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Full Poll results World's Largest Sale EVERY FRIDAY &d. See Page 3 ' f'nn nt ll.t,11"-\I \f rr 111rr.. h.1., r mt rd him ,111,ll'fan ur 'fhf \ r.u und h i ~ b.11111 h,., t In lho \\urld. IIP WIii h,. hrln1ln1 111 .. luntl MM poll rur u .. r r o n d Urll l,h tou r l.atrr winner• I hi, monl11. C OUNT BASTE Is the number one Juzzmun In Lhe world today! Thnt Is the verd ict or MELODY M.AKElt r e11dcrs. They h11ve VOlt•d him Muslclnn 0( The Yl•nr In the MM's 1957 Poll. And thP Count 's grl'at swinging crew also carrlt•d the dny In the To)) Bnnd section with over 4.000 mon• than Duke Ellington nod Stan Krnlon. Thh WQ_" the band whlC'h de• llghLtd Srltatn·s muslcums. critic, nnd Cans on It., Aprll Page 2, Col. 1 HO GILLESPIE Steele Jnr. gets '-' t .\\ \ OHK, \\ Pdnt'f,IJ:11. ~ - lllrt) . <llltr, plp h,h c:1nrrllrd°' 111 ... tour or u,1111111 -<11111 h ,h u l•u lllN'lll ..ll l'd to hrl',11. 1111 hi, hnud. llt' lnhl 1111' MM: " I \\ Ill dl, h,1nd 011 lktolJrr -:?II IHI• his ·big chance II'•" -.i1ml' h O U k I n It ,. COLIN HICKS, 16-year-old brotlher of Tommy Sterh• m,11 .-rl"ll•r •· ut,n ·,. tour or f:11mllf! " 1• this week took another step to song stardom On 11Jan11rd for t hr ,,,r1n1:. Mondny h e s_tg-ned a two-year recordlns contract with the Nixa label. and wlll cut his r----~-.......;;.-....;.....;..;;_.;;.;::;.;;,.;;.;;;.;:;.;;..;;.;::.;:,;:;,;:;.;:;;,:;,,;::.;:; nrst lilies next week. .Ut1•lwe1 11 ulltda11 tetl& 1110 Colin 11tnrts a Varlen• I.our 011rat , t or /aal l-'rlda11 011 Ille thl.'I month In a ~lnl ·., teen­ Jlr,t 01 t/1('1 Bt<11crll'u sl,teri· pncknse LIONEL HAMPTON DUC•TV l<'triet, " 7'/iose age show.' BN'Cflflll Siafrr.•:· lie b Ho will iihD.J'e t.oP blllhtR with ploturrd (Obore) at r til,car• 18-)'e:>.r~ld sJnglng d iaco\·ery TIMETABLE FOR .ah r eadCnr, onl' OJ Ille 111anv Marty Wilde. who l~Cnll\' MICKlt SltVl1l f01l good-lurk u1eorom1 ,c,u 10 made ht. recording Mbut on 'TREASON ' SHOW tltt> Bt>ra. Phlllp'I.---- ------- ONL'I SHIUINCiS MOR£! IONEL HA~JPTON will carry RUSS HAMILTON-RECORD MILLIONAIRE L out. a Ume-eh~k ltlneran· whrn he nn-lvea In Brlt.aln on •rul'Sday ror hia .. Treason l'l llll " mldnlrht concert al Lhc Ro1-al P'estl\'B1 Hall. NICKEL-SILVER KEYS Ham.p"s bour-to-hour mo\·e­ ments are as !01!0111.s: 7 .JS &.m. Arrl,·cs a l London DON1 SNAP OFF ! Airport 10.30 a.m. A Pri-35 conference RECISION enoinotnng plays ,ts ,'\L the Ohnptcr Hou.so of St, parl in mu11cal 1n1frumenl Pl\lll's 011.thl'dml. Pr~ld lng P will be Canon L. John Collins m:t~ing but lho lln1I answer