Reading Groups Collection 2020 (NF = Non-Fiction)
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644A Disciple Has Crossed Over by Water': an Analysis of Lawrence
64 4A disciple has crossed over by water’: an Analysis of Lawrence Durrell’s Alexandria Quartet in its Egyptian Historical and Intellectual Contexts.” Mike Diboll. Submitted for the degree of Doctor of Philosophy, University of Leicester. University College Northampton August 2000 UMI Number: U139322 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U139322 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 <DIAOI2 AAEEANAPEY2IN Dedicated to Phyllis (1908 - 1994) and Joan (1916 - 2000). Abstract: “ ‘A disciple has crossed over bv water’: Lawrence Diirrell's Alexandria Quartet in its Egyptian Historical and Intellectual Contexts” by Mike Diboll. This dissertation examines Lawrence Durrell's The Alexandria Quartet in its various Egyptian contexts. It contests the idea that the Alexandria of the Quartet is essentially a city of the imagination which bears little or no relation to the real city of history. It argues that various strata of Alexandrian history, from antiquity to the nineteen- fifties, are deeply embedded in Durrell’s Quartet. Of particular interest is the tetralogy’s representation of the history of Egypt's Wafdist independence movement in the years 1919 - 1952, and Britain's responses to it. -
A Study on Lisbeth Salander's Fear of Intimacy in Steig
PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI A STUDY ON LISBETH SALANDER’S FEAR OF INTIMACY IN STEIG LARSSON’S THE GIRL WITH THE DRAGON TATTOO A SARJANA PENDIDIKAN RESEARCH PAPER Presented as Partial Fulfillment of the Requirements to Obtain the Sarjana Pendidikan Degree in English Language Education By Fertunata Monica Darsono Student Number: 111214029 ENGLISH LANGUAGE EDUCATION STUDY PROGRAM DEPARTMENT OF LANGUAGE AND ARTS EDUCATION FACULTY OF TEACHERS TRAINING AND EDUCATION SANATA DHARMA UNIVERSITY YOGYAKARTA 2018 i PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI ABSTRACT Darsono, Fertunata Monica. (2018). A Study on Lisbeth Salander’s Fear of Intimacy in Stieg Larsson’s The Girl with the Dragon Tattoo. English Language Education Study Program, Department of Language and Arts Education, Faculty of Teachers Training and Education, Yogyakarta: Sanata Dharma University. Intimacy exists in human relationship. It happens between two individuals or more. However, intimacy is feared by some people. In literary works, fear of intimacy can be experienced by the character. This study discusses the fear of intimacy on Lisbeth Salander from a novel entitled The Girl with the Dragon Tattoo, written by Stieg Larsson. Lisbeth Salander, a pale, very skinny young woman who experts in internet hack culture but awkward in common social situation, is involved in a mystery disclosure. Salander traumatic experiences with other people result in her rejection towards relationship and human intimacy. The problem formulation is “How does Salander overcome her fear of intimacy?”. The objective of the study is to describe how Salander overcome her fear of intimacy using MacAdams’ theory. -
Hottest Couple Downey
DeceMber 2011 | VOLUME 12 | NUMBER 12 Inside Steven Spielberg peter JackSon viggo MortenSen DaviD cronenberg Michael FaSSbenDer Holidays Hottest’ Couple , S Downey piring S ea n iD law i t F talk sHerloCk 26 i PUBLICATIONS MAIL AGREEMENT NO. 41619533 g page 45! SnapS: blake lively, hugh JackMan, Scarlett Johansson, orlanDo blooM COntents dECEMBEr 2011 | Vol 12 | nº12 COVer STOrY 38 JOllY GOOd time Sherlock Holmes stars Robert Downey Jr. and Jude Law had a blast making the first film, so it’s no surprise when they reveal during an on-set interview for Sherlock Holmes: A Game of Shadows that the good times continued with the sequel By Mark Pilkington reGulars 6 Editor’s notE 8 SnaPs 10 In BriEf 14 Spotlight Holiday 16 All drEssEd UP 18 In thEatrEs 54 Casting Call Gift 56 RetUrn EngagEMEnt Guide 58 At hoME GREaT lasT-Minu TE 62 Finally... GoodiEs! Page 45 features 24 analYze this 28 What a