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A Creed to Live by Don't Undermine Your Worth by Comparing Yourself
A Creed To Live By A Hundred Years From Now Don't undermine your worth by comparing yourself A hundred years from now it will not matter what my with others. bank account was, the sort of house I lived in, or the It is because we are different that each of us is kind of car I drove but the world may be different special. because I was important in the life of a child. Don't set your goals by what other people deem A Man important. Only you know what is best for you. A man that made an impression on strangers and friends. Don't take for granted the things closest to your heart. Quiet but firm and even more stern. Cling to them as you would your life, for without Strength and courage I have learned from you, them life is meaningless. but being without you is hard to do. Don't let your life slip through your fingers by living A man with pride in every step he made. in the past or for the future. A man with vigor in every phrase. By living your life one day at a time, you live all the days of your life. The tears I’ve shed cannot surpass the smiles and the laughs we had with you. Don't give up when you still have something to give. To feel your pain I could not do, Nothing is really over until the moment you stop to feel your joy I cannot explain, trying. but being without you is hard to do. -
Exemplar Texts for Grades
COMMON CORE STATE STANDARDS FOR English Language Arts & Literacy in History/Social Studies, Science, and Technical Subjects _____ Appendix B: Text Exemplars and Sample Performance Tasks OREGON COMMON CORE STATE STANDARDS FOR English Language Arts & Literacy in History/Social Studies, Science, and Technical Subjects Exemplars of Reading Text Complexity, Quality, and Range & Sample Performance Tasks Related to Core Standards Selecting Text Exemplars The following text samples primarily serve to exemplify the level of complexity and quality that the Standards require all students in a given grade band to engage with. Additionally, they are suggestive of the breadth of texts that students should encounter in the text types required by the Standards. The choices should serve as useful guideposts in helping educators select texts of similar complexity, quality, and range for their own classrooms. They expressly do not represent a partial or complete reading list. The process of text selection was guided by the following criteria: Complexity. Appendix A describes in detail a three-part model of measuring text complexity based on qualitative and quantitative indices of inherent text difficulty balanced with educators’ professional judgment in matching readers and texts in light of particular tasks. In selecting texts to serve as exemplars, the work group began by soliciting contributions from teachers, educational leaders, and researchers who have experience working with students in the grades for which the texts have been selected. These contributors were asked to recommend texts that they or their colleagues have used successfully with students in a given grade band. The work group made final selections based in part on whether qualitative and quantitative measures indicated that the recommended texts were of sufficient complexity for the grade band. -
Bonnie Tyler
Chart - History Singles All chart-entries in the Top 100 Peak:2 Peak:1 Peak: 1 Germany / United Kindom / U S A Bonnie Tyler No. of Titles Positions Bonnie Tyler (born Gaynor Hopkins; 8 June Peak Tot. T10 #1 Tot. T10 #1 1951) is a Welsh singer, known for her 2 22 2 -- 231 28 -- distinctive husky voice. Tyler came to 1 18 5 1 103 24 2 prominence with the release of her 1977 album 1 6 2 1 83 17 4 The World Starts Tonight and its singles "Lost in France" and "More Than a Lover". Her 1978 1 30 5 1 417 69 6 single "It's a Heartache" reached number four on the UK Singles Chart, and number three on the US Billboard Hot 100. In the 1980s, Tyler