DOCSLIB.ORG

Count Basie Kansas City Suite / Easin' It Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Count Basie Kansas City Suite / Easin' It Mp3, Flac, Wma Count Basie Kansas City Suite / Easin' It mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Kansas City Suite / Easin' It Country: Canada Released: 1972 Style: Big Band MP3 version RAR size: 1917 mb FLAC version RAR size: 1381 mb WMA version RAR size: 1432 mb Rating: 4.4 Votes: 728 Other Formats: AA DXD MIDI MP4 TTA AC3 XM Tracklist Hide Credits Vine Street Rumble A1 3:33 Written-By – Benny Carter Katy-Do A2 4:19 Written-By – Benny Carter Miss Missouri A3 5:10 Written-By – Benny Carter Jackson Count Y-Jubilee A4 2:30 Written-By – Benny Carter Sunset Glow A5 2:27 Written-By – Benny Carter The Wiggle Walk B1 3:53 Written-By – Benny Carter Meetin' Time B2 3:23 Written-By – Benny Carter Passeo Promenade B3 3:23 Written-By – Benny Carter Blue Five Jive B4 3:56 Written-By – Benny Carter Rompin' At The Reno B5 2:14 Written-By – Benny Carter Easin' It C1 6:06 Written-By – Frank Foster Brotherly Shove C2 3:17 Written-By – Frank Foster Blues For Daddy-O C3 8:53 Written-By – Frank Foster Four, Five, Six D1 4:38 Written-By – Frank Foster Misunderstood Blues D2 6:05 Written-By – Frank Foster Mama Dev D3 4:42 Written-By – Frank Foster It's About That Time D4 4:15 Written-By – Frank Foster Credits Bass – Art Davis (tracks: D1), Eddie Jones (tracks: A1 to C3), Ike Isaacs (tracks: D2 to D4) Drums – Gus Johnson (tracks: D1, D4), Louis Bellson (tracks: D2, D3), Sonny Payne (tracks: A1 to C3) Guitar – Freddie Green (tracks: A1 to D4) Piano – Count Basie (tracks: A1 to D4) Reeds – Billy Mitchell (tracks: A1 to C3), Charlie Fowlkes (tracks: A1 to D4), Eric Dixon (tracks: D1 to D4), Frank Foster (tracks: A1 to D4), Frank Wess (tracks: A1 to D4), Marshall Royal (tracks: A1 to D4) Trombone – Al Grey (tracks: A1 to C3), Benny Powell (tracks: A1 to D4), Henry Coker (tracks: A1 to D4), Quentin Jackson (tracks: D1 to D4) Trumpet – Al Aarons (tracks: D1 to D4), Clark Terry (tracks: C1 to C3), Joe Newman (tracks: A1 to C3), Paul Ricard (tracks: D1 to D4), Snooky Young (tracks: A1 to C3), Sonny Cohn (tracks: A1 to D4), Thad Jones (tracks: A1 to D4) Notes A1 to B5 : New York City, 17 November, 1960 C1 to C3 : New York City, August, 1960 D1 : New York City, 3 July, 1962 D2, D3 : New York City, 13 July, 1962 D4 : New York City, 26 July, 1962 Distributed by GRT of Canada Ltd. 150 Consumers Rd., Willowdale, Ontario, Canada Barcode and Other Identifiers Matrix / Runout (Side A Runout): 9045-124-S1 Matrix / Runout (Side B Runout): 9045-124-S2 Matrix / Runout (Side C Runout): 9045-124-S3 Matrix / Runout (Side D Runout): 9045-124-S4 Other versions Category Artist Title (Format) Label Category Country Year Kansas City Suite / Easin' It (2xLP, RE 5S Count Basie Roulette RE 5S Spain 1977 Comp, RE) Kansas City Suite / Easin' It (LP, CIDA 5103 Count Basie Roulette CIDA 5103 Spain 1982 Comp) Kansas City Suite / Easin' It (2xLP, RE-124 Count Basie Roulette RE-124 US 1972 Comp, Gat) Related Music albums to Kansas City Suite / Easin' It by Count Basie Benny Carter And His Orchestra - Benny Carter And His Orchestra - Night Hop / O.K. For Baby Benny Carter And His Orchestra - What A Diff'rence A Day Made / Cuddle Up, Huddle Up Benny Carter - The King Benny Carter & The Oscar Peterson Trio - Sketches On Standards Benny Carter And His Orchestra - The Very Thought Of You / All Of Me Benny Carter - Additions To Further Definitions Benny Carter - Waltzing The Blues Coleman Hawkins / Ben Webster / Benny Carter - Three Great Swing Saxophones Various - Great Big Bands - Ellington, Henderson, Carter.
