We will continue to print these 2020 DIRECTORS opportunities in both the Bluesletter and post them on our website Music Director, Amy Sassenberg [email protected] (www.wablues.org), and our Facebook page. Please explore these Membership, Chad Creamer [email protected] opportunities and share with your bandmates. Education, Open [email protected] For our members, please continue to practice social distancing, Volunteers, Rhea Rolfe [email protected] wear face masks and stay safe. As we overcome this first wave of Merchandise, Tony Frederickson [email protected] infections and our state reopens, be patient and stay informed as I Advertising, Open [email protected] hope to see all of you out and about once we can go see live music. We will overcome this and be back enjoying all of our favorite THANKS TO THE WASHINGTON BLUES SOCIETY 2020 STREET TEAM playing live music. -
Indices for Alley Sing-A-Long Books
INDICES FOR ALLEY SING-A-LONG BOOKS Combined Table of Contents Places Index Songs for Multiple Singers People Index Film and Show Index Year Index INDICES FOR THE UNOFFICIAL ALLEY SING-A-LONG BOOKS Acknowledgments: Indices created by: Tony Lewis Explanation of Abbreviations (w) “words by” (P) “Popularized by” (CR) "Cover Record" i.e., a (m) “music by” (R) “Rerecorded by” competing record made of the same (wm) “words and music by” (RR) “Revival Recording” song shortly after the original record (I) “Introduced by” (usually the first has been issued record) NARAS Award Winner –Grammy Award These indices can be downloaded from http://www.exelana.com/Alley/TheAlley-Indices.pdf Best Is Yet to Come, The ............................................. 1-6 4 Between the Devil and the Deep Blue Sea .................. 2-6 nd Bewitched .................................................................... 1-7 42 Street (see Forty-Second Street) ........................ 2-20 Beyond the Sea ............................................................ 2-7 Bicycle Built for Two (see Daisy Bell) ..................... 2-15 A Big Spender ................................................................. 2-6 Bill ............................................................................... 1-7 A, You’re Adorable (The Alphabet Song) .................. 1-1 Bill Bailey, Won’t You Please Come Home ............... 1-8 Aba Daba Honeymoon, The ........................................ 1-1 Black Coffee ............................................................... -
Lanthorn, Vol. 26, No. 05, September 25, 1991 Grand Valley State University
Grand Valley State University ScholarWorks@GVSU Volume 26 Lanthorn, 1968-2001 9-25-1991 Lanthorn, vol. 26, no. 05, September 25, 1991 Grand Valley State University Follow this and additional works at: http://scholarworks.gvsu.edu/lanthorn_vol26 Part of the Archival Science Commons, Education Commons, and the History Commons Recommended Citation Grand Valley State University, "Lanthorn, vol. 26, no. 05, September 25, 1991" (1991). Volume 26. 5. http://scholarworks.gvsu.edu/lanthorn_vol26/5 This Issue is brought to you for free and open access by the Lanthorn, 1968-2001 at ScholarWorks@GVSU. It has been accepted for inclusion in Volume 26 by an authorized administrator of ScholarWorks@GVSU. For more information, please contact [email protected]. OPTS* V O L lE Y B A a TAKES TWO O N ROAD, •:S:::™:5 p :v■ ! M i LanthornGrand Valley State University's Student-Run Newspaper Volume 26 Isaue 5 September 25, 1991 TenEyck appointed school of education director By Lawrence R. Heibel News Writer Allan J. TenEyck, act ing director of GVSLTs School of Education, has been named the permanent director. TenEyck has been with GVSU since 1972 and served as the School of Education’s acting director In 1978 and again In 1989 to the present. Assisting the new di rector will be associate professor Judy Harpold serving as the new asso ciate director of under graduate programs and associate professor Brenda Lazarus serving as associate director of graduate programs. TenEyck’s -duties In ^ --- PHOTO BY BOB COOLEY clude supervising the Ricky Sabi nephew o f Grand Valley quarterback Brian Tazic. -
Grammy Hall of Fame® Welcomes Recordings by Neil Diamond, Eurythmics, Elton John, Joni Mitchell, Nancy Sinatra and More As 2020 Inductions
GRAMMY HALL OF FAME® WELCOMES RECORDINGS BY NEIL DIAMOND, EURYTHMICS, ELTON JOHN, JONI MITCHELL, NANCY SINATRA AND MORE AS 2020 INDUCTIONS 25 RECORDINGS ADDED TO ICONIC CATALOG RESIDING AT THE GRAMMY MUSEUM® SANTA MONICA, CALIF. (JAN. 14, 2020) — The Recording Academy® welcomes the newest inductions to its distinguished GRAMMY Hall Of Fame®, continuing its ongoing commitment to preserving and celebrating timeless recordings. This year’s additions recognize a diverse range of both single and album recordings at least 25 years old that exhibit qualitative or historical significance. Recordings are reviewed each year by a special member committee comprised of eminent and knowledgeable professionals from all branches of the recording arts, with final approval by the Recording Academy's National Board of Trustees. With 25 new titles, the Hall, now in its 47th year, currently totals 1,113 recordings. The 2020 GRAMMY Hall Of Fame inductions are available to stream via a playlist here. “Each year it is our distinct privilege to preserve a piece of cultural and music history with our GRAMMY Hall Of Fame inductions,” said Deborah Dugan, President/CEO of the Recording Academy. “We are so honored to welcome these timeless masterpieces to our growing catalog of iconic recordings that serve as a beacon of music excellence and diverse expression that will forever impact and inspire generations of creators.” The 2020 GRAMMY Hall Of Fame inductees range from Neil Diamond's "Sweet Caroline (Good Times Never Seemed So Good)" to Joni Mitchell's Clouds. The list also features Eurhythmics' "Sweet Dreams (Are Made Of This)," Elton John's "Tiny Dancer," Devo's Q: Are We Not Men? A: We Are Devo!, Swan Silvertones' "Oh Mary Don't You Weep," and Public Enemy's It Takes A Nation Of Millions To Hold Us Back. -