ventured into rock music with songwriter and producer Jim Steinman. ber_covers_singles Germany U K U S A Singles compiled by Volker Doerken Date Peak WoC T10 Date Peak WoC T10 Date Peak WoC T10 1 Lost In France 02/1977 3 33 1510/1976 9 10 3 2 More Than A Lover 07/1977 44 1 03/1977 27 6 3 Heaven 08/1977 24 22 4 It's A Heartache 01/1978 2 22 1312/1977 4 12 703/1978 3 21 6 5 Here Am I 05/1978 18 8 6 Married Man 06/1979 35 6 7 Total Eclipse Of The Heart 04/1983 16 18 02/1983 1 2416 61107/1983 1 29 8 Faster Than The Speed Of Night 05/1983 43 4 9 Have You Ever Seen The Rain 08/1983 63 4 06/1983 47 3 10 Take Me Back 12/1983 46 9 11 A Rockin' Good Way 01/1984 22 11 01/1984 5 9 2 ► Shaky & Bonnie 12 Holding Out For A Hero 05/1984 19 11 05/1984 2 16 6 02/1984 34 13 13 Getting So Excited 03/1984 85 2 14 Here She Comes 11/1984 43 9 10/1984 98 1 08/1984 76 5 15 Loving You's A Dirty Job But Somebody's Gotta Do It 01/1986 41 7 11/1985 73 6 ► Bonnie Tyler & Todd Rundgren 16 If You Were A Woman (And I Was A Man) 04/1986 36 9 04/1986 78 3 04/1986 77 6 17 Band Of Gold 06/1986 81 3 18 Islands 10/1987 41 16 09/1987 100 1 ► Mike Oldfield feat. -
Sesame Street’ with Screenings and Special Guests
FOR IMMEDIATE RELEASE MUSEUM OF THE MOVING IMAGE CELEBRATES 50 YEARS OF ‘SESAME STREET’ WITH SCREENINGS AND SPECIAL GUESTS Events include Sesame Street Short Film Festival and a program of “Lost and Found” segments, with special guests including William Wegman, Sonia Manzano, and Bob McGrath October–December 2019 Astoria, New York, October 2, 2019—The groundbreaking children’s television series Sesame Street turns 50 this year. To celebrate this milestone, Museum of the Moving Image (MoMI) is presenting a series of events highlighting different aspects of the beloved series, including the “lost” segments that never aired, and a “film festival” of the short films that debuted as part of the program. The Museum’s series, Celebrating 50 Years of Sesame Street, will be accompanied by special guests including longtime cast members Bob McGrath and Sonia Manzano, William Wegman, and others. On Sunday, November 10, MoMI will present a special screening of the premiere episode of Sesame Street, which aired on November 10, 1969. For a full schedule of events, see below or go to www.movingimage.us/sesamestreet50 “Through its ingenious mix of educational principles, infectious humor, and unforgettable human and puppet characters, Sesame Street has enriched the lives of millions of people around the world,” says Barbara Miller, Director of Curatorial Affairs. “MoMI is proud to be part of the year-long 50th anniversary celebration, and to be home to puppets from Sesame Street, on view in our ongoing Jim Henson Exhibition.” Celebrating 50 Years of Sesame Street was organized by Craig Shemin, President of The Jim Henson Legacy, who will host most of the events. -
Sing! 1975 – 2014 Song Index
Sing! 1975 – 2014 song index Song Title Composer/s Publication Year/s First line of song 24 Robbers Peter Butler 1993 Not last night but the night before ... 59th St. Bridge Song [Feelin' Groovy], The Paul Simon 1977, 1985 Slow down, you move too fast, you got to make the morning last … A Beautiful Morning Felix Cavaliere & Eddie Brigati 2010 It's a beautiful morning… A Canine Christmas Concerto Traditional/May Kay Beall 2009 On the first day of Christmas my true love gave to me… A Long Straight Line G Porter & T Curtan 2006 Jack put down his lister shears to join the welders and engineers A New Day is Dawning James Masden 2012 The first rays of sun touch the ocean, the golden rays of sun touch the sea. A Wallaby in My Garden Matthew Hindson 2007 There's a wallaby in my garden… A Whole New World (Aladdin's Theme) Words by Tim Rice & music by Alan Menken 2006 I can show you the world. A Wombat on a Surfboard Louise Perdana 2014 I was sitting on the beach one day when I saw a funny figure heading my way. A.E.I.O.U. Brian Fitzgerald, additional words by Lorraine Milne 1990 I can't make my mind up- I don't know what to do. Aba Daba Honeymoon Arthur Fields & Walter Donaldson 2000 "Aba daba ... -" said the chimpie to the monk. ABC Freddie Perren, Alphonso Mizell, Berry Gordy & Deke Richards 2003 You went to school to learn girl, things you never, never knew before. Abiyoyo Traditional Bantu 1994 Abiyoyo .. -