Load more

Recommended publications
  • Guide to Ella Fitzgerald Papers
    Guide to Ella Fitzgerald Papers NMAH.AC.0584 Reuben Jackson and Wendy Shay 2015 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Music Manuscripts and Sheet Music, 1919 - 1973................................... 5 Series 2: Photographs, 1939-1990........................................................................ 21 Series 3: Scripts, 1957-1981.................................................................................. 64 Series 4: Correspondence, 1960-1996.................................................................
    [Show full text]
  • Jazz Ensembles I & II
    SCHOOL of MUSIC where PASSION is heard Jazz Ensembles I & II Wes Funderburk, Conductor Sam Skelton, Conductor Tuesday, February 18, 2020 | 8:00 PM Dr. Bobbie Bailey & Family Performance Center Audrey B. and Jack E. Morgan, Sr. Concert Hall musicKSU.com 1 heard KSU Jazz Ensemble II Wes Funderburk, Conductor Program Splanky NEAL HEFTI Bluesette THIELEMANS / arr. Hooper Blues in Hoss Flat FRANK FOSTER Everyday I Have the Blues CHAPMAN / OJEDA Deedle’s Blues FRANK FOSTER Home Grown WES FUNDERBURK Personnel Reeds Trombones Trumpets Rhythm Brandon Printup Austin Coker Kameron Clarke Emmanuel Brown Alto 1 Wes McDonald Cierra Weldin Piano Alex Barasoain Raymond Durr Billy Sands Max Toomey Alto 2 Samuel Missner Nicolas Matherne Drums Michael Siler (Bass Trombone) Carlos Diaz Tenor 1 Drums Eric Lopes Vocals Asuria Austin Tenor 2 Auriyan Tillman Bass Tom Smith Sadie Llop Rod Suarez Bari Sax Guitar Diego Fonseca Guitar Audio/video recording and flash photography is prohibited at School of Music concerts. We welcome all guests with special needs and offer the following services: easy access, companion seating locations, accessible restrooms, and assisted listening devices. Please contact a patron services representative at 470-578-6650 to request services. 2 Kennesaw State University School of Music KSU Jazz Ensemble I Sam Skelton, Conductor The Music of The Count Basie Orchestra Program Jackson County Jubilee (From “Kansas City Suite”) BENNY CARTER Miss Missouri (From “Kansas City Suite”) BENNY CARTER The Very Thought of You NOBLE / RIDDLE All Right,
    [Show full text]
  • The Commissioned Flute Choir Pieces Presented By
    THE COMMISSIONED FLUTE CHOIR PIECES PRESENTED BY UNIVERSITY/COLLEGE FLUTE CHOIRS AND NFA SPONSORED FLUTE CHOIRS AT NATIONAL FLUTE ASSOCIATION ANNUAL CONVENTIONS WITH A BRIEF HISTORY OF THE FLUTE CHOIR AND ITS REPERTOIRE DOCUMENT Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Yoon Hee Kim Graduate Program in Music The Ohio State University 2013 D.M.A. Document Committee: Katherine Borst Jones, Advisor Dr. Russel C. Mikkelson Dr. Charles M. Atkinson Karen Pierson Copyright by Yoon Hee Kim 2013 Abstract The National Flute Association (NFA) sponsors a range of non-performance and performance competitions for performers of all ages. Non-performance competitions are: a Flute Choir Composition Competition, Graduate Research, and Newly Published Music. Performance competitions are: Young Artist Competition, High School Soloist Competition, Convention Performers Competition, Flute Choirs Competitions, Professional, Collegiate, High School, and Jazz Flute Big Band, and a Masterclass Competition. These competitions provide opportunities for flutists ranging from amateurs to professionals. University/college flute choirs perform original manuscripts, arrangements and transcriptions, as well as the commissioned pieces, frequently at conventions, thus expanding substantially the repertoire for flute choir. The purpose of my work is to document commissioned repertoire for flute choir, music for five or more flutes, presented by university/college flute choirs and NFA sponsored flute choirs at NFA annual conventions. Composer, title, premiere and publication information, conductor, performer and instrumentation will be included in an annotated bibliography format. A brief history of the flute choir and its repertoire, as well as a history of NFA-sponsored flute choir (1973–2012) will be included in this document.
