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Marital and Familial Roles on Television: an Exploratory Sociological Analysis Charles Daniel Fisher Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1974 Marital and familial roles on television: an exploratory sociological analysis Charles Daniel Fisher Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Family, Life Course, and Society Commons Recommended Citation Fisher, Charles Daniel, "Marital and familial roles on television: an exploratory sociological analysis " (1974). Retrospective Theses and Dissertations. 5984. https://lib.dr.iastate.edu/rtd/5984 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. -
Be Sure to MW-Lv/Ilci
Page 12 The Canadian Statesman. Bowmanville. April 29, 1998 Section Two From page 1 bolic vehicle taking its riders into other promised view from tire window." existences. Fit/.patriek points to a tiny figure peer In the Attic ing out of an upstairs window on an old photograph. He echoes that image in a Gwen MacGregor’s installation in the new photograph, one he took looking out attic uses pink insulation, heavy plastic of the same window with reflection in the and a very slow-motion video of wind glass. "I was playing with the idea of mills along with audio of a distant train. absence and presence and putting shifting The effect is to link the physical elements images into the piece." of the mill with the artist’s own memories growing up on the prairies. Train of Thought In her role as curator for the VAC, Toronto area artists Millie Chen and Rodgers attempts to balance the expecta Evelyn Michalofski collaborated on the tions of serious artists in the community Millery, millery, dustipoll installation with the demands of the general popula which takes its title from an old popular tion. rhyme. “There has to be a cultural and intel TeddyBear Club Holds Workshop It is a five-minute video projected onto lectual feeding," she says, and at the same Embroidered noses, button eyes, fuzzy cars, and adorable faces arc the beginnings of a beautiful teddy bear. three walls in a space where the Soper time, we have to continue to offer the So say the members of the Bowmanville Teddy Bear Club. -
James Cromwell
JAMES CROMWELL Film: Jurassic World: Fallen Kingdom Benjamin Lockwood J. A Bayona Amblin Entertainment Marshall Judge Foster Reginald Hudlin Chestnut Ridge Productions The Promise Ambassador Morgenthau Terry George Babieka Big Hero 6 Robert Callaghan (voice) Don Hall/ Chris Williams FortyFour Studios The Trials of Cate McCall Justice Sumpter Karen Moncrieff Sunrise Films Still Mine Craig Morrison Michael McGowan Mulmur Feed Co. Production Cowgirls n' Angels Terence Parker Timothy Armstrong Sense and Sensibility Hide Away The Ancient Mariner Chris Eyre MMC Joule Films Memorial Day Bud Vogel Sam Fischer 7th Sense Films A Year in Morring The Ancient Mariner Chris Eyre MMC Joule Films The Artist Clifton Michel Hazanvicius La Petite Reine Soilders of Fortune Haussman Maksim Korostyshersky Globus Film Secretariat Ogden Phipps Randall Wallace Walt Disney A Lonely Place for Dying Howard Simons Justin Evans Lonely Place Surrogates Older Lionel Canter Jonathan Mostow Touchstone Pictures W. W.H. Bush Oliver Stone Lionsgate Spiderman 3 Cap. Geroge Stacy Sam Raimi Columbia Becoming Jane Rev. Austen Julian Jarrold Hanway Films The Queen Prince Philip Stephen Frears Pathe Pictures Dante's Inferno Virgil Sean Meredith Dante Film I, Robot Dr. Alfred Lanning Alex Proyas Fox The Snow Walker Shepherd Charles Martin Smith Infinity Media The Sum of all Fears Robert Fowler Phil Alden Robinson Paramount Spirit:The Stallion of Cimarron The Colonel Kelly Asbury Dream Works Space Cowboys Bob Gershon Clint Eastwood Mad Chance The Green Mile Warden Hal Moores Frank Dambont Castle Rock The Batchelor Priest Gary Sinyor New Line Snow Falling on Cedars Judge Fielding Scott Hicks Universal The General's Daughter Lt. -