Henry Van Dyke - Poems
Classic Poetry Series Henry Van Dyke - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Henry Van Dyke(10 November 1852 – 10 April 1933) Henry Jackson van Dyke was an American author, educator, and clergyman. <b>Biography</b> Henry van Dyke was born on November 11 , 1852 in Germantown, Pennsylvania in the United States. He graduated from Princeton University in 1873 and from Princeton Theological Seminary, 1877 and served as a professor of English literature at Princeton between 1899 and 1923. In 1908-09 Dr. van Dyke was an American lecturer at the University of Paris. By appointment of President Wilson he became Minister to the Netherlands and Luxembourg in 1913. He was elected to the American Academy of Arts and Letters and received many other honors. Van Dyke was an "ardent foe of the annexation of the Philippines, [and] told his congregation in 1898, 'If we enter the course of foreign conquest, the day is not far distant when we must spend in annual preparation for wars more than the $180,000,000 that we now spend every year in the education of our children for peace.' He chaired the committee that wrote the first Presbyterian printed liturgy, The Book of Common Worship of 1906. Among his popular writings are the two Christmas stories, The Other Wise Man (1896) and The First Christmas Tree (1897). Various religious themes of his work are also expressed in his poetry, hymns and the essays collected in Little Rivers (1895) and Fisherman’s Luck (1899). He wrote the lyrics to the popular hymn, "Joyful, Joyful We Adore Thee" (1907), sung to the tune of Beethoven's "Ode to Joy". -
Service Folder Verses
SERVICE FOLDER VERSES or your convenience, we are pleased to F provide this selection of poems, scriptures and other writings that you may find suitable for inclusion in a service folder. Please advise your funeral director if you would like to use one of those found here or if you have another passage you prefer. Should you require assistance, your funeral director may be able to suggest certain verses that may be particularly suitable for your needs. SERVICE FOLDER VERSES 1) THE ROSE BEYOND THE WALL 3) Grant me the quietness to see (from the writings of A.L. Frank) in the things of the world, however small or large, Near shady wall a rose once grew, however violent or calm, Budded and blossomed in God’s free light, the grace and blessedness Watered and fed by morning dew, of Your design. Shedding its sweetness day and night. As it grew and blossomed fair and tall, 4) “They shall not grow old, Slowly rising to loftier height, as we that are left grow old. It came to a crevice in the wall Age shall not weary them, Through which there shone a beam of light. nor the years condemn, At the going down of the sun, Onward it crept with added strength and in the morning. With never a thought of fear of pride, We will remember them.” It followed the light through the crevice’s length And unfolded itself on the other side. Lord God of hosts, be with us yet, The light, the dew, the broadening view Lest we forget, lest we forget. -
A Midsummer Night's Dream William Shakespeare