    [Show full text]
  • Basie, Ballads, Bebop & Blues
    BASIE, BALLADS, BEBOP & BLUES RECOMMENDED CLASSIC & NEWER WORKS FOR THE JAZZ ENSEMBLE, GRADES 2 – 4+ Compiled by Dr. Michael Parkinson Chair, Department of Music Webster University, St. Louis, Missouri © 2006 Educational Specialist – Benge Trumpets, Conn-Selmer, Inc. With the assistance of Robert Waggoner, Jim Cochran, and Ron Allen AND Tom Whaley, CMEA Jazz Representative (2005-2007) Works selected from the following publishing sources: Advance, Alfred, Barnhouse, Doug Beach (Kendor), CPP-Belwin, DPZ, FJH, Hal Leonard Heritage, Increase Music, JPM, Jazz at Lincoln Center (Alfred-JLC), Kendor, Kjos, Little Bear, Ludwig, Matrix, Really Good Music, Second Floor (Leonard), Sierra, Smart Chart, Stitzel, Three-Two, UNC & Walrus Bold face = recommended works; CAPITALIZED = outstanding choices, * Playable by a smaller ensemble BALLADS: TITLE: COMP/ARR: SOURCE and/or RECORDING: FEATURES: PUB: GR: A Child is Born Thad Jones Trumpet/Flugel Kendoe 3 AFTER YOU’VE GONE Layton/M. Taylor 1920s standard, Publisher’s disc Swing 8th, ensemble, piano Leonard 4 All The Things You Are J. Kern/S. Kenton 1950s Stan Kenton Orchestra Trombones, piano, sax soli Sierra 4 ALWAYS & FOREVER P. Metheny/B. Curnow 1990s Pat Metheny Group & Bob Curnow Big Band Alto sax, flugel horn, or guitar Sierra 4 At First Light Ellen Rowe Original , publisher’s disc Alto sax, light rock ballad Sierra 3 AUTUMN Bob Florence 1980s Bob Florence Orchestra (opt. doubles) Tenor sax feature Walrus 4 Beauty and the Beast G. Goodwin Band/Tenor Leonard 5 Black, Brown & Beautiful Oliver Nelson 1970s Oliver Nelson Orchestra Alto Sax (Johnny Hodges) Sierra 3 BLUE B. Shew/G. Brisker 1970s Louie Bellson Orchestra Trumpet (Bobby Shew) Beach/Kendor 4 Blue & Sentimental C.