shame 32 dream team 36 merYl streep X 5 Viggo Mortensen plays Michael Fassbender bares all director Steven Spielberg and in honour of Meryl Streep’s freud in David Cronenberg’s playing a sex addict in Shame, producer Peter Jackson on turn as Margaret thatcher A Dangerous Method. find but he admits it isn’t the first being drawn together to bring in The Iron Lady, we present out why the pair was psyched time he’s gone commando in a comic book hero to life in our five favourite streep to work together yet again front of the camera The Adventures of Tintin transformations By ingrid randoja By MathiEU ChantElois By Mark Pilkington By Marni WEisz 4 | CINEPLEX MAGAZINE | DECEMBER 2011 EDITOR’S NOTE PUBLISHER SALAH BACHIR EDITOR MARNI WEISZ DEPUTY EDITOR INGRID RANDOJA ART DIRECTOR TREVOR STEWART ASSISTANT ART DIRECTOR STEVIE SHIPMAN DIRECTOR, PRODUCTION SHEILA GREGORY CONTRIBUTORS MATHIEU CHANTELOIS, MARK PILKINGTON ADVERTISING SALES FOR CINEPLEX MAGAZINE AND LE MAGAZINE CINEPLEX IS HANDLED BY CINEPLEX MEDIA. -
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Evelyn Waugh in his library at Piers Court In 1950. This photograph by Douglas Glass appeared in "Portrait Gallery" ln the Sunday T;m~s, January 7, 1951. Waugh had recently published Hel~nQ (1950), and he was about to start writing M~n at Arms (1952), the first volume of the trilogy that became Sword o/Honour (1965). C J. C. C. Glass "A Handful of Mischief" New Essays on Evelyn Waugh Edited by Donat Gallagher, Ann Pasternak Slater, and John Howard Wilson Madison· Teaneck Fairleigh Dickinson University Press Published by Fairleigh Dickinson University Press Co-publisbed with The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 www.rlpgbooks.com Estover Road, Plymouth PL6 7PY, United Kingdom Copyright C 2011 by The Rowman & Littlefield Publishing Group, Inc. All rights reserved. No part of this book may be reproduced in any form or by any electronic or me<:hanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Library of Congress Cataloguing-in-Publication Data on file under LC#2010016424 ISBN: 978-1-61147-048-2 (d. : alk. paper) eISBN: 978-1-61147-049-9 e"" The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences- Permanence of Paper for Printed Library Materials, ANSIINISO Z39.48-1992. Printed in the United States of America To Alexander Waugh, who keeps the show on the road Contents Acknowledgments 9 Abbreviations 11 Introduction ROBERT MURRAY DAVIS 13 Evelyn Waugh, Bookman RICHARD W. -
Evelyn Waugh and FRIENDS
Evelyn Waugh AND FRIENDS JONKERS RARE BOOKS EVELYN WAUGH AND FRIENDS 3 JONKERS RARE BOOKS 4 C A T A L O G U E 7 4 Evelyn Waugh AND FRIENDS JONKERS RARE BOOKS MMXVII CATALOGUE 74 Offered for sale by Jonkers Rare Books 27 Hart Street Henley on Thames RG9 2AR 01491 576427 (within the UK) +44 1491 576427 (from overseas) email: [email protected] website: www.jonkers.co.uk Payment is accepted by cheque or bank transfer in either sterling or US dollars and all major credit cards. All items are unconditionally guaranteed to be authentic and as described. Any unsatisfactory item may be returned within ten days of receipt. All items in this catalogue may be ordered via our secure website. The website also lists over 2000 books, manuscripts and pieces of artwork from our stock, as well as a host of other information. Cover illustration: Mark Gerson’s photo of Evelyn Waugh in the garden at Combe Florey, taken in 1963 Frontispiece: An illustration by Waugh and Derek Hooper (both aged 13) for The Cynic (item 2), Waugh’s prep-school magazine. Pastedown: Waugh’s ‘modernist’ bookplate used in the 1920’s, from item 4. 2 Introduction There has been a more than sufficient amount written about the life and writings of Evelyn Waugh to render any further rehashing of biographical information unneccesary here. However, the scope of the catalogue inevitibly takes the form of a timeline in artifacts. It begins with the proofs of Waugh’s first literary output, aged 7 and his contributions to school and university pub- lications, through to his comprehensive catalogue of published work: non-fiction first followed by his triumphant first novel and the further successes which followed. -