A Midsummer Night’s Dream William Shakespeare An Electronic Classics Series Publication A Midsummer Night’s Dream by William Shakespeare is a publication of The Electronic Classics Series. This Portable Document file is furnished free and without any charge of any kind. Any person using this document file, for any purpose, and in any way does so at his or her own risk. Neither the Pennsylvania State University nor Jim Manis, Editor, nor anyone asso- ciated with the Pennsylvania State University assumes any responsibility for the material contained within the document or for the file as an electronic transmission, in any way. A Midsummer Night’s Dream by William Shakespeare, The Electronic Classics Series, Jim Manis, Editor, PSU-Hazleton, Hazleton, PA 18202 is a Portable Document File produced as part of an ongoing publication project to bring classical works of literature, in English, to free and easy access of those wishing to make use of them. Jim Manis is a faculty member of the English Department of The Pennsylvania State University. This page and any preceding page(s) are restricted by copyright. The text of the following pages are not copyrighted within the United States; however, the fonts used may be. Cover Design: Jim Manis Copyright © 1999 - 2013 The Pennsylvania State University is an equal opportunity university. A MIDSUMMER NIGHT’S STARVELING: a tailor. HIPPOLYTA: queen of the Amazons, betrothed to DREAM Theseus. William Shakespeare HERMIA: daughter to Egeus, in love with Lysander. (written about 1593-1594) HELENA: in love with Demetrius. DRAMATIS PERSONAE OBERON: king of the fairies. THESEUS: Duke of Athens. -
Midsummer Nights Dream.Pdf
No Fear Shakespeare – A Midsummer Night’s Dream (by SparkNotes) -1- Original Text Modern Text Act 1, Scene 1 Enter THESEUS , HIPPOLYTA , and PHILOSTRATE , THESEUS and HIPPOLYTA enter with others with PHILOSTRATE and others. THESEUS THESEUS Now, fair Hippolyta, our nuptial hour Our wedding day is almost here, my beautiful Draws on apace. Four happy days bring in Hippolyta. We’ll be getting married in four days, Another moon. But oh, methinks how slow on the day of the new moon. But it seems to me This old moon wanes! She lingers my desires, that the days are passing too slowly—the old 5 Like to a stepdame or a dowager moon is taking too long to fade away! That old, Long withering out a young man’s revenue. slow moon is keeping me from getting what I want, just like an old widow makes her stepson wait to get his inheritance. HIPPOLYTA HIPPOLYTA Four days will quickly steep themselves in night. No, you’ll see, four days will quickly turn into four Four nights will quickly dream away the time. nights. And since we dream at night, time passes And then the moon, like to a silver bow quickly then. Finally the new moon, curved like a 10 New bent in heaven, shall behold the night silver bow in the sky, will look down on our Of our solemnities. wedding celebration. THESEUS THESEUS Go, Philostrate, Go, Philostrate, get the young people of Athens Stir up the Athenian youth to merriments. ready to celebrate and have a good time. Awake the pert and nimble spirit of mirth. -
2022 MONOLOGUE PACKET All Monologues Should Be Referred To
2022 MONOLOGUE PACKET All monologues should be referred to by the corresponding number at the bottom of each page. Please note: Monologues in RED are ineligible for the 2022 competition. A Midsummer Night’s Dream Bottom 4.1.210-229 [Waking up.] When my cue comes, call me, and I will answer. My next is “Most fair Pyramus.” Hey-ho! Peter Quince! Flute the bellows-mender! Snout the tinker! Starveling! God’s my life! Stolen hence and left me asleep! I have had a most rare vision. I have had a dream past the wit of man to say what dream it was. Man is but an ass if he go about to expound this dream. Methought I was—there is no man can tell what. Methought I was and methought I had—but man is but a patched fool if he will offer to say what methought I had. The eye of man hath not heard, the ear of man hath not seen, man’s hand is not able to taste, his tongue to conceive, nor his heart to report what my dream was. I will get Peter Quince to write a ballad of this dream. It shall be called “Bottom’s Dream” because it hath no bottom; and I will sing it in the latter end of a play, before the Duke. Peradventure, to make it the more gracious, I shall sing it at her death. 1 A Midsummer Night’s Dream Bottom [As Pyramus] 5.1.291-302, 306-316 But stay! O spite! But mark, poor knight, What dreadful dole is here! Eyes, do you see! How can it be! O dainty duck! O dear! Thy mantle good— What, stained with blood? Approach, ye Furies fell! O Fates, come, come, Cut thread and thrum, Quail, crush, conclude, and quell! O, wherefore, Nature, didst thou lions frame, Since lion vile hath here deflowered my dear, Which is—no, no—which was the fairest dame That lived, that loved, that liked, that looked with cheer? Come, tears, confound! Out, sword, and wound The pap of Pyramus; Ay, that left pap, Where heart doth hop. -