    [Show full text]
  • Sangoma Everett & Lionel Martin – Revisiting Afrique of Count
    Sangoma Everett & Lionel Martin – Revisiting Afrique of Count Basie & Oliver Nelson Pascal Anquetil Crédit photo : Bertrand Gaudillère / Item La métamorphose d’un big band en duo « Ce duo, c’est l’histoire d’une rencontre du troisième type » écrit avec pertinence Jacques Denis dans son texte de pochette. Cinquante ans après son enregistrement par le grand orchestre de Count Basie, Lionel Martin et Sangoma Everett se sont lancé le défi de revisiter en tandem Afrique. Ce superbe album, trop méconnu, produit en 1970 par Bob Thiele, est basé sur un répertoire original écrit spécialement par Oliver Nelson. Bien que de génération et origine différentes, Lionel Martin, saxophoniste volcanique au gros son charnu, au vibrato enfiévré et aux phrases grasses et épaisses, incandescentes comme de la lave, et Sangoma Everett, batteur souple et élégant qui connaît sur le bout de ses baguettes toutes les subtilités des rythmes du monde, ont tenté et réussi avec ce disque une mission impossible : faire sonner leur duo comme un big band et transformer leur joute joyeuse en une conversation interactive, captivante de bout en bout. Ce que Lionel Martin, initiateur du projet, aime d’abord dans l’album de Basie, « c’est au fond une certaine simplicité, un rapport à la ligne de basse très simple et répétitive avec des thèmes très puissants. » Résultat : la réussite principale des deux amis est d’avoir su transmuer le swing “basique” en groove grondant et entrainant ; à savoir une certaine manière organique de faire pulser la musique en un roulis polyrythmique irrésistible. Cela crève les oreilles : les deux complices tout au long de leur dialogue vif et chaud s’entendent bien et savent s’écouter pour élaborer ensemble une architecture sonore singulière et enfanter librement une musique entêtante, fertilisée à l’humus du blues et aiguillonnée par l’appel du gospel.
    [Show full text]
  • Trumpeter Scotty Barnhart Appointed New Director of the Count Basie Orchestra
    September 23, 2013 To: Listings/Critics/Features From: Jazz Promo Services Press Contact: Jim Eigo, [email protected] www.jazzpromoservices.com Trumpeter Scotty Barnhart Appointed New Director of The Count Basie Orchestra For Immediate Release The Count Basie Orchestra and All That Music Productions, LLC, is pleased to announce the appointment of Scotty Barnhart as the new Director of The Legendary Count Basie Orchestra. He follows Thad Jones, Frank Foster, Grover Mitchell, Bill Hughes, and Dennis Mackrel in leading one of the greatest and most important jazz orchestras in history. Founded in 1935 by pianist William James Basie (1904-1984), the orchestra still tours the world today and is presently ending a two-week tour in Japan. The orchestra has released hundreds of recordings, won every respected jazz poll in the world at least once, has appeared in movies, television shows and commercials, Presidential Inaugurals, and has won 18 Grammy Awards, the most for any jazz orchestra. Many of its former members are some of the most important soloists, vocalists, composers, and arrangers in jazz history. That list includes Lester Young, Billie Holiday, Harry “Sweets” Edison, Jo Jones, Frank Foster, Frank Wess, Thad Jones, Joe Williams, Sonny Payne, Snooky Young, Al Grey, John Clayton, Dennis Mackrel and others. Mr. Barnhart, born in 1964, is a native of Atlanta, Georgia. He discovered his passion for music at an early age while being raised in Atlanta's historic Ebenezer Baptist Church where he was christened by Dr. Martin Luther King, Jr.He has been a featured trumpet soloist with the Count Basie Orchestra for the last 20 years, and has also performed and recorded with such artists as Wynton Marsalis, Marcus Roberts, Frank Sinatra, Diana Krall, Clark Terry, Freddie Hubbard, The Duke Ellington Orchestra, Nat Adderley, Quincy Jones, Barbara Streisand, Natalie Cole, Joe Williams, and many others.