EVELYN WAUGH NEWSLETTER and STUDIES Vol
EVELYN WAUGH NEWSLETTER AND STUDIES Vol EVELYN WAUGH NEWSLETTER AND STUDIES Vol. 33, No. 3 Winter 2003 Wights Errant: Suffixal Sound Symbolism in the Novels of Evelyn Waugh by Simon Whitechapel He who hesitates is lost. Particularly in the novels of Evelyn Waugh, where little serves to damn a character as readily as hesitation and uncertainty. In the prologue to Brideshead Revisited (1945), for example, Charles Ryder accompanies his C.O. on an inspection of the camp: ‘Look at that,’ said the commanding officer. ‘Fine impression that gives to the regiment taking over from us.’ ‘That’s bad,’ I said. ‘It’s a disgrace. See that everything there is burned before you leave camp.’ ‘Very good, sir. Sergeant-major, send over to the carrier-platoon and tell Captain Brown that the C.O. wants this ditch cleared up.’ I wondered whether the colonel would take this rebuff; so did he. He stood irresolutely prodding the muck in the ditch, then he turned on his heel and strode away.1 The C.O. is never named, perhaps because Waugh had already bestowed his favorite suffix of contempt on another character in the prologue, Hooper, who accordingly joins Beaver, Trimmer, Atwater, Dr Messinger, Mulcaster, Corker, Salter, Lord Copper, Peter Pastmaster, Box-Bender, Pennyfeather, and Ryder among what might be called Waugh’s wights errant. The last two characters, who are partly autobiographical, prove that Waugh did not spare himself: Paul Pennyfeather, the hero of Decline and Fall (1928), suffers misfortune after misfortune because he is too trusting and unassertive, and Charles Ryder, the narrator of Brideshead, though perhaps partly shielded by his patrician “y”, is still worthy of serious blame for his behavior. -
June 2021 Published: May 2021 Ed for the Booksellers’ Prize
We’re delighted to introduce the wonderful books gracing our list in the first half of 2021. Featuring an epic debut of the legacies of migration and the CONTENTS tangled bonds of family (Little Gods), a moving and witty graphic novel about the life of a real ten- New Titles year-old girl (Esther’s Notebooks 1) and an unset- tling psychological thriller about a woman with Pushkin Vertigo multiple personalities (The Eighth Girl), there is New Editions truly something here for every reader. Pushkin Collection From a heartstopping memoir spanning Liberia Recent Highlights and the United States (The Dragons, the Giant, the Women) to a beguiling mystery set in foggy 1990s Prague (The Ghost of Frederic Chopin), from a pacy Israeli crime novel about a serial killer targeting women without children (The Others) to a poignant animal fable by the greatest living Tamil author (The Story of a Goat), this is a list of the world’s best stories, to be read and read again. MY BROTHER KARIN SMIRNOFF Pushkin Press new titles A publishing phenomenon from Sweden: a novel about new titles NEW uncovering family secrets, abuse, trauma and resilience Jana is returning to see her twin brother Bror, still living in the small family farmhouse in the TITLES rural north of Sweden. It’s decrepit and crum- bling, and Bror is determinedly drinking him- self to an early grave. They’re both damaged by horrific childhood experiences, buried deep in the past, but Jana cannot keep running. Alive with the brutality and beauty of the landscape, My Brother is a novel steeped in darkness and violence – about abuse, love, complicity, and coming to terms with the past. -
Evelyn Waugh Newsletter