l,,1 o! St. Paul's-the man v.ho w11h tne crarumen, M,i.ny bench orhclnated the idtn of a Jan men are sl,lttd l)lfformers and roncert for I.he &>uth Afncan 'l'rL'.L~on Trial Fund. ha,,e the •• INI" ol •n 1nalrum1AI, necuury for th• f,nal ad1u1tmen11. Rehearsals for fine key work lheie men work: '? ll.m. Hampton rehearses nt lh t! FrsLl\'ul Hall with the bnndli only ,n n1clr.el 1,tvor, e 1ympalh11tc, 01 Johnny Da.nkworth and ducula IMlal which can be rorged, ll•Lmphrey Ll'tltoll-On . b.nl a, silver 10IJ11ed In use of 11: :0 p.m. H t> Dllt'lldll n ,,peclnl ecc1den1, where • hnlr. lr.ey, for t.nntr. where Fathrr 'l're\'or I H 1ddt,.;.,1on wall b" n gue.,i. •••mple. has bHn cuelesily I UO p.m . T .lkf'a lhf' stnnd nL d4nuge:f a ,ep,111 c ,n be ellt!ctlt:f 'h ' Row11 F~ll\'l'll Hull for th1• ilrlV" here ii the~,.., n n,clel s,l~o!r. Jncert. which Jn.s1..,, unlil 1.:t0 .,.111 . 81 sure lhe cllriMI YOU buy hu ':Unger Cleo t.nlnl' Is nn nddl­ n1~lol silver ~l!ys and you 11,0 ltonut attrncl.lon whh thP ftu , 1ta11111to-r1 rt'C"l'tll'd u P.oldtr1 d1•r 011 F'nda11 to marl tlw co,10,n of II cl H1no1 which w,11 l).111!tworth Orchr,.trn n n d 1u/,: oJ o 11111/1011 C'Ofllr o/ ' Ire 1\111/ Mol;c Lour • .. R,1111bn11• .. 1l1nd IIP lo Lnock•about worl. hl.'re will be Impromptu jnu A11d hr 14."4.\ the /lrl( art ht to t'll'C II (Ill tt>leri.ftoll-/111I•I Joel· re, A Console Boehm 17,hy 6 11n ~ liUO!,~ reatunng Hamp 1ontb con­ 1'1111111: 111 tt OJI 'The Jlt'rord. • Gue t star l'rtula Chui, It :ac.,.n ng,•11~ from both bands. tall,;1110 to tl1em oJur it,e vr.i,..-nra nori. w 1lh rod ~"1,1•~ ley1 costs on1 I lS 9u,nu1, 01 all good dHlers BEST BANDS IN THE LAND YOU CAN R U;\I 1,t&r F:rlc Dcbney AIMI rompelln,: In tbi~ DEPEND ON n and hi l•I-J)lt't'r b:rnd ,·ear·.. ('\'till llN' 1956 runnr~- b:nc bttn bookf'd for tbl._ 1957 F1·nal up Krtt S te~, .and hb )1'.&r's !\ID.ODY MAKDI ,\II• Orchnt,.., rrom C'amllrldcf• .Uribin Dance Band Cba111 • and thr Jlmm,• lit) "ortb Ilion hip Final,. Otthestra. from Bunllr) . , --------------------, S unday, No,•cmbcr 10, Is thr 'I'l'lo. \ nd th1 1" onlr th' be- SupJ>Prle,no of tbr b.ind, I J!'lmer 114, Charing Cross Ro1d, London, W.C .2 I day wh en l '.! 11c1111l•p ro. bands flnnlnlf • .trbc Ml\l I,. llt'!follal· wh,hl111 l O ob~ln l kkrl, for PIM,. 11.I "'· f'l' ,lh,tr,11,· I Hr. 111• ' "Ill battle for thr honour ot Inf for Curtber 1011 allrnl'Uoo!I .\U,Urflaln Day abould ,Hltr I ,1, t n I ¾lnnlnc this nallonillly covet- ror tbls IDllllll'10t t'onrcrt at or rall without drlll) to tlac I NA.·-~£ _..... .__..••• ,... , __, ....- ..-- ..