    [Show full text]
  • With Over Fteen Years of Touring to Date, the Quebe Sisters Have Delivered Their My Tracks When I Heard Them the Rst Time
    “The Quebe Sisters simply stopped me in With over fteen years of touring to date, The Quebe Sisters have delivered their my tracks when I heard them the rst time. authentic triple ddle and three-part harmony sound to the concert halls and festivals Their blend of swing with a dash of of North America and Europe. contemporary color is unique in today’s music world. They project a cannonball of Grace, Sophia, and Hulda Quebe front an innovative Progressive Western Swing band stage presence and man can they play.” of archtop guitar, upright bass, ddles and sibling harmony. The Dallas-based ve-piece JIMMY BUFFETT presents a unique Americana blend of Western Swing, Jazz-in uenced Swing, Country, Texas-Style Fiddling, and Western music. “The Quebe Sisters are some of the most talented people I’ve ever met. They do “We differentiate our music as ‘Progressive Western Swing’ from simply ‘Western Swing’ Texas proud. They live in Texas, sound because we aren’t trying to sound just like Bob Wills,” Grace Quebe explains. like Texas and they’re prettier than Texas “Instead, we continue his vision, playing the style he pioneered in an authentic way by Bluebonnets, and sweeter than sugar cane. I love the Quebe Sisters”. incorporating new genres and songs, interpreting them using our own unique voice RICKY SKAGGS through Country instrumentation.” The band’s stripped-down acoustic instrumentation breathes new life into seasoned sounds “I rst heard the Quebe Sisters at the Philly Folk Festival, and was pretty blown away. I begged once found in Texas dance halls and honky-tonks.
    [Show full text]
  • DISCOGRAFIA BASICA DEL JAZZ Prof.: Willie Campins
    DISCOGRAFIA BASICA DEL JAZZ Prof.: Willie Campins ESTILO DE NUEVA ORLEANS O HOT JAZZ: Original Dixieland Jazz Band: • Sensation! (ASV AJA 5023R)(1920) • The Original Dixieland Jazz Band 1917-1921 (Timeless CBC 1-009) New Orleans Rhythm Kings: • The New Orleans Rhythm Kings and Jelly Roll Morton (Milestone MCD 47020-2) (1922- 1925) Jelly Roll Morton: • Jelly Roll Morton 1923-1924 (Classics 584) • The Complete Jelly Roll Morton 1926-1930 (RCA Bluebird ND82361) • Jelly Roll Morton Vol. 1 (JSP CD 321) (1926/1927) King Oliver: • King Oliver Vol. 1 1923-1929 (con Louis Armstrong) (CDS RPCD 607) • King Oliver 1923 (con Louis Armstrong) (Classics 650) Sidney Bechet: • The Legendary Sidney Bechet (Bluebird ND 86590) • New Orleans Jazz (Columbia 462954) Kid Ory: • Kid Ory’s Creole Jazz Band (Good Time Jazz 12022) ESTILO DE CHICAGO O JAZZ TRADICIONAL: Louis Armstrong: • Con King Oliver: King Oliver Vol. 1 (1923-1929) • Hot Fives and Sevens Vol. 1 (JSP 312) (1925/26), Vol. 2 (JSP 313) (1927), Vol. 3 (JSP 314) (1929) • Louis Armstrong & His Orchestra (1929-1932) (Classics 570, 557, 547 y 536) • Louis Armstrong & His Orchestra (1932-1939) (Classics 529, 509, 512, 515, 523) Bix Beiderbecke: • Bix’n’Bing (Con Bing Crosby) (ASV AJA 5005) • Bix Beiderbecke Vol. 1 Singin’ the Blues (Columbia 4663092) (1927) • Bix Beiderbecke Vol. 2 At the Jazz Band Ball (Columbia 4608252) (1928) Eddie Condon: • Dixieland All Stars (MCA GRP 16372) (1939-1946) Fletcher Henderson: • Fletcher Henderson 1924-1925 (Classics 633) SWING: Duke Ellington: • The Complete Brunswick Recordings Vol. 1 y 2 (MCA MCAD 42325 y 42348) (1927-1931) • Early Ellington 1927-1934 (RCA Buebird 86852) • Rockin’ In Rhythm (ASV AJA 5057) (1927-1936) • Black, Brown and Beige (RCA Bluebird 86641) (1944-1946) Benny Goodman: • The Birth of Swing (RCA Bluebird ND 90601) (1935-1936) • Stompin’ at the Savoy (RCA Bluebird ND 90631) (1935-1938) • After You’ve Gone (RCA Bluebird ND 85631) (1935-1937) • Live at Carnegie Hall (Columbia 4509832) (1938) • Sextet Featuring Charlie Christian (Columbia 4656792) (1939-1941) • B.G.