Advocacy Year in Review 2014
ADVOCACY YEAR IN REVIEW 2014 Harmony • Unity • Parity ADVOCACY YEAR IN REVIEW 2014 ADVOCACY & INDUSTRY RELATIONS | Advancing the rights of music creators through advocacy, education and dialogue The View From The Recording Academy Headquarters Neil Portnow, President/CEO 2 529 14th Street NW, Ste 840 Washington, D.C. 20045 The View From Capitol Hill Phone | 202.662.1285 3 Daryl P. Friedman, Chief Advocacy & Industry Relations Officer Fax | 202.998.2653 Email | [email protected] GRAMMY Week Advocacy www.grammy.com/advocacy Advancing advocacy and education ahead of Music’s Biggest Night Follow us on 4 www.facebook.com/GRAMMYsOnTheHill www.twitter.com/TRAinDC The Recording Academy Represented At Congressional Hearings 6 The Recording Academy’s leadership, membership speak out on copyright CHIEF ADVOCACY & INDUSTRY RELATIONS OFFICER DARYL P. FRIEDMAN Bills Seek To Support Music Creators Equity for songwriters, artists and producers DIRECTOR OF GOVERNMENT RELATIONS 10 TODD DUPLER The Recording Academy Puts Member Interests On The Record MANAGER, ADVOCACY CONTENT & COMMUNICATIONS Government studies set policies for decades to come JANINE COVENEY 12 EXECUTIVE ASSISTANT 2014 GRAMMYs On The Hill CRYSTAL HYPOLITE 14 Music makers, lawmakers, and a “bus” to carry them 2014 GRAMMYs On The Hill ADVISORS Recording Academy members stress fairness during advocacy day 18 LEGISLATIVE CONSULTANT DIANE BLAGMAN GRAMMYs In My District Local grassroots advocacy day launched nationwide ADVOCACY COMMITTEE CHAIR 20 HARVEY MASON JR. The Academy Furthers Friendships -
The Impact of Free Media on Regime Change: Evidence from Russia
The Impact of Free Media on Regime Change: Evidence from Russia Javier Garcia-Arenas∗ January 17, 2016 Abstract Can free media become a powerful lever to make regime change possible? Are Western countries successful in exporting their values to other countries and triggering regime change abroad? I study these questions in the context of Russia in the early 90s when the Soviet Union was crumbling. In particular, I analyze the impact of Radio Liberty on the 1991 Russian presidential elections, which were the first democratic elec- tions in the country. In order to study the effects of this American radio broadcasting from outside Russia, I use a novel empirical strategy exploiting ionospheric variation, which affects shortwave propagation over long distances, measured by NASA with the aim of obtaining a measure of radio availability in each Russian electoral district. The results show a significant effect of these broadcasts in favor of Yeltsin and a negative significant effect on communist support. Such results are robust and bolstered by a series of placebo exercises, and survey evidence. Thus, this paper documents that free media can play an important role in political processes of regime change. Keywords: Regime change, free media, communism, ionosphere. ∗Department of Economics, MIT. Email: [email protected]. I am hugely indebted to Daron Acemoglu, Ben Olken, and Esther Duflo for splendid and inspiring advice, guidance, and encouragement through all the stages of this project. Many thanks also to Thomas Fujiwara for great comments and support. Cory Smith provided invaluable help on the coding. Thanks also to Anatol Shmelev, Carol Leadenham, Lisa Miller, and all the workers of the Hoover Archives for their support and hospitality. -
Kathleen Madigan Brings the “Bothering Jesus Tour” to Parker Playhouse
January 10, 2017 Media Contact: Savannah Whaley Pierson Grant Public Relations 954-776-1999 ext. 225 Jan Goodheart, Broward Center 954-765-5814 KATHLEEN MADIGAN BRINGS THE “BOTHERING JESUS TOUR” TO PARKER PLAYHOUSE FORT LAUDERDALE – Winner of the American Comedy Award for Best Female Comedian, Kathleen Madigan brings the “Bothering Jesus Tour” to Parker Playhouse on Friday, January 20 at 8 p.m. The appearance has been underwritten by an anonymous donor to the “Playing Favorites” campaign which benefits the Broward Performing Arts Foundation. Madigan has performed as a frequent guest on late night television while her stand-up routine, in which she takes on politics, family and American culture, has left audiences howling for over 25 years. With her trademark sharp wit and wry observations, she has been called “the funniest woman in America” by Lewis Black and “one of the best comics alive” by Ron White. Netflix premiered Madigan’s latest television special, “Bothering Jesus,” in September 2016. In 2014, she was nominated for an American Comedy Award for Best Concert Comic and her third one-hour special, Madigan Again, was named one of iTunes Best Comedy Albums. Madigan has also starred in several comedy specials on HBO, Comedy Central and Showtime. During Madigan's career she has performed on nearly every late night show ever made. Leno, Letterman, Conan, Ferguson, The Nightly Show with Larry Wilmore and Ron White’s Salute To The Troops on CMT. She has performed internationally at festivals and theaters in Ireland, England and Australia and has filmed six Montreal Gala Shows at the Montreal Comedy Festival for Canadian television.