-- .., .......................... ............ -................... _ ' tcd 0 hamplooabl1•. " uncbcst.er·i. Kins·, 111111 • t,o,c, omct. Belle \'uc. :'\tun- Wllh Dt l:anr) "111 br hit Brllc Vue. ch,...ltr, or lo I.I" I ' Ltd., I !>h11ers Cab Ka) r and Yirld DcCwdlnc thrlr tltlr "Ill ~ :u.anrhJ', trr. I AODilE S~ -·---·---·.. ·········-•-··--••·••-···................... - ... I ,\odcn;oo and ont: of Britain's rtl,colnt AII-Brllaln rham• Tirk,t, arT prkNI al :h~ 01ott sourhl-aHt'r s m 11 11 plont. TM ~Pfllharn and bl.t -I s. Gd ., Ga., 7s. Gd. !>,, and ( ... ···---- _............... -----··•--n .. •--- N ..- ,,ro )1: ( l(fi)UjlS-tlll' lfl'illr>· Ward Qu.arlt' l, rrom ShtOlrld. JO ' Gd. l---·--.---------- - --- _ ,_J -~ ~ --- ,Oge 1-MI:LOOY NAJC£R. October 11, Ul&7 BOB DAWBARN ALL THE NEWS FROM AMERICA Dates with SUMS UP the Stars THE POLL tlf't:d a,,.,_iw••• Ot1"1v, IJJ 11111• ANTHONY From Page 1 CHARLIE GRACIE • Wttk: Hlppodronu, Brl1hlCQ I( ,Ir and ;b dUt bark hU'e Jn I Jef111 IAllll't' 14 ,1 :n.~·IH to op~n n rU!W tour ou w-.11: £n1plre. Chllwlcll 01 :1 l I f 24 lhlrltY IAHE't' 1:1, nnd 10 Ba~le ,,, Mualclan Wuk: Cmplrf. Shffflf'ld OJ J • ..( Yt a: 1, Chlro H&m lhon. U.dt"f C! '. ht co111par1U\Cll" DtW Ton, IIICNT tlll)tn.mui:al J,\7.% CI._UIOll'I Which Wnk. Ror.11&7. Cb"ln llaa bttn t0PJ>,0I Drtta1n·, llr.t• c,I t«·•-r::sns JUZ dlaa. • COMING BACoperaUon from Lhr Br1Ul,h Onion Tc.rn IUltl'ION The HLm11ton itrouo aaln"d :'\ EW YORK. \Vednesday.­ on lbe mattrr Of Count B&lle'• Wed: Mf'ln,pollLaJI. W. ,. rond pl&ee 1n thr 1>ma11 Combo • Charlie Grnclt' will make l"•om &Pl)eatnn~ on Brill.ab TV. Mu IYCIIAVU 111 panmt.nt hut rould onh n rt I um trip to England No good, Man I 8CIIJIOn : Palladium, "'· 11 ,unu haJ! 1hr \'0tl'r. or the all• I nround the ftnl o! the year BEN GREV.A.ff llonnla CAIIROLL <Ntouu ini. :.tud, rn Jaa Quan ct, nrrordlng to booke~ herf'. ' HE Bl'0IIY Goodman Band baa bttn 1r-fonm'd and llu hi~ Woll: Ntw Th~.i,rC'. Cnr1llff ' Chamber music ' Othe-r~ co lrn,e here rc.r Eng- Tlhr road for a scnes or onr­ D£EP RIVER IOYS :u.c. ?..thin U\t' nrxt H'\etnl thruM.cu lOW of lhe fain 1h11 Dlabters. WttII : HJr .,oclrom•. M n­ T?lr llJQ. Y.1th 115 Jar.. n.m,tm ;J1Clude Saroh Ya .. Fhn1 •• \\1.tk. Ooodm&n, b owr-.er, lS atll"lnl chnltr tht.zn 11r:- mu k orrruni;,. l• u ~ lHi(, Ra;. :\trKm.e-y ., ,lh lht' home on thlh so-arou.nd and 1hc T~r,y DINE h I 1:., t1 r • t \l.1111 '" llrllaJn At 1h,• '.\I.lier 01UiCl :\l,f. Money spinners b:and y.•1.1 be batoned b)" Urbll' Wttk: KlDII'•. So1nh,r.1 I J\l. d JII OH 'lllht r All rour of ,I Olf'nn Orttn.