    [Show full text]
  • 6. Count Basie's Cleveland Connections
    6. Count Basie's Cleveland Connections illiam Basie, pianist and bandleader, was not a In his autobiography, Good Morning Blues, Basie Clevelander, but he certainly perfonned recalled he married the girl from Cleveland in 1943 in Wfrequently in Cleveland and hired a number of Seattle. Their honeymoon was a series ofone-night band Clevelanders to play in his swinging band. Basie' s appearances. strongest tie to Cleveland is frequently forgotten. He The Basie band was working in New York when Katy married a girl from Cleveland and their only child was was about to have a baby. She returned to Cleveland and born here. stayed with her parents. Katy and Bill Basie's only child, Diane Basie, was born in Cleveland. He rushed to Catherine Morgan Basie Cleveland to be with his wife and Catherine Morgan left Cleveland daughter. at the age of 16 in 1931 to become a Later, when they rejoined Basie in dancer. She joined a very popular New York, he said he had vivid vaudeville act, the Whitman Sisters. memories of seeing Katy getting off She was one of three girls in the the plane from Cleveland carrying dance company who called their baby. He said, "It was a special themselves "The Snake Hips thrill bringing my family home from Queens." When they appeared at the the airport that day, Old Base, his Lafayette Theatre in New York City, wife and daughter." there was a jazz band from Kansas They moved into an apartment City on the same bill. The young building near New York' s Central dancer from Cleveland noticed the Park.
    [Show full text]
  • SAMMY NESTICO Music Distributed by K ENDOR M Usic
    enDor usic K Doug Beach MuMsic V o l u M e 3 azz 3 eJnseMBle visit us at kendormusic.com : • free recordings • SoloMate accompaniment tracks • complete viewable scores • detailed descriptions • brass ranges • dealer directory Jazz Series Kendor Jazz Doug Beach Jazz Gateway Series Foundations Series Easy charts for developing groups, Very easy charts for 4 horns with many featuring Kendor Konvertible rhythm section that are expandable to scoring for 9-17 pieces. A guitar chord full-size big band. chart is included. Download Jazz Gateway MP3 Album Doug Beach First Edition Series Easy charts for developing groups, playable by 12-17 players. Kendor Jazz Journey Series Medium charts for advancing groups. A guitar chord chart is included. Doug Beach Threshold Series Download Jazz Medium easy to medium charts for Journey MP3 Album advancing groups. Kendor Jazz Doug Beach Summit Series Jazz Ensemble Series Advanced charts for proficient big Medium to medium advanced charts bands. for proficient big bands. Download Jazz Download Doug Summit MP3 Album Beach MP3 Album Encore Editions are repromoted titles Kendor Music, Inc. with full recorded versions and online MUSIC PUBLISHER 21 Grove Street • PO Box 278 enhancements. Delevan, New York 14042-0278 • U.S.A. phone 716-492-1254 fax 716-492-5124 www.kendormusic.com e-mail: [email protected] ENCORE E DItION Kendor Jazz Jamie Gateway Series by Sammy Nestico Recorded by Count Basie on the album “Have A Nice ENCORE E DItION Day” (Daybreak Records), this highly expressive ballad is a study in subtle textures and colors featuring short Bossa Bonito written or improvised piano solos and fills, muted by Jon Phelps brasses, and a directed ending that closes in a whisper.