EVELYN WAUGH NEWSLETTER Volume 15, Number 2 Autumn 1981 THE NATURE OF A TRIMMER By Thomas A. Gribble Alan Watkins, in The Observer, and Auberon Waugh, in Books and Book men, have written that the character of Trimmer in the Sword of Honour trilogy might have been suggested by Lord Lovat, Waugh's superior officer in the commandoes who forced his resignation from the brigade in the summer of 1943. Certainly there was no love lost between these fellow Catholics. Lord Lovat's autobiography, March Past, contains one of the most vituperative portraits of Waugh in print. Waugh's diaries and letters show that he was deeply offended and wounded by what he considered to be a plot on Lord Lovat's part to remove him from the commandoes, and it is not far~fetched to surmise that he was striking back for his wartime humiliation by caricaturing the Scots aristocrat as a bogus hero and a former ladies hairdresser. It is ironic that Major General Robert Laycock, the commanding officer for whom Waugh had the utmost respect and to whom Officers and Gentlemen is dedicated, was, according to his obituary in The Times, the true possessor of tonsorial skills. Trimmer, however, !ike a!! of Waugh's characters, does not depend upon any rea! person for his existence. Waugh's characters all have their place in the design of his novels and that alone justifies their existence. Trimmer's function is to suggest certain characteristics of the 'wasteland' figures who inhabit the modern world described in Waugh's novels, the "hollow men" who have no true sense of identity. -
Characters and Characterisation in Durrell's the Alexandria Quartet
CHARACTERS AND CHARACTERISATION IN DURRELL'S THE ALEXANDRIA QUARTET Dr. Anna Pratt When The Alexandria Quartet appeared in the late fifties (Justine 1957; Balthazar 1958; Mountolive 1958; Clea 1960) it was given a very mixed reception. Some critics were enthusiastic, making sometimes exaggerated claims for Durrell's originality and greatness; others were more sceptical. George Steiner for instance praised the richness of Durrell's style, saying : "No one else writing in English today has a comparable command of the light and music of language ... Who is to say ... that The Alexandria Quartetwill not lead to a 1 renascence of prose" ? ( ) , while Angus Wilson disagreed, claiming that "Durrell's aims are magnificent, but his execution is often slipshod and pretentious, and the language floridly vul 2 gar" . ( ) It is interesting to note that Durrell's most severe critics tended to be British, and his popularity was much greater in America and on the Continent than in his own country. Dur rell's biographer, G.S. Fraser, says that the prevailing view in England was that the Alexan dria Quartet "is a most impressive but in some ways flawed or imperfect work, extraordinarily 3 vivid, but too rich, too gaudy" . ( ) A similar difference of opinion can be noticed in critical comments on Durrell's methods of characterisation and his ability to create convincing characters. Here again, most British critics were not impressed by characters in The Quartet . The following quotations illustrate the dominant attitude : "For the most part the characters in these novels remain flat surfaces . .. they never become three-dimensional figures .. -
Setting Fires: Literary Women Blazing Trails for Contemporary Women Laura Salinas University of Rhode Island, [email protected]
University of Rhode Island DigitalCommons@URI Senior Honors Projects Honors Program at the University of Rhode Island 2015 Setting Fires: Literary Women Blazing Trails for Contemporary Women Laura Salinas University of Rhode Island, [email protected] Follow this and additional works at: http://digitalcommons.uri.edu/srhonorsprog Part of the Literature in English, Anglophone outside British Isles and North America Commons, Literature in English, North America Commons, Modern Literature Commons, Other Feminist, Gender, and Sexuality Studies Commons, and the Women's Studies Commons Recommended Citation Salinas, Laura, "Setting Fires: Literary Women Blazing Trails for Contemporary Women" (2015). Senior Honors Projects. Paper 428. http://digitalcommons.uri.edu/srhonorsprog/428http://digitalcommons.uri.edu/srhonorsprog/428 This Article is brought to you for free and open access by the Honors Program at the University of Rhode Island at DigitalCommons@URI. It has been accepted for inclusion in Senior Honors Projects by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. Setting Fires: Literary Women Blazing Trails for Contemporary Women Laura Salinas May 11, 2015 2 Literature consistently provides an unapologetic and relentless commentary on society and societal standards. Authors bring to life relatable characters that become symbols and icons for readers because they embody the fierce prowess, determination and strength of a hero, in a time when society lacks individuals with the energetic force of a hero. Stieg Larsson’s Lisbeth Salander is a non-hetero-normative empowered female character that breaks the gender roles and stereotypes that are generally placed upon female characters and women in society. -