Fly Me to the Void (Pdf)
1 “Life is for the living. Death is for the dead. Let life be like music. And death a note unsaid.” --- Langston Hughes Table of Contents Part One: Elegies and Authors Áine R. Folan….1 Shira Berkin...29 Young Girl in Profile, 1948...2 Letter to A Little Dead Fly...30 The Gray Area...3 My Grandmother; Pieces of Us...31 Stephanie Rodriguez...4 Jess Chartier…32 A Stone to the Heart...5 The Departure...33 Love with Limit...6 Behind the Bride...34 Anya Spirito...8 Brooke Daly...36 Bowling for a Coach...9 Reckless...37 Hat Trick...10 Current...38 Tianchen Li...11 Steve Heintzelman…39 Endless Love...12 Formal Dinner Party...40 Time... 13 Floating...41 Lizzy Baer...14 Lexi Lenaghan...42 Plain Sight...15 Stage Fright...43 Falling Fast... 16 The Beach House...44 Fengqi Guo...17 Dany Khoury...45 Freedman...18 Elegy for My Dad...46 Streetlights...19 Here She Comes...50 Wes Woodson...20 Mild Laohapoonrungsee...51 A Loss Predicted...21 November 22, on Instagram...52 The Lady Behind the Glass...22 Still Life is Dead. Long Live Still Life...53 Sarah Mangiacotti...23 Kaan Yuceland...54 Who I Am Not...24 De-Valued De-Composer...55 A Trip to San Francisco...25 Waving My Arms in the Air with Syd…57 Cate Diamond...26 Kenny Ma...58 Cottage on the Pond...27 Silence...59 The Bears...28 Phases...60 Table of Contents Part Two: Authors' Inspirations Áine R. Folan……………………………………………………………………………………..61 Stephanie Rodriguez….…………………………………………………………………………62 Anya Spirito….…………………………………………………………………………………..63 Tianchen Li………………………………………………………………………………………64 Lizzy Baer…..…………………………………………………………………………………….65 Fengqi Guo……………………………………………………………………………………….66 Wes Woodson…..…………………………………………………………………………………67 Sarah Mangiacotti………………………………..…………………………………………….68 Cate Diamond….………………………………………………………………………………..69 Shira Berkin….………………………………………………………………………………….70 Jess Chartier….………………………………………………………………………...……….71 Brooke Daly….…………………………………………………………………………………..72 Steve Heintzelman... -
Bruises on the Fruit
ruises onon thethe fruitfruit B A BRIEF HISTORY OF NIRVANA & THE EVOLUTION OF THEIR MUSIC by Gary Vehar From the moment Nirvana’s landmark CD Nevermind was released, the world of rock music has never been the same. I for one will always be thankful that that album came out when it did, slightly over a week before my eighteenth birthday. I was a still-wet-behind-the-ears college freshman, away from home for the first time. Just as my life was changing drastically, so was the culture. Music, politics, fashion and art underwent an enormous change as the 90’s sloughed off the last vestiges of the 80’s. Concealed as I was in the quiet town of Ellensburg, Washington, within the tiny confines of my third-floor door room, it was the change in musical guard that first caught my attention. Friends from Seattle regularly brought over dubbed tapes to share with those of us here in college, and among one batch was an advance tape for a band called Nirvana. Nevermind was already causing excitement before its official release of September 24th, 1991. Leaving my friends for the night, I couldn’t get the songs, the sounds, out of my head. About a week later I was in yet another dorm room, listening to a brutish lout rave about the same album. Even at this early date it was obvious Nirvana was crossing all boundaries, even if the fellow who owned this copy (the real CD, this time) made fun of the over-the-top screams that so captivated me.