    [Show full text]
  • Oscar Peterson & Roy Eldridge
    Oscar Peterson Oscar Peterson & Roy Eldridge mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Oscar Peterson & Roy Eldridge Country: US Released: 1975 MP3 version RAR size: 1217 mb FLAC version RAR size: 1410 mb WMA version RAR size: 1900 mb Rating: 4.7 Votes: 313 Other Formats: XM DMF MP1 MOD MPC WMA AA Tracklist A1 Little Jazz 4:45 A2 She's Funny That Way 7:38 A3 The Way You Look Tonight 6:22 B1 Sunday 5:45 B2 Bad Hat Blues 7:34 B3 Between The Devil And The Deep Blue Sea 5:22 B4 Blues For Chu 5:06 Companies, etc. Manufactured By – Pablo Records, Inc. Phonographic Copyright (p) – Pablo Records Recorded At – MGM Recording Studios Credits Photography By – Phil Stern Piano, Organ – Oscar Peterson Producer – Norman Granz Trumpet – Roy Eldridge Other versions Title Category Artist Label Category Country Year (Format) Oscar Peterson Oscar & Roy Eldridge Peterson & - Oscar 2310 739 Pablo Records 2310 739 UK 1975 Roy Peterson & Eldridge Roy Eldridge (LP, Album) Oscar Oscar Peterson, Roy Peterson, Eldridge - 2310 739 Pablo Records 2310 739 Germany 1975 Roy Oscar Peterson Eldridge & Roy Eldridge (LP) Oscar Peterson Oscar & Roy Eldridge Peterson & - Oscar PN 4048 Pablo Records PN 4048 Spain 1984 Roy Peterson & Eldridge Roy Eldridge (LP, Album) Oscar Peterson Oscar & Roy Eldridge Peterson & - Oscar 2310 739 Pablo Records 2310 739 Brazil 1977 Roy Peterson & Eldridge Roy Eldridge (LP, Album) Oscar Peterson Original Jazz & Roy Eldridge Oscar Classics, Pablo - Oscar Peterson & Records, 00025218672726 Peterson & 00025218672726 Europe Unknown
    [Show full text]
  • Thad Jones Chronology Copy
    Thad Jones Chronology Compiled by David Demsey • 1923/March 28 - Born, Pontiac Michigan; father a lumber inspector for General Motors, had moved to MI from Vicksburg, MS. One of ten children – Thad: “We lost one sister in a drowning accident, and Elvin had a twin brother that died at an early age, but the remaining eight survive.” (Source: liner of H. Jones Have You Met This Jones?) • Professional career began during high school (later 1930s) • C. 1936-7, started to play trumpet at age 14 • C. 1936 in Arcadia Club Band in Pontiac, MI, led by trumpet-playing uncle Bill; band also contained Hank Jones • C. 1939, Formed The Hungry Five, played school dances; contained pianist Vivian Scott, tenorist Dan Turner • Last year in high school (1939?) played in 13-piece band in Saginaw, MI; had first contact with Big Nick Nicolas and Sonny Stitt, formed group with others from Flint, MI, went on road for 2.5 years, broke up in Indianapolis • 1941 traveling with Connie Cornell band through South • 1943 in Dallas for about six months, with band led by altoist Red Calhoun • 1943/December-April 1946 – U.S. Army; first big band experience in G.I. band led by Jack Teagarden, Jr.; arranged for G.I. band that toured with the show “Bedtime Stories” • 1946, formed own band in Oklahoma City • 1946, played in Des Moines with Harold and Seymour Gray for 7 months • 1948, recorded Swing, Not Spring, w/Billy Mitchell, Terry Pollard, piano/vibes; James Richardson? Alvin Jackson?, b; Elvin Jones, d. • 1950-53 formed group with tenor saxophonist Billy Mitchell, also
    [Show full text]