Broadway Guest Artists & High-Profile Key Note Speakers
Broadway Guest Artists & High-Profile Key Note Speakers George Hamilton, Broadway and Film Actor, Broadway Actresses Charlotte D’Amboise & Jasmine Guy speaks at a Chicago Day on Broadway speak at a Chicago Day on Broadway Fashion Designer, Tommy Hilfiger, speaks at a Career Day on Broadway AMY WEINSTEIN PRESIDENT, CEO AND FOUNDER OF STUDENTSLIVE Amy Weinstein has been developing, creating, marketing and producing education programs in partnership with some of the finest Broadway Artists and Creative teams since 1998. A leader and pioneer in curriculum based standards and exciting and educational custom designed workshops and presentations, she has been recognized as a cutting edge and highly effective creative presence within public and private schools nationwide. She has been dedicated to arts and education for the past twenty years. Graduating from New York University with a degree in theater and communication, she began her work early on as a theatrical talent agent and casting director in Hollywood. Due to her expertise and comprehensive focus on education, she was asked to teach acting to at-risk teenagers with Jean Stapleton's foundation, The Academy of Performing and Visual Arts in East Los Angeles. Out of her work with these artistically talented and gifted young people, she co-wrote and directed a musical play entitled Second Chance, which toured as an Equity TYA contract to over 350,000 students in California and surrounding states. National mental health experts recognized the play as an inspirational arts model for crisis intervention, and interpersonal issues amongst teenagers at risk throughout the country. WGBH/PBS was so impressed with the play they commissioned it for adaptation to teleplay in 1996. -
Introduction Chapter 1
Notes Introduction 1. For The Economistt perpetuating the Patent Office myth, see April 13, 1991, page 83. 2. See Sass. 3. Book publication in 1906. 4.Swirski (2006). 5. For more on eliterary critiques and nobrow artertainment, see Swirski (2005). 6. Carlin, et al., online. 7. Reagan’s first inaugural, January 20, 1981. 8. For background and analysis, see Hess; also excellent study by Lamb. 9. This and following quote in Conason, 78. 10. BBC News, “Obama: Mitt Romney wrong.” 11. NYC cabbies in Bryson and McKay, 24; on regulated economy, Goldin and Libecap; on welfare for Big Business, Schlosser, 72, 102. 12. For an informed critique from the perspective of a Wall Street trader, see Taleb; for a frontal assault on the neoliberal programs of economic austerity and political repression, see Klein; Collins and Yeskel; documentary Walmart. 13. In Kohut, 28. 14. Orwell, 318. 15. Storey, 5; McCabe, 6; Altschull, 424. 16. Kelly, 19. 17. “From falsehood, anything follows.” 18. Calder; also Swirski (2010), Introduction. 19. In The Economist, February 19, 2011: 79. 20. Prominently Gianos; Giglio. 21. The Economistt (2011). 22. For more examples, see Swirski (2010); Tavakoli-Far. My thanks to Alice Tse for her help with the images. Chapter 1 1. In Powers, 137; parts of this research are based on Swirski (2009). 2. Haynes, 19. 168 NOTES 3. In Moyers, 279. 4. Ruderman, 10. 5. In Krassner, 276–77. 6. Green, 57; bottom of paragraph, Ruderman, 179. 7. In Zagorin, 28; next quote 30; Shakespeare did not spare the Trojan War in Troilus and Cressida. -
Colorado Chess Informant