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    UvA-DARE (Digital Academic Repository) "Our subcultural shit-music": Dutch jazz, representation, and cultural politics Rusch, L. Publication date 2016 Document Version Final published version Link to publication Citation for published version (APA): Rusch, L. (2016). "Our subcultural shit-music": Dutch jazz, representation, and cultural politics. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:27 Sep 2021 "Our Subcultural Shit-Music": Dutch Jazz, Representation, and Cultural Politics ACADEMISCH PROEFSCHRIFT ter verkrijging van de graad van doctor aan de Universiteit van Amsterdam op gezag van de Rector Magnificus prof. dr. D.C. van den Boom ten overstaan van een door het College voor Promoties ingestelde commissie, in het openbaar te verdedigen in de Agnietenkapel op dinsdag 17 mei 2016, te 14.00 uur door Loes Rusch geboren te Gorinchem Promotiecommissie: Promotor: Prof.
  • Music Newsletter

    Music Newsletter

    St. Faith’s Church Choir NEWSLETTER FRIDAY 3RD JULY 2020 Welcome to another edition of ramblings from the organist! Congratulations on making it through June… and welcome to July! Here is this week’s newsletter… as ever, comments, feedback, suggestions welcome! All about Hymns Live streamed services Richard McVeigh continues his (some personal recommendations) live request show of hymns and Last Sunday, quite a few places celebrated organ music every Sunday the feast of St. Peter and St. Paul evening starting at 5pm via his “Beauty in (transferred from Monday 29th). Sound” YouTube channel. Members of the choir of https://www.youtube.com/channel/UCkdRX Chingford Parish Church (NE ZZXDmLJM6XBnUpIoog/videos London) recorded a hymn with You might be interested to see and hear words about St. Peter: how far Richard gets playing “For all the https://www.youtube.com/watch?v=iVlZYSwoUEI saints” using just one hand and one foot: Winchester Cathedral enjoyed https://www.youtube.com/watch?v=lKrJjOZHaPY getting the thurible out for the The RSCM are continuing occasion and they dared to use a to offer a “hymn for the recording of the choir singing “For all the day” via their YouTube channel: saints” to a different tune. I have to say that the tune they used is an excellent one https://www.youtube.com/user/RSCMCentre/videos by Stanford and, I think, fits the text New for this week, but better than the tune by Vaughan Williams. probably has been going for See what you think! some time, I found a really https://www.youtube.com/watch?v=Mq7GiwoHLIQ good “hymn of the week” resource on the website of Chelmsford Cathedral.
  • Bbc Music Jazz British and European Jazz (Pt

    Bbc Music Jazz British and European Jazz (Pt

    Available on your digital radio, online and bbc.co.uk/musicjazz THURSDAY 10TH NOVEMBER FRIDAY 11TH NOVEMBER SATURDAY 12TH NOVEMBER SUNDAY 13TH NOVEMBER MONDAY 14H NOVEMBER 00.00 - JAZZ AT THE MOVIES WITH 00.00 - JAZZ NOW LIVE WITH 00.00 - JAZZ AT THE MOVIES WITH 00.00 - THE LISTENING SERVICE JAMIE CULLUM (PT. 1) SOWETO KINCH CONTINUED JAMIE CULLUM (PT. 2) WITH TOM SERVICE Jamie Cullum explores jazz in films – from Soweto Kinch presents Jazz Now Live from Jamie celebrates the work of some Tom Service considers the art of musical Al Jolson to Jean-Luc Godard. Pizza Express Dean Street in London. of his favourite directors. improvisation with David Toop and Joelle Leandre. 00.30 - GREAT LIVES: THELONIOUS MONK Hannah Rothschild looks back at the life of jazz musician Thelonious Monk. 01.00 - NEIL ‘N’ DUD – THE OTHER SIDE 01.00 - ELLA AT THE ROYAL ALBERT HALL 01.00 - JAZZ JUNCTIONS: 01.00 - JAZZ JUNCTIONS: OF DUDLEY MOORE JAZZ ON THE RECORD THE BIRTH OF THE SOLO Neil Cowley’s tribute to his hero Dudley Moore, Ella Fitzgerald, live at the Royal Albert Hall Guy Barker explores the turning points and Guy Barker looks at the birth of the jazz solo with material from Jazz FM’s archive. in 1990 heralding the start of Jazz FM. pivotal events that have shaped jazz. and the legacy of Louis Armstrong. 02.00 - GUY BARKER’S JAZZ COLLECTION: 02.00 - GUY BARKER’S JAZZ COLLECTION: 02.00 - GUY BARKER’S JAZZ COLLECTION: 02.00 - GUY BARKER’S JAZZ COLLECTION: JAZZ FESTIVALS (PT.