Reading Groups Collection Multiple-Copy Titles Available for Loan Master List Revised May 2019
Reading Groups Collection Multiple-Copy Titles Available for Loan Master list revised May 2019 Susan ABULHAWA - Mornings in Jenin (2011, 352 pages) Palestine, 1948. A mother clutches her six-month-old son as Israeli soldiers march through the village of Ein Hod. In a split second, her son is snatched from her arms and the fate of the Abulheja family is changed forever. Forced into a refugee camp in Jenin , the family struggles to rebuild their world. Their stories unfold through the eyes of the youngest sibling, Amal, the daughter born in the camp who will eventually find herself alone in the United States; the eldest son who loses everything in the struggle for freedom; the stolen son who grows up as an Israeli, becoming an enemy soldier to his own brother. Mornings in Jenin is a novel of love and loss, war and oppression, and heartbreak and hope, spanning five countries and four generations of one of the most intractable conflicts of our lifetime. Ayobami ADEBAYO - Stay with me (2017, 298 pages) Yejide is hoping for a miracle, for a child. It is all her husband wants, all her mother-in-law wants, and she has tried everything - arduous pilgrimages, medical consultations, dances with prophets, appeals to God. But when her in- laws insist upon a new wife, it is too much for Yejide to bear. It will lead to jealousy, betrayal and despair. Unravelling against the social and political turbulence of '80s Nigeria, Stay with Me sings with the voices, colours, joys and fears of its surroundings. Ayobami Adebayo weaves a devastating story of the fragility of married love, the undoing of family, the wretchedness of grief and the all-consuming bonds of motherhood. -
“Patriot”: Civic Britain, C
INTERNATIONAL REVIEW OF SCOTTISH STUDIES ISSN 1923-5755 E-ISSN 1923-5763 EDITOR J. E. Fraser, University of Guelph ASSISTANT EDITORS S. Devlin, University of Guelph C. Hartlen, University of Guelph REVIEW EDITORS M. Hudec, University of Guelph H. Wilson, University of Guelph EDITORIAL BOARD M. Brown, University of Aberdeen G. Carruthers, University of Glasgow L. Davis, Simon Fraser University E. L. Ewan, University of Guelph D. Fischlin, University of Guelph K. J. James, University of Guelph L. L. Mahood, University of Guelph A. McCarthy, University of Otago D. Nerbas, McGill University M. Penman, University of Stirling R. B. Sher, New Jersey Institute of Technology The Editors assume no responsibility for statements of fact or opinion made by contributors. All contents are © copyrighted by the International Review of Scottish Studies and/or their author, 2017 Book printing by Stewart Publishing & Printing Markham, Ontario • 905-294-4389 [email protected] • www.stewartbooks.com SUBMISSION OF ARTICLES FOR PUBLICATION This is a peer-reviewed, open access journal. It is listed in the Directory of Open Access Journals and is a member of the Canadian Association of Learned Journals. Directory of Open Access Journals: www.doaj.org Canadian Association of Learned Journals: www.calj-acrs.ca All manuscripts, including endnotes, captions, illustrations and supplementary information should be submitted electronically through the journal’s website: www.irss.uoguelph.ca Submission guidelines and stylistic conventions are also to be found there, along with all back issues of the journal. Manuscripts should be a maximum of 8000 words in length although shorter papers will also be considered.