Volume 39, Number 3 July 2012 / $3.00 Colorado State Chess Association COLORADO CHESS INFORMANT Photo by Michael Wokurka Grandmaster Tejas Bakre receiving his prize winnings from Organizer, Joe Fromme. Grandmaster In The House! Bobby Fischer Saluted www.colorado-chess.com Volume 39, Number 3 Colorado Chess Informant July 2012 From The Editor Whew, it has been a busy past few months for chess in Colorado. When the membership voted to go to an all electronic issue of the Informant, that gave me the ability to expand an issue as The Colorado State Chess Junior Representative: much as the number of articles allowed without incurring any Association, Inc., is a Section Rhett Langseth cost to the CSCA. 501(C)(3) tax exempt, non- 15282 Paddington Circle 44 pages of chess in Colorado awaits you in this issue! That profit educational corporation Colorado Springs, CO 80921 should keep you busy for the next three months. The feature of formed to promote chess in [email protected] this issue is the wonderful “Salute to Bobby Fischer Chess Tour- Colorado. Contributions are Members at Large: nament” that was held in early May and which I was once again tax deductible. Dues are $15 a Frank Deming honored by the Organizer, Joe Fromme, in having selected me as year or $5 a tournament. Youth 7906 Eagle Ranch Road the Tournament Director. Again a premier event all around and (under 21) and Senior (65 or Fort Collins, CO 80528 even more so when we had the pleasure of hosting Grandmaster older) memberships are $10. [email protected] Tejas Bakre from India, who decided to play. -
Versace's Native American
VERSACE’S NATIVE AMERICAN A COLONIZED FEMALE BODY IN THE NAME OF AESTHETIC AND DYNASTIC GLORY 1 In this contemporary moment fashion designers have the means to collaborate with Native American fashion designers. However, there is still a flourishing fashion market that refuses to recognize Native American tribes as owners of intellectual property.1 While some brands may initially start on the right track via collaboration with Native artists, it may not always end in success.2 Most recently, Versace has included Native American designs in their ready-to-wear fashion for the 2018 Spring-Summer season. This component of the collection belongs to a tribute honoring Gianni Versace and his original FW ’92 Native American print (Figures 1 and 2).3 I will be discussing the implications of the revived Native American print and how it affects Native North American men and women. In this essay, I will look at Versace’s legacy and his original print; the new Native American Tribute Collection by Donatella Versace; and Donna Karan’s collaboration with Pueblo artist, Virgil Ortiz. I argue that respectful recognition of Native North American property is thrown aside for aesthetic and dynastic glory, which in turn, allows non-Native designers to colonize the ‘exotic’ Native woman’s body by denying Native North American men and women the opportunity to represent themselves to the global fashion community. Virgil Ortiz’s collaboration with Donna Karan illustrates how respectful collaboration can shape the dominant society’s perception of Native North American women. If we use Native North American fashion as a framework to understand how Native designers are working to dismantle mainstream stereotypes, it is imperative that global designers 1 “Navajo Nation Sues Urban Outfitters,” Business Law Daily, March 18, 2012. -
Participants Bios
AMY LEMISCH Executive Director California Film Commission As Executive Director of the California Film Commission, Amy Lemisch oversees all of the state's efforts to facilitate motion picture, television and commercial production. She was appointed by Governor Arnold Schwarzenegger in May 2004, and continues to serve for Governor Edmund G. Brown Jr. Under her leadership, the Commission coordinates with all levels of state and local government to promote California as a production locale. Such efforts in-turn create jobs, increase production spending and generate tax revenues. In addition to overseeing the Commission's wide range of support services, Ms. Lemisch also serves as the state's leading advocate for educating legislators, production industry decision makers and the public at large about the value of filming in California. Among