This is a repository copy of ‘What the World Says’: Henry James’ The Reverberator, Celebrity Journalism and Global Space. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/97091/ Version: Accepted Version Article: Salmon, RJ orcid.org/0000-0002-6283-9851 (2016) ‘What the World Says’: Henry James’ The Reverberator, Celebrity Journalism and Global Space. Comparative American Studies, 14 (1). pp. 76-89. ISSN 1477-5700 https://doi.org/10.1080/14775700.2016.1213020 Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing
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[email protected] https://eprints.whiterose.ac.uk/ 1 ‘What the World Says’: Henry James’s The Reverberator, Celebrity Journalism, and Global Space Richard Salmon Abstract This essay examines the influence of late-nineteenth-century transatlantic celebrity journalism on the conception of Henry James’s novel The Reverberator (1888). A relatively neglected work in James’s canon, The Reverberator is known for its satirical treatment of popular journalism and the ‘mania for publicity’, but the depth of its engagement in contemporary debates on the ‘New Journalism’ in Britain and equivalent journalistic practices in America, has not been fully recognized.