her many accomplishments, Ms. Lemisch was instrumental in the creation, passage and implementation of the California Film & Television Tax Credit Program, which was enacted in 2009 to help curb runaway production. The Commission is charged with administering the $500 million program that targets the types of productions most likely to leave California due to incentives offered in other states and countries. Prior to her appointment at the Commission, Ms. Lemisch served for more than 15 years as a producer for Penny Marshall’s company - Parkway Productions. While based at Universal Studios and Sony Pictures, she was responsible for overseeing physical production on all Parkway projects, as well as selecting new projects for the company to produce. Her credits include: producer on the independent feature film WITH FRIENDS LIKE THESE; co-producer on RIDING IN CARS WITH BOYS (starring Drew Barrymore), THE PREACHER’S WIFE (starring Denzel Washington and Whitney Houston) and RENAISSANCE MAN (starring Danny DeVito); associate producer on AWAKENINGS, A LEAGUE OF THEIR OWN, and CALENDAR GIRL. -
Stacey Travis Resume[1]
9229 Sunset Blvd., Suite 400 (310) 281-4868 Los Angeles, CA 90069 Fax (310) 281-4866 STACEY TRAVIS FILM (Partial List) A CHRISTMAS STORY TOO WARNER PREMIER DIR. BRIAN LEVANT EASY A SCREEN GEMS/SONY DIR. WILL GLUCK DEEP DARK CANYON INDEPENDENT DIR. ABE LEVY RANDOM ENCOUNTERS INDEPENDENT DIR. BORIS UNDORF SON OF MOURNING INDEPENDENT DIR. YANIV RAZ THE GREAT BUCK HOWARD PLAYTONE DIR. SEAN McGINLY FUN WITH DICK AND JANE IMAGINE ENT. DIR. DEAN PARISOT VENOM MIRAMAX DIR. JIM GILLESPIE ART SCHOOL CONFIDENTIAL UNITED ARTISTS DIR. TERRY ZWIGOFF INTOLERABLE CRUELTY UNIVERSAL DIR. JOEL COEN JACK SATIN INDEPENDENT DIR. CHRIS OLNESS SOUL PLANE MGM DIR. JESSY TERRERO TWO DAYS INDEPENDENT DIR. SEAN MCGINLY BANDITS MGM DIR. BARRY LEVINSON GHOST WORLD MGM DIR. TERRY ZWIGOFF TRAFFIC UNIVERSAL DIR. STEVEN SODERBERG HEARTBREAKERS MGM DIR. DAVID MIRKIN WHAT PLANET ARE YOU FROM SONY PICTURES DIR. MIKE NICHOLS SLEEP EASY HUTCH RIMES INDEPENDENT DIR. MATTHEW IRMAS MYSTERY MEN UNIVERSAL DIR. KINKA USHER THE MUSE OCTOBER FILMS DIR. ALBERT BROOKS THE ONLY THRILL LIONS GATE DIR. PETE MASTERSON PLAYING GOD BUENA VISTA DIR. ANDY WILSON ONLY THE STRONG 20TH CENTURY FOX DIR. SHELDON LETTICH THE SUPER 20TH CENTURY FOX DIR. ROD DANIEL HARDWARE MIRAMAX DIR. RICHARD STANLEY TELEVISION (Partial List) MEN (Pilot) GUEST STAR A24 / SUPER DELUXE MOM GUEST STAR CBS BETAS RECURRING AMAZON MODERN FAMILY GUEST STAR ABC THE NICK KROLL SHOW GUEST STAR COMEDY CENTRAL THE BIG BANG THEORY GUEST STAR CBS THE LEAGUE GUEST STAR FX SONS OF TUCSON GUEST STAR FOX GOOD LUCK CHARLIE GUEST STAR -
For Immediate Release Second Night of 2017 Creative Arts
FOR IMMEDIATE RELEASE SECOND NIGHT OF 2017 CREATIVE ARTS EMMY® WINNERS ANNOUNCED (Los Angeles, Calif. – September 10, 2017) The Television Academy tonight presented the second of its two 2017 Creative Arts Emmy® Awards Ceremonies honoring outstanding artistic and technical achievement in television at the Microsoft Theater in Los Angeles. The ceremony honored performers, artists and craftspeople for excellence in scripted programming including comedy, drama and limited series. Executive produced by Bob Bain, the Creative Arts Emmy Awards featured presenters from the season’s most popular show including Hank Azaria (Brockmire and Ray Donovan), Angela Bassett (911 and Black Panther), Alexis Bledel (The Handmaid’s Tale), Laverne Cox (Orange Is the New Black), Joseph Gordon-Levitt (Are You There Democracy? It's Me, The Internet) and Tom Hanks (Saturday Night Live). Press Contacts: Stephanie Goodell breakwhitelight (for the Television Academy) [email protected], (818) 462-1150 Laura Puig breakwhitelight (for the Television Academy) [email protected], (956) 235-8723 For more information please visit emmys.com. TELEVISION ACADEMY 2017 CREATIVE ARTS EMMY AWARDS – SUNDAY The awards for both ceremonies, as tabulated by the independent accounting firm of Ernst & Young LLP, were distributed as follows: Program Individual Total HBO 3 16 19 Netflix 1 15 16 NBC - 9 9 ABC 2 5 7 FOX 1 4 5 Hulu - 5 5 Adult Swim - 4 4 CBS 2 2 4 FX Networks - 4 4 A&E 1 2 3 VH1 - 3 3 Amazon - 2 2 BBC America 1 1 2 ESPN - 2 2 National Geographic 1 1 2 AMC 1 - 1 Cartoon Network 1 - 1 CNN 1 - 1 Comedy Central 1 - 1 Disney XD - 1 1 Samsung / Oculus 1 - 1 Showtime - 1 1 TBS - 1 1 Viceland 1 - 1 Vimeo - 1 1 A complete list of all awards presented tonight is attached. -
Rap in the Context of African-American Cultural Memory Levern G
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 Empowerment and Enslavement: Rap in the Context of African-American Cultural Memory Levern G. Rollins-Haynes Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES EMPOWERMENT AND ENSLAVEMENT: RAP IN THE CONTEXT OF AFRICAN-AMERICAN CULTURAL MEMORY By LEVERN G. ROLLINS-HAYNES A Dissertation submitted to the Interdisciplinary Program in the Humanities (IPH) in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Summer Semester, 2006 The members of the Committee approve the Dissertation of Levern G. Rollins- Haynes defended on June 16, 2006 _____________________________________ Charles Brewer Professor Directing Dissertation _____________________________________ Xiuwen Liu Outside Committee Member _____________________________________ Maricarmen Martinez Committee Member _____________________________________ Frank Gunderson Committee Member Approved: __________________________________________ David Johnson, Chair, Humanities Department __________________________________________ Joseph Travis, Dean, College of Arts and Sciences The Office of Graduate Studies has verified and approved the above named committee members. ii This dissertation is dedicated to my husband, Keith; my mother, Richardine; and my belated sister, Deloris. iii ACKNOWLEDGEMENTS Very special thanks and love to -
Widescreen Weekend 2014 Brochure
WIDESCREEN WEEKEND 10-13 APRIL 2014 2OTH BRADFORD INTERNATIONAL FILM FESTIVAL IN PARTNERSHIP WITH NATIONAL MEDIA MUSEUM Bradford BD1 1NQ Box Office 0844 856 3797 www.nationalmediamuseum.org.uk www.bradfordfilmfestival.org.uk 20TH BRADFORD INTERNATIONAL FILM FESTIVAL 27 MARCH - 6 APRIL 2014 WIDESCREEN WEEKEND 1 ................................................................................................................. INTRODUCTION TH TICKETS 2O In 1954 the movie industry was facing fierce competition from television, and investing heavily in offering the best possible experience in the cinema. Quality counted, and that year Tickets for individual screenings and events can be a new widescreen process was launched. The words “Paramount proudly presents the first purchased from the National Media Museum Box picture in VistaVision” appeared on screen and the letter V came flying towards the audience, Office (open 10am-9pm during the festival), on the BRADFORD creating a startling 3D effect. And with this introduction yet another widescreen process was phone 0844 856 3797 (8.30am-8.30pm), or via the presented to the public, the third in as many years. Each was designed to ensure that the only website www.bradfordfilmfestival.org.uk INTERNATIONAL place you could witness vivid, exciting, detailed imagery, was in cinemas. For details of how to book a widescreen FILM FESTIVAL Hollywood had to strive continually in the 1950s to offer something which could not be weekend pass, please see the festival website 27 MARCH - 6 APRIL 2O14 rivalled in the home. Television had started gaining a foothold in American homes from 1948 www.bradfordfilmfestival.org.uk and just like today – with large screen HD TVs, home cinema and uncompressed audio – the battle between